After dominating the past few years with back-to-back projects and a string of cultural moments, Megan Thee Stallion is taking a step back from the spotlight — not to disappear, but to double-down on her art. The three-time GRAMMY winner recently shared that she’s deep in the studio, focused on finishing what she’s calling Act III, the next chapter in her evolving discography.

In a candid conversation with Megan she explained that 2026 is less about red carpets and more about creation:

“I’m definitely in the studio. I’m kind of hiding from everybody right now because I really just want to work… I’m completing act three, and the music is dropping this year.”

Meg the Stallion

That dedication reflects a shift we’ve seen from Megan in recent seasons — from chart-topping singles to moments of cultural resonance, she’s built a career that’s as much about artistic momentum as it is about headline-grabbing moments. Her workspace isn’t the stage right now; it’s the booth. And she’s letting her creativity simmer in private, emerging when the music is ready, not when the timeline says so.

Fans have already heard hints of what’s to come. Megan has released singles like “Whatever” and “Lover Girl” over the past year, both expected to play into the thematic arc of Act III. Lover Girl, in particular, showcased a softer, more personal side of her artistry — a contrast to the fierce independence she’s known for, but one that feels grounded in growth and lived experience.

This next era feels like a recalibration. Megan isn’t just dropping music; she’s crafting a narrative — the final act of a trilogy that began with MEGAN and continued through MEGAN: Act II. And as she balances the gym, studio, and creative reflection, it’s clear: this chapter won’t just be an album. It’ll be a statement.

The post Megan Thee Stallion Is Quietly Crafting Act III — and 2026 Is About to Heat Up appeared first on Voir Fashion.

Now, with Locket, her third studio album, Beer steps fully into her power. The project marks a creative and emotional turning point, blending polished pop production with a striking sense of vulnerability. It’s also a milestone moment commercially: this month, her music finally entered the Billboard Hot 100, a long-awaited recognition that feels less like a debut and more like a deserved arrival.
The album’s standout track, Bittersweet, captures the ache of post-breakup clarity with disarming honesty. Plush and melancholic, the song traces the emotional whiplash of heartbreak — sadness, acceptance, and self-respect — without ever tipping into self-pity. When Beer sings about choosing truth over denial, it lands as a quiet declaration of growth, not just as an artist, but as a woman.
Across Locket, Beer stretches herself both lyrically and vocally. The album plays like a diary of modern love — intimate yet cinematic. Tracks such as “angel’s wings” wrap pillow-talk intimacy in glossy electropop textures, while “complexity” leans into glitchy synths and emotional confrontation, urging a lover to meet her at her level. Elsewhere, “bad enough” pairs explosive production with raw feeling, proving Beer’s ability to balance pop maximalism with emotional depth.

Behind the scenes, Beer also takes creative control. Co-producing much of the album, she positions her voice as the emotional anchor — soft, precise, and increasingly confident — floating atop layered electronic arrangements that feel both contemporary and timeless.
The closing track, “nothing at all,” is a masterclass in release. As frenetic dance beats build beneath cascading vocal runs, Beer’s voice multiplies, collides, and eventually dissolves into the surrounding synths — a sonic metaphor for catharsis. It’s an ending that feels intentional, symbolic, and earned.
Long a pop culture fixture — from her own TMZ tag to appearances on RuPaul’s Drag Race — Madison Beer has often been more visible than heard. Locket changes that narrative. This is not the story of a former viral prodigy chasing relevance, but of an artist who took her time, did the work, and emerged with something real to say.

We see Locket as Madison Beer’s most self-assured chapter yet — a clear-eyed, emotionally fluent pop record that confirms what fans have long known: she’s no longer becoming an artist. She is one.

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Shakira’s new album is a captivating masterpiece that showcases her evolution as an artist. With a blend of infectious beats, heartfelt lyrics, and her signature charismatic vocals, she delivers a refreshing sound that resonates with fans worldwide. The album takes listeners on a musical journey, exploring themes of love, empowerment, and self-discovery.

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Accompanying the album, Shakira’s music video for “Entre Parenthesis” is a visual spectacle that captivates viewers with stunning cinematography and choreography. It beautifully brings to life the emotion and energy of the song, further highlighting Shakira’s talent as a dynamic performer. Overall, Shakira’s new album and music video are a testament to her artistry and enduring impact on the music industry.

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Due to her continued success and being incredibly famous in both English speaking and Latin countries, she is seen as a musical craftsman. The release of the album was further anticipated, by the artist dropping her video for her song “Entre Parenthesis”, with the music group Grupo Frontere, which is featured on her album Las Mujeres Ya No Lloran. The video is a visual spectacle, captivates viewers with stunning cinematography and choreography and beautifully portrays the emotion and energy of the song.

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The video has closely followed the successful release of her video for another of her songs and the opening track to the album, “Punteria”. The video featured the iconic Cardi B has already reached a jaw-dropping 6.5 million views and was trending No.1 worldwide.

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Many have said Shakira is channelling another beloved Latin superstar, Selena Quintanilla in the recent video, due to her dancing in a very similar style. Her voice has also reached levels we didn’t think possible, with Rolling stone stating “Shakira’s voice occasionally reaches a peak where it feels like it could bend and snap but it doesn’t – and the results are intrinsic growls, raw and magnetic.” 

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After the turmoil Shakira has faced in the public eye in the last few years, the album is being taking as demonstration of her strength and resilience. With one interviewee stating “In Las Mujeres Ya No Lloran, Shakira finally gets to turn the page on these tempestuous past two years, and reintroduce herself — not as Shakira the soccer mom, nor Shakira the heartbroken — but Shakira fucking Mebarak, international pop icon and undefeated champ,” The record was portrayed by NME as “her most adventurous album… an empowering comeback. She continues to push the envelope for Latin pop music and make the genre a global event”.

_{Written By Lauren Dickson}

The post Shakira Is Back: After 7 Years, The Latin Superstar Drops Her 12th Studio Album appeared first on Voir Fashion.

 The video kicked off with Shakira singing the opening lines, effortlessly floating in a bubble against a backdrop of clouds. She is seen in a stunning teal bodysuit adorned with sparkling embellishments, showcasing her toned arms and legs with elegance. 

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 Meanwhile, Cardi B, 31, took centre stage as she delved into her first verse, lounging on a floating couch amidst a futuristic setting. Opting for a sleek metallic dark grey dress, including a peplum hem. The rapper exuded confidence, her straight, dark hair pulled back to accentuate her curves as she effortlessly delivered her verse. 

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Following the second chorus of the song, Shakira underwent a costume change, swapping her previous ensemble for a vibrant pink cut-out bodysuit. Joined by several backup singers, she continued her performance with renewed energy and charisma. 

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Subsequently, the singer transformed her look once again, this time donning a delicate, lacey light pink dress adorned with cut-outs. Seated amidst a giant flower, she exuded elegance and grace, captivating viewers with her mesmerising presence. 

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Later in the music video, Shakira captivates in a rose-pink corset paired with a flowing skirt that elegantly cascades down her figure. The ensemble boasts intricate 3D hue motifs and lifelike corset detailing, down to the belly button. Meanwhile, Cardi dazzles in a sheer bustier top adorned with jewels across the bust and bodice hem, complemented by a pink satin halter neck strap. Both artists exude warrior princess vibes as they pair their corsets with matching pink satin maxi skirts featuring daring hip-high leg slits. 

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Another outfit of Shakira’s is a striking, futuristic bodysuit in a soft pink hue, which features intricate cut-out patterns and structured armour-like plating that gives it a warrior-esque aesthetic. The ensemble is accessorised with matching arm pieces that spiral up her forearms, a neckpiece that resembles a modern choker, and high boots that rise up to her thighs, adorned with the same cut-out designs as the bodysuit. Her long, curly hair is tousled and free-flowing, complementing the fierce yet fantastical vibe of her attire. 

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Cardi B’s last outfit in the music video is a stunning display of creative fashion, consisting of a pastel-toned ensemble that includes a dress and an elaborate hairstyle that cascades into the dress. The dress features a tightly corseted bodice in a soft cream colour, which transitions into a layered, asymmetrical skirt with what appears to be ruched or gathered fabric, creating a textured, dynamic appearance. The material seems to have a silky sheen, with braided details running vertically down the dress, providing an intricate visual effect that enhances the overall design. 

_{Written By Gabriella Neocleous}

The post Unveiling The Fashion Extravaganza: Shakira And Cardi B’s Stunning Outfits In ‘Puntería’ appeared first on Voir Fashion.

Tyler, The Creator – ‘Dogtooth’

On the 17^th March, Tyler delighted fans by announcing on Twitter that he’d be releasing the deluxe version of his seventh studio album called CALL ME IF YOU GET LOST: The Estate Sale at the end of this month as well as dropping the single ‘Dogtooth’. Explaining in a tweet his reasoning for releasing the deluxe album two years after the original he said, “Call Me If You Get Lost was the first album I made with a lot of songs that didn’t make the final cut. Some of those songs I really love, and knew they would never see the light of day, so I’ve decided to put a few of them out”. He’d been teasing the track list on Instagram for a while before its announcement showcasing his very sharp dapper fits caught on Wes Anderson-esque film in the process. Tyler dances on top of a water tower, does doughnuts in his luxury car, and walks the hounds in the self-directed brightly saturated video for the track bubbling with the rapper’s unique sense of humour. With its sunny hip hop neo-soul sound the track is essential for spring. 

Shygirl x Bjork – ‘Woe’

Shygirl and Björk have several things in common – they’re both ground-breaking artists, they love to DJ, and they make unearthly music that unleashes our inner celestial spirits. We still can’t get over the otherworldly collab ‘Woe’, which was released on the 21^st March as a single for Shygirl’s upcoming deluxe album Nymph_o. Dreamy and spacey, Björk swirls Shygirl’s verses and Sega Bodega’s production from the original track together with her ghostly vocals in a witch’s cauldron to create a dark and unsettling art pop masterpiece. 

Victoria Monét – ‘Smoke’ ft. Lucky Daye

Drift away to the super funky extremely groovy R&B single ‘Smoke’ from Victoria Monét featuring the rapper Lucky Daye. The single was released on the 14^th March and will be part of Victoria’s EP Jaguar II the sequel to her EP from 2020 that will drop sometime later this year. In the steamy video, Victoria and Lucky time travel us back to the seventies with vintage magazines, smoky RVs, motorcycles, boxy televisions, and rich orange hues before they’re swept up in a hurricane. Monét serves the coolest monochrome brown retro looks including a chocolate satin co-ord, a hazelnut-coloured velvet dress, a tanned leather jacket, and rhinestone lingerie for her pole dancing finale. 

^{Image by Victoria Monet}

Danny Brown x JPEGMafia – ‘Kingdom Hearts Key’

Danny and Peggy have spliced together 90s J pop, 70s funk, and WWE soundtracks to create the most heavenly and inspired track of the year so far. The track has a buoyant transcendental soundscape reminiscent of soothing anime and video games and fittingly takes its title from the video game series Kingdom Hearts. Though the song is gentle and lulling it’s given an edge by JPEGMAFIA, Danny Brown, and guest redveil’s superb verses. The song is just one of the fourteen tracks from the rappers’ collaborative album which dropped on the 24^th March and has received universal acclaim from critics.

Lana Del Rey – ‘Taco Truck x VB’

It’s finally here and we’re head over heels for it. Lana dropped her much anticipated ninth studio album on the 24^th March. It’s being dubbed as her magnum opus by critics and fans alike who are obsessed with the genre-bending amalgamation of the styles from her old records with a new trap infused sound. Whilst it was nearly impossible to choose just one track for our list out of the 16 stellar tracks we managed (you should go listen to the whole thing though). 

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The closer to Did You Know That There’s a Tunnel Under Ocean Blvd is wonderfully all over the place ‘Taco Truck x VB’. The song starts with the nicotine-addicted Gen Z idol Lana crooning “Met my boyfriend down at the taco truck/Pass me my vape, I’m feelin’ sick, I need to take a puff”. The slow ballad takes off and the sweet singer warns “When I’m violent, it’s Carlito’s Way” as the groovy deep synths take over. The second half of the song then launches into a grimy unheard version of the 2018 single ‘Venice Beach’. Lana will be headlining The Other Stage at Glastonbury this summer so if you’re lucky enough to have tickets you may have a chance of seeing this song live!

Rosalía and Rauw – ‘BESO’

Thanks to the ultimate star couple we gained three hot new tracks in our playlist this week. Rosalía and Rauw’s collaborative EP RR, released on the 24^th March, gives us if Bonnie and Clyde were travel-obsessed vampire Reggaetón superstars and we’re very here for it. On the opening track ‘BESO’, R&R sing passionately to each other toasting their love over a tropical beat that brings to mind warm summer’s evenings. Congrats to the happy couple on their recent engagement!

yunè pinku – ‘Sports’

Malaysian producer and singer-songwriter yunè pinku has been on our radar since 2021 when her collaboration with Logic1000 blew us away. She continued to put out some of the best breakbeats tracks dropping her critically acclaimed debut EP Bluff last year. Earlier this year she announced she’ll be dropping her sophomore release Babylon on the 28^th April – a futuristic and kaleidoscopic six track-EP. Following the fantastic singles ‘Night Light’ and ‘Fai Fighter’, the meditative dancefloor essential ‘Sports’ was released on the 22^nd March. With an irresistibly cool deadpan delivery yunè sings “Lips, teeth, skip and touch/Don’t, I guess you’ve had enough” over a sinisterly infectious beat. “Sports is based loosely on an angry version of Lana Del Rey’s ‘Video Game’,” revealed the artist in a press release. “Mainly just the idea of someone putting a TV screen before the people they care about and their own life. I envisioned a sort of Wall-E-esque future people to the chair with a TV guide vibe”. 

^{Image by Yune Pinku}

Flo x Missy Elliott – ‘Fly Girl’

A match made in heaven. Legendary hip hop star Miss Elliot teamed up with our favourite girl group for their insanely fun single ‘Fly Girl’ which was released on the 23^rd March. Featuring a reworked version of Missy’s hit track ‘Work’ well as a showstopping new verse from the rapper Flo have nailed the 2000s R&B vibe with help of Missy making the track an instant classic. The trio and Missy take over a bar in the video for the track radiating the best energy as they demonstrate why they are fly girls. For some dreamy fashion inspiration check out the video stat! 

Ellie Goulding – ‘By the End of the Night’

Ellie Goulding is renowned for her euphoria-filled dance hits. Her latest single ‘By the End of the Night’ is no different with the short but sweet synthpop banger perfect for a late-night dance party. The single is the second to be released from Ellie’s upcoming fifth studio album Higher than Heaven. If the singles are anything to go by we will be playing it on repeat when it comes out next month.

Rina Sawayama – ‘Eye for an Eye’

Rina gets vengeful on her track ‘Eye for an Eye’ written for the John Wick Chapter 4 soundtrack. The Japanese-British singer belts “I’ll see you in Hell on the other side” on this energetic guitar-driven single. Rina made her acting debut in the fourth instalment of this iconic franchise that was released earlier this month. Blast this song on your headphones and you’ll feel like the main character in your own action movie in no time, trust us.

Niia – ‘Idk what to tell my friends’

Let your sorrows melt away with Niia’s smooth new single ‘Idk what to tell my friends’. released on the 31^st March. The Los Angeles-based singer, songwriter, and multi-instrumentalist teamed up with producer Jonathan Wilson who has previously worked with industry giants Angel Olsen and John Misty. This jazzy R&B track with soft vocals and humming guitars creates the daydreamy and tranquil Americana that we’re crazy for. 

_{Words by Molly Sutherland}

^{Header Image by Conor Cunningham}

The post Songs We <3 This Week appeared first on Voir Fashion.

The video, directed by Torso Solutions and shot by Thibault Theodore, was filmed in Paris featuring recognisable backdrops and bustling city streets as Kali explored the glamorous capital and performed mad stunts.

Not short of success, the American singer has made a name for herself in the R&B genre, winning two Billboard Music Awards and an American Music Award as well as collaborating with the likes of SZA, Gorillaz, Jorja Smith, Diplo, Major Lazer, Snoop Dogg and Tyler, The Creator.

Whilst her Grammy-nominated 2020 album ‘Sin Miedo’ created the runaway hit ‘telepatía’ with more than two billion streams.

Styled by Georgia Pendlebury, Kali served fierce looks with her iconic long locks and outfits including a larger-than-life Barbie-pink gown, a curve-hugging white catsuit, a lacey satin slip dress and a statement-making faux fur coat as well as turning up the heat as she daringly bared all for the camera.

Want to get Kali’s killer look? Shop below for great finds.

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STAND STUDIO – FAUX FUR COAT

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KNWLS – CRISS CROSS TOP

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HOLLISTER – JEANS

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ASOS – HAT

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POSTER GIRL – JUMPSUIT

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PARIS TEXAS – BOOTS

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JADED LDN – BRALET WITH SHRUG

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JADED LDN – KNIT LACE UP MINI SKIRT

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JIMMY CHOO – BOOTS

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RUI – GREEN CUTOUT ASYMMETRIC CROPPED TOP

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LEVI’S – 501 LEVI’S ORIGINAL SHORTS

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Words by Emily Hemsley

^{Header image: Taken from “NO HAY LEY” MV}

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