With NO ME ARREPIENTO DE SENTIR TANTO, KAROL G enters her next era with Drake, Bruno Mars and a stadium tour that lands in London next summer.
KAROL G has never been particularly interested in making herself smaller. Now, on her seventh studio album, she’s making a case for feeling bigger, too.
The Colombian superstar returns with NO ME ARREPIENTO DE SENTIR TANTO — translated as I Don’t Regret Feeling So Much — a 14-track exploration of what happens when you stop apologising for the intensity of your emotions.
Love. Heartbreak. Anger. Nostalgia. Desire. Hope. Healing.
KAROL G wants all of it.
And for an artist whose ascent has taken her from Medellín to GRAMMY wins and sold-out stadiums around the world, there is something unexpectedly intimate about making vulnerability the centrepiece of her next era.
Rather than constructing a neat heartbreak-to-healing narrative, NO ME ARREPIENTO DE SENTIR TANTO embraces the messier reality: emotions rarely arrive in the right order.
The album moves through them as interconnected experiences, each track forming another chapter in a project designed to be heard from beginning to end. It’s less about getting over something and more about allowing yourself to exist completely inside it.
KAROL G, UNCENSORED
That emotional freedom comes with an equally ambitious sonic evolution.
Alternative pop collides with Latin influences, atmospheric production and organic instrumentation as KAROL expands the musical universe surrounding her without abandoning the emotional directness that made millions connect with her in the first place.
And she has assembled quite the cast to enter that universe.
Drake appears on “Ahí,” while Spanish experimental talents Judeline and Rusowsky join her on “bbY WOW.” Cigarettes After Sex frontman Greg Gonzalez is also among the album’s collaborators.
Then there’s Bruno Mars.
“Still,” featuring Mars, marks KAROL G’s first recording performed entirely in English — a significant first for an artist who has helped prove that global pop stardom never required abandoning Spanish in the first place.
Behind the scenes, the credits read like a snapshot of contemporary pop’s most interesting corners. Cashmere Cat, Edgar Barrera, Oklou, Omar Fedi, Ovy On The Drums, Sky Rompiendo, Taiko and Tainy are among the producers shaping the record.
Yet despite its formidable guest list, NO ME ARREPIENTO DE SENTIR TANTO never positions collaboration as the main event.
KAROL G remains firmly at its centre.
FROM PRIVATE FEELINGS TO 60,000 VOICES
The contradiction at the heart of this era might also be its most compelling one.
KAROL G has made an album about deeply personal emotions at precisely the moment her career has become almost impossibly enormous.
The release arrives as her VIAJANDO POR EL MUNDO TROPITOUR moves through stadiums across the globe, transforming songs conceived through individual experiences into something communal.
Las Vegas. Los Angeles. New York. Miami. Bogotá. Buenos Aires. Barcelona. Paris.
And then, London.
On 6 July 2027, KAROL G will take over Tottenham Hotspur Stadium, bringing the tour — and this new emotional universe — to the capital for what promises to be one of next summer’s major pop spectacles.
There’s something powerful about imagining songs born from heartbreak, anger and loneliness eventually being screamed back at their creator by an entire stadium.
Perhaps that is precisely the point.
NO ME ARREPIENTO DE SENTIR TANTO was partly inspired not only by KAROL’s own experiences, but by the stories fans have shared with her over the years. Different lives, different relationships, different heartbreaks — yet often the same feelings underneath.
The private becomes collective.
THE POWER OF FEELING TOO MUCH
For women in pop, emotion has always been complicated territory.
Feel too little and you’re cold. Feel too much and you’re dramatic. Be vulnerable and you’re fragile; be confident and suddenly you’re difficult.
KAROL G’s answer is refreshingly uncomplicated: feel it anyway.
At this point in her career, she has little left to prove about scale. The awards are there. The streams are there. The stadiums are quite literally there.
What feels more interesting is watching an artist with that level of cultural power choose not to armour herself against vulnerability, but turn it into the aesthetic and emotional language of an entire era.
Even the album rollout has unfolded like chapters from a diary writ large: cryptic visual clues, “MATADORA,” a cinematic trailer, the gradual reveal of its artwork and tracklist, each piece opening the door slightly wider.
Now the full picture is here.
Fourteen tracks. Five high-profile collaborators. One enormous world tour.
And absolutely no regrets about feeling any of it.
NO ME ARREPIENTO DE SENTIR TANTO — TRACKLIST
Te Llevas To
Maybe
Bebiendo Lágrimas
Ahí (feat. Drake)
Final Feliz
Still (feat. Bruno Mars)
Alguien Que Te Amaba
Matadora
For U My Lova
Si Lo Ven
bbY WOW (feat. Judeline, Rusowsky)
Con Quién Andará?
Eclipse
Después de Ti
KAROL G’s NO ME ARREPIENTO DE SENTIR TANTO is out now. The VIAJANDO POR EL MUNDO TROPITOUR arrives at London’s Tottenham Hotspur Stadium on 6 July 2027.
