2022 Cannes Film Festival: Bella Hadid in 1987 Vintage Versace Dress

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Bella Hadid stunned at the 2022 Cannes Film Festival with a gorgeous vintage Versace dress from 1987. The gown exemplifies Versace’s blend of luxury and dramatic flair, evoking the extravagance and boldness of the late 1980s. The gown has a dramatic and body-hugging silhouette, a characteristic of Versace’s designs that celebrate the female form with confidence and glamour. Bella’s minimal accessories, combined with an elegant updo, also allows the dress to shine. Bella Hadid Showcases her confidence and sophistication, embodying the timeless allure of Versace’s designs and seamlessly blending the extravagance of the past with the contemporary appeal of modern fashion. 

2021 Cannes Film Festival: Bella Hadid in Jean Paul Gaultier Haute Couture SS2002

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Bella Hadid attended the 2021 Cannes Film Festival wearing a Jean Paul Gaultier Haute Couture white dress from the Spring/Summer 2002 collection, showcasing the bold and imaginative essence of haute couture. Her gown’s focal point was a dramatic black tulle neckline and train that perfectly combined classic elegance with unconventional style. The form-fitting silhouette and floor-length skirt emanated timeless elegance. Bella carried her bold creation with confidence and grace, opting for an element makeup look and sleek bun. 

2022 Cannes Film Festival: Natalie Portman in Custom Christian Dior Gown Inspired By The Iconic 1949 Creation ‘Junon’

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Natalie Portman’s debut at the 2022 Cannes Film Festival was a sublime tribute to couture elegance and archived fashion, as she walked the red carpet wearing a Christian Dior gown inspired by the iconic 1949 creation, ‘Junon’. The gown flawlessly blends classic Dior sophistication with contemporary flair, evoking the timeless beauty of the original ‘Junon’ gown while adding modern embellishments. The pastel shades of the gown, which is adorned with beading cascading in captivating layers, match Portman’s skin and exude an ethereal and romantic air. The silhouette is a timeless and flattering tribute to Christian Dior’s New Look style, with a fitted bodice and flowing skirt. Portman’s flawless styling, modest accessories, sophisticated updo, and subtle yet glowing makeup create a look of understated elegance. Beyond a mere fashion statement. 

2023 Cannes Film Festival: Winnie Harlow In An AW2008 Jean Paul Gaultier Dress

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Winnie Harlow’s appearance at the 2023 Cannes Film Festival in a Jean Paul Gaultier design from the Autumn/Winter 2008 collection is a beautiful example of fashion as an art form. The gown’s elaborate structural components demonstrate Gaultier’s blend of unconventional design and high fashion. The dress’s green metallic colour palette displays modern elegance, with the contrasting tones add depth to the overall design. The gown’s complex texture, which catches light in mesmerising ways, also provides another aspect to its visual appeal. Winnie Harlow, known for her bold style, wears the gown gracefully, with few accessories to highlight the dress. Harlow’s choice of this Jean Paul Gaultier masterpiece not only demonstrates her own fashion style, but also honours Gaultier’s tradition of pushing fashion limits. 

2019 Grammys: Cardi B In A Thierry Mugler Gown From Their AW1995 Haute Couture Collection

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Cardi B’s memorable look at the 2019 Grammy Awards featured a stunning gown from Thierry Mugler’s Autumn/Winter 1995 Haute Couture collection, showcasing fashion’s revolutionary impact. This Mugler gown perfectly combines haute couture elegance with a dramatic flare, with a clamshell-inspired bodice that encompasses Cardi B in a pearlized, shimmering hue, creating an air of oceanic fantasy. The extravagant skirt, flowing in layers of delicate, pale pink silk, forms an ethereal silhouette. What distinguishes this gown is its drama, which elevates Cardi B to the status of a daring fashion icon. This Mugler gown makes a dramatic statement about Cardi B’s identity as an artist and public figure, embracing the transformational power of fashion to create a unique and distinctive image. 

2022 Grammys: Dua Lipa’s Vintage 1992 Versace Dress

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Dua Lipa’s fashion choice for the 2022 Grammy Awards, a vintage 1992 Versace dress, effortlessly combines retro glamour with contemporary style. The dress reflects the extravagance of the early 1990s, a time when major fashion statements were prevalent. the gown’s most distinguishing aspect is the intricate and gold detailing, a signature of Versace’s designs that combines antique elements, and abstract designs and patterns to produce an eye-catching dress. The sensual yet beautiful silhouette, with a body-conscious fit, reflects the curve-embracing styles prominent in the early 1990s while retaining a contemporary edge. Lipa pays tribute to fashion history by wearing this classic Versace dress, which combines past and present trends and displays her position as a modern fashion icon. 

2023 Grammys: Anitta’s 2003 Vintage Versace Dress

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Anitta’s appearance at the 2023 Grammy Awards in a vintage Atelier Versace gown from 2003 showcases the perfect combination of timeless luxury with modern flair. The Atelier Versace creation reflects the brand’s luxury and bold look, as well as early 2000s fashion. The gown’s sleek, form-fitting design compliments the feminine form, emphasising Anitta’s physique with effortless grace. Intricate details, such as lavish decorations meticulously placed to catch the light, showcases the vintage Atelier Versace gown. Anitta’s appearance at the 2023 Grammys highlights the continuing legacy of early 2000s attire, radiating modern elegance with confidence and grace that is captivating and inspiring. 

2009 Oscars: Penélope Cruz’s 1950s Balmain Gown

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Penélope Cruz’s 2009 Oscars dress, a 1950s Balmain gown reflects traditional Hollywood beauty, timeless elegance, and fashion. The gown’s long, voluminous skirt, a 1950s hallmark, lends a dramatic flair reminiscent of old Hollywood’s grandeur and fairy-tale charm. The perfectly tailored bodice, expertly constructed by Balmain, flows effortlessly from the outstanding skirt to a refined upper portion, emphasising both precision and elegance. The gown’s soft pastel shades and luxurious fabric add to its ageless appeal, resulting in a visually attractive and visually appealing garment. Cruz’s simple accessories, classic hair, and beautiful makeup enhances the vintage look without appearing dated. 

2020 Oscars: Margot Robbie In 1990s Chanel

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Margot Robbie’s choice for the 2020 Oscars, a 1990s Chanel Couture gown, exemplifies the seamless blend of timeless elegance and a modern look. Reflecting the transformative era of minimalism and refined elegance in the 1990s, particularly under Karl Lagerfeld’s creative guidance at Chanel, the gown exemplifies the brand’s ability to mix modernity with timeless appeal. With a focus on perfect tailoring and delicate detailing, the gown’s sleek and refined form presents a modern version of the classic evening gown, gracefully enhancing Margot Robbie’s body without it being overly extravagant. Delicate embellishment, such as intricate embroidery and beading, adds a touch of elegance and sophistication to the gown, highlighting Chanel’s well-known craftsmanship and elevating it to wearable art. 

2004 Oscars: Jennifer Garner’s 1970 Valentino Dress

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Jennifer Garner’s choice for the 2004 Oscars, a 1970s Valentino gown, elegantly preserves the essence of the era’s couture while radiating timeless beauty. The 1970s was a time of daring innovation in fashion, with a mix of glamour, fluidity, and expressive styles. Valentino, famed for his refined designs, created gowns that exemplified the beauty and grace of the time. Garner’s choice displays a genuine admiration for the era’s design and Valentino’s enduring appeal. The rich, vibrant red colour pays tribute to the era’s preference for bold colours, making a statement on the red carpet and giving warmth to Garner’s entire look. Garner embodies the timeless appeal of vintage fashion by wearing a 1970s Valentino gown, blending a contemporary elegance into a vintage gown and producing a look that is both nostalgic and refreshingly current. 

_{Written By Gabriella Neocleous}

The post A Glimpse Into The Past – A Collection Of Timeless Red Carpet Appearances – 10 Vintage Gowns appeared first on Voir Fashion.

Dua Lipa

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The singer-songwriter dazzled in this gorgeous ruffled, cherry red gown by Prada. Lipa was accessorized by Tiffany&Co. and styled by Lorenzo Posocco. Dua opted to let the gown shine with minimal jewellery apart from the gorgeous and ornamental studs by Tiffany. The silhouette was a dream and the colour and hair were her moment.

Greta Lee

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The actress best known for her role in Past lives wore a Jonathan Anderson, Loewe look that was simple, cool and elegant. The co-ord set comprising of a high-neck polo and loose pants embellished with black sequins and minimal jewellery was a breath of fresh air amidst the quintessential Hollywood glam. Lee paired the look with black pumps, slicked back hair and minimal makeup closing out the look. 

Ayo Edebiri

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The American actress and television writer best known for her role in The Bear was dressed in The Row. The actress posted on Instagram giving us all look at her inspiration for the look, Whoopi Goldberg. She channels Goldberg’s effortless, androgynous, 90s style with a masculine cut, baggy, white suit and minimal make-up. Edebiri completes the look with black pumps and sunglasses.

Camila Morrone

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Actress and model Camila Morrone was style by Sandra Amador and was dressed in Chanel. She wore a beautiful white ensemble with ruffles at the waistline, a black bow at the neckline and tassel detailing at the edges. Morrone complete her look with soft, wavy hair and nude glam for makeup.

Margot Robbie

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Actress and producer, Margot Robbie stunned in this red Balmain creation. The red, leather, off-should dress with roses across the neckline was styled by Andrew Mukamal. She completed her look with slick backed low-bun and statement earrings.

Rosamund Pike

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British Actress, Rosamund Pike was an absolute vision in this aquamarine, sequined, halter-neck Rodarte creation. Her dress was further embellished by blue, sequin rose at the waist. She was styled by Leith Clark and opted to have minimal, nude glam and a low bun with statement drops.

Emma Stone

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Actress and winner for the night, Emma Stone wore this gorgeous one-shoulder, black gown with scalloped detailing along the neckline. Stone was styled by Petra Flannery and paired the gown with a diamond necklace and matching earrings. For glam, Stone opted for a vibrant red lip and bun.

Elizabeth Debicki

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The Crown actress won ‘Best Supporting Actress’ in this Oscar de la Renta creation. Debicki wore a crystal embellished top with bow-tied waistline jumpsuit. Debicki chose to style the look with loose curls, a smokey eye and very minimal accessories.

Danielle Brooks

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American actress, Danielle Brooks best known for her role in Orange is the New Black wore this baby-pink, ruffled gown with the bow detail on the neck by Monsoori. She was styled by Jennifer Austin and completed her look with a 1960’d inspired, curled bob and classic, bronzed Hollywood glam.

Ashley Madekwe

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The British actress was styled by Jen Woodward and wore this incredible off shoulder moment. The quilted argyle pattern with the embellished buttons that line along the mini with the pink “tinsel” border was such a pop of colour. Madekwe paired the look with soft make-up, diamond studs to match the buttons and a low bun.

_{Written By Indra Gupta}

_{^{Header Image By Mia Washbrook}}

The post Best-Dressed List: Critic’s Choice Awards appeared first on Voir Fashion.

Rihanna

Making an appearance at the Global Globes for her nomination of her Black Panther single “Lift Me Up” – Rihanna and her boyfriend ASAP Rocky stole the show with their looks for the evening. RiRi rocked a lovely warm-toned make up look with rosy cold girl aesthetic cheeks and coppery pink eyeshadow. Her look was finished off with a pink glossy lip, very au natural and very cute. The queen of pop didn’t hold back on her hair, styling a creative up which RiRi herself described as Princess Leia meets Hollywood. Her look was effortless and beautiful.  

Luckily for us, we don’t have to look far when finding products that are RiRi verified. The Fenty Beauty Gloss Bomb Universal Lip Luminizer is a perfect colour match to the one that RiRi graced us with at the Golden Globe awards. This lipstick gives an irresistible shine to your lips and is the perfect gloss to rock whatever the occasion.

If the warm undertone of Rihanna’s eyeshadow caught your eye then the Fenty Beauty Sun Stalk’s Face and Eye Bronzer and Highlighter Palette is a beautiful palette that has a selection of warm coppery colours that would make your eyes pop just like Rihanna. The bronzed glow this palette gives is undeniably stunning and can be dressed up like RiRi has or used subtly for those no make up-make up days.

£ 36

Fenty Beauty Sun Stalk-r Face And Eye Bronzer And Highlighter Palette

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£ 18.00

Fenty Beauty Glass Bomb Universal Lip Luminizer

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Anya Taylor-Joy 

A vision in yellow, Anya Taylor-Joy went for a subtle soft glam make-up look this year at the Golden Globes. She wore a golden bronzed with organs undertone that made her brown eyes sparkle. The actress combined this eyeshadow looks with light pink on her lips to tie it together with a natural and simple make-up look.  

A lovely warm eyeshadow palette that has that orange undertone similar to the shade Anya styled is the Nars Cosmetics Voyageur Eyeshadow Palette in Copper. This palette is warm and radiant and will go beautifully with any soft glam look you may be trying to achieve.  

Continuing the natural and simple make-up look, the Mac Retro Pro Matte Liquid Lipcolour is a beautiful product that has a similar shade to the one Anya wore on the red carpet. The well-pigmented colour is perfect for any occasion and would look great when paired with a bold eye or a natural make-up look.  

£ 28.00

NARS Cosmetics Voyageur Eyeshadow Palette – Copper

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£ 22

MAC Retro Matte Liquid Lipcolour

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Margot Robbie 

Margot Robbie graced the red carpet with a chic simple look that allowed her peach toned lips to do all the talking. The actress was rocking all things effortless with her look as she wore her hair down in beach waves and a neutral pink tones eyeshadow around her eyes.  

The Laura Mercier Matte Eye Shadow in the shade Cashmere is a lovely subtle pink colour that matches the vibe that Margot was rocking on the red carpet perfectly. This eyeshadow shade gives just the right amount of colour to your eyes and is a lovely look if you are after a simple chic vibe.  

The Nars Sensual Satins Lipstick in shade Orgasm is a nice peach toned lipstick that will make your lips pop just like Margot. This look is super chic and is one that is perfect to rock for a cute day out.   

£ 23

NARS Sensual Satins Lipstick – Orgasm

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£ 17.85

Laura Mercier Matte Eye Shadow – Cashmere

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Jenna Ortega

It wouldn’t be the Golden Globe Awards without one of the most talked about actresses at the moment, Miss Jenna Ortega. A contrast to the soft emo look Wednesday has on the Netflix show, Jenna styles a relaxed look that similar to the others seen at the awards was dazzled with neutral and warm tones. The actress enhanced her doe eyes by styling a winged eyeliner and a light bronzed eyeshadow. There was a glimpse of white eyeshadow or eyeliner supporting her eyes which made them pop! Her make-up look also included a lovely coral blush that tied in her eyeshadow and dress shades.  

The Urban Decay Naked Basics 2 Palette has a lovely selection of rosy neutral colours that are very flattering on any eye. These shades are perfect if you want a subtle base to your eye make-up to allow your eyeliner to do the talking.  

Adding a sprinkle of white eyeshadow or white eyeliner in the corner of your eyes or on your make-up line is a great beauty hack that allowed your eyes to pop and sparkle. The NYX Professional Make Up Jumbo Eye Pencil is an eyeliner that doubled up as an eyeshadow, so whether your want eyeshadow or liner, the choice is yours.  

The lovely coral shimmer that Jenna styles perfectly with her eyeshadow is a great alternative shade if you are not a fan of Barbie pink blush. The Dior Backstage Rosy Glow is a lovely coral-toned blush that will make your cheeks shimmer, just like Jenna’s. 

£ 26

Urban Decay Naked Basics 2 Palette

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£ 4.40

NYX Professional Makeup Jumbo Eye Pencil

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£ 31

Dior Backstage Rosy Glow – Coral

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Words By: Sophia-Fai Roche

Header Image: Jenna Ortega

The post Jaw-Dropping Looks From The Golden Globe Awards appeared first on Voir Fashion.

Margot Robbie and Ryan Gosling are everywhere these days. Over the past few weeks, our Instagram feeds have literally been flooded with photos from the set of Greta Gerwig’s upcoming Barbie film.

Developed since 2019, this highly anticipated film project aims to retrace the fictional life of the most famous doll. With a high-profile cast, notably Margot Robbie (Barbie) and Ryan Gosling (Ken), this film with unprecedented popularity is one of the most anticipated cinema releases of 2023. In production since the beginning of June, the film is currently being shot in Los Angeles, California.

A unique opportunity for all fans to discover in real-time the first images of the biopic. And several scenes have already become a must-see: Margot Robbie and Ryan Gosling in kitsch cowboy outfits or rollerblading on the Venice Beach boardwalk, in a total fluorescent look straight out of the 80’s… One thing has however caught the public’s attention, and the verdict is clear: the resemblance between the actors and their characters is striking.

The cast: 

The Australian actress Margot Robbie has officially been chosen to embody the famous Mattel doll, who turns 60 this year, in a live-action film. And who better to play along side her than Ryan Gosling, as her partner? The latter actually landed the role of Ken last October. But it was only recently that the rest of the cast was confirmed: Emma MacKey, revelation of the successful series Sex Education broadcast on Netflix, should also hold a place of choice in the film. Will Ferrell also joins the cast as the head of a toy company (The Hollywood Reporter is already guessing Mattel, the originator of Barbie dolls, behind the company). Other stars include America Ferrera (Ugly Betty, Superstore), Issa Rae (Insecure), Alexandra Shipp (Tick, Tick… Boom!, X-Men: Apocalypse), Simu Liu (Shang-Chi and The Legend of the Ten Rings), Hari Nef (And Just Like That…, You), Connor Swindells (Sex Education), Kate McKinnon (Saturday Night Live) and Michael Cera (Juno, Gloria Bell).

The plot will revolve around a Barbie who is ostracized and sent out into the real world because she is considered imperfect, as The Hollywood Reporter points out. The film will follow her as a human, forced to integrate into this new reality and all that it implies (she will have to take on the body of a real woman and no longer that of a doll). Interviewed by British Vogue in 2021, Margot Robbie acknowledged that the film “comes with a very heavy legacy”, but the actress invites the audience to understand it as a totally different rewrite of the first stories made about her. And given that it is being made under Greta Gerwig’s feminist vision, the surprise promises to be all the greater. What are we hoping for? A film that is as refreshing as it is relevant to current times.

The film will be released on July 21, 2023.

Words by Melodie Bitala-Samba

^{Header image: @wbpictures}

The post Everything You Need To Know About Barbie’s Biopic appeared first on Voir Fashion.

Halloween is one of the most creative and exciting holidays of the year. Conceptualising a costume—including hair, makeup and nails—allows you to briefly escape the responsibilities of everyday life. Although most people see Halloween as a time to become someone else, whoever one decides to dress as tells a great deal about their personality. Here are some of our favourite Halloween Queens to inspire you.

Chanel Oberlin

One of the latest characters to take residence in the Halloween Hall of Fame is the ultra-glam and (blank) Scream Queens character, Chanel Oberlin. Chanel—or more commonly known as Chanel no.1—is known for her sleek, pristinely styled hair and iconic pink and fluffy ensembles, as she is for her brutal comebacks and no-nonsense approach with her peers. Chanel always opts for extremely sleek and classic hairstyles; whether it’s worn down, pinned back, or in a ponytail, there’s always one thing each style has in common: long cascading curls. To achieve Chanel’s signature curls, we recommend using a curling wand/tong with a larger barrel, like the GHD Curve – Soft Curl Tong. The pink-obsessed character always has a flawless dewy complexion finished with a champagne coloured shimmering eye. For this, we recommend the Editor Palette – Aspen by Ciate London.

Harley Quinn

Since the debut of Suicide Squad in 2016, Harley Quinn has been a constant staple each spooky season. With the release of Birds of Prey earlier this year and a totally reinvented & more modern take on the character, Harley’s look has never been more fun to recreate. To achieve an eyeshadow look inspired by Harleys dual-coloured pigtails, you’ll need the brightest blue and hottest pink in your collection. The Anastasia Beverly Hills Norvina Pro Pigment Palette Vol 2 gives a dreamy result. Getting the opportunity to give some love to the more neglected shades in your palette is a huge plus for this creation. Liquid liner is essential to imitate her facial tattoos and a raspberry-red lipstick is essential. We simply adore Ruby Woo by Mac.

AdelaineMorin

The Wicked Witch of The West

‘I’ll get you, and your little dog too!”, is a line we all know and love; however, the green-faced icon is dropping in popularity as time goes by. The Wicked Witch is easily recognised and surprisingly easy to replicate, with a lot of room to put your own personalisation into the look. The 1939 representation of the character was made infamous while wearing a monochromatic green face. This look is easy to obtain with a green base, and with so many advances in makeup and techniques, you can really elevate this look to the next level. Contouring, highlighting, and beating your face will give this look and entirely new dimension and allow you to have some room to personalise the look.

Via BeautyBay

Storm

Although Storm isn’t necessarily linked directly with Halloween, the X-Men diva is a cinematic icon to women and gay guys—everywhere. It also gives a good second life to any pre-loved Catwoman costumes one might have lying around. Storm’s look is all about her ice-white hair, her piercing cheekbones and her frosted lightning bolts stemming from her eyes. Achieving these ice-coloured forks of lightening is super easy using NYX Profession Eyeshadow Base in White, and a fine makeup brush for precision when sketching the thread-like forks. Lip colour is optional—as Storm has had multiple looks throughout the years—but red or black seem to be the most commonly worn colours. Maybelline Color Sensational Lipstick in Pitch Black is the perfect shade of black and has an incredible texture.

Via Fehinti

The Sanderson Sisters

The Hocus Pocus trio is a perfect choice for some Halloween inspiration. Whether you’re going solo or with your two best pals, the Sanderson Sisters are undoubtedly a staple of Halloween. With a red-head, a blonde and a brunette, you’re almost guaranteed to be able to go wig-free for these looks. The Sisters are easily recognised by their trademark hairstyles and multi-coloured cloaks. This costume allows you to take all the nostalgia from you ‘trick or treat’ days and to reinvent the nostalgic look. These looks are a combination of over-lined eyes, smoky eyeshadow, severely blushed cheeks and ruby coloured lipstick. Glossier’s Cloud Paint is the perfect cream blush to capture this flushed look. Simply build the product until you achieve the intensity you desire. Any eyeliner you have lying around will work perfectly to achieve that ’90s ‘smudged’ look that’s required.

Halloween may be a little different this year, and there is still a great deal of uncertainty when attempting to predict what’s around the corner. Having a night to escape and enjoy dressing up—while taking on the persona of a personal icon—is a great way to be creative and express yourself. Get inspired, be creative and have a jolly Halloween.

Words by Luke Nolan

Graphics by Frances Scott

The post Halloween Queens – Our Favourite Horror Heroines from Past and Present appeared first on Voir Fashion.

The sartorial sovereign of the awards season calendar, the 2020 Academy Awards played host to the most glorious couture creations and exquisite evening-wear to grace the red carpet. From statement couture gowns to modern silhouettes, take a look at some of the most noteworthy looks of the night.

Here are Voir’s favourite 6 looks from the Oscars 2020:

Margot Robbie:

Best Supporting Actress nominee Margot Robbie channelled understated glamour in 90s vintage Chanel couture – a midnight-black strapless bustier gown delicately completed with a flowing skirt and arm bows with chiffon trails. The look’s simple elegance was brought to life by the bejewelled bustier, featuring an ornate gold and pearl shell enclosing a lapis stone in a saturated marine blue hue.

Janelle Monae:

Janelle Monae shimmered down the red carpet in a floor-grazing bell-shaped Ralph Lauren ball gown, custom-made and embellished with thousands of crystals. Her head-to-toe sparkling ensemble was complete with a draping crystal hood and diamond-encrusted black nails.

Natalie Portman:

In the 92-year history of the Oscars, only five women have been nominated for the Best Director award. Swathed in Dior Haute Couture and finished with a golden rope belt, Natalie Portman’s ethereal cape made a statement about the lack of female nominees at this year’s ceremony, embroidered with the names of the female directors behind some of the year’s most notable films.

Billie Eilish:

After a sweeping win at the Grammys last month, Billie Eilish made her Oscars debut with a cover of The Beatles’ ‘Yesterday’, but it was her appearance on the red carpet in a modern reinterpretation of Chanel’s signature bouclé suiting that caught everyone’s attention, in an oversized cream-coloured bomber jacket emblazoned with the brand’s iconic C logos, relaxed wide-leg pants and delicate white fingerless gloves, adding a layer of edge to a quintessential Chanel style.

Florence Pugh:

First-time nominee Florence Pugh injected a burst of unapologetic colour to the red carpet in a tiered waterfall gown. The custom Louis Vuitton dress’ joyous turquoise colourway and dramatic ruffled silhouette brought a breath of fresh air and a dose of playful energy to the night.

Billy Porter:

Celebrated for his eccentric red carpet looks, from his velvet tuxedo dress at last year’s Oscars ceremony to his dramatic entrance as a golden Egyptian sun god at the 2019 Met Gala, Billy Porter has become as celebrated for his theatrical, extravagant ensembles as he is for his acting. This year he made an appearance in a billowing floor-filling skirt in a bold Versace print, paired with a high-neck sleeveless bodice complete with golden gilded feathers.

Words by Ruby McAuliffe

Graphics by Séverine Denis-Lessard

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The post The Best Red Carpet Looks from the 2020 Oscars Award Ceremony appeared first on Voir Fashion.

With the 73rd British Academy Film Awards being held in London last night, we have created a run down of our favourite looks that the nominated ladies on the red carpet absolutely nailed.

Margot Robbie: ‘Birds Of Prey’ actress, Margot Robbie, walked the red carpet in a black peplum-waisted Chanel number with floating laced sleeves and an open back.

Florence Pugh: ‘Little Women’ star, Florence Pugh, opted for a voluminous, puffy fuchsia gown with a long train by Dries Van Noten, standing out in a crowd dominated by black dresses and tuxedos.

Zoe Kravitz: Glittering in gold, Zoe Kravitz shone on the red carpet in a metallic gold Saint Laurent dress which she paired with simple red drop earrings that matched both her red-lip and the red carpet.

Scarlett Johansson: ‘Marriage Story’ star, Scarlett Johansson, didn’t hold back for the 73rd BAFTAs as she floated down the red carpet covered in pink sequins and feathers, displaying a thigh split and short feathered train. This Versace number was accessorised with some simple drop earrings to add even more sparkle and flair.

Emilia Clarke: ‘Game of Thrones’ star, Emilia Clarke, chose an elegant floor-length custom-style Schiaparelli gown with sequin embellishment covering the bodice and trailing down the skirt. She paired this with some simple purple gemstone earrings, adding a splash of colour to a classic black look.

Jodie Turner-Smith: Accompanied by her husband Joshua Jackson, Jodie Turner-Smith looked radiant in a halter-neck yellow Gucci gown that perfectly illuminated her baby bump, as she walked the red carpet glowing and covered in sequins.

Naomie Harris: Scarlett Johansson wasn’t the only glamorous actress flaunting a thigh-high split, as British actress Naomie Harris waltzed down the red carpet in a tasseled silver Michael Kors number. This silver was continued throughout her look as she accessorised with a matching clutch and strappy heels.

Ella Balinska: Looking like a spring day, Ella Balinska glided on the red carpet in a pink and white floral Giambattista Valli gown that featured a ruffled hem and neckline. The ruffle-trimmed cape added an element of drama to the otherwise delicate ensemble.

Lily-Rose Depp: The 20-year-old model reinvented the nude look in a sheer lace LBD, striking a pose as she stood out from the crowd in this sexy Chanel number. Showing that sometimes simple is all you need, Lily-Rose Depp opts for some open-toed black pumps and silver accessories.

Words by Katie Janes

Graphics by Katie Janes

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The post Our Favourite Looks From the 2020 BAFTAs appeared first on Voir Fashion.

Australian-American actress, producer and Hollywood sweetheart Nicole Kidman returns once again to exhibit her versatile acting chops on the big screen as she takes on the role of Gretchen Carlson, a former television co-host at Fox News who in 2016, filed a lawsuit against then CEO and Chairman Roger Ailes on claims of sexual harassment. This timely biographical feature film titled Bombshell is the brainchild of director Jay Roach and writer Charles Randolph, and co-stars other big names such as Charlize Theron and Margot Robbie. The storyline comprises of the allegations made against Ailes by several female employees and centres on their journey in setting out to expose his figure as an authorial man swathed in media-oriented power. Although brazenly radical in subject matter and towered by a number of contradictions in political views, Bombshell does not appear to be the first project Kidman has been involved with which verges on the margins of the extreme; dealing with the stark depiction of society’s underbelly and an exploration into the nature of the vulgar.

Growing up in Sydney, Kidman was enrolled in ballet classes at the mere age of three and immediately showed a premature natural acting talent in her primary and high school years. Her interest in villainous characters was cultivated early on as she cites her experience of seeing Margaret Hamilton’s performance as the Wicked Witch of the West in The Wizard of Oz as a primary source of inspiration for pursuing a life-long career in acting. At the Australian Theatre for Young People, she took classes in drama, mime and performing throughout her teenage years and continually received praise and encouragement to embark upon becoming a full-time actress.

In 1995, Kidman landed the lead role in Gus Van Sant’s To Die For, a criminal comedy mockumentary which aided as the first step in bringing her closer to worldwide recognition. Her character, Suzanne Stone, is an aspiring broadcast journalist who will stop at nothing to attain a worldwide level of fame and recognition. Her obsession with screens and voyeuristic forms of looking soon leads her into recruiting high school subjects Jimmy, Russell and Lydia as part of her TV documentary, Teens Speak Out. Ironically, it is this self-recorded documentary that later serves as evidence for Suzanne’s plotted murder of her husband Larry through the help of the students.

The film and novel of the same name are based on the criminal case of Pamela Smart, a convicted American murderer who seduced a fifteen-year-old boy and conspired with him and his three friends to have her husband killed. This darkly disturbing backstory underlies the colourful, scholastic visuals of the film and poses a challenge for newcomer Kidman in balancing the image of hidden malice with a dolled-up, perky façade—a challenge which she seems to have risen remarkably well too, as Mich LaSalle of the San Francisco Chronicle critiques,

“She brings to the role layers of meaning, intention and impulse. Telling her story in close-up—as she does throughout the film—Kidman lets you see the calculation, the wheels turning, the transparent effects to charm that succeed in charming all the same.”

Not to mention also her win at the Golden Globe Awards for Best Actress. Kidman was seen to, therefore, stun audiences with her ability to intermingle a performance of charming naivety with cold-hearted ruthlessness, portraying marvellously the dangers of fame obsession in the multimedia age.

A passion for narratives of tragedy and doomed fate continues in Kidman’s depiction of English writer Virginia Woolf in The Hours (2002), a psychological drama film directed by Stephen Daldry and co-starring Meryl Streep and Julianne Moore. The storyline focuses on three women of different generations whose lives are interconnected by Woolf’s novel, Mrs Dalloway. Apart from Kidman’s drastic physical transformation (with the aid of a conspicuous prosthetic nose) and her shift in mannerisms, posture and accent appear astoundingly similar to Woolf, with Kidman herself commenting that “All you know is: Everything starts to flow, and suddenly you’re walking differently, you’re talking differently, you’re thinking differently, your whole demeanour is in relation to what you’re shooting a lot of the time, mood-wise even.”

This immersion into the physical state of her character no doubt filters into the emotional sphere as well, forcing Kidman to venture into the dark and troubled mind of the writer during her final days leading up to her suicide by drowning in the River Ouse. Drawing upon research into the psychological science of nervous breakdowns, depression and bipolar disorders, Kidman delivers a showstoppingly poignant performance, eventually earning her positive critical reaction and an Academy Award for Best Actress.

Over fifteen years later, Kidman still refuses to shy away from topics that disturb, subvert and provoke as she slips into the character of Gretchen Carlson, who alongside Megyn Kelly, strives to take on the head of Fox News and the illegal wrongdoings he has committed within the workspace. First announced in May 2017, following the death of Ailes, the film has emerged in the opportune time for its meaning to take root as we are able to look back on the pre-Me Too time of political and feminist struggle and align our present societal climate with it. In the two years since the momentous event of the Harvey Weinstein scandal, audiences have been ready for a dramatisation of the isolation, humiliation, and fear that comes with the experience of and admittance to sexual harassment.

Bombshell’s release date is set for 24th January 2020 in the UK.

Words by Shir Ariya

Graphics by Séverine Denis-Lessard

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It is not often we witness the works of female directors grace the cinema screens of Hollywood, so it is a marvel that actress, screenwriter and director Greta Gerwig has announced the release of not one, but two upcoming films, Little Women and Barbie fresh off her success from the critically acclaimed, coming-of-age indie Lady Bird (2017). Her imminent prolific career and fervent fanbase are attributed however, to more humble beginnings as an actress on the outskirts of fame, starring in a number of low-budget mumblecore films.

Mumblecore is the name given to the subgenre of indie films characterised by naturalistic acting and dialogue and a preoccupation with the intimate relationships of people in their 20s. Emerging from the early 2000s, it has resonated with young audiences across the world with its treatment of disillusionment, social awkwardness and miscommunication between strangers— themes all too familiar to the information-saturated minds of Generation Y. As a key figure of this stylistic movement, Gerwig has appeared in a number of films from Joe Swanberg, some of which she co-wrote and co-directed, including Hannah Takes the Stairs (2007) and Nights and Weekends (2008). But it was not until the release of Noah Baumbach’s Frances Ha (2012), that she started to gain mainstream recognition for her charmingly clumsy and relatable portrayal of protagonist Frances Haliday.

With witty and highly quotable lines such as ‘I’m so embarrassed, I’m not a real person yet’, and ‘I like things that look like mistakes’, Gerwig charms as the 27- year old aspiring ballet dancer, traversing through friendships, romances and career struggles. As she states in an interview, ‘Some of the independent movies that make money have a very specific thing that you can tell audiences they’ll feel about it…Frances Ha will touch your deep feelings of failure and unworthiness.’ Taking the feel-good promise of commercial indies at the time and turning it on its head, Gerwig seeks instead to touch people’s hearts through the acceptance of uncertainty in the world, and as a result, carves out an intensely realistic reflection of youthful aimlessness.

Her iconic screenwriting collaboration with Baumbach on the film (who later becomes her lifelong partner) has also allowed her to move away from the spotlight in front of the camera to the manipulation of it from behind. With the advantage of experience from both sides of acting and writing, Gerwig became ready to take the world by storm with her directorial debut, Lady Bird, a coming-of-age film set in Sacramento, California about a high schooler named Christine McPherson (played by Saoirse Ronan) who makes everyone call her by the nickname of Lady Bird. The film immediately shot to fame and critical acclaim, winning Gerwig a Golden Globe for Best Motion Picture in a Musical or Comedy and a 100% rating on Rotten Tomatoes. The mesmerising element of the film, however, seems not to be rooted solely in the poignant depiction of human interactions, but also in the treatment of the female subject, with Christine shining as the fiercely original teenage character bursting simultaneously with confidence and anxiety.

Gerwig’s account of Christine’s life is revealed to be semi-autobiographical, as she states in a behind-the-scenes video ‘I tend to start with things from my own life, then pretty quickly they spin out into their own orbit.’ By taking bits of inspiration from her own past growing up in Sacramento, such as the famous scene of Christine jumping out of a moving car, Gerwig infuses the film with a personal interconnectedness and improvisational quality, accentuating the importance of female subjectivity to the storyline. As we watch the conventional coming-of-age tropes play out (a character falling in and out of love, losing her virginity, discovering intellectual passions), we become aware of the film’s realist tone, constantly rejecting the urge to romanticise the often romanticised narrative of the teenage girl. Settings are stripped of any hint of gaudiness or theatricality, with a heightened emphasis on the mundane and the monotonous rounds of school and home. Characters are vulnerable to emotional impulses and desires, reinforcing the yin-and-yang idea of both good and evil existing at the same place and time, with Gerwig herself quoted as saying in an interview with Dazed Magazine, ‘I never think about female characters as being likeable or unlikeable. With all my characters—not just with female characters—but with every single character in this film. There are no villains.’

Even the outfits worn by the girls in the film have been thoroughly researched to make sure they remain faithful to the early 2000s era in which the story is set, as Gerwig reveals that ‘The costume designer April Napier and I spent a lot of time looking at old Seventeen magazines. And, there was a catalogue called Delia’s which was something everyone in the United States bought. You always wanted to look like one of the girls from Delia’s!’ Clothing is selected therefore on grounds of narrative accuracy rather than a desired beautification of the female image.

With planted seeds from the likes of Sofia Coppola and her scrutinisation into the art of female dynamics in The Virgin Suicides (1999) and Marie Antoinette (2006), Gerwig herself has transformed into a fundamental figure for the preservation of femininity in film and for the garnering of interest in the growth and maturation of the leading woman. In her upcoming film Little Women (set to release on 27 December 2019) where four sisters come of age in the aftermath of the Civil War, she once again provides a voice for the modern independent female, telling Margaret Gardiner in an interview that ‘I’ve always felt that whether you’re writing a novel or making a film, what you choose to put 30 feet tall on a screen tells the audience it’s important and for me, making lives of girls and women important and 30 feet tall and shot on celluloid—it’s worth it and you’re saying their lives have mattered.’

It has also been confirmed that Gerwig is to pair up with Baumbach on the script for her upcoming film Barbie, starring Margot Robbie as a doll who is expelled from Barbieland for not being perfect enough and sets off on an adventure into the real world. Filming is set to begin in 2020.

Words by Shir Ariya

Graphics by Araceli Alonso

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The post The Rise of Greta Gerwig: Femininity in Film appeared first on Voir Fashion.

We’ve been preparing for the release of Tarantino’s latest film, Once Upon a Time…in Hollywood, for a while now, ever since the adrenaline-pumping teaser trailer was released in March. Featuring Hollywood heavy-weights, Leonardo DiCaprio, Brad Pitt, and Margot Robbie, the film was promising to be the blockbuster of the summer.

While like any other Tarantino film, it’s filled with blood and horror, juxtaposed by the black comedy and charisma so stereotypical of his narratives, the melancholic tale of Sharon Tate’s murder by the Manson family still leaves a sour taste in our mouths some fifty years later.

And it seems that Margot Robbie’s efforts to keep Sharon’s beauty and spirit alive was a great deal of importance to the actress, who told Vogue in her 73 Questions video, that despite not being a method actor, she does end up acting like a character after a while (she even touchingly has a portrait of the actress in her Malibu home).

The press tour was awash with a ’60s rose-tinted dream with the uncanniness between Robbie and Tate, as every red-carpet and screening across the globe was a recreated look of the icon. It was truly a reminder of the effortless beauty of Sharon Tate that we all miss.And the red carpet wasn’t the only place we have seen some ’60s nostalgia, as the graphic eye looks so quintessential of the era have been modded and played with throughout many of the AW19 runways.

So here’s how to recreate the classic Sharon Tate look so you can feel groovy all season long.

Apply a M.A.C. Paintpot in Painterly as a matte eyeshadow base that washes a gorgeous taupe over lids, and follow with some translucent powder to set.

Then using Charlotte Tilbury’s Luxury Eyeshadow Palette in The Sophisticate, use a big fluffy blending brush and apply the light, mid-tone brown through the crease, and along the bottom lash line.

To get Sharon’s sleepy, sexy, ‘heavy lids’ use the deep-brown shade with an angled liner brush (something like Morphe’s Y23 – PRO ANGLE LINER) and cut your crease to create a strong, dark line to define the socket. This line should extend out from the eye to create a flick.

Then to get fluttering ’60s lashes, go in with an eyelash curler as many times as possible (before you get carpal tunnel) and apply lashings of Pat McGrath’s FetishEyes to both top, and bottom lashes. And for extra pizazz use a strip of false lashes.

To finish off the eyes, define the eyes with Tate’s fluffy brows using Benefits Gimme’ Brow, followed by the cream shade from The Sophisticate Palette to highlight underneath the brow bone.

Finally apply Chanel’s Rouge Coco Flash in Rush allow over the lips, and lightly onto the apples of the cheeks as a blush to tie in all the colours together.

. . .

Artwork by Luke Walwyn

The post Tate Modern: The Timeless Beauty Of Sharon Tate appeared first on Voir Fashion.