Opening at London’s Victoria and Albert Museum, Schiaparelli: Fashion Becomes Art is already being hailed as one of 2026’s most important cultural moments—an exhibition that doesn’t just showcase fashion, but reframes it entirely.

Running from 28 March to November 2026, the show marks the first major UK exhibition dedicated to the house of Schiaparelli, tracing its legacy from the 1920s to its modern revival.

Where Surrealism Meets Couture

Founded by visionary designer Elsa Schiaparelli, the house has always existed in a space between reality and imagination. This exhibition brings that world to life—placing iconic garments alongside works by artists like Salvador Dalí, Jean Cocteau, and Pablo Picasso.

Expect the unexpected:
the legendary Lobster Dress, the haunting Skeleton Dress, and surreal accessories like the infamous Shoe Hat. These are not just garments—they are provocations, challenging the very definition of fashion.

Schiaparelli didn’t follow trends. She created a language.

More Than Fashion—A Cultural Movement

What makes this exhibition so powerful is its scope. Featuring over 200 objects, it moves beyond clothing to include photography, sculpture, perfume, and archival material.

It tells the story of a designer who blurred boundaries long before it became industry standard—merging fashion with performance, art, and identity.

As the V&A itself positions it, this is not just a retrospective—it’s a celebration of one of the most “ingenious and daring designers in fashion history.”

From Elsa to Now: The Roseberry Era
The exhibition doesn’t stop at history—it extends into the now.

Under creative director Daniel Roseberry, Schiaparelli has re-entered the cultural conversation with viral, sculptural couture moments—worn by the likes of Bella Hadid and Kylie Jenner.

From gilded anatomical details to hyper-surreal silhouettes, Roseberry’s work channels Elsa’s original vision while pushing it into a digital-age spectacle.

The message is clear: Schiaparelli isn’t heritage—it’s alive.

Why This Exhibition Matters Now

In an era where fashion is increasingly consumed through screens, Fashion Becomes Art reminds us of its physical, emotional, and artistic power.

Schiaparelli’s work feels more relevant than ever—bold, strange, unapologetic. It speaks to a generation that values individuality over perfection, expression over conformity.

This is fashion at its most fearless.

A Must-See Moment

More than just an exhibition, this is a statement: fashion has always been art—we’re only just catching up.

And in true Schiaparelli spirit, it’s outrageous, surreal, and impossible to ignore.

The post Schiaparelli: Fashion Becomes Art — The Exhibition Redefining Couture appeared first on Voir Fashion.

Bags With Character

Courtesy of Mozhdeh Matin

We can all agree that everyone wants to have a bag that no one else has, and the SS25 runways were full of unique gems. From Coach to Versace we saw so many cool styles for the Voir readers to know about, with many designers steering away from safe options. Whether it’s a fringe moment or a wild colour combination, you’re bound to stand out.

Courtesy of Coach

Courtesy of Versace

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Sporty Chic

Courtesy of Adidas Originals x Willy Chavarria

Sportswear is working its way more and more into the fashion world as we see a multitude of collabs with fashion houses ever year, such as Jacquemus and Dior recently. The fresh silhouettes pair with the durability of sportswear for a unique fusion look or can lean heavily towards the sportswear aesthetic with a baggier design, creating a remarkable versatility.

Courtesy of Dior

Courtesy of The Attico

Fringes

Courtesy of Isabel Marant

Bohemian chic is back and Voir loves the throwback in time on the runways. Whether it reminds you of Glastonbury or you just love the motion of the fabric this is going to be a go-to for Spring. The loose fringes are a match for any garment – tops, skirts and even hats you have a plethora of choice.

Courtesy of Bottega Veneta

Courtesy of Dior

Plaid

Courtesy of Acne Studios

Plaid captures the essence of Britishness. Burberry and Vivienne Westwood starting it off for us Brits and now we have it in abundance from many brands. Working on any garment, it is so easy to style all year round, not just for Spring but it takes styling work. Try it with plain colours that match one of the squares and you can’t go wrong with this classic print.

Courtesy of Bottega Veneta

Courtesy of Burberry

Sailor Core

Will sailor core be the big new trend in 2025? It’s looking very likely. Stripes and fishnets aren’t just for boat trips, they’re for every day. This minimalistic print is subtle but speaks volumes on Rabanne’s runway, and Alaïa creates a playful glimpse of what’s beneath with their use of fishnet. This trend is undoubtedly versatile.

Courtesy of Alaïa

Courtesy of Dior

Courtesy of Rabanne

Utility

Courtesy of Mugler

Wasn’t it TikTok who said #womeninmalefields? Women can do anything and it’s time for a spin on utility wear and for it to filter into the fashion world. Cheryl Cole was the first and Voir is obsessed with this trend. This cool girl style mixed with army core creates a sexy and poweful woman.

Courtesy of Alexander McQueen

Courtesy of Ferrari

One Leg Out

Courtesy of Louis Vuitton

One leg in and one leg out is a trend that graced many runways for SS25, and all the big fashion houses did it, from Coperni to Bottega Veneta and Louis Vuitton. This interesting concept creates a unique play on trousers and overall gives an indoor-outdoor vibe and will definitely make heads turn this coming season.

Courtesy of Bottega Veneta

Courtesy of Coperni

Colourful Coats

Courtesy of Miu Miu

It’s been done before and that’s because it works. It’s time to switch up your classic black puffer and add some vibrancy into that wardrobe. The trend is great for spring as it offers a cheerful vibe and unapologetically lets you make a bold and confident statement.

Courtesy of Versace

Courtesy of Lacoste

Words By Zlata Gavula

The post Here’s What To Wear Going Into 2025 As Seen On The Runways appeared first on Voir Fashion.

Stars like Kim Kardashian, Ciara, and Jennifer Lopez have already embraced Ling’s avant-garde designs, a testament to her growing influence in both fashion and pop culture. The Neanderthal collection was no exception, with models like Alex Consani (who opened the show), Ashley Graham, Neelam Gill and Meredith Duxbery showcasing pieces that epitomized Grace Ling’s vision of elegance redefined by technology and art.

Ethereal Meets Primitive: A Fusion of 3D Design and Ancient Symbolism 

Grace Ling’s SS25 ‘Neanderthal’ collection, masterfully combined cutting-edge 3D technology with primitive, nature-inspired elements. This fusion reached its peak with two standout looks that encapsulate the collection’s ethos: Alex Consani’s 3D sculptural dress and the captivating finale, Look 34. 

Alex Consani’s look opened the show with a breathtaking display of 3D-printed elements, merging art and technology in a way that challenges traditional fashion boundaries. The intricate, metallic design created a futuristic silhouette that felt both otherworldly and grounded in the tactile reality of material innovation in material innovation, setting the tone for the entire collection. 

The final look n°34, featured a model in a metallic dress surrounded by birds, evoking a witchy, ethereal energy reminiscent of dark fairytales. 

The metallic sheen of the dress and the eerie presence of the birds symbolized the collision of ethereal elegance and primal beauty. This look didn’t just close the show—it left a lasting impression, embodying the Neanderthal collection’s theme of evolution and the convergence of past and future. 

Tailoring and Blazers 

Grace Ling’s SS25 collection features captivating tailoring that redefines traditional elegance. The collection showcases a series of torn and deconstructed blazers, each adding an edgy, avant-garde twist to classic silhouettes. Among these, the white tailored blazer stands out as a potential bestseller. Ling’s design incorporates transparent elements and a raw, unfinished look, merging sophistication with rebellion. 

Ling’s confidence in this piece is clear: “My gut tells me that this is going to be one of the bestsellers,” she remarked, emphasizing her belief in the white-tailored blazer’s commercial and artistic impact. This standout garment exemplifies her innovative approach to fashion, where the juxtaposition of refined tailoring and dramatic deconstruction creates a striking visual contrast. 

Nailed It: Primitive Nails by Meechynails 

Another captivating detail was the primitive nails designed by Meechynails, which echoed the collection’s blend of raw and futuristic elements. These intricate designs added a unique, tactile dimension to the runway looks, further enhancing the collection’s overall impact. 

Illusionistic bags 

Grace Ling’s SS25 collection is highlighted by her creative use of bags that play with perception and function. Key pieces include: 

Butt Minaudière: This signature piece features a glossy, silver finish that cleverly mimics the contours of a human form. Its versatility was showcased throughout the show, appearing in various styles and colourways, including a striking black version. 

• Handaxe Bag: A collaboration with Humane, this bag stands out with its integration of advanced technology. Designed to house the AI-powered Ai Pin, it combines ancient inspiration with modern tech, making it a standout accessory that bridges the gap between the past and the future. 

Glam: Timeless Elegance

To complement the futuristic pieces, the models sported classic, timeless makeup courtesy of Laura Mercier. The classic red lip added a touch of glamour and sophistication, providing a contrast to the more avant-garde elements of the collection. 

Watch the show’s makeup in action here 

Video: https://www.instagram.com/reel/C_rK_UvxE0B/?igsh=NjAxcWp3bmhjMWRz 

A New Era in Fashion Soundscapes 

No detail was left untouched, including the music. Madeon, the visionary electronic music producer, crafted a bespoke soundscape for the runway, infusing the show with a dynamic rhythm that brought the collection to life. His mix of pulsating beats and ethereal melodies perfectly complemented the duality of Ling’s designs, creating an immersive sensory experience. 

Words by

Noa Balou

The post How Grace Ling’s SS25 Collection Neanderthal stole New York Fashion Week appeared first on Voir Fashion.

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The Dsquared2 Spring/Summer 2025 collection featured a vibrant colour palette that played with contrasts and harmonies. Bright neon shades of pink, green, and orange were juxtaposed with more subdued tones of beige, white, and black. The use of innovative fabrics was a standout feature, with materials ranging from sheer organza to metallic leather, creating a dynamic interplay of textures and finishes.

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The collection was a testament to Dsquared2’s ability to fuse disparate styles into a cohesive whole. The runway saw an eclectic mix of oversized streetwear, tailored suits, and glamorous evening wear. Baggy cargo trousers were paired with tailored blazers, and elegant dresses were accessorized with chunky trainers.

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This year, the Caten twins placed a strong emphasis on sustainability, showcasing pieces made from recycled and eco-friendly materials. The collection also highlighted the impeccable craftsmanship that Dsquared2 is known for, with intricate embroidery, hand-painted designs, and meticulously crafted accessories.

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Several standout pieces captured the audience’s attention, such as a thigh-length metallic trench coat that shimmered under the runway lights and a series of sheer dresses with bold floral appliqués. The theme of transformation and duality was prevalent throughout the collection, with garments that could be worn in multiple ways, reflecting the versatility and adaptability of modern fashion.

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The front row was graced by an array of celebrities and fashion icons, including Mia Khalifa, sporting a daring custom Dsquared2 outfit including a faux fur shawl and black, satin slip skirt and tiny, heart-shaped nipple covers. Singer Bad Gyal also attended, wearing a short, sheer, lace, and sequin encrusted mini dress and clear, acrylic heels. Other stars in attendance also include singer and actor Aron Piper, and fashion stylist Anna Dello Russo – both wearing Dsquared2. 

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The Dsquared2 Spring/Summer 2025 show at Milan Fashion Week was a spectacular celebration of innovation, sustainability, and style. Dean and Dan Caten once again proved their ability to push the boundaries of fashion while staying true to their brand’s identity. The collection not only captivated the audience with its bold designs and vibrant colours but also set a new standard for future fashion shows in terms of creativity and sustainability. As the fashion world looks ahead, Dsquared2’s latest collection will undoubtedly be remembered as one of the highlights of Milan Fashion Week 2025.

_{Written By Bethan Gwynne}

The post Dsquared2 Spring/Summer 2025: A Spectacular Showcase at Milan Fashion Week appeared first on Voir Fashion.

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Elisabetta Franchi – The “Eternal” Collection

Known for her feminine design, embracing both smart and sensual looks, the Italian designer Elisabetta Franchi offered us an array of column dresses, chic pantsuits, hourglass blazers, and mini dresses during the first day of the FW, 20/04. It was a celebration of various textures, with sequined, full-length evening dresses, crystal intarsias, layers of chiffon, golden fringe, and feather-like, white, floral ornaments.

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It was all about glimmer and glamour, but in a highly elegant and powerful tone. The strong makeup, with smoky eyes and nude lips, complemented by long, golden earrings and necklaces made a statement of majestic and goddess-like femininity. The collection, with its colour palette revolving around a classic set of black, white, ivory, metallic silver, golden, and claret, presented not only smart suits, and minimalistic and form-fitting dresses, but also had a sexy touch to it, with cut-outs, transparent blouses, blazers modified into mini dresses, and glittering, crystal-embroidered silver mini dresses paired up with high leather boots or complemented by an impressive chiffon trail.

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The cherry on top? Franchi’s identification mark – classy high heels, with the brand’s logo incorporated in the heel – for the goddesses to stride boldly. 

“Peri Therous” By Dassios

This Athens-based designer’s collection was the greatest tribute to the rich Hellenic heritage we saw during day two, if not during the whole Fashion Week.

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Every model, with colourful (usually blue or red) eye shadows, ethnic earrings, and most standing-out garlands, brought to mind representations of the Greek goddess of the hearth and home, Hestia, who – for this one day – appeared in front of our eyes in flesh and blood, wearing long dresses and togas in the colours of nature.

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They were airy and mostly broad, with long sleeves, but very sensual at the same time, with deep necklines and half-transparent fabrics. It was a harmonious celebration of colours and large prints, inspired by Greek traditional garments, worn by models of different looks and age groups. Majestic Hellenic femininity at its finest. 

“Daydreaming A Poem For Katia” By Celebrity Skin – Daydreaming It Is

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It was magical, it was theatrical, it was avant-garde and haute-couture. The “daydreaming” bit in the title of German-born Dimitris Strepkos’ latest collection is by no means accidental, as the show offered futuristic and fairy-tale-like corsets, Schiaparelli-like, glowing crystal masks and theatrical hair accessories, together with richly ornamented lace bodysuits – all in an artistic tone, with models varying in gender, silhouettes, and age groups.

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The textures – with sequins, frills, fringe, and decorative buttons, were just amazing, all meticulously mixed to create a fascinating, innovative whole. Celebrity Skin delivered a show which proved to be the definition of haute couture, and we’re more than honoured to have been able to experience it. 

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Malan Breton A/W24

It’s been Breton’s first show here in Athens, and surely one to be remembered. The collection, inspired by the ‘70s Glam Rock era, was sexy, edgy, and powerful, bound to cause goosebumps, with the empowering, almost sinister music reverberating inside Zappeio Megaron.

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Closing the second day of the FW, Malan Breton presented a series of form-fitting leather dresses, full-leather looks (from red to metallic silver and classic black), and glamorous evening gowns – silky and sensual, some of them almost devilish with their red and black colour palette and chic elbow-length gloves.

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The look that stood out and stuck in the mind was the golden-brown feather outfit, which made the model look like a proud, majestic bird – a predatory one for sure. 

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Paris Valtadoros & “Mystique” – Frilling, Frilling, and One More Time Frilling by the Lake Vouliagmeni 

It was probably the most magical and almost other-worldly setting, creating a unique experience, full of vibrant colours, massive platform heels, and layers (and layers!) of frilling. From more classic, black-and-white looks, to patchwork ruffle dresses with sensual cut-outs, and neon pink, orange, and yellow dresses of various lengths – but always with frills bouncing rhythmically to the electrifying beat in the background – Paris Valtadoros ended day three of Athens FW with a varied range of forms and inspirations.

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Looking at the frilled sleeves (from white to grey, and Barbie-pink) and metallic platform heels, we just couldn’t help thinking of the 1970s iconic outfits. Watching the black-beige full-length dresses (inspired by traditional Greek togas) flowing in front of your eyes, with the runway just above the lake’s clear waters, and the nearby rocks in atmospheric dim light, the show created a truly sublime experience. 

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And the Best Catwalk Award Goes to… L’ amour et L’ âme Atelier! 

Tuesday 23/04 saw the New Designers Awards HUAWEI FreeClip gala, during which three young designers were awarded for their fresh and promising ideas. One of them was L’ amour et L’ âme Atelier by Lamprini Mourouti, a brand specialising in bridal looks and jewellery.

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Apart from classic white gowns, L’ amour et L’ âme Atelier offers colourful ones, like the coral, corset-like mini dress with a transparent trail we could see in the show. It also experiments with lingerie inspirations, making the dresses delicate and sensual – have a look at this half-transparent, sky-blue gown, which – together with the floral headband – makes the model nymph-like. We’ll definitely follow how the brand keeps contributing to bridal trends over the next seasons! 

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Athens Fashion Week wasn’t just about marvelling at the looks from established designers and praising those from the upcoming ones.

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It was a broader, multi-layered experience, in which the Greek setting was invited into the fashion shows and vice versa, and which was both a tribute and a re-interpretation of ancient Greek heritage, as shown in the “Fashion & Olympic Games, Athens 2004-Paris 2024” exhibition.

_{Credits: Panoulis} 

Opening the FW, the exhibition delved deep into rich Greek history, where fashion – with iconic looks of renowned Greek designers – sports, body cult, and mythology merge. 

_{Credits: Panoulis} 

_{Written By Julia Sułkowska} 

The post Greek Goddesses Come To Life – Highlights From Athens Fashion Week appeared first on Voir Fashion.

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The brand founders won the Andam Special Prize in February 2023 and were able to put the awarded £100,000 towards building their brand, they took some time off after the release of  their Fall 2023 collection in March to focus on building their brand and coming back bigger and better than ever before. Her Fall 2024 Collection in Paris was no exception. The invitations were sent out along with a bouquet of flowers labelled “missed you” with a red lipstick kiss.

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The brand focuses on making sustainable and inclusive pieces for the fierce and bold. They are largely inspired by female empowerment and that theme is reflected in their design and their sizes range from size 2 to 18. Upon their return, Manas was quoted saying “This collection is a gift for the people around us. Thank you for welcoming us again; we came back and we came back with what you asked from us.”

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The collection was built of down jackets which were made from recycled nylon, and trench coats that were constructed using deadstock Balenciaga. There was also a lot of colour blocking and ribbed knits that were sportier than Manas previous pieces. The brand also played with texture with a lot of ruffles and sheer fabrics.

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The previous collections have been just as magical, with the Fall 23 collection based around their upcoming marriage of the two designers and partners titled “For Better or For Worse”. “We’re getting married, so we tried to do the most stereotypical wedding we won’t do for ourselves,”  they were quoted saying to a reporter. 

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They hosted the show in a church and played beautiful love songs like Sade’s “No Ordinary Love”. And as you can imagine, the show hosted a stunning array of white gowns on a stunning array of body types in true Esther Manas fashion. However the collection was not just about gowns, it was the epitome of the “cool bride”. 

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As absolute pioneers when it comes to inclusivity in fashion, we are expecting and exited to see a lot more of Ester Manas, and eagerly awaiting what they have up their sleeves for the futures of the brand.

_{Written By Lauren Dickson}

The post Who Are Ester Manas And How Are They Pioneering Inclusivity In High Fashion appeared first on Voir Fashion.

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The LINO womenswear show started off in classic Owens’ doom: a demonic melody played as obsidian ensembles opened the show, the Palais de Tokyo setting shrouded in artificial fog. But as soon as colorful petals began falling from the sky, we knew something was different. Sure, they were in reference to when Roman Emperor Heliogabalus notoriously suffocated his guests with rose petals (‘I didn’t have enough of them to kill everybody’ said Owens), but an uncharacteristic positiveness was in the apocalyptic fog.

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The distorted song revealed itself to be Diane Ross chanting ‘I still believe in love’, the fragrance from the petals pleasantly lingered, and the fog was in bright shades of pink and yellow. The inspiration behind this change was Bjork: ‘I went to (her) concert and her intelligent, life-affirming energy made me kinda embarrassed of my own mopey adolescent pessimism.’ said the designer.

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That’s not to say that the show wasn’t Owens at its core. The opening looks established a black theme filled with skin-tight silhouettes, long leather skirts, and structural jersey draping that remained a theme throughout. Models wore alien-like black contact lenses and slicked-back hair with micro bras, oversized gloves, and shaded sunglasses. Wastlines were high and hemlines were low, complete with the brand’s signature pointed shoulders.

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But then entered this utopic hope. Pink, burgundy, red, and brown reiterations of the black getups appeared, with delicate wedding trains and capes substituting sheer funeral veils. Then came silk garments billowing in the wind and the ‘donut’ gowns we saw last season– puffball cylinder-shaped mini and midi dresses in toned-down pastels. It’s that same faith we had in the models, watching them brave through stairs and wind in sky-high platforms and orthopedic gladiator sandals.

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It was surprisingly refreshing seeing his usual structural artwork interpolated with more wearable pieces– we can’t remember the last time we saw Owens do cropped leather jackets, and his decision to use lava red is sure to bring in commercial success for the brand.

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In LINO he found a cautious sanguineness, making us see the beauty present on Earth amongst his signature melancholic futurism. There was no better way to show this than by using eco-friendly recycled yarn for getups that were perfect for an ecological apocalypse. The five final looks certainly made us think of doomsday preparation: differently colored hazmat loose jumpsuits covered every inch of skin. From beginning to end, Owens urges us not to ignore the bitter and harsh reality, and yet he inspires us to find the light in the darkness.

_{Words by Alexia De Las Heras}

^{Header Image by @ssense}

The post Rick Owens Finds Light In The Darkness At PFW appeared first on Voir Fashion.

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Mirror Palais

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Stakes were high for the viral brand’s second New York show, but Marcelo Gaia delivered a collection that had the internet in just as much of a frenzy as last year. The SS24 show Gaia turned up the heat by adding sexiness to their signature bows, ruffled mesh gowns, and low-waist maxi bottoms. One look in particular, a nude lace-up corset and long skirt, has Fashion TikTok on their knees. The pieces are meant to let you wear your fantasies, with soft pink and cream colors dominating alongside dreamy satin, tulle, and velvety fabrics. What caught everybody’s attention is that this collection adds diversity to their sizes, using ribbon ties and stretchy materials. From Sailor Moon-inspired bandage dresses to wide-brimmed hats as a nod to Audrey Hepburn, the dreamy inspiration is clear. Feminine icon Cindy Kimberly closed the show in a bridal dress, cementing the show as one of this season’s highlights.

Sandy Liang

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For Spring 2024, Sandy Liang took the concept of “I’m just a girl” and turned it into a show. The hyperfeminine, nostalgic, and whimsical ensembles had all the ballet core and coquette fans gasping in delight. We’re sure to see all the New York cool girls wearing the pleated skirts and ballerinas featured in no time. The “The Virgin Suicides” collection was inspired by Sofia Coppola’s cult film of the same name, blending its girliness with a Y2K and mermaid aesthetic. Think bow bags, graphic tees, and lot’s of shells. The color palette matched too, with icy pink, cream, and navy blue reigning the runway. Her eponymous label used to be an if-you-know-you-know brand, but this show will earn her a spot amongst the international titans.

LaQuan Smith

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A NYFW staple, LaQuan Smith’s show had the front-row celebrities and toughest critics hollering at the sexy and provocative attire. Saweetie, Mary J Blige, Laverne Cox… all the A-listers came to see what the Queens-born designer had in store— and he did not disappoint. The afterparty at the exclusive and infamous club The Stranger will no doubt double its popularity, with guests including Parris Goebel, Tinashe, FloMilli, and Coco Jones. For Spring 24, Smith delivered an intergalactic glam dream, with sci-fi references from Barbarella and Freddy Mercury. The color palette matched just that, with metallics and colors like fuchsia, aqua, and purple taking center stage. In terms of the garments, we saw NSFW mesh bodysuits, metallic cargo pants, and strapless dresses with the highest slits possible. Smith made this one for the it-girls and confident women.

Sami Miro Vintage

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For her NYFW debut, the CFDA Vogue Fashion Fund Finalist brought L.A. fashion to the mix. For her ‘Zero Waste’ collection, Miró showcased the upcycled garments that made celebrities like Kendall Jenner, Cardi B, and Rosalia love her brand. Her first show was highly anticipated, a warranted feeling after seeing the skin-baring creations that strolled down the runway. Everything had a DIY element as a tribute to when she reworked her thrift shop finds as a teen, from deconstructed blazers to leather cutout dresses sporting neutral colour palettes filled with cream, black, and grey. But what truly made the show was when she came out to the runway to cut a pair of long black pants into a flowing gown. That’s a big yes from us.

Buci NYC

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The New York label BUCI also finally made its NYFW debut, with a show that proved why its clothes are a must in every It girl’s closet. Despite her brand only being three years old, designer Mishka Ivanivic managed to weave sensuality into her ethereal aesthetic. The collection adorned flowing scarves, chic jackets, and coquette silhouettes, inspiring thoughts of an autumn daydream. The reds, browns, and ivories just contributed more to that end-of-summer feeling, but what made it stand out were the transformable pieces. Tied-up mini dresses becoming long flowing ones, adjustable skirts… BUCI didn’t shy away from highlighting what it’s famous for–and we couldn’t be more glad.

Luar

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The coveted spot of the week was filled by Luar, who closed NYFW by giving fashion what it needs the most right now, Raul Lopez poured his soul into the ‘Socorro’ collection, inspired by the battle between religion and hedonism, he saw in his home country of the Dominican Republic. He showed this by contrasting modesty with sexiness: peekaboo hemlines, skirts that button up to show more or less leg, and shorts with long, billowing tails. The Brooklyn-based designer also merged office attire with party clothes through grey sleek suits, LBD’s, and tan deconstructed pieces. But that’s not all; Lopez found a way to sneak his origins into the collection, filling it with a broken leather reminiscent of the walls of his home. Crowding the runway were also different versions of the Ana bag that threw the brand into the limelight. Guests Lourdes Leon, Gunna, Doechii, and JT can attest to the show’s success.

^{Words by Alexia De Las Herras}

^{Header Image by @sandyliang}

The post These Are The 7 NYFW Shows Everybody’s Talking About! appeared first on Voir Fashion.

Gigi Hadid’s Bridal Look for SS19

One of the most iconic moments of Jeremy Scott’s career at Moschino has to be the SS19 show. The show began with a phone call from the one and only Gigi Hadid who warned Scott that he was late for the SS19 runway, Jeremy then declared that all he had for this collection were some sketches, a designer’s worst nightmare. Despite the implied chaos, Gigi Hadid closed the show in an impeccable bridal look with a train of butterflies following her down the catwalk. This was a moment that stopped everybody in their tracks, it was all anyone was talking about, and looking back on it now, we remember why.

He Predicted Midsommar for SS18

Jeremy Scott’s SS18 collection for Moschino was ahead of its time. You might be wondering how this collection was predicting the future, but if you look at the last few looks from the show some of the looks may remind you of a certain dress worn by Florence Pugh in 2019’s Midsommar. The moment that Dani is crowned the May Queen and is veiled in a gown of flowers has been recognised within pop-culture as one of the most iconic fashion moments in film (and that it was). Celebrities such as Ariana Grande and Halsey even entered into a bidding war over the gown. And while the Moschino looks were not the same as Pugh’s elaborate gown, the they definitely shared Midsommar’s floral influences. Spekaing of Moschino and the film industry, this collection was also home to Zendaya’s iconic butterfly dress that she wore to the premiere for The Greatest Showman. 

_{^{Photo Credits: Vogue Runway}} 

Moschino or McDonalds for Fall 2014

For their Fall 2014 collection, Moschino shocked us all. Never in a million years would we have guessed that McDonalds would work its way onto the runway, but Jeremy Scott made that happen. Inspired by Franco Moschino’s own satirical outlook on the high-fashion industry Scott incorporated ‘junk’ into this collection, this time through junk food. The red and yellow combination was universally recognisable and the infamous ‘golden arches’ were bent into a heart-shape as a subtle nod to ‘Love Moschino’. 

_{^{Photo Credits: Vogue Runway}}

Puppetry for SS21

SS21 saw many shows go digital due to the Covid-19 pandemic, a development within the industry that required a lot of creativity. No-one seemed to jump at this opportunity as much as Jeremy Scott though, who recruited none other than Jim Henson’s Creature Shop to create 30-inch puppets to model his collection. Yes, you read that correctly, 30-inches. This meant that for every look there was a miniature, puppet-sized version ready to be modelled. This moment brought excitement and whimsy in a time of uncertainty and fear as Jeremy Scott did what he does best, made fashion playful again. There was even a puppet version of Scott himself who came out to close the show.

_{^{Photo Credit: Vogue Runway}}

‘Let them eat cake’ for Fall 2020

Inspired by Marie Antoinette, Moschino’s Fall 2020 collection was dramatic, extravagant and over-the-top, but what else would you expect from the 1800s? The Queen of France was the perfect muse for Jeremy Scott who always favours the elaborate in his work, but it also came as an exciting change from Moschino’s former investment in bringing ‘trash’ to the runway, as this time they favoured decadence. The collection was not all bustles and petticoats though, with looks inspired by Marie Antoinette’s most famous quote ‘Let them eat cake’ closing the show. 

_{^{Photo Credits: Vogue Runway}}

Moschino Barbie for SS15

 As we previously mentioned, Moschino likes to be ahead of the latest blockbusters, and while Barbie has been consistently famous since 1959, Jeremy Scott was re-imagining Barbie’s look long before Greta Gerwig. In 2014, Moschino based their entire Spring Summer 2015 collection off the character designing a fun campaign that brought dress-up into the world of adults.

_{^{Photo Credits: Vogue Runway}}

_{Words by Amelia Gregory}

^{Header Image: Jeremy Scott}

The post Jeremy Scott May be Leaving Moschino, But His Most Iconic Moments Will Never be Forgotten! appeared first on Voir Fashion.

With over 50 shows from some of the leading fashion houses in the world, there was definitely a lot to take in but don’t worry, we secured the main designers here. Milan Fashion Week was a moment to remember. 

Diesel

Milan Fashion Week gave us the collaboration that none of us expected: Diesel x Durex. The catwalk took place in front of a mountain of red Durex wrappers and was soundtracked by an intimate playlist in a show that championed sex positivity. 

The collection featured Diesel’s usual edgy denim pieces, but the most impressive by far was the way that the brand put a spin on distressed denim. Rather than the usual rips and tears that form frayed edges and loose strings; Diesel incorporated delicate mesh in a sort-of sheer darning detail. This intricate detail not only elevated the look of ripped jeans, but it also played into the ever-popular push and pull of masculinity and femininity as the aggressive rips created a jarring contrast to the delicate lace mesh. 

Roberto Cavalli

Denim was also a huge part of the Roberto Cavalli show. Cavalli’s history is rooted in denim, the designer began his career by creating Frankenstein-esque creations out of scraps of denim; this history was a central source of inspiration for Fausto Puglisi’s collection.

Alongside denim, the collection featured various looks that were constructed by a collage of leather, adding an edgier element to the otherwise bohemian inspired designs. The brown-looks felt very inspired by a 1970s rocker-chic aesthetic, highlighting the retro influences that were weaved throughout the collection.

The collection also featured a heavy segment dedicated to black lace. This section featured a variety of looks that utilised black lace; everything from feathered catsuits to miniskirts took to the runway. This collection was not only an archival-inspired homage to fashion history, but it also served to prove the sheer versatility of materials and the way that they can be used to produce a vast selection of looks.

_{^{Photo Credits: Roberto Cavalli}}

Blumarine

Set against the backdrop of a blazing ‘B’ and stony outcrop, Blumarine took us on the journey of Joan of Arc. The metallic tones put a modern spin on the iconography of Joan of Arc’s silver armour and the shearling knee-high boots featured buckles that played with designs of combat boots. Chainmail tops and dresses served to show the versatility of the collection’s muse as the looks transitioned from martyr to party girl. 

This collection took Blumarine’s usual Y2K aesthetic, which often manifested itself in hyper-feminine looks of bubble-gum pink and floral frills, down a much darker route. The grungy collection was fuelled by danger and while still feminine, the looks explored the dynamic between violence, threat, martyrdom, and womanhood. 

_{^{Photo Credits: Blumarine}}

MM6 Maison Margiela

MM6 pioneered trendy tailoring this Milan Fashion Week. The collection was made up of a variety of tailored pieces, whether they were worn in sets or as individual pieces; layered or minimally styled; deconstructed or classically built; the looks demonstrated the versatility of tailoring. In a collection that emphasised the coolness in wearability, all of the looks were elevated yet rooted in simplicity. 

We have seen many designers stray away from show-stopping, viral designs that the internet devours recently as they favour more wearable designs that can maximise sales. While this may sound like a boring development, MM6 proved that it does not need to be. This collection emphasised the possibilities that exist in our day-to-day wardrobes, an important aspect of the fashion industry that must not be ignored.

_{^{Photo Credits: MM6 Maison Margiela}}

Moschino

The Moschino Autumn/Winter 2023 collection was inspired by Salvador Dali’s ‘The Persistence of Memory’. The famous melting clocks inspired the drip-like hems of the skirts that graced the catwalk. The fluid looks were paired with distorted patterns that both mimicked Dali’s painting and added to the ‘melted’ look of the clothes.

However, halfway through the show the collection took a punkier turn. The hedgehog-spiked headpieces were worn throughout the show, highlighting the influence of punk styles on the collection, but the clothes truly reflected this theme in the second portion of the catwalk. The elaborate ballgowns and extravagant silhouettes were Westwood-esque, in what many have seen as a tribute to the late designer. 

_{^{Photo Credits: Moschino}}

GCDS

GCDS’ latest collection was inspired by the domestic, the looks took a more conservative and grown-up look to past collections by the designer, but that does not mean that the collection was plain or boring in any way. The collection featured a bag inspired by Giuliano Calza’s cat, a piece that highlighted the importance of domestic life within this collection. 

However, the domestic also came out in other forms, particularly the use of safety pins throughout the collection. This highlights not only the process of designing and creating clothes but also how clothes exist within the home. The use of such a mundane yet integral object within the collection perfectly bridged the gap between the high fashion industry and the domestic lives that inspired the looks. 

Cormio

Cormio have successfully jumped on the football bandwagon and used their show to emphasise the feminist roots behind this trend. The venue for the show was a football hall on the outskirts of Milan but, unlike the hyper-masculine world of football, women were allowed to take centre stage in this environment. 

Women in football have been marginalised and underappreciated for years and now femininity is fighting back. Instead of opting for more ‘masculine’ looks to fit in with this atmosphere, Cormio instead forced femininity into this environment, proving that there is a place for ‘girliness’ within football. The Y2K ‘punk princess’ inspired looks highlighted another traditionally masculine environment that has been successfully dominated by women for years. The pieces reclaimed sexist phrases and slurs, injecting an ironic sense of humour into the collection. 

However, our personal highlight from the collection was the hyper-feminisation of the literal football. Cormio turned the instrument of the sport, the thing that the entire game is dependent on, into a handbag in a camp reclamation of the sport. 

Sunnei

Never before have we seen a horizontal catwalk. But that is exactly what Sunnei gave us. Models gracefully traversed the traditional catwalk before partaking in an elaborate trust exercise at the end of the runway. After falling into the arms of onlookers the models crowd-surfed to the end of their runway. 

The collection itself prioritised eye-grabbing looks, from patchwork denim to fringed knits, the looks were perfect for the it-girl who wants to stand out. Much like the runway show, the collection was non-traditional but not unwearable, the looks perfected the more out-there elements of contemporary streetstyle. 

Dolce & Gabbana 

After days of online speculation, Kim Kardashian sat front row at the Dolce & Gabbana show this Milan Fashion Week in an archival red two-piece that was a modernised look from the designer’s 1990 collection. Although onlookers were yet to realise it, Kim’s look set the stage for the collection that they were about to see as the Autumn/Winter 2023 ‘Sensuale’ collection was deeply inspired by archival work.

While lingerie-inspired looks are not uncommon on the runway anymore, Dolce & Gabbana were designing these sorts of collections back in the 90s. With this context the lace-heavy underwear-as-outerwear looks that graced the catwalk this season were more historic than you might think. The collection even featured a corset from 1991 and a coat from 1997 as the designer works to bring back some of their iconic pieces. 

_{^{Photo Credits: Dolce & Gabbana}}

^{Words by: Amelia Gregory}

^{Header Image: Diesel}

The post Durex Wrappers, Catsuits and Ballgowns? Here Are Our Favourite Shows From Milan Fashion Week. appeared first on Voir Fashion.