YSL – The Incorporation Of Sheer, Transparent Dresses And Tops

 Anthony Vaccarello’s latest show for Saint Laurent redefines the essence of fashion through the artistic use of transparency. Garments crafted from soft, sheer fabrics emphasise the body as the ultimate accessory, with close-fitting silk dresses and tops that resemble delicate undergarments. This contrast of modesty and nudity challenges conventional notions of allure. Transparency in this collection represents confidence and celebrates the feminine form as a work of art. The collection elegantly blends sensuality and sophistication, embracing Saint Laurent’s distinctive aesthetic with a modern twist. 

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 This bold exploration of intimacy and transparency not only captivates the audience but also sets a precedent for the evolution of haute couture, cementing YSL’s position at the forefront of fashion innovation. 

Leopard Print’s At Dior

The presence of leopard print undoubtedly captured the spotlight at the Dior fashion show. From sleek trench coats to chic hats and statement bags, the runway was adorned with this timeless pattern, injecting a fierce yet sophisticated edge into the collection. 

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Each outfit emitted boldness and confidence, with the classic print flawlessly incorporated into Dior’s typical elegance. The contrast of traditional designs with the bold appeal of leopard print created a captivating visual narrative, elevating the runway collection to new heights of luxury and style. 

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Celebrity Appearances

The Dior fashion show featured a number of notable celebrity appearances. Amongst the renowned guests was actress Elizabeth Debicki, well known for her portrayal of Princess Diana in the famous Netflix series “The Crown,” graced the occasion with her elegant demeanour, reflecting the perfect example of regal sophistication. Also, singer Rosalia’s made an appearance as well as Caroline Trentini, a supermodel and house friend adding to the show’s extravagant environment. Their presence not only added to the excitement of the runway show, but also highlighted Dior’s lasting appeal in a variety of entertainment and cultural contexts. 

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Grapes Take Centre Stage At Balmain

At the heart of the Balmain fashion show was the incorporation of grape designs adorning skirts, corsets, bodysuits, and dresses. This unexpected motif gave the collection a unique and stylish charm, offering a new take on classic designs. From beautifully designed corsets to flowing skirts and form-fitting bodysuits, each garment exemplified Olivier Rousteing’s amazing ability to combine innovation and timeless appeal. 

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The incorporation of grape motifs throughout Balmain’s Paris Fashion Week show is a subtle reference to France’s rich cultural heritage, best known for their wines and vineyards. By weaving grape motifs into skirts, corsets, bodysuits, and dresses, Balmain pays homage to this quintessential aspect of French culture, infusing the runway with a sense of national pride and heritage. 

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Furthermore, the grapes’ link with luxury and refinement is consistent with the grace and grandeur that define Parisian fashion. Therefore, beyond the aesthetic appeal, the grape patterns serve as a reminder of France’s cultural richness and lasting influence within fashion. 

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Elegance Reimagined: The Schiaparelli Ready-To-Wear Collection

In a masterful showcase at Paris Fashion Week, Schiaparelli unveiled its Ready-to-Wear collection, featuring a range of textures, bold silhouettes, and a blend of tradition and innovation. The collection was a tribute to luxury with a modern twist, featuring lush materials and a colour palette that ranged from pristine whites and rich browns and classic plaids. 

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One could feel the luxurious vibe emanating from a full-length white coat, adorned with golden buttons, and paired with tan boots, capturing a winter fantasy of pure elegance. In contrast, a head-to-toe glossy brown outfit with a quilted texture and matching boots spoke to the brand’s penchant for making a statement with monochromatic sophistication. 

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The collection also played with structure and volume, as seen in a black coat with an exaggerated collar and gold buttons, juxtaposed with a striking striped pattern that added a graphic edge. Plaid made a distinguished appearance, crafted into a timeless double-breasted coat, invoking a sense of heritage yet felt thoroughly contemporary with its tailored fit and accessorized with a touch of gold. 

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Schiaparelli’s Ready-to-Wear collection at Paris Fashion Week was a testament to the brand’s vision of modern-day couture, where each piece told a story of luxury and avant-garde design, all while maintaining wearable artistry. The vibe was one of understated drama, where every detail was a whisper of fashion’s future rooted in the richness of its past. 

Soft Detailed Draped Dresses At Cecilie Bahnsen

The Cecilie Bahnsen fashion show was a stunning event, with soft, intricate draped dresses that floated down the catwalk with ethereal grace. These outfits were a highlight of the show, encapsulating the essence of Bahnsen’s signature designs, which combines femininity with sculptural precision. 

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The dresses were made of delicate fabrics and had intricate flower patterns, as well as frills and ties, giving the collection a touch of whimsy and romance. The soft flow of the fabrics contrasted perfectly with the structural bows on the shoulders, resulting in a balance of form and fluidity. 

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The colour palette was subdued, allowing the textures and layers to take centre stage, while the incorporation of sheer elements played with the notions of reveal and conceal. This design choice was a key moment within the show, showcasing Bahnsen’s talent for crafting garments that are at once timeless and modern, with a sense of quiet luxury that resonates with the viewer. 

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The collection stood out as a celebration of softness and strength, with each dress embodying a serene confidence. It was a key moment that left a lasting impression, highlighting the brand’s unique aesthetic and mastery of detail. 

Cowboy Aesthetic At Chloé

At the Chloé fashion show during Paris Fashion Week, a distinct cowboy aesthetic was woven throughout the collection, serving as a key moment of thematic expression. This Western motif was captured through the use of fringe, leather, and relaxed yet structured silhouettes. 

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Another outfit showcased a more direct Western influence with a fringed leather jacket, cinched at the waist with a large belt, paired with a short skirt. The combination of the leather’s texture and the fringe’s dynamism channelled the energy of the Wild West while retaining a sense of contemporary fashion sensibility. 

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The inclusion of wide-brimmed hats and tailored coats with fur accents further embraced the cowboy theme, while lace and patterned fabrics introduced a delicate counterpoint, suggesting the merging of frontier ruggedness with feminine grace. This thematic choice was not only a nod to the past but also a statement on the versatility and appeal of cowboy-inspired attire in contemporary women’s fashion. 

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Shaded Sophistication: The Diverse Sunglasses Of Casa Blanca

The Casa Blanca show at Paris Fashion Week showcased a stunning array of sunglasses, each exuding its own unique charm and character. From oversized aviators to sleek thinner frames, the collection represented a wide spectrum of designs, signifying a celebration of individualism and personal expression. 

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The bright and inventive designs were a standout moment in the show, displaying Casa Blanca’s dedication to pushing the limits of conventional fashion. Casa Blanca’s runway show featured an eclectic mix of sunglasses, which not only improved the overall aesthetic but also highlighted the transformational power of accessories in defining a look. Whether retro-inspired or cutting-edge, each pair of sunglasses exuded refinement and flair, creating a powerful statement on the runway and beyond.

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Vibrant Elegance: Exploring Rabanne’s Spirited Collection At Paris Fashion Week

The Rabanne collection radiated a joyful energy, effortlessly combining fabrics, designs, and eras. one of the outfits was a sequinned tank top teamed with an asymmetrical skirt adorned with vibrant designs, finished with star-patterned tights and boots, creating a dynamic contrast of elegance and edginess. 

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Moving into a more bohemian realm, another outfit featured a patchwork of patterns, with a draped, poncho-like top flowing over a contrasting print skirt, conveying a sense of carefree elegance. The use of earthy tones and flexible materials gave a sense of nostalgia combined with contemporary flair. 

The collection also explored a modern interpretation of florals, as seen in a sleek black ensemble layered on top of a vivid flowery dress. The translucent, textured turtleneck worn under a sleeveless dress created a subtle layering effect that played with silhouette and form. 

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Overall, the Rabanne collection at Paris Fashion Week appealed to a confident, vibrant lady who values a dynamic wardrobe that is as daring and adventurous as it is fashionable. It was a celebration of originality and the art of combining pieces that might not normally go together, resulting in a fresh and unique collection. 

Isabel Marant’s Western-Inspired Elegance

Isabel Marant’s latest collection at Paris Fashion Week was a celebration of rugged elegance, channelling a Western-inspired aesthetic that felt both fresh and familiar. The garments were a rich tapestry of texture and earthy tones, with fringe details, suede, and snakeskin prints taking centre stage. 

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Each piece told a story of strength and femininity, such as a suede fringed jacket over a bold snakeskin print, cinched at the waist with a leather belt to create a silhouette that was both powerful and polished. The use of layering was prominent, with oversized ponchos draped effortlessly overflowing dresses. Leather and suede were complemented by softer textures, adding a touch of Parisian chic to the Western narrative. The footwear, slouchy and buckled boots, grounded the looks with a sense of practicality and adventure. 

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Through this collection, Isabel Marant paid tribute to the free-spirited independence of the cowgirl while maintaining the brand’s signature sophistication, crafting a narrative that spoke to the contemporary woman’s desire for fashion that is both daring and wearable. The vibe was one of an adventurous spirit meeting modern luxury, a key moment that captured the essence of the designer’s vision for the season. 

Futuristic Minimalism: Courrèges’ Pocketed Precision

At the Courrèges show during Paris Fashion Week, the collection was a nod to the future of fashion with its stark minimalism and clean lines. The clothing exuded a vibe of futuristic chic, underscored by a palette of neutral tones and stark black, embodying the brand’s reputation for pioneering space-age attire. 

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A key moment in the show was the introduction of a middle front pocket on a sleek, beige sheath dress. This functional element was a standout detail that harmonized with the collection’s practical aesthetic. It wasn’t just a pocket; it was a statement about the integration of utility into high fashion. The models were also accessorised in streamlined sunglasses, the simplicity of the designs was elevated by this feature, which added both visual interest and practicality. 

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The Courrèges collection presented a vision of the future where functionality meets style. The middle front pocket stood as a testament to the brand’s commitment to innovation, making it a key moment that encapsulated the essence of the show. 

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_{Written By Gabriella Neocleous}

The post Key Moments From Paris Fashion Week So Far appeared first on Voir Fashion.

Rousteing told French Vogue that the idea to collaborate came about when he was sketching while listening to the new album on repeat after its July 2022 release, and was inspired by the lyrics and music. He contacted Beyonce and her stylist, Marni Senofonte, and said he would like to create a couture collection together as co-designers. He had many sketches inspired by the album but managed to whittle it down to just one per song, two of which Beyonce already wore to the Grammys and BRIT awards before the collaboration was officially released. The looks incorporate historic elements of Balmain and celebrate Beyoncé’s heritage, bringing to life the powerful emotions encapsulated in her music.

Rousteing and Beyoncé have worked together many times over the years, from perfecting outfits for her 2018 Coachella headline to opening his 10-year anniversary show for Balmain in 2021.

She says he is a “dream collaborator and a constantly innovating and evolving creative”, with whom she knew she “would want to work on a collection from their very first meeting”.

Renaissance is Beyoncé’s 7th studio album, created during the COVID-19 pandemic with the intention of inspiring happiness and an escape from isolation to listeners, and to celebrate the liberation of marginalised people through dance. It won a Grammy for best dance and electronic album and was nominated for album of the year.

Now, let’s look at some of the 16 outfits it inspired:

Cozy; comfortable in my skin (cozy, cozy)

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A ‘feu d’artifice’ firework-inspired dress made of black velvet and pink feathers with a matching black velvet turban. The look represents self-love and visualises being surrounded by explosions of fireworks.

Break My Soul; I’m buildin’ my own foundation, yeah

^{Image Credit: “Church Girl” from Renaissance Couture – BeyoncéxBalmain. Photography by Louie Banks, courtesy of Balmain}

Draping shiny black velvet to create a hooded dress, cinched with a black chrome electroplated bustier. Designed to project power and confidence onto the wearer, creating the illusion of a naked torso by 3D printing the bustier.

Thique; Baby, that’s that thique

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Hammered brass bustier adorned in crystal pendants over a black velvet bodysuit, with matching crystal earrings and velvet turban. Inspired by Parisian chandeliers and traditional ballroom design.

Church Girl; nobody can judge me but me, I was born free

^{Image Credit: Balmain}

Black velvet cape with red interior, metallic belt, and silver chrome bustier. The hat is inspired by records. The outfit represents success, self-confidence, and not apologising for enjoying yourself.

Pure/Honey; It should cost a billion to look this good

^{Image Credit: Balmain}

Mixing sequins, metals, and feathers with harlequin, zebra, and psychedelic patterns to create this bodysuit. As seen on Beyoncé at the BRITs, it aims to pay homage to and channel the energy and joy of the ballroom community.

Virgo’s Groove; I want it right here, right now

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Pink velvet gown and ‘second skin’ with metallic décolleté by sculptor Elie Hirsch and a reinterpreted vintage Balmain hat. Beyonce and Olivier are both virgos, and the look represents disco, funk, and intensity.

Energy (01); Oh, la, la, la
That’s the way them boys sound when I walk through the block-block-block

^{Image Credit: Balmain}

Black-dyed pheasant feathers grab your attention, embroidered onto a macramé gown. Crafted from black silk, velvet, rayon, and patent-leather threads, this was one of the most complicated designs in the collection, designed with the intention of creating something sensual and alluring that commanded power.

Energy (02); You know that I’m gon’ be extra when that camera go pop-pop-pop-pop-pop-pop

^{Image Credit: Balmain}

Gown, hat, and earrings created with a pattern inspired by traditional African hair-braiding. Taking over a month to complete its creation; the gown began as a series of sketches of African motifs before transforming into this powerful silhouette.

America Has a Problem; Boy, you can’t get no higher than this No, ‘cause love don’t get no higher than this no, no

^{Image Credit: Balmain}

Jumpsuit with draped red velvet and gold chrome bustier. It reflects the song’s confidence and attracts attention through its similarity to the red carpet.

Summer Renaissance; It’s so good, it’s so good, it’s so good, it’s so good, it’s so good

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Wig, cape, and dress embroidered with fringes, crystals, and rhinestones.The final track on the album inspires outright extravagance and maximalism. Beginning her world tour in May 2023, we can only hope to see more of these looks on Queen B, perhaps she will wear one to the upcoming Met Gala…

_{Words by Lucy Walshe}

^{Header Image by Mia Washbrook}

The post Balmain And Beyoncé Produce First Wearable Album appeared first on Voir Fashion.

Off-White

The Off-White show this week served as a celebration of the life of former creative director and founder Virgil Abloh, who passed away last year. Abloh was one of the pioneers and great modern innovators of the fashion industry, and this collection followed suit, offering a glimpse into the space age and allowing everyone to dream of a bright future. A huge amount of variety was on show from minimalist streetwear inspired looks of oversized jumpers, puffer jackets and hoodies that are staples of the brand to high end couture, a pool in which Off-White has never really dipped its toe into.

It needn’t matter though, as the multitude of layered, oversized dresses, gloriously gigantic hats and bombastic prints and colours all felt completely effortless, as if the brand had always been a high-end couture behemoth. As one of Virgil’s final works before his passing this is one beautiful legacy to leave behind.

Vaquera

Themes of punk and rebellion ran through the DNA of this show and onto the catwalk too. Pretty much everything on show was oversized, creating a casual yet edgy feel that was a perfect blend of 80s and Y2K styles. Stone washed denim was paired with sleek leather for an ultimate grunge inspired look, and loud prints from leopard print to skulls to comic inspired art added an artistic edge to proceedings.

Nanushka

There was a quiet vulnerability and intimacy in Nanushka’s show. Foregoing the traditional catwalk of models walking up and down for mere seconds, the models of Nanushka’s show stepped onto spinning platforms and stood perfectly still for what felt like an age, inviting viewers to stare and really take in the atmosphere of the show and the craftsmanship of the clothes. This intimacy translated through into the clothes with a gentle sense of femininity running through the collection with pristinely cut suits with deep necks and flared trousers in light browns and baby blues being standout looks from the show.

Di Petsa

The theme of femininity continued with Di Petsa, whose show and collection centred around the themes of motherhood. With the runway thematically set with moody lighting, water on the floor and remnants of foliage making it appear the show was set in a Garden of Eden of sorts, clothes which embraced the raw nature of being a mother graced the runway. Gentle fabrics comprising of ruffles made up a bulk of the collection, putting an emphasis on comfort first and foremost. The raw nature of the show became even more apparent with models carrying babies down the runway as well as clips of mothers feeding their children spliced in between. The collection showcased the power and beauty of motherhood in a wonderfully real nature.

Christian Dior

The future is now. That was the message Christian Dior was sending this week. Set in an enormous room with the walls lined with classical portraits, you’d be forgiven for thinking the show would kick off with some classically designed haute couture. Instead, a glow in the dark bodysuit was the first piece on the runway and what followed were a barrage of futuristic looking pieces meshed with clothes from older ages. Slick high vis jackets were paired with flowing lace skirts, arm gloves that wouldn’t look out of place on the outfit of a racing driver accompanied sophisticated body-hugging dresses, and huge Matrix style glasses made models look as if they were wearing high-tech visors.

As the show carried on though, the looks gradually began to regress through time and the futuristic elements gradually faded away. The precise cuts of tailoring that have been so prevalent throughout the 20^th and 21^st Centuries took up the middle portion of the show, with elegant printed overcoats, velvet two-piece suits and shining maxi skirts bringing the room back to the present. Soon after, time regressed again with dramatic sweeping dresses made of lace, swaying elegantly around the models as they walked, transporting everyone back to the age of the ballroom, an age more befitting of the setting the show was housed in.

Christian Dior managed to combine the past, present and future in sublime fashion and in doing so celebrated the history of the craft whilst also looking forward to its future.

Ottolinger

Models made their way around a twisting padded maze for Ottolinger in a show that felt futuristic in a distinctively Y2K manner. Lashings of smooth velvet slinked around the maze along with puffer jackets and coats that didn’t look too dissimilar to the maze walls and a fantastically slick set of suits. Huge shoes finished off many of the outfits on display and enhanced the vintage otherworldly feel of the show, with the collection as a whole echoing the fashion of The Matrix. The only thing missing was an appearance from Keanu.

Saint Laurent

If there’s one thing that can always be guaranteed from a Saint Laurent show, it is extremely high glamour and extremely high sophistication and this show was no different. With a beautiful backdrop of an illuminated Eiffel Tower in the background, the glamour was only heightened even more. That unmistakable Saint Laurent style was present from the start with uniquely chic touches on blazers, giving them hugely oversized dropped shoulders, decadent fur coats and shimmering thigh high boots to add subtle levels of sensuality to proceedings.

It was a fantastically elegant high end display, the kind that has always come to be expected from Saint Laurent.

Didu

Rather than stage a traditional catwalk show Didu instead produced a short film showcasing their looks for the season and it’s safe to say it had a dystopian feel of sorts. With elements of neo noir with a futuristic biker riding down a moonlit highway, a fantastical overgrown forest and a rather unnerving last supper of sorts, the film was a journey through varying scenarios which showcased the diverse and rich nature of the brand.

Rochas

As smoke poured into the studio and a foreboding dance track began to play there was a somewhat sinister edge to the Rochas show. Not that that’s a bad thing though as the clothes on display also matched this eerie atmosphere by appearing quite dark and almost villain-like themselves. Dark, leather coats, dresses and hats were combined with dramatic make up and oversized nails creating looks that weren’t too far removed from the queen of evil herself: Maleficent.

Tailoring laden with jewels shimmered through the clouds of smoke and, combined with unique shoulder cuts which bloomed outwards like a blossoming flower, added a gentle touch amongst the smoke and dramatic music.

Dries Van Noten

Dries Van Noten presented a dreamlike paradise to the fashion world this week. There was an astonishing array of fantastically vibrant prints spread across coats, tops, skirts and blazers, ranging from classic zebra and cow prints to much more psychedelic patterns meshing colours and swirling around the garments in hypnotically mesmerizing manners.

The insane levels of detail extended to accessories to with hand-stitched brooches in the shapes of crests being made up of vibrant colours swirling around each other like a kaleidoscope. Uniquely, the clothes themselves were also primarily displayed on mannequins rather than models and, taking things even further, the mannequins themselves were often patterned with the same prints as the clothes they were displaying. This created a blurring of lines of sorts between the clothes and the wearer.

Acne Studios

In a pristine white studio guests at this weeks Acne Studios show were sat in pits in the floor itself and watched as the models of the show slinked around them from above.

A particular highlight of the collection was its use of nightwear and loungewear inserted amongst the usual high-end pieces and looks. Massively oversized dressing gowns which drowned the models were paired up with equally oversized slippers creating an undoubtedly comfy look which stood at odds with the rest of the show. Who says extreme comfort can’t be extremely fashionable?

Balmain

Kicking the show off with a beautifully intimate dance routine before the models graced the runway, there was a tender atmosphere to Balmain’s presentation. Of course, this tenderness didn’t distract from the effortlessly cool styles that the fashion world has come to expect from Olivier Rousteing, whose love for distinct silhouettes, monochromatic palettes and sleek, modern theatricality was as present as ever.

A collection of the most pristine and purest whites led the show comprising of the unique tailoring structures that Rousteing has become known for, paired with flowing trousers, miniature bags and enormous boots that could have had their own gravitational pull.

These outfits had an almost angelic feel to them which wonderfully matched the gentle nature of the show’s opening performance. A bit of darker energy soon followed though with equally slick and futuristic black outfits fitted with metallic plates taking the audience from the skies to space and enormous coats of fur and that unique Olivier block colouring adding plenty of elegance and sophistication.

Coperni

Set in a spacious locker room with a soundtrack made to an emulate a radio broadcast there was a quiet sense of sexiness present in Coperni’s collection. There was plenty of flesh on display as thigh high boots and miniskirts exposed thighs, tops and dresses revealed shoulders and some uniquely cut blazers highlighted parts of the body. All of this was handled tastefully though and with a sense of sophistication showcasing a strong level of maturity.

Gauchere

Gauchere presented a mature and sophisticated collection this week. The French brand showcased traditionally cut tailoring in a variety of cool neutrals from brown to black to beige, giving the collection a fresh neutrality. Blazers and coats oozed sophistication whilst skirts flowed to mesmerizing degrees.

Paul Smith

One of the icons of British fashion, Paul Smith is still creating collections that are full of charm, whimsy and wonder. Continuing to showcase the signature prints and patterns that have become so synonymous with the brand and designer, with this collection having a particular affinity for zigzags and psychedelics, the clothes all have a distinctly British feel to them that only Paul Smith is capable of achieving. A lush array of colours please the eyes as well with deep, brooding purples, fresh greens and passionate, vibrant reds leading the way and adding bursts of personality to the collection. Paul Smith is, as always, timeless, elegant and infectiously fun.

Lecavalier

Taking place in a dramatically lit studio there was a tense atmosphere to the Lecavalier show. At times the presentation almost felt like a western standoff of sorts with models passing by each other trading tense stares and gazing into the cameras in a similar way at the audience. The drama was equally present in the clothes too with dramatic colour combinations, oversized jumpers consisting of patterns that, again, wouldn’t be too far removed from a western, and a stunning coat made up of incredibly intricate twists and knots.

Rick Owens

The king of gothic theatricality, Rick Owens, returned to Paris this week with undoubtedly one of the most breathtakingly stunning shows of the season, if not the year, so far. Atmosphere, as always with Rick Owens, was immersive from the start with smoke machines billowing smoke onto the runway and even models carrying their own miniature versions with them, creating a swirling cloud of mysterious wonder. A sweeping orchestral score only added to the spectacle, making the presentation feel more like a huge Broadway performance than a runway show.

Of course, the clothes were spectacular as well. The silhouettes of pointed shoulders, dragging capes, huge hairdos and swirling dresses matched the atmosphere of the stage perfectly with the collection looking like it had come straight from a beautiful yet slightly twisted fairytale. It could be easy for a collection rooted in such drama to lack a certain sense of reality and soul but that was absolutely not the case here. Despite the high dreamlike state there was a warmth and soul to the collection that brought the entire presentation back to reality.

Isabel Marant

With a packed audience in attendance and a live performance accommodating the show there was a very playful and uplifting vibe to Isabel Marant’s presentation. Models strutted with vigor and fierce attitude to the dreamy soundtrack of the show and presented a collection of clothes that was equally playful to the setting they were in. Fluffy jumpers with striking patterns looked comfy and inviting whilst a whole host of colourful garments added to that feeling of wonder and whimsy that was already present. A highly uplifting presentation indeed.

Alexandre Vauthier

There was a rough elegance on display from Alexandre Vauthier this week. The video presented by the brand had a DIY energy to it that also emitted a rebellious punk energy which translated through to the collection itself. Each piece exuded a confident amount of attitude, evoking feelings not too far removed from the British punk movement of the 80s. Coats were decked out in various animal prints and would feel right at home amongst the stylings of last years Cruella, whilst glamourous dresses had dramatic fur necklines that, again, wouldn’t feel out of place worn by the monochromatic menace herself.

Loewe

With the runway space painted floor to ceiling in a chocolate brown and with multiple huge pumpkins scattered across the room there was an immediately surrealist nature to Loewe’s presentation. This surreal vibe extended massively to the clothes as well, with the entire collection having an Alice in Wonderland feel due to the sheer amount of whimsical and straight up head-turning pieces on display. Dresses that started off in a typically standard manner at the neck extended downwards into the shapes of cars at the waist, whilst others were shaped into giant, puckering lips at the chest before flowing down into an elegant and flowing trail. There were heels accessorized with humongous bows at the ankle and, speaking of heels, some were even put into dresses themselves with the heels nearly piercing out of the fabrics.

Amongst all of this surrealist content there was also a wide array of shapes and cuts that would seemingly be thought to be impossible when it comes to making clothing. But Loewe managed it all and created a compellingly trippy show that pushed the boundaries both of what fashion is and what it is truly capable of.

Issey Miyake

Japanese brand issey Miyake also presented a fairly surreal take on its collection this week, though to a more minimalized degree. As ever with Miyake subtlety was a strong point and the collection had a refreshingly down to earth vibe whilst also still being creative and pushing forward some unique prints and designs. Jumpers looked uber soft and comfy to the touch coming in a nice variety of cool neutrals and brighter colours such as purple, whilst coats were adorned with artistic prints looking as though they had been brushed on with a giant paintbrush.

Nina Ricci

In a playful and energetic presentation Nina Ricci asked its participants what it is that they feel makes them their most authentic selves. The celebration of embracing one’s authentic self and not being hindered by other’s opinions or doubts was an uplifting message and felt empowering too. The clothes on display complimented this message being bright in colour, with cool pastel pinks and blues, and by featuring some playful prints which added some extra dimension to outfits.

Jitrois

There was a definite space-age vibe emitting from Jitrois’ presentation this week. In a glitchy and distorted video presentation models were seen sporting shining silver dresses and tailoring that looked fit for a grand space adventure. A red leather getup consisting of jacket and trousers, whilst being distinctly contemporary, also had an air of futurism about it and looked effortlessly cool to boot. Space-age styled futuristic clothing is always interesting to see and Jitrois delivered a slick and cool take on the aesthetic.

Lutz Huelle

Traditional glamour was at the forefront of the collection from Lutz Huelle. Glamorous sophisticated dresses in a rainbow of primary colours lit up the presentation, with some darker, checkered tailoring serving as a nice contrast to the array of colours. Patchwork denim tops and jeans added a touch of casual everyday wear to proceedings, whilst still feeling distinctly elegant in its own way. Outfits were also accessorized with some stunning crystal jewels in the forms of lavish necklaces and dangling earrings, hammering home that traditional glamour in a suitably stylish way.

Yohji Yamamoto

With the runway framed by multiple luxurious crystal chandeliers there was an immediate sense of gothic drama to Yohji Yamamoto’s presentation. Of course, gothic theatricality is a known staple of Yamamoto’s work so it should be no surprise that the collection presented this week leaned heavily into the theming in a beautiful, almost sorrowful manner.

Yamamoto’s signature use of black was ever present, casting a gloriously gothic glow over the room. Layered, billowing dresses that swayed beautifully as the models walked down the runway emitted a wonderful sense of drama, and the expert tailoring of blazer jackets and coats that are staples of Yohji’s work added a dark sense of sophistication to the show, as should be expected from Yamamoto’s work. Many of the outfits presented felt fairytale-like in nature which gave the collection a wonderful sense of whimsy that worked wonderfully with the gothic stylings. Yohji Yamamoto has proved once again why he is one of Japan’s most acclaimed and beloved designers.

Marine Serre

If there were an award for most sheer variety in a runway show this week then Marine Serre would be a very serious contender for the crown. Everything from abstract geometric prints, to Scottish inspired check, to satanic body suits, to skin-tight head to toe velvet extravaganzas was present. Yet, despite this insane amount of variety, the show never at any point felt inconsistent or had any tonal issues.

There was a definite surrealism surrounding the collection and many open interpretations ready to be taken. One absolute though is that this was one of the most unique shows of the season so far and did a wonderful job of balancing both the functionality of fashion with the spectacle and performance. A true work of art.

Words By Andrew Coyle

_{Photo Credit; Off White, Filippo Fior}

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Olivier Rousteing read our minds and transported this feeling to the runway with Balmain’s Fall 2021 collection which debuted on Monday during Paris Fashion Week. The French creative director presented the aviation-inspired collection ‘Above and Beyond’ In the most unusual of places, at the airplane hangar of Air France with models stepping in and out of a plane and walking over its wings.

“The men’s and women’s collections channel the impressive power of travel to open minds, uplift spirits and reunite those who have been kept apart, as we all look forward to soon-to-arrive better days,”

Balmain’s autumnal debut sent us flying, or at least prepared us by when we will be able to. Its pieces were a further demonstration of the brands consistency with statement looks and love for structure but also a representation of functionality with looks that could easily become travel-essentials seen on our favourite celebrities and even us.

Oversized trenches, versatile utility jackets, baggy sweats and flatform shoes were a few of our favourite pieces, all practical but in true Balmain style with metallic embellishments and eye-catching colours – with a sense of style that encompass the feeling that Olivier Rousteing wanted to transmit; “to channel that amazing sensation of freedom.” that we all miss.

We may be on hold at the moment but this collection via its unique presentation and strong clothing pieces helps us dream for a bit, and plan our future travel wardrobe with military inspired looks reminding us of the 80s and electric accessories.

Words By Chiara Ferrari

The post Remember Airports? Balmain’s AW21 Show Gives Us Aviation-Inspired Chic appeared first on Voir Fashion.

The second day of Paris Fashion week presented a multitude of looks created by an array of international designers; ranging from Ukraine, Lebanon and Belgium.

Kenzo

Throughout the physical show, Kenzo showcased a variation of colour; from bright pastel to striking shades of red. However, there appeared to be a clear theme running through the SS21 Kenzo collection; a celebration of nature, with a particular tribute to bees. Creative director Oliveira Baptista addressed the inspiration of the floral collection by noting that “the world is crying, so are the flowers.” Onlookers saw a heavy resemblance to beekeeper outfits, with vast wide brim hats, and loose-fitting trousers that drape with elegance.

The continuous use of large hats and face coverings also allude to a contemporary take on the coveted PPE of the ‘new world’. Other designers including Bora Aksu, have ameliorated this year’s global pandemic, to provide inspiration for their collections.

Kenzo SS21 Collection

Balmain

The much-anticipated Balmain SS21 show was nothing short of spectacular, and Creative Director Olivier Rousteing certainly did not disappoint. The pre-runway show paid tribute to Pierre Balmain as it presented models in ‘70s inspired looks featuring the iconic PB monogram on the pieces. Flared bell trousers and fitted suit jackets confirmed a ‘70s theme, whilst affirming an allure of French elegance.

The show continued by delivering ostentatious, neon-coloured suits; sporting Balmain’s signature pagoda shoulder pads, and accompanied by PB monogram bags. Whilst these bold pieces stole the show, Rousteing’s collection displayed models wearing stunning gowns embellished with Swarovski crystals, captivating knitwear, and chić biker shorts.

Balmain SS21 Collection

Balmain SS21 Collection

Dries Van Noten

Belgian designer Dries Van Noten had always been a stranger to digital fashion prior to this pandemic. However, like many other fashion designers, he has successfully adapted to the new remote demonstration of collections this year. Dries van Noten’s first ever co-ed collection was presented in a series of colourful shots of models freely dancing to a drum beat.

The pinnacle of this SS21 collection is certainly within the colours and prints, that have been conceptualised from New Zealand Artist Len Lye’s celluloid film paintings. Van Noten himself said that he “started to look around for things that create a high energy: a lightness, but also different kinds of beauty… So it had not to be the beauty that makes your dream, but beauty that gives you energy: makes you want to move, go outside and do the things we can’t currently do so well.”

Dries Van Noten SS21

Dries Van Noten Spring Summer 2021 – Video by Viviane Sassen

Words by Molly James

Graphics by Frances Scott

The post “From Every Part of the World with Love.” The Highlights of Paris Fashion Week Day 2 appeared first on Voir Fashion.

As the new decade began, hip-hop artists started expanding their style palette. While the 2000s were dominated by Tommy, Gucci and Versace, alternative brands such as YSL, Balenciaga, and Balmain were now the look. Not to mention the introduction of Bathing Ape which brought new vibrant colours to the forefront of hip-hop fashion; from yellow, orange to magenta and cyan. The combination of the new artistic generation and the ever-growing social media platforms created a vortex of unfiltered originality; the onus wasn’t on the high-end fashion shows to provide the youth with inspiration anymore. The biggest example of this unadulterated individuality; was the evolution of contemporary fashion and streetwear brand, HYPEBEAST. They immediately stole the hearts of not only streetwear admirers but high-end fashionistas too.

The most admirable trait of HYPEBEAST as a collective was the concept of combining new ideas with the feeling of sentimentality within the style. Not only implementing a variation of colours into hip-hop fashion but also bringing back larger sized clothes from the 90s. Baggy cargo trousers, XXX t-shirts and longlined tees established themselves as staples in the wardrobes of the youth, with brands such as North Face and Champion making a comeback. While these particular brands were out of style earlier in the decade, after dominating the streets during the 80s and 90s.

From jorts to snapbacks, to Champion x Bathing Ape ventures, the limits of streetwear holds no bounds. Rather than skinny jeans and cardigans; cropped trouser alongside a north face windbreaker was the wave; while still maintaining a sleek, but individualistic fit. While directness is the way to go in order to pull the HYPEBEAST look off, you must be prepared to stand out if necessary. We couldn’t escape the progression of stripes and dots along with the revival of army-esque ensembles with camouflage and floral.

One thing we can take from fashion trends of recent time is that a movement can end as quickly as it can start; there’s always a quicker route to the bottom when it comes to what’s hot or not. Everything from snapbacks, floral vests, longlined clothing, low waisted jeans and flared jeans, high tops, jorts (pretty much any default Coachella fit) its all come and gone, and come right back again. But as long as the youth continue to take inspiration from previous decades, a certain piece of clothing or accessory will never go out of style. Put your own unique foot forward, trust your gut — because trends were never created by thinking inside the box; they thrive off thinking decades into the future.

Words by Charlie Miller

Graphics by Katie Janes

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The Fashion Awards is consistently ranked as one of the most seminal nights for fashion lovers – and last night’s ceremony lived up to expectations. Hosted in London’s Royal Albert Hall, the event brought together an extremely stylish and iconic guest-list including the likes of Julia Roberts, Giorgio Armani, Donatella Versace, Rihanna and Naomi Campbell (though that’s to name just a few).

Rihanna stole the show with her all-green ensemble – which, as expected, was all from her own clothing line, FENTY. Her halterneck ‘Light Matcha’ satin bustier dress was elegantly paired with matching gloves and a Gerogette sheer coat embellished with diamonds draping gently on her back. It comes as no surprise, therefore, that FENTY picked up an award for ‘Best Urban Luxe Brand’ last night presented to her by Tyler the Creator and Janet Jackson.

“Thank you for believing in me as a young black woman and my talent,” she said, accepting the award. “Thank you for giving me the opportunity to prove what I love to do”.

Naomi Campbell was also a prize winner last night for ‘Fashion Icon Award’ and hence became the first woman of colour to ever receive the accolade. She thanked her mother primarily, stating, “whatever success I have is a testament to you”. The sheer embellished Alexander McQueen gown worn last night was just one of the many looks she has effortlessly pulled off over the course of her 3-decade-long career.

Adut Akech took the title of ‘Model of the Year’ and in her acceptance speech, the South Sudanese-Australian model stated “This award is bigger than me; it’s bigger than a title in the industry. It’s for every young girl or boy refugees around the world in a tough position who are unheard or unseen”. Her emerald green Valentino dress worn last night featuring a thigh-high split and statement bow looked like it was picked directly from the Fashion Houses’ latest Haute Couture collection showcased in Beijing this November which featured big bows and bare shoulders.

Other favourites from the night include Kaia Gerber in a monochrome Loewe ensemble. A black bralette paired with a lace white skirt, taken from the SS20 collection channelled a fresh Gen-Z aesthetic.

Host, Tracee Ellis Ross also wore Loewe, in particular a white handkerchief dress from Jonathan Anderson’s spring/summer 2020 collection. The layered white piece featured a geometric mismatch hemline paired with a chunky white necklace.

Nicole Scherzinger (frontrunner of the recently reformed girl-group ‘The Pussycat Dolls’) made a stellar appearance with her all black and heavily embellished Julien Macdonald dress.

Supermodel Neelam Kaur Gill wore a Balmain geometric patterned bodice and feather skirt. Victoria Secret model Leomie Anderson wore an elegant Armani gown laced with an array of colourful gems (pictured together).

Supermodel Winnie Harlow, who was a nominee for Model of the Year, stunned in Vivienne Westwood with a pink ruffled dress which protruded on either side and featured heavy ruching.

Rosie Huntington Whitely wore a shimmering halterneck gown as she walked down the red-carpet by Bottega Veneta (the designer picked up 4 awards last night).

Adwoa Aboah recipient of the ‘Model of the Year Award’ in 2017 and was nominated again this year wore a floral bodycon by John Galliano.

Words by Hena Sharma

The post From RiRi to Naomi: The 10 Best Dressed at the Fashion Awards 2019 appeared first on Voir Fashion.

An overwhelming divide between two camps swept the Autumn/Winter 19 runways earlier this year, with many of the collections that graced the catwalks falling firmly into one of two sartorial categories: minimalism and maximalism.

For the minimalists, Tory Burch and Céline unveiled a plethora of back-to-basic bourgeois essentials, Alexander Wang featured understated supple leather, while neutral hues dominated at Victoria Beckham and The Row. At the other end of the spectrum, volume, drama, rich colours and embellishment – in other words, a maximalist’s dream – reigned supreme, with no shortage of seasonal sparkle. With December fast approaching and party season on the horizon, look to the runways for the key ingredients to scoring the perfect festive party look – warning, you’ll be spoilt for choice.

High on glamour, the holiday season is as good an excuse as any to load up on sparkle. With the season’s mantra that ‘more is more’, nothing is too extra when it comes to the party pieces to get you noticed. Imitate the high-shine styles found on the AW19 catwalks, with options abound for glittering looks that’ll slide effortlessly into your party season wardrobe. Seek blinding seasonal sparkle at Michael Kors, where matching feather boas offered the perfect accoutrement to plunging purple halter-necks and royal azure cut-out glitter dresses. Make a festive statement in a black and silver sequin mini dress with a giant outlandish bow, as donned by Kaia Gerber on the Saint Laurent runway. Or, if you’re looking for something a little less OTT, pair a silk shirt with high-waisted sequin trousers that’ll work hard to uplift a winter soirée, as seen at Paco Rabanne, or an all-over glitter blouse with ombre flares and chunky silver heels as demonstrated by Halpern. A little black dress is a fail-safe number for the office Christmas do – add a layer of edge and swathe yourself in sequins with a glittering black blazer dress inspired by Saint Laurent.

Catch the light in disco metallics, which held sway at Altuzurra in the form of a golden pleated tier dress. At Gucci, shimmering leopard print midi skirts were paired with lace blouses and emerald green mermaid pleats took form in a balloon-sleeve blouse worn with opulent lace red tights. Speaking of which, tights are the accessory du jour. From fishnets to polka dots and diamantée embellishment, a pair of tights adds the perfect finishing touch to a luxurious party look.

Have a penchant for roaring 20s Gatsby glam? A jewel-encrusted mini dress serves as the perfect +1 to accompany you to an upcoming Christmas party – add diamond tassel earrings for an extra dose of glamour as seen as Paco Rabanne, or black studded accessories at Balmain for a flapper-meets-90s grunge look. Take inspiration from Michael Kors and go tonal with a copper fringe dress, matching heels and a (faux) fur coat for that extra layer of warmth – the perfect pick-me-up for dark winter nights. Black-tie occasion? Plunge into luxurious plumage inspired by Marc Jacobs’ decadent ball gowns. Feather trimmings were equally plentiful, with feather-lined shoes worn with sparkling hot pants and a fur shawl at Saint Laurent, and a feather-hemmed black blazer dress unveiled at Balmain. Alternatively, opt for an evening tuxedo as the go-to alternative to a dress – but not without a dose of opulence in the form of rich, jewel-toned puff sleeves as seen at Alexander McQueen.

For the minimalists, there’s still plenty of inspiration to be had, with an abundance of classic all-black silhouettes to imitate. Whether you’re looking for a glittering ensemble, disco brights or luxe textures, there’s no shortage of options to help you solve your festive party outfit conundrum.

Words by Ruby McAuliffe

Graphics by Katie Janes

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The post ‘Tis The Season: AW19 Party Outfit Inspiration appeared first on Voir Fashion.

It’s the final day of Paris fashion week and we’ve gathered 21 standout looks from the most talked about shows so far. We’ve spotted a blast from the past collection at Tommy Hilfiger X Zendaya, a staple bucket hat trend at Dior and metallic oversized puffers at Off-White. At Alexander Mcqueen, ruched pink satin graced the runway and Balenciaga showed us all the blue fur coat we need to get our hands on this AW19 and of course, Chanel’s first show without Karl showcased logo knits, classic tweed and fluffy fits.

Tommy Hilfiger X Zendaya

Off White

Dior

Balmain

Balenciaga

Alexander McQueen

Chanel

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Paris Fashion Week was muted and sleek – elegance and sophistication was the motif of the event, teamed with the empowering 80s silhouette – a slight move away from the ostentatious colours and bold prints of Milan. Below are Voir’s picks of the must-see looks from Paris.

Givenchy

Did someone say Berlin? Maybe not audibly, but Clare Waight Geller’s Fall 2018 collection for Givenchy oozed a flashy glamour reminiscent of the Cold War era city. Classic 80s silhouettes of assertive shoulders and cinched in waists were seen throughout and many outfits were dressed down with slouched cowboy style boots.

Valentino

Valentino brought a modern elegance to Paris Fashion Week with designer Pierpaolo Piccioli creating the collection on the foundations of ‘assertive not aggressive’. This notion beautifully allowed for the collection to embrace and empower all women, with flowing lines, flowers and scalloped edges – sophistication at its very best.

Balenciaga

Modern was taken to a whole new level by Demna Gvasalia for Balenciaga’s Fall 2018 collection. Fittings were tossed aside in favour of 3-D printers which created moulds of the models – a futuristic start for a futuristic show. The collection itself contained vivid colours and extravagant layering to reinforce the post-human vibe.

Balmain

Balmain’s show at Paris Fashion Week saw the brand take a big step in to the future – 32 years to be exact. Holographic materials and exaggerated shoulders were unquestionably sci-fi and were fundamental in realising designer Olivier Rousteing’s 2050 vision for the collection.

Haider Ackerman

Electric hues of greens, oranges and blues took centre stage in Haider Ackerman’s show. Floating dresses created a sense of fragility but there was still an air of assertiveness in the exaggerated shoulders of the tailored blazers, giving the delicateness a cool edge.

Hermes

Leather was everywhere on the Hermes catwalk and created a tough and sexy look. Layered coats with cinched in waists were on trend with the return of the 80s silhouette and created a sleek and sophisticated collection.

Source: Indigital.tv

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