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1. 

Louis Vuitton 

Pharrell and Nigo Rewrite the Rules of Luxury Streetwear 

Pharrell Williams and Nigo debuted their Men’s Fall-Winter 2025 collection for Louis Vuitton at the Louvre’s Cour Carrée. Dubbed “Phriendship,” the show celebrated their 30-year creative partnership, blending streetwear roots with Louis Vuitton’s luxury heritage. The atmosphere was elevated by an orchestral soundtrack and 24 vitrines showcasing archival treasures, including Billionaire Boys Club merchandise, Louis Vuittonx Supreme skateboards, and N.E.R.D vinyls. 

The collection draws inspiration from Nigo’s workwear heritage and Pharrell’s streetwear vision, celebrating their shared subcultural influences and blending them with contemporary luxury. The eclectic collection felt like a journey through their creative synergy, elevating workwear silhouettes with premium craftmanship, featuring standout pieces like sleek leather varsity jackets, modern bomber jackets, and crocodile leather trucker jackets dyed to resemble denim. Accessories took centre stage, including the playful lobster-shaped handbag, Damier trunks with Pharrell and Nigo’s portraits, and the versatile “Buttersoft” in multiple colours. 

The earthy palette, crystal embellishments, and Japanese street culture influences highlighted their shared vision of functional yet luxurious design. Celebrities such as Idris Elba, Aaron Pierre, Bradley Cooper, Takashi Murakami and Dylan Wang were among the star-studded audience, underscoring the collection’s cultural significance. Pharrell described the collaboration as “a conversation between the past and future,” solidifying Louis Vuitton’s position as a bridge between tradition and contemporary innovation.

2. 

Juun.J 

COVERUNCOVERED

The Seoul based fashion brand took centre stage, Juun.J unveiled its Fall-Winter 2025 collection, “COVERUNCOVERED,” at Palais de Tokyo. Designer Jung Wook-jun explored the theme of opposites, blending tailored precision with voluminous silhouettes to create a striking visual dialogue. The collection featured oversized outerwear—parkas, utility jackets, and denim blousons—paired with sleek tailored pieces, such as pencil skirts, skinny pants, and double-breasted suits. This juxtaposition of extravagant and refined elements highlighted the tension between structure and fluidity.

The season’s collection emphasised accessibility wile maintaining its artistic integrity. Materials were a key element of contrast, with glossy leather and shaggy faux fur juxtaposed against thick rib knits and stiff cotton twill. Traditional military and workwear influences were reinterpreted with a softer, more emotional design language. A standout feature was the “melting” motif in denim pieces. Beneath the XXL outer layers, the narrative shifted to sleek pencil skirts and tailored trousers, creating a striking contrast to the voluminous outerwear. The waist became a defining boundary, accentuating the interplay between the expansive and the fitted. As Jung described, the effect was intended to evoke the image of materials melting or dripping down the body.

Jung Wook-jun commented on the growing global influence of K-fashion, noting the exciting fusion of tradition and innovation in this collection. With “COVERUNCOVERED,” Juun.J redefined modern menswear, offering a bold yet sophisticated take on contrasts in design.

3. 

Dior 

A Timeless Fusion of History and Innovation 

Dior Men’s Fall-Winter 2025 collection, presented by Kim Jones at Paris Fashion Week, was a masterclass in modern aristocratic minimalism. Drawing inspiration from Christian Dior’s 1954 “H-Line,” Jones reinterpreted the designer’s legacy through a contemporary lens, mixing elements of masculinity and femininity. The collection featured expertly structured tailoring, including silk faille swing coats in light pink, navy, and jet black, alongside luxurious yet everyday pieces like velvet joggers and sculpted blousons. 

Jones’s designs, though steeped in history, exuded an unmistakable modern allure, with delicate silk blouses draping over collarbones and cashmere knits hugging the shoulders like ballgowns. The show’s mysterious allure was further enhanced by silk ribbons tied around models’ eyes—a nod to a masked ball photo of Christian Dior.

This collection was more than about style; it was about transformation. One coat, which could be converted into a skirt, showcased Jones’s innovative approach to menswear. Classic tailoring merged with couture influences, evident in the embroidered satin shoes, archival patterns, and the dramatic closing pink robe adorned with intricate beadwork. The collection seamlessly fused tradition with modernity, redefining contemporary menswear with a bold yet elegant twist.

4. 

Willy Chavarria x Adidas Originals 

Tarantula

Willy Chavarria’s Fall-Winter 2025 collection, Tarantula, captivated Paris Men’s Fashion Week with a poignant celebration of identity, resilience, and inclusivity. Held at The American Cathedral, the venue’s spiritual ambiance echoed Chavarria’s Mexican American roots and queer identity, as rose-adorned alters set the stage for a runway show that was both powerful and intimate.

Chavarria’s collection, blending elevated workwear and sportswear with luxurious fabrics like Italian silks and velvet, showcased broad-shouldered suits, oversized bombers, and graphic tees featuring messages on community. The bold, ’90s-inspired silhouettes were complemented by oversized jackets, chinos, and combat boot sneakers, creating a collection that balanced high fashion with streetwear influences. The collaboration with Adidas Originals brought a limited-edition capsule that included iconic footwear like the Jabbar Low and Jabbar Dress sneakers, available through a unique giveaway from a vintage lowrider Chevy Impala cruising through Paris.

A diverse cast of models, including Becky G, Indya Moore, and Paloma Elsesser, embodied the collection’s core values of diversity and subversive masculinity, while J Balvin’s live performance added an electrifying and intimate touch. Notable attendees such as Luka Sabbat, Michèle Lamy, and Ty Dolla $ign, alongside fashion luminaries like Olivier Rousteing, further underscored the significance of the event, showing solidarity with Chavarria’s message of inclusivity and social justice. With Tarantula, Chavarria proved once again that fashion can be a tool for social justice, embracing the power of identity and community. 

5. 

Jacquemus 

LA CROISIÈRE

Jacquemus’ Spring-Summer 2025 show, La Croisière, took an intimate turn, setting a new standard for runway presentations. Held in Auguste Perret’s art deco apartment, with only 40 guests in attendance, the setting was understated yet impactful. Simon Porte Jacquemus expressed a desire to strip away artifice, allowing the silhouettes to speak for themselves in the raw, personal atmosphere of the space. The show was underscored by Édith Piaf’s Mon Dieu, paying homage to French musical heritage and adding emotional depth to the experience.

Fashion highlights included double-breasted blazers paired with sharply pleated trousers, minimal coats cinched at the waist, and form-flattering hourglass dresses. The standout was the “naked” gown—a showstopper accentuating the human form with old Hollywood glamour. Footwear featured pointed woven heels and the ongoing collaboration between Nike and Jacquemus, with the Moon Nike Shoes making a statement.

The show’s intimacy was exemplified by Tyla wearing the same dress as Adriana Lima, who walked the runway. In a candid moment, Tyla admitted, “Adriana definitely wore it better; she ate me up,” highlighting the mutual respect between these two women. Celebrity attendees, including Pamela Anderson, Anna Wintour, and Central Cee, as well as models like Adriana Lima, Alex Consani and Christy Turlington, walking the runway added gravitas to an unforgettable show that redefined fashion presentation.

6. 

Wooyoungmi 

Wooyoungmi’s Fall/Winter 2025 collection, presented at the Hôtel de Maisons, explored the Korean philosophy of ch’orhak, “how to become wiser,” through a blend of modern utilitarian elegance and poetic formality. The collection emphasised self-reflection and self-discipline, with sharp tailoring juxtaposed against romantic floral motifs that disrupted tradition and added a ceremonial flair. Floral elements extended into casual knitwear, suggesting a shift toward everyday elegance.

The outerwear — trench coats, Crombie coats, and parkas — paid homage to the brand’s heritage, while workwear-inspired structured cargo pockets brought a utilitarian edge. The footwear range, including laced-up derbies and Chelsea boots, evoked ceremonial wardrobe styles, enhancing the collection’s sophisticated versatility. Notably, garments featured “minhwa,” the traditional Korean folk art, offering a tribute to the country’s culture and history.

Celebrities like Lucky Blue Smith, Will Poulter, and Sienna Spiro attended, underscoring the collection’s universal appeal. Wooyoungmi FW25’s fusion of traditional and contemporary elements made a bold statement: elegance is not just about appearance, but about evolving and cultivating one’s identity through fashion.

Words by Claire Gaura 

The post Men’s Paris Fashion Week 2025: The Highlights That Stole The Show and the main celebrities appeared first on Voir Fashion.

Coperni Cloud Bag

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Coperni stunned fashion enthusiasts at Paris Fashion Week Fall 2024 with their latest creation: the Air Swipe bag, a futuristic accessory crafted from silica aerogel, in collaboration with NASA. Renowned for pushing boundaries, Coperni worked with expert Ioannis Michaloudis to perfect the design over 15 prototypes. The egg-shaped clutch, 99% air, resembles a magical cloud, and can hold an iPhone despite its ethereal appearance. This innovative blend of science and style hints at a bold new era in accessories, emphasizing sustainability and limitless creativity in fashion. 

Classic Shapes For Chanel

_{Image Credits: Vogue Runway}

Chanel’s latest collection featured purses in vibrant pop colours, drawing inspiration from Deauville sunsets. Iconic house bags retained their signature shapes, while new additions returned to basics. Explore the standout bags from the collection in pictures. 

Balmain’s Stylish Statements With Fruit-Inspired Bags

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At the Balmain fashion show, fruit-inspired bags stole the spotlight, adding a whimsical touch to the runway. Among them, a standout piece was the gold ‘grape bag,’ a luxurious clutch elegantly draped down the model’s hand, exuding opulence, and sophistication. Another eye-catching creation was a green bag resembling a basket overflowing with pears, evoking a sense of freshness and natural charm. These fruit-inspired accessories not only complemented the vibrant and eclectic Balmain collection but also added a playful twist to the ensemble, showcasing Olivier Rousteing’s innovative approach to design. 

Golden Accents: Chloé’s Chic Bag Collection

_{Image Credits: https://www.instagram.com/chloe?igsh=MTRzc294ZHkxMno3eQ==}

For the Chloé runway show, the bags stood out as the classic accessory of choice, elevating the everyday look into the realm of high fashion. These handbags – a soft blue hobo, a classic brown leather satchel, and a luxurious fur-trimmed shoulder bag – each featured the distinctive touch of golden hardware, a hallmark of the brand’s attention to detail. The gleaming gold links and clasps served not only as functional elements but also as a nod to Chloé’s enduring elegance. Whether accentuating the casual sophistication of knitwear or complementing a more opulent ensemble, these bags demonstrated the brand’s commitment to versatility and style. The golden hardware acted as a common thread, tying the diverse styles together and solidifying the collection’s chic, cohesive statement. 

Loewe’s Nature-Inspired Bags Take Centre Bags

_{Image Credits: https://www.instagram.com/loewe/}

At the Loewe fashion show, a stunning array of bags stole the spotlight with their innovative designs. Among them was a standout piece: a asparagus-shaped bag, showcasing the brand’s creative side. The collection seamlessly merged fashion and nature, with each bag meticulously crafted to resemble elements from a lush garden. The botanical theme underscored Loewe’s dedication to organic inspiration while maintaining its haute couture elegance. The show was a celebration of creativity, highlighting nature’s harmony with high fashion. 

Casablanca’s Bag Story: A Tale Of Texture And Colour

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At the Casablanca fashion show, an eclectic range of bags stole the spotlight, each telling its own unique story through design. The collection showcased a mastery of textures and colours, from sleek and structured to soft and vibrant. Each bag exuded its own personality, reflecting Casablanca’s diverse style, from earthy tones with botanical motifs to classic luxury featuring the brand’s signature monogram. These bags weren’t just accessories; they were bold statements of creativity and diversity, perfectly embodying the brand’s commitment to blending unexpected elements with refined elegance. 

Muted Sophistication: MiuMiu’s Leather Collection

_{Image Credits: https://www.instagram.com/miumiu?igsh=cGRsdDhtNjE1bzEz}

At the MiuMiu fashion show, an exquisite range of leather bags captivated the audience, embodying the brand’s fusion of practicality and luxury. Featuring an earthy, muted palette including deep browns, blacks, and subtle pops of mustard yellow, the collection exuded refined taste. Crafted from premium leather, each bag radiated understated elegance with smooth, polished surfaces and intricate quilted designs. These timeless accessories were not only functional but also perfect for the modern fashion enthusiast seeking enduring style. 

Sculptural Splendour: Schiaparelli’s Artistic Accessories

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At the Schiaparelli show, accessories were elevated to wearable art. The highlight? The handbags. Among them, a lustrous gold and brown bag with a detailed lock motif, paying tribute to the brand’s avant-garde roots. Another standout featured face-like features in rich terracotta, an unexpected twist repeated throughout the show. These sculptural pieces made a bold statement, perfectly complementing Schiaparelli’s luxurious and imaginative world. 

Diors Bold Elegance: The Miss Dior Statement Bags

_{Image Credits: https://www.instagram.com/dior/}

At the Dior fashion show, the bags made a striking impression with their bold design featuring the iconic ‘Miss Dior’ print. These statement accessories not only showcased the brand’s signature elegance but also added a touch of daring flair to the runway. Each bag exuded sophistication with its sleek silhouette and impeccable craftsmanship, making them the perfect complement to Dior’s couture ensembles. The ‘Miss Dior’ print served as a nod to the brand’s rich heritage while infusing a modern twist, capturing the essence of contemporary luxury. 

Shimmering Statements: Rabanne’s Metallic Bags

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At the Rabanne show, the bags stole the spotlight with their signature metallic shine. Each piece showcased the brand’s iconic chainmail design, blending fluidity and structure seamlessly. The shimmering waves of metal disks draped elegantly, capturing both light and admiration. With metallic tones ranging from silver to bronze, these bags embodied Rabanne’s innovative spirit. 

_{Written By Gabriella Neocleous} 

_{Header Image Credits: @Balmain Instagram}

The post Paris Fashion Week 2024: A Showcase Of Trendsetting Bags And Their Impact On Fashion appeared first on Voir Fashion.

YSL – The Incorporation Of Sheer, Transparent Dresses And Tops

 Anthony Vaccarello’s latest show for Saint Laurent redefines the essence of fashion through the artistic use of transparency. Garments crafted from soft, sheer fabrics emphasise the body as the ultimate accessory, with close-fitting silk dresses and tops that resemble delicate undergarments. This contrast of modesty and nudity challenges conventional notions of allure. Transparency in this collection represents confidence and celebrates the feminine form as a work of art. The collection elegantly blends sensuality and sophistication, embracing Saint Laurent’s distinctive aesthetic with a modern twist. 

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 This bold exploration of intimacy and transparency not only captivates the audience but also sets a precedent for the evolution of haute couture, cementing YSL’s position at the forefront of fashion innovation. 

Leopard Print’s At Dior

The presence of leopard print undoubtedly captured the spotlight at the Dior fashion show. From sleek trench coats to chic hats and statement bags, the runway was adorned with this timeless pattern, injecting a fierce yet sophisticated edge into the collection. 

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Each outfit emitted boldness and confidence, with the classic print flawlessly incorporated into Dior’s typical elegance. The contrast of traditional designs with the bold appeal of leopard print created a captivating visual narrative, elevating the runway collection to new heights of luxury and style. 

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Celebrity Appearances

The Dior fashion show featured a number of notable celebrity appearances. Amongst the renowned guests was actress Elizabeth Debicki, well known for her portrayal of Princess Diana in the famous Netflix series “The Crown,” graced the occasion with her elegant demeanour, reflecting the perfect example of regal sophistication. Also, singer Rosalia’s made an appearance as well as Caroline Trentini, a supermodel and house friend adding to the show’s extravagant environment. Their presence not only added to the excitement of the runway show, but also highlighted Dior’s lasting appeal in a variety of entertainment and cultural contexts. 

_{https://www.instagram.com/dior?igsh=MTdxeTh4dTU2cTZrbg==}

Grapes Take Centre Stage At Balmain

At the heart of the Balmain fashion show was the incorporation of grape designs adorning skirts, corsets, bodysuits, and dresses. This unexpected motif gave the collection a unique and stylish charm, offering a new take on classic designs. From beautifully designed corsets to flowing skirts and form-fitting bodysuits, each garment exemplified Olivier Rousteing’s amazing ability to combine innovation and timeless appeal. 

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The incorporation of grape motifs throughout Balmain’s Paris Fashion Week show is a subtle reference to France’s rich cultural heritage, best known for their wines and vineyards. By weaving grape motifs into skirts, corsets, bodysuits, and dresses, Balmain pays homage to this quintessential aspect of French culture, infusing the runway with a sense of national pride and heritage. 

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Furthermore, the grapes’ link with luxury and refinement is consistent with the grace and grandeur that define Parisian fashion. Therefore, beyond the aesthetic appeal, the grape patterns serve as a reminder of France’s cultural richness and lasting influence within fashion. 

_{https://www.instagram.com/balmain?igsh=MXYxcjIwd3FkeXhpOA==}

Elegance Reimagined: The Schiaparelli Ready-To-Wear Collection

In a masterful showcase at Paris Fashion Week, Schiaparelli unveiled its Ready-to-Wear collection, featuring a range of textures, bold silhouettes, and a blend of tradition and innovation. The collection was a tribute to luxury with a modern twist, featuring lush materials and a colour palette that ranged from pristine whites and rich browns and classic plaids. 

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One could feel the luxurious vibe emanating from a full-length white coat, adorned with golden buttons, and paired with tan boots, capturing a winter fantasy of pure elegance. In contrast, a head-to-toe glossy brown outfit with a quilted texture and matching boots spoke to the brand’s penchant for making a statement with monochromatic sophistication. 

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The collection also played with structure and volume, as seen in a black coat with an exaggerated collar and gold buttons, juxtaposed with a striking striped pattern that added a graphic edge. Plaid made a distinguished appearance, crafted into a timeless double-breasted coat, invoking a sense of heritage yet felt thoroughly contemporary with its tailored fit and accessorized with a touch of gold. 

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Schiaparelli’s Ready-to-Wear collection at Paris Fashion Week was a testament to the brand’s vision of modern-day couture, where each piece told a story of luxury and avant-garde design, all while maintaining wearable artistry. The vibe was one of understated drama, where every detail was a whisper of fashion’s future rooted in the richness of its past. 

Soft Detailed Draped Dresses At Cecilie Bahnsen

The Cecilie Bahnsen fashion show was a stunning event, with soft, intricate draped dresses that floated down the catwalk with ethereal grace. These outfits were a highlight of the show, encapsulating the essence of Bahnsen’s signature designs, which combines femininity with sculptural precision. 

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The dresses were made of delicate fabrics and had intricate flower patterns, as well as frills and ties, giving the collection a touch of whimsy and romance. The soft flow of the fabrics contrasted perfectly with the structural bows on the shoulders, resulting in a balance of form and fluidity. 

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The colour palette was subdued, allowing the textures and layers to take centre stage, while the incorporation of sheer elements played with the notions of reveal and conceal. This design choice was a key moment within the show, showcasing Bahnsen’s talent for crafting garments that are at once timeless and modern, with a sense of quiet luxury that resonates with the viewer. 

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The collection stood out as a celebration of softness and strength, with each dress embodying a serene confidence. It was a key moment that left a lasting impression, highlighting the brand’s unique aesthetic and mastery of detail. 

Cowboy Aesthetic At Chloé

At the Chloé fashion show during Paris Fashion Week, a distinct cowboy aesthetic was woven throughout the collection, serving as a key moment of thematic expression. This Western motif was captured through the use of fringe, leather, and relaxed yet structured silhouettes. 

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Another outfit showcased a more direct Western influence with a fringed leather jacket, cinched at the waist with a large belt, paired with a short skirt. The combination of the leather’s texture and the fringe’s dynamism channelled the energy of the Wild West while retaining a sense of contemporary fashion sensibility. 

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The inclusion of wide-brimmed hats and tailored coats with fur accents further embraced the cowboy theme, while lace and patterned fabrics introduced a delicate counterpoint, suggesting the merging of frontier ruggedness with feminine grace. This thematic choice was not only a nod to the past but also a statement on the versatility and appeal of cowboy-inspired attire in contemporary women’s fashion. 

_{https://www.instagram.com/chloe?igsh=MTRzc294ZHkxMno3eQ==}

Shaded Sophistication: The Diverse Sunglasses Of Casa Blanca

The Casa Blanca show at Paris Fashion Week showcased a stunning array of sunglasses, each exuding its own unique charm and character. From oversized aviators to sleek thinner frames, the collection represented a wide spectrum of designs, signifying a celebration of individualism and personal expression. 

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The bright and inventive designs were a standout moment in the show, displaying Casa Blanca’s dedication to pushing the limits of conventional fashion. Casa Blanca’s runway show featured an eclectic mix of sunglasses, which not only improved the overall aesthetic but also highlighted the transformational power of accessories in defining a look. Whether retro-inspired or cutting-edge, each pair of sunglasses exuded refinement and flair, creating a powerful statement on the runway and beyond.

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Vibrant Elegance: Exploring Rabanne’s Spirited Collection At Paris Fashion Week

The Rabanne collection radiated a joyful energy, effortlessly combining fabrics, designs, and eras. one of the outfits was a sequinned tank top teamed with an asymmetrical skirt adorned with vibrant designs, finished with star-patterned tights and boots, creating a dynamic contrast of elegance and edginess. 

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Moving into a more bohemian realm, another outfit featured a patchwork of patterns, with a draped, poncho-like top flowing over a contrasting print skirt, conveying a sense of carefree elegance. The use of earthy tones and flexible materials gave a sense of nostalgia combined with contemporary flair. 

The collection also explored a modern interpretation of florals, as seen in a sleek black ensemble layered on top of a vivid flowery dress. The translucent, textured turtleneck worn under a sleeveless dress created a subtle layering effect that played with silhouette and form. 

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Overall, the Rabanne collection at Paris Fashion Week appealed to a confident, vibrant lady who values a dynamic wardrobe that is as daring and adventurous as it is fashionable. It was a celebration of originality and the art of combining pieces that might not normally go together, resulting in a fresh and unique collection. 

Isabel Marant’s Western-Inspired Elegance

Isabel Marant’s latest collection at Paris Fashion Week was a celebration of rugged elegance, channelling a Western-inspired aesthetic that felt both fresh and familiar. The garments were a rich tapestry of texture and earthy tones, with fringe details, suede, and snakeskin prints taking centre stage. 

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Each piece told a story of strength and femininity, such as a suede fringed jacket over a bold snakeskin print, cinched at the waist with a leather belt to create a silhouette that was both powerful and polished. The use of layering was prominent, with oversized ponchos draped effortlessly overflowing dresses. Leather and suede were complemented by softer textures, adding a touch of Parisian chic to the Western narrative. The footwear, slouchy and buckled boots, grounded the looks with a sense of practicality and adventure. 

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Through this collection, Isabel Marant paid tribute to the free-spirited independence of the cowgirl while maintaining the brand’s signature sophistication, crafting a narrative that spoke to the contemporary woman’s desire for fashion that is both daring and wearable. The vibe was one of an adventurous spirit meeting modern luxury, a key moment that captured the essence of the designer’s vision for the season. 

Futuristic Minimalism: Courrèges’ Pocketed Precision

At the Courrèges show during Paris Fashion Week, the collection was a nod to the future of fashion with its stark minimalism and clean lines. The clothing exuded a vibe of futuristic chic, underscored by a palette of neutral tones and stark black, embodying the brand’s reputation for pioneering space-age attire. 

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A key moment in the show was the introduction of a middle front pocket on a sleek, beige sheath dress. This functional element was a standout detail that harmonized with the collection’s practical aesthetic. It wasn’t just a pocket; it was a statement about the integration of utility into high fashion. The models were also accessorised in streamlined sunglasses, the simplicity of the designs was elevated by this feature, which added both visual interest and practicality. 

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The Courrèges collection presented a vision of the future where functionality meets style. The middle front pocket stood as a testament to the brand’s commitment to innovation, making it a key moment that encapsulated the essence of the show. 

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_{Written By Gabriella Neocleous}

The post Key Moments From Paris Fashion Week So Far appeared first on Voir Fashion.

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Undercover

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After the lights dimmed at Undercover, we assumed the finale had just occurred, but as gasps and exclamations echoed from the beginning of the runway, we knew we were about to witness fashion history. Three models were languishing down the runway wearing glow-in-the-dark birdcage dresses with live gardens and butterflies inside. The glasshouse 3D pieces are one of the most talked about moments of the season, so it’s to one’s surprise that the designer responsible is the ever-inventive Jun Takahashi. Even the harsh, fan-favorite critic @hautelemaude was impressed. Unlike the one-and-done marketing gimmicks we’re used to seeing from brands, the dresses seamlessly blended with the rest of the collection and its theme: the surreal contrast between dark and light. Backstage Takahashi shared that “He feels like he’s stuck in the world, but he wants to release himself.”

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This sense of existing in limbo was in the see-through veils and loose, feminine silhouettes that billowed like fading memories. The opening sheer tailored suits showed razors, playing cards, and flowers trapped in between the front and back layers. Georgette black suits, bedazzled spider embellishments, and faded t-shirts made the collection look like workwear rinsed in a cauldron. A somber color palette gave way to polka dots and bright yellow, followed by graphic co-ord sets of Neo Rauch’s paintings that perfectly conveyed that surrealist feeling. Tulle was everywhere; overlaying hoodies, as shoulder pads, and even crunched up as portraits from his first oil painting exhibition shown earlier this month, “They See More Than You Can See”.

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The ambiance further enriched the theme, with broken and lit chandeliers on the cement floor, low-pitched cellos obfuscating the background, and gifted scarves with folklore illustrations upon our seats. With ‘Deep Mist’, Jun Takahashi devised an ingenious moment amongst an already innovative collection. Flooding our feeds on day two of fashion week, this show will go down in the books.

Alexander McQueen

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A bittersweet moment for fashion, this season Sarah Burton presented her last collection for Alexander McQueen. After three weeks of back-to-back shows, it’s hard to draw an emotional reaction from saturated guests; and yet. Kaia Gerber and Naomi Campbell’s appearances already sparked cheers, but it was nothing compared to the hollers and applauds that drowned the room when Burton herself (for the first time in what seemed like forever) did a full circuit of the runway. In a plain shirt and jeans that gave no indication of the magnificent collection that had just preceded her, the designer blew kisses and hugged longtime industry friends like journalist Sarah Mower, making for a deeply emotional grand finale. In her 26-year tenure with the brand (half working closely with McQueen and half as creative director), she has been persistent in honoring McQueen’s designs while reimagining womanhood from her perspective.

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With ‘Anatomy II’, she delivered both a culmination and a retrospective of her work. On every seat, a departing note read “This collection is inspired by female anatomy, Queen Elizabeth I, the blood red rose and Magdalena Abakanowicz, a transgressive and powerfully creative artist who refused ever to compromise her vision. The show is dedicated to the memory of Lee Alexander McQueen, whose wish was always to empower women, and to the passion, talent and loyalty of my team.”

Kaia’s opening look set the tone, a corseted dress slashed with the first of many surgical cuts inspired by the ‘Hunger’ 1996 collection. Gold and silver embroidery substituted the violence and horror from the original pieces, instead celebrating the female body. Blood red, bone-white and black made up a very anatomical palette, all while referencing Britain and empowering women. Everything was a triple entendre; poppy flowers alluded to Tudor times, were printed in aquarelle graphics that degraded to blood stains, and became 3D dresses that petalled like vaginal folds. They were in shiny bustiers, sharply tailored mini dresses, and frilly embroideries on suits. The embrace of women’s bodies was also in the textiles printed with creations of Polish feminist artist Abakanowicz. Skeletons were reimagined in soft knitwear, where yarn bundled up as intestines and stitches and loops formed a feminine silhouette. Bones jutted out in the shape of sharp cutouts, tailoring flayed open with aggressive slashes as if it was skin or a reference to McQueen’s famed destruction of Saville Row tailoring.

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The show was filled with symbolism in a way we’re accustomed to seeing from Burton, an exquisite end to a respected and historical chapter in the legacy label–and fashion. The show was a melancholic and beautiful moment in itself, making us grateful to have experienced her touch at McQueen in real-time.

Mugler

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From the very beginning, Casey Cadwallader’s arrival at the Maison has stirred up a lot of drama: Thierry Mugler superfans desperate for a comeback of his Vegas-style spectacles, high-brow editors frowning upon the brand going commercial, and an unexpected fervor from the gen populous (his H&M collaboration sold out in 8 minutes). It makes sense then that with this collection he’s leaning into the newly-found mass media appeal and away from haughty fashion critics. “We’re kind of an emerging brand in a funny way”, he chuckled at the show’s preview.

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The show still clung to the theatrics Mugler was famed for (maybe because of this), but he gave it a showbusiness spin. Cadwallader even included the one-hour delay and throngs outside that are surmised before a spectacle. His fear of being too ‘costumey’ now assuaged, the designs were inspired by his love of octopuses and jellyfish. Large fans and bright lights turned the stage into a very dramatic wind tunnel. And the cast? He gave it the star power usually reserved for a Broadway production. Celebrities and supermodels alike walked the show, earning whoops and delighted gasps as they walked. Paris Hilton, Angela Basset, Helena Christensen, and Aber Valletta walked alongside Irina Shayk, Kai Isaiah-Jamal, Paloma Elsesser, Adut Akech, and Alex Consani. Phones and smiles were just as high when jersey garments billowed as if underwater and body-con dresses had seven-meter-long chiffon trains rippling like tentacles. Signature spiral-cut jeans and corset jackets were patterned with polka-dots and ombré sprays inspired by sea slugs, while sequined sheer bodysuits glistened like fish scales. Those weren’t the only classic and archive pieces given the aquatic treatment: elegant coats inspired by the SS97 collection had fringes inspired by jellyfish, resin body plates became exoskeletons, and tulle sleeves and trousers gave the illusion of SS99’s ‘floating’ tailoring. The show delivered one of the biggest spectacles of the season and served as an identity reset, proving that the new, more commercial Mugler is successful– and not going anywhere.

Y PROJECT

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After hosting a 6,000-person rave in Milan for the Diesel show, pressure and anticipation were high for Glenn Martens’ Y Project show. The standing-only room front row was crowded with the same young stylish people gathered outside the venue, making the inside look like superfans had sneaked past security and PR instead of invite-only. And with Martens’ reputation as fashion’s newest wunderkind, they might as well be crazed fanatics.

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The collection was based on the fabric manipulation of denim, a material at this point synonymous with the Belgian designer. It was twisted, frayed, and saturated in fierce shades of lavender, yellow and red. They made up scrunched dresses, crumpled boots, and even hooded shawls. Denim became transformable and appropriate for every occasion, a concept some might remember him pushing since his earlier years. Although it began as a way to send the same look down the runway twice, this revolutionary concept is taking a firm hold on fashion now. From stacked trousers and scrunched-up bags to jackets zipped up to make a Y-shape, we won’t be surprised to see his innovative draping at Zara or Shein in a few months (unfortunately maybe days for the latter). This particular collection was inspired by the Gothic architecture of his hometown, Bruges. With it, he finally gave us an insight as to why he chooses denim: “In Bruges we have the tallest Medieval tower that’s made of bricks. It’s nice that the material they were using is basic bricks, unlike in England or France who were using ornate stone. The material that we use is very basic and archetypal, cotton and denim, but from them we create these constructive twists.” Even if the triad of models wearing fake serpent necklaces around their necks were the most talked about looks, it’s the cementing of the denim-is-fit-for-all revolution that made the show so significant.

^{Words by Alexia De Las Heras}

^{Header Images by @kaiagerber @yproject_official & @undercover_lab}

The post The Catch-Up: The PFW Shows Making The Most Waves appeared first on Voir Fashion.

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The LINO womenswear show started off in classic Owens’ doom: a demonic melody played as obsidian ensembles opened the show, the Palais de Tokyo setting shrouded in artificial fog. But as soon as colorful petals began falling from the sky, we knew something was different. Sure, they were in reference to when Roman Emperor Heliogabalus notoriously suffocated his guests with rose petals (‘I didn’t have enough of them to kill everybody’ said Owens), but an uncharacteristic positiveness was in the apocalyptic fog.

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The distorted song revealed itself to be Diane Ross chanting ‘I still believe in love’, the fragrance from the petals pleasantly lingered, and the fog was in bright shades of pink and yellow. The inspiration behind this change was Bjork: ‘I went to (her) concert and her intelligent, life-affirming energy made me kinda embarrassed of my own mopey adolescent pessimism.’ said the designer.

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That’s not to say that the show wasn’t Owens at its core. The opening looks established a black theme filled with skin-tight silhouettes, long leather skirts, and structural jersey draping that remained a theme throughout. Models wore alien-like black contact lenses and slicked-back hair with micro bras, oversized gloves, and shaded sunglasses. Wastlines were high and hemlines were low, complete with the brand’s signature pointed shoulders.

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But then entered this utopic hope. Pink, burgundy, red, and brown reiterations of the black getups appeared, with delicate wedding trains and capes substituting sheer funeral veils. Then came silk garments billowing in the wind and the ‘donut’ gowns we saw last season– puffball cylinder-shaped mini and midi dresses in toned-down pastels. It’s that same faith we had in the models, watching them brave through stairs and wind in sky-high platforms and orthopedic gladiator sandals.

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It was surprisingly refreshing seeing his usual structural artwork interpolated with more wearable pieces– we can’t remember the last time we saw Owens do cropped leather jackets, and his decision to use lava red is sure to bring in commercial success for the brand.

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In LINO he found a cautious sanguineness, making us see the beauty present on Earth amongst his signature melancholic futurism. There was no better way to show this than by using eco-friendly recycled yarn for getups that were perfect for an ecological apocalypse. The five final looks certainly made us think of doomsday preparation: differently colored hazmat loose jumpsuits covered every inch of skin. From beginning to end, Owens urges us not to ignore the bitter and harsh reality, and yet he inspires us to find the light in the darkness.

_{Words by Alexia De Las Heras}

^{Header Image by @ssense}

The post Rick Owens Finds Light In The Darkness At PFW appeared first on Voir Fashion.

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Dior SS24

Renown for their feminine silhouettes cult label Dior threw away their playbook this season instead, Creative Director, Maria Grazia Chiuri has injected feminism the collection, willing for women to dress for themselves.

Chiuri invites us to reimagine the female archetypes, from the ‘dangerous’ medieval witches to the ‘devilish’ femme fatales of 19th Century France. In a nearly all-black color palette, the show was a funeral for the clichés we have been fed our whole lives, unchaining the women of the present through garments that reclaim the power of the past.

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Bewitching displays were present in fishnet and cobweb patterns, charred gray denim, delicate lace dresses, and frayed tailoring. The Parisienne Independent Thinkers were in the maps and Eiffel Tower graphics on structured blazers and long woolen coats. She reframed female stereotypes by adding gladiator straps to ballet pumps, utilitarian silhouettes to aprons and capes, and fitting power suits under dainty, cinched belts.

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Contrasting her earnest message was a colorful backdrop filled with satirical feminist slogans: the ‘Not Her’ art installation by Italian artist Elena Bellantoni. “It’s the dark side of Dior!” Chiuri claimed with a enchanting glint in her eyes.

Karoline Vito SS24

On the closing day of MFW, just as the sun finally shone after a week of rain, Karoline Vitto made history. Known for her body-positive clothes, the London-based Brazilian designer had a tear-filled, monumental show supported by Dolce & Gabbana. Although she has been making waves for the last two years with her inclusivity message at LFW, it’s nothing compared to the significance of having only plus-sized models strut down the Milan runways.

Vitto brought true, authentic inclusivity to the fashion capital. Models from size 10 to 24, were flown in from her London studio. The collection further proved this, as she used her signature jersey and metal materials to hug the folds and curves society condemns women for.

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Structural metal rings laddered down hips and thighs, while skimpy swimwear, barely-there slip dresses, and low-rise trousers celebrated models’ bodies. Structured bustiers, skin-bearing vests, and jersey cutout dresses followed. Vitto wants the runway to represent real women because, in her own words, ‘the majority of us are not sample size, we should be seen.”

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After showing with incubator Fashion East at LFW for the past two years, Vitto gained the support of Dolce & Gabanna after world-renowned stylist Katie Grand vouched for her. It comes as no surprise then that we saw classic Dolce lingerie shapes and references to their 1992 collection, coupled with the archive fabric and size-inclusive heels gifted to Vitto by the Maison.

Post-show, editors, models, guests, and the designer herself hugged in joyful tears. Ashley Graham, who opened the show, exclaimed: “You should be crying, it was incredible! We just made history!” She then turned to the reporters. “It feels normal. You want diversity? This is diversity. More designers should be doing this. We need more curves on the runway, we need to have this be the normal. If I’m feeling normal on a runway with this many girls, it means that there’s something that doesn’t feel normal on runways everywhere else.” If this is where fashion is going, count all of us in.

Vaquera SS24

For the SS24 season, Patric DiCaprio and Bryn Taubensee brought their signature NY subversive eroticism to Paris. The show was a look at how celebrities navigate a life filled with cameras– and how we do too, now that we’ve all become our own paparazzi.

Models used ball caps, black-tinted sunglasses, and bags to hide from the flashing cameras and high-pitched tones that made the runway. They dodged and pushed their way through standing guests who, ironically (or appropriately) filmed everything like fans pushing against a security barricade.

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Inspired by the 00s and 10s, we saw fishnet bodysuits, puffball gowns, bottomless chaps, and a ‘I Heart NY’ shoulder bag. Titled ‘Does It Really Matter’, the show even brought back Tumblr’s most wanted 2000s piece: the ‘Commes des Fuckdown’ slogan cap.

Vaquera questions whether celebrities’ need to be either constantly filmed or remain anonymous really matters when everyone has an iPhone anyway. Whether our own desire to hide or film ourselves truly deserves any attention. Reflecting this camera-shy vs. camera-loving duality, conventional looks were split down the back to reveal buttcheaks and bra straps.

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A traditional black tube skirt was overlayed with pink underwear, simple black pantsuits had bondage straps, and golden tank tops had breast cut-out circles. Even if the show stood out for bringing out its classic devilish fun, the message behind it gave us food for thought–or, in this case, fashion for thought.

AVAVAV SS24

Every season, Stockholm-born designer Beate Karlsson breaks the internet with her humor-riddled show (last time the clothes literally fell apart down the runway). And, although the SS24 crowd also ended in laughter and delightful. And, although the SS24 crowd also ended in laughter and delightful gasps, the now-viral collection called out the toxic hustle culture we live in.

Stressed-looking models sped down the runway as they finished dressing, some even sporting half-finished designs or mascara running down their faces. The show opened with the backstage staff quickly stamping ‘AVAVAV’ post-its on the wall and pushing a model onto the runway. After anxiously trying to return BTS, she took off in quick strides as the second model appeared wearing an unfinished graphic T-shirt with “ADD BACK?! lettering.

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The show was about emoting the pressure, chaos, and overwhelm we deal with regularly. It called out the time crunches and unrealistic deadlines designers have to meet while juggling a million things season after season after– you get the point. Models fought back tears as they sported sheer leggings, gloves, and furry boots with “Filthy Rich” tattooed on their chest instead of a top.

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Some hid their faces altogether with front-facing hoodies, others had question-marked Sharpie annotations on T-shirts and one walked out wrapped in duct tape. Near the end, a model even ran down the runway with two foam blocks that read “ADD SHAPE”. What really took the lid off was the last look: a power suit made entirely of empty post-its. Titled, “NO TIME TO DESIGN”, AVAVAV somehow managed to be the most out-of-the-box and relatable show of Paris Fashion Week, simultaneously.

^{Words by Alexia De Las Heras}

^{Header Images by @avavav @globalfashionstylist & @vaquera}

The post This Fashion Season/Fashion Week Wasn’t About The Clothes- It Was About A Revolution! appeared first on Voir Fashion.

An argument in favour of the everpresent is-couture-art-or-not debate has always been Schiaparelli’s otherworldly designs. And this boundary-bending, dramatic 2023 collection has proven to be another winning point for the affirming side.

How could it not be, with each of the thirty looks inspired by avant-garde artists?

The appropriately named ‘And The Artists’ collection was filled with artistic references from different schools and eras that, although not inherently connected, flowed together seamlessly because of their shared values: the craftsmanship and sense of wonder that characterizes the fashion house.

After the past few streamlined collections we’ve seen from Roseberry, this decision to reinterpret the maison’s codes in a maximalist way was a refreshing excitement.

“The last season was so reduced, I really wanted the focus to be on techniques, color, and the privilege of being able to create couture,” he declared backstage. “It’s been about going to artists that she [Elsa Schiaparelli] collaborated with, but also artists that I’ve been inspired by—there’s a whole cacophony of references in there.”

One model wore a broken-mirror cardigan and skirt set referencing sculptor Jack Whitten’s mirrored mosaics, while wooden mannequin arms and necklaces were a nod to Alberto Giacometti. Another model was hand painted in brushstrokes reminiscent of Lucian Freud, and a faux fur coat imitated the palm fronds from Matisse’s studio. Yves Klein’s signature cobalt blue was a constant sight, covering everything from lapped mini skirts to models’ skin. With nods to Jack Whitten, Sarah Lucas, Salvador Dalí, and Joan Miró, the show proved that Roseberry’s Schiaparelli deserves that place next to these artists’ work in a museum.

The female anatomy wasn’t overshadowed by the collection’s artistry, either, with gilded ears in beaded clasps and peep-toed pumps keeping the trend alive. Since his arrival, Roseberry’s focus on feminine silhouettes and craft-like accessories has thrown the fashion house into the spotlight that Elsa Schiaparelli always wanted it to occupy. It is this commercial success that allowed him to break free from the head-to-toe formulas that the founder frequented, opting instead to find freedom in separates. Elsa’s own granddaughter, Vittoria Marisa Schiaparelli Berenson, seemed to approve from her seat on the front row.

“These are pieces a woman can assemble however she wants,” Roseberry wrote in the presentation’s notes. “Most of the ‘looks’ you see here were put together in the days leading up to this show. This approach felt like a Surrealist’s interpretation of a woman’s essential closet.”

He wanted to create ‘an impossible wardrobe’– and it’s safe to say he succeeded. The show was contrasted by modernized classic shapes like beaded silver shawls and physics-defying little black dresses that promise many viral red-carpet moments in our future. Cardi B, Tracee Ellis Ross, Gwendoline Christie, Chiara Ferragni, and Emily in Paris‘ Philippine Leroy-Beaulieu were on the front row, so we won’t be surprised if they’re among the celebrities donning some of these looks hereafter.

When thinking of Schiaparelli, one can’t help but think of fine art, divine craftsmanship, and surrealism. So Roseberry’s embrace of this connection to create a couture collection is just what the brand needed after all the negativity from last season. The ‘And The Artists’ show hasn’t just redeemed the house– it has also put to bed any doubt that couture isn’t an art form.

_{Words by Alexia De Las Heras}

^{Header Image By @Schiaparelli Instagram}

The post Schiaparelli’s Fall 2023 Collection Isn’t Fashion – It’s Art appeared first on Voir Fashion.

But if there’s one key takeaway from the Louis Vuitton Spring Summer 2024 Show, it’s that it’s not just about fashion– it’s an immersive experience that’s a little bit Louis Vuitton, a little bit celebrity-inspired, and a whole lot Pharrell.

The Phlace

The show took place on Paris’ oldest bridge le Pont Neuf while overlooking the river Seine in a nod to the brand’s Parisian roots. Guests arrived by boat to see the historical location covered in Louis Vuitton’s signature Damier check, drinking champagne and enjoying chicken nuggets prepared by celebrity chef Jean Imbert. What followed was a three-hour celebratory spectacle filled with fashion, music, and culture that confirmed Vuitton’s promise to position itself as a ‘cultural brand’.

The Phriends

A live orchestra and gospel choir accompanied the 71 looks that strutted down the runway, building excitement that exploded as Jay-Z gave a surprise concert near the end. The rapper wasn’t the only A-lister in attendance; amongst the 1,750 guest list were also Naomi Campbell, Jaden and Willow Smith, Kim Kardashian, and Paris mayor Anne Hidalgo. Most notably however, were Pharrell’s closest friends lining the front row. From Beyoncé and Zendaya’s reunion to A$AP Rocky and Rihanna’s matching denim fits, the show seemed more like that party hosted by the cool, popular kids we all desperately wanted to get invited to.

The Phinspiration

But unlike those high school parties, Pharrell wants everyone to feel included with the ‘Lovers’ collection. Following his announcement to take the reigns on Valentine’s Day, the 50-year-old kept the capsule theme going by revolving the whole show around love and community. ‘I make clothes for humans’, he said to Vogue ahead of the show, ‘It’s very inspired by the love and support of the people here that I’ve just been blessed to be able to experience’. He even included his confidants inside the collection, with Rihanna being the face of the campaign and the clothes referencing Tyler The Creator’s signature preppy look.

The Phieces

And now on to the actual clothes. The runway opened with a neutral, boxy suit preliminary for the increasingly quirky and detailed looks that followed. Center stage was the LV Damier checkerboard, reinterpreted everywhere from leather biker jackets to fur coats. Pharrell also focused heavily on bags and introduced the ‘Damouflage pattern’, a digitized camo print that inspires thoughts of Minecraft.

Overall, the collection was an organized haphazard mix of vastly different aesthetics. Slick tailored pieces contrasted baggier clothes, and 70s flared trousers debuted alongside pearl-embedded tracksuits. Truly no style was left behind: there were leather football shirts, watch chain jewelry, camouflage parkas, and even a golf cart filled to the brim with LV trunks. The Vuitton logo was everywhere, with additional “LV Lovers” graphics plastered on both female and male models. There’s no doubt that a collage of so many opposing styles shouldn’t fit together; yet somehow Williams made it work.

The Phuture

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At the end of the show, Pharrell took a standing ovation in a ‘Damouflage’ patterned jacket and trousers, sweetly bringing out the Louis Vuitton design team to honor the community behind his debut (very on theme if you ask us). After such a grandiose presentation, the fashion industry is already wondering what the entertainment mogul is bringing to the table next. If his opening show is any hint, we can expect more statement bags, ‘Damouflage’ everywhere, break-the-internet moments, and a lot of celebrity power. The ‘phuture’ is Pharrell, and we’re all here for it.

_{Words by Alexia De Las Heras}

^{Header Image: @Louis Vuitton Instagram}

The post The Pharrellification Of Louis Vuitton appeared first on Voir Fashion.

Paco Rabanne

Paris Fashion Week marked design house Paco Rabanne’s return to the runway since the passing of the founder himself. Paco Rabanne passed away just last month, making this show a particularly emotional one, as this show honoured his work and contributions to the industry. Julien Dossena decided to pay homage to the late designer by focusing on his friendship with Salvador Dali. This meant that the show featured an array of dresses with Dali’s paintings printed on them as well as some of his extravagant jewellery. 

While this may make it seem like a collection that honoured Salvador Dali more than Paco Rabanne, this was not the case. The show was unapologetically Paco, the sparkling metallic chainmail looks that have become synonymous with the brand closed the show, accentuating the late designers continuing influence on the industry. The sparkling archival looks reminded us of Paco Rabanne’s innovative designs and trademark looks, leaving the audience with this as their final thoughts from the collection.

Acne Studios

Acne Studios took the distressed look to a whole new level in their mystical show. The enchanted forest set the stage for a collection that celebrated the natural world and particularly Jonny Johansson’s childhood in Sweden. The distressed wool and crochet knits played into this natural influence along with the neutral colour palette. The ultimate manifestation of this theme came to light in the various leaf-like dresses that took to the catwalk, bringing the Swedish forest to the runway.

These natural elements and the mystical set up created a jarring juxtaposition with the distressed, almost-apocalyptic looks. The combination of these elements served to create a natural and earthy aesthetic that was far removed from the highly technological looks that we have been seeing as of late. One interesting way that this came to light was through the use of the body as a canvas, which Johansson stated was “a way to make them become a window onto nature”.

_{^{Photo Credits: Acne Studios}}

Hodakova

Hodakova’s “Conventional Collection 112303” was inspired by a humble household object, the spoon. Whether they were covering bags, dresses or creating the cups on bralettes the kitchen utensils were everywhere. Inspired by the Swedish folktale Nail Soup that tells the story of a (you guessed it) soup made from a nail, the collection celebrated ingenuity. In addition to spoons, fabric spikes covered punk-inspired skirts and dresses in a nail-like fashion.

Some of the non-spoon related looks featured elaborate tulle, sheer fabrics and intricate silhouettes. There were examples of exceptional tailoring as sleek suits took to the runway. And finally, the collection, of course, did not come without HODAKOVA’s signature buckle bags that have taken the fashion world by storm. 

Rick Owens

Rick Owens is known for the outrageous; this collection was no exception. From metallic pink puffers to sleek waist high leg slits, we saw it all in what can only be described as a maximalists’ dream. Each model took to the runway in sky-high platform boots that sagged around the leg in the way a loose-fitted trouser would; a shoe that we believe will be everywhere this Autumn/Winter. The predominantly black collection heavily played with textures and proportions creating extravagant silhouettes and shapes in the absence of colour.

While most of the looks were black, Owens injected some colour through the metallic pink and green looks in the collection that were anything but subtle. Refusing to sacrifice the playful and experimental aspects of these looks in the pursuit of colour, Rick Owens just decided to do it all. The pink sequin donut-like garments stole the show, and we cannot wait to see which celebrity is brave enough to wear one of these looks on the red carpet. 

_{^{Photo Credits: Rick Owens}}

Coperni

Coperni, always the master of a viral moment. The designer that brought us the iconic spray on dress, a moment that won Bella Hadid Model of the Year at the British Fashion Awards, has created yet another talkable moment. The show was inspired by Jean de la Fontaine’s fable ‘The Wolf and the Lamb’ fable, Coperni’s Instagram explained:

“Unlike the original fable written in the 17th century, which raises questions relating to the balance of power between the human groups that make up society, Coperni reinterprets the story and transposes it to the year of 2023 with a positive vision of the future.
The show presents Coperni’s vision which is that there is neither a dominant nor a dominated, but that mankind and machine can live in harmony.”

This inspiration was visible in the designs through the painted landscapes on jackets and the white fluffy pieces that likened the models to sheep. All in all, the collection placed a modern and urban twist on the pastoral tale. 

Even though the show featured models such as Adut Akech and Lila Moss, the star of the show was none other than Spot (or multiple Spots) the robotic dog. The Boston Dynamics robots took to the runway as aids in the storytelling, but they soon stole the show as one Spot interacted with model Rianne Van Rompaey. This particular Spot had an elongated robotic arm (or neck) that allowed the two to lock eyes before Spot began to undress the model, removing the thick blanket that wrapped around her shoulders and handing it back to her.

While critics may argue that this show along with the last were dependant on gimmicks, more concerned with going viral on social media than the clothes at hand, we feel that these moments at shows are integral in Coperni’s exploration of technology within both fashion and modern life. As Coperni said that this was a more relaxed moment following on from the magic of their spray on dress last season, we are very excited to see what they do next.

Ester Manas

Inspired by her upcoming wedding to Balthazar Delepierre, Ester Manas created a collection for the cool bride. The show took place in a church and was soundtracked by some of the most universally recognised love songs, a route that the couple will not be taking at their own wedding. The looks, however, were entirely non-traditional and non-conforming.

From two pieces to completely sheer gowns, these dresses were for the ‘it’ brides only. The diverse display of models seemed like the brides that you would be begging for a hen party invite from and you bet that we would be wearing one of the less bridal looks from the collection if we managed to bag an invite. 

_{^{Photo Credits: Ester Manas}}

Valentino

If you’re going to take one thing away from the Valentino show, let it be this: Go and buy a tie. Ties have been popping up in the fashion girls’ wardrobes for a hot minute now, but they are about to experience the Pierpaolo Piccioli effect. The collection, aptly named ‘Black Tie’, utilised the accessory on every look in some capacity. Some were styled classically, with the black tie set against a white shirt under a blazer while others were dresses with faux shirt collars and ‘ties’ that connected to the dress’ bodice. Whether a conventional depiction of the tie or not, this collection singlehandedly proved the versatility of the accessory that has often been associated with the constraints of a work or school uniform. So, go buy a tie. 

_{^{Photo Credits: Valentino}}

Zimmermann

19^th-Century Australian artist Rupert Bunny left Melbourne and settled in Paris when he married Jeanne Morel, a journey not dissimilar to Zimmermann’s. The Australian fashion house held its second show in Paris this season and drew on Bunny’s art as inspiration. The collection worked with the National Gallery of Victoria to incorporate the painter’s works into the looks through delicate prints and a romantic colour palette. Nicky Zimmermann explained: 

“For Fall I was inspired by the artwork of Rupert Bunny, an Australian artist from the turn of the last century. I was drawn to his use of colour and the romanticism of his work – the gentle and dreamy lifestyle scenes. There is a glow, warmth and optimism to his work that is really appealing to me.”

However, this is not where the melding of French and Australian fashion ends. The usual romantic eveningwear was prominent throughout the collection; however, this season featured a surprising guest, the humble denim jean. The delicate lace and florals that we are used to seeing from the design house were paired with loose fitting jeans in the perfect blending of the relaxed style we see in Australia and the romanticism of France. This collection served as a map of Zimmermann’s history as it honoured both its origin and current destination in one fell swoop.

_{^{Photo Credits: Zimmermann}}

_{Words by: Amelia Gregory}

^{Header Image: Valentino, Ester Manas, Paco Rabanne}

The post Robotic Dogs and Spoons as Garments? You Wouldn’t Want to Miss Our Paris Fashion Week Highlights! appeared first on Voir Fashion.

Amina Muaddi

Leave it to Amina to give us a deliciously styled look as she attended the Prada show earlier this week. Her look consisted of a silk two piece with contrasting colours of grey and burnt orange separating the top and bottom half of the garment. She styled this beautiful look with an oversized black blazer and platform open-toe heels alongside some golden earrings.  

This look can be dressed up or dressed down depending on the occasion, her oversized blazer gives it a streetwear aesthetic but alternately the wedged heels make it more of an evening look. The options are endless with a look like this one and that’s why it is always worth having some of the staple pieces that Amina is styling in your closet.   

£ 1650

Prada Printed Satin Top

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£ 1700

Prada Printed Satin Midi Skirt

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£ 2900

Prada Spectrum Nappa Bag

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£ 670

Amina Muaddi Dalida Plateau Slipper

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Carolina Daur

Carolina Daur looked incredible at Paris fashion week with Dior in her yellow and black printed puffer dress and her lace up below the knee booties. The look is boujee and gives off, the character, Serena Vanderwoodsen energy with the short skirt and the effortlessly beautiful aesthetic. Her adorable mini yellow bag to match is the cherry on top of this fabulous look.  

She styled this look with silver jewellery which complements the colour scheme beautifully as this look includes three main colours, silver, yellow and black. As a rule of thumb, it is a good hack to use three dominant colours in any fashion look to help allow the colour scheme to shine and not be too overpowering to each other. She has carried this look beautifully and we are totally obsessed.  

£ 34

Rouge Dior Matte Lipstick

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£ 1,150

Dior CD Navy Necklace

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Jessica Wang

Love a glitter moment? This dress is everything you could wish for, Jessica has styled an off the shoulder black glitter dress that looks divine on. She has paired it with patterned tights and high platform heels alongside a gold mini bag to tie it all together.  

This look oozes glamour as you could imagine it being worn at awards ceremonies, fancy nights out and premiers. She looks like an old Hollywood actress and we are totally in love with it.  

£ 8

Boux Avenue Micro Spot Tights

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£ 1040

Amina Muaddi Angelica Plateau Pump

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£ 1309

Alexandre Vauthier V-Neck Sequin Dress

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£ 2272

Alexandre Vauthier Mini BBag Mirror Bucket Bag

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Leonie Hanne

Bonjour Paris, Leonie is pictured sitting elegantly on a terrace with the scenic city of love as her back drop as she styles an extravagant fully pink dress that quite literally could be pictured on a runway. She styled this exotic fluffy pink garment with a sophisticated baby pink purse and platform pink heels, tre magnifique!  

Leonie looks like a real life barbie doll here and she is rocking it incredibly. We love how her shoes, purse and dress are all colour coordinated and look irresistibly fabulous.  

£ 24,950

Hermes Mini Kelly || Rose Confetti

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£ 1090

Cult Gaia Shannon Dress

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£ 1040

Amina Muaddi Angelica Satin Pumps

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Yendry

Yendry is giving us sass and confidence as she rocks a look curated by Balmain. Looking feisty and sexy in this fit, that has characteristics that are similar to the beautiful cheongsam dresses, the black velvet material combined with the bold gold buckles are a match made in heaven, they compliment each other beautifully and look stunning when paired with a matching purse.  

The slit on the side of the garment is very flattering on Yendry and allows her shoes to get some of the spotlight too. This outfit is irresistible and one that like Yendry said herself, needs no caption.  

£ 914

Balmain Detailed Maxi Dress

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£ 1250

Balmain Black Leather B-Buzz Bag

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£ 975

Balmain Ava Satin Platform Sandals

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Kim Kardashian

Kim was giving us a sexy outfit that looked utterly incredible. This sassy look included a two piece that has fuchsia snake print embellished on it, alongside matching pink books that also included the snake print detailing on. The look is super glam and is very Hollywood energy. She styled this look with a double cross combo that had a pink glass stained centre alongside a matching snake print choker to tie the look together.  

Kim really turned heads with this look and it’s a great party piece to take inspiration from for your next big night out.  

£ 65

Orelia 1980S Vintage Swarovski Ruby Necklace

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£ 20

Urban Outfitters Silence + Noise Cross Pearl Multi-Layered Necklace

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£ 65

NA-KD Croc Print Stiletto Knee High Boots

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£ 525

Rick Owens Strapless Bustier Top

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£ 516

Rick Owens Fitted Maxi Skirt

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Alexandra Pereira

Alexandra styles a glittering look as she attended the Paco Robanne show that paid a special homage to the visionary founder of the house, whom recently passed. She has a glittery vision and styles a full length dress that has stars spaced out all along the garment. She styled this look with feline sunglasses and a stylish mini green bag.  

The green and the black dress is a lovely combination as the green adds that little bit of colour and fun to the look. Wearing a black outfit allows you to go to town with your accessories as you can match every and any colour with a black outfit and change the vibe of the look easily at any moment.  

£ 389

Paco Rabanne Black Long Dress

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£ 485

Paco Rabanne Micro 1969 Shoulder Bag

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£ 189

New Rock Tower Unisex Metallic Black Natural Leather Biker Gothic Boots

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Gabrielle Caunesil

Who remembers tie dye? Gabriella is bringing it back to the main stage in a subtle but noticeable way with her outfit that is a cross between the tie dye and holographic era mixed with mesh vests.  Her look is pretty and includes a beautiful selection of pastel dainty colours with embroidered sequins as well as a bandeau that has swirls on that resemble the tie dye look.  

This look is very elegant and perfect for a dinner or a show where you want to be fashionable as well as not too over the top. The embroidered sequins on her skirt and vest are a lovely finishing detail that levels up this look and gives it that little sparkle. She had accessories for this look with block sunglasses and minimal silver jewellery. 

£ 99.99

Emporio Armani Sunglasses

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£ 24

Club Exx Cosmic Ace Metallic Bra Top

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£ 1281

Santa Brands Diamonds Maxi Dress

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Chiara Ferragni

Chiara was looking unreal in her outfit styled by Dior that consisted of a sheer see through black vest, a long wrap around skirt that has a slit along the side, triangle tights and just below the knee boots. This look was very eye-catching and very bold, something we love here at Voir.  

She styled minimal silver accessories with this look which allowed the fashion to do all the talking. We especially loved the combination of the triangle cut out tights with the black boots and this combo can be worn everyday as well as for special occasions, it’s a must have combo to have in your wardrobes.  

£ 380

Dior Fishnet Tights

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£ 1790

DIOR Empreinte Boot

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£ 6200

Dior Flared Mid-Length Skirt

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£ 630

Dior Tank Top

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Kicki Yangz

Kicki has gone for a very industrial street wear look that includes an oversized shirt, small crop top and distressed black jeans. Her shoes have studded details on the top of the toe to add that extra element of punk rock to this look. This is the sort of look we imagine Berlin fashion scene styling with a heavy emphasis on the moody punk aesthetic.  

She accessories this look with big black sunglasses that she wears on her head as an accessory to the look more than a functional element. This is a very cool and edgy look and one that you could style anywhere.  

£ 39

Topshop Ruth Leather Mule Clog In Black

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£ 722

1017 ALYX 9SM Blackmeans Distressed Straight-Leg Jeans

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£ 400

Heliot Emil Alike LS Top

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£ 1200

Heliot Emil Corset Blazer

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Charlotte Lawrence

Charlotte was looking very sexy and almost feline like in this mesh bodysuit that hugged her figure beautifully. This outfit consisted of a lace bodysuit, black underwear, under the knee black boots and a long oversized black coat. Curated by YSL, this look is undeniably alluring and gives off an almost lingerie aspect to the fit.  

We love the fact that the mesh material goes all the way down to Charlotte’s hands and doubles up as a pair of gloves for her. The detailing on the body suit is beautiful and is sure to cause a stir when styled.  

£ 1535

SAINT LAURENT Blade 110 Patent Leather Knee-High Boots

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£ 25

Jaded London Venice Lace Pedal Pushers

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£ 31

Dolls Kill World Of Wonder Lace Bodysuit

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£ 3425

SAINT LAURENT Oversized Coat In Wool

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^{Words By Sophia-fai Roche}

_{Graphics: Veronica Wong Diffa}

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