Isamaya Ffrench, the Beauty Curator for Off White, is revolutionising the beauty sector once more with her brand, Isamaya. Isamaya, in cooperation with a recognised artist group, pushes the boundaries of beauty even further, presenting a variety of technical and inventive products to create an inclusive atmosphere for everyone to participate in.

Dominating the look Julia Fox wears a medley of metallic INDUSTRIAL 2.0 pigments, LIPLACQ in RUST and the SPUR STICK lip liner in OUTLAW.

Isamaya has risen as a symbol of refinement and luxury in a society where beauty and self-care are intertwined. With its inventive products, luxury formulas, and devotion to reinventing the beauty scene, this company has captured the hearts of beauty lovers and enthusiasts alike. Isamaya distinguishes itself not only via its visually appealing packaging, but also by its creative formulas that combine cutting-edge technology with nature’s best components.

_{https://www.instagram.com/isamayabeauty/}

_{Written By Alphy Roy}

^{Header Image: @Isamayabeauty Instagram}

The post Isamaya: A Brand That Won’t Let You Think Twice! appeared first on Voir Fashion.

Off-White have announced that IB Kamara will be taking on the role of their new art and image director. IB Kamara is no stranger to the fashion world, with the new director being most known as the editor-in-chief of fashion magazine Dazed which has always had a strong reputation for being visually distinct amongst its contemporaries. Kamara also had a strong relationship with Virgil Abloh, so the brand is undoubtedly in safe hands with his hiring. The two initially started messaging through Instagram DMs and over time eventually grew into a personal and professional relationship which was held up by mutual respect and shared values.

Speaking on Virgil, Kamara said:

“Virgil will forever be with us. With me. He changed the world and left an indelible mark on anyone who encountered him and beyond. Generous with his time, mind and creativity – he saw everyone and created with all humans in mind. I am honored to further link my ties to Off-White as their Art & Image Director and be a part of the team that will tell the rest of the story Virgil started writing for us all”

Kamara isn’t new to Off-White either, having previously styled some previous shows for the brand, as well as for other brands including Ricardo Tisci. Kamara’s work has been rich in mixing high fashion with cultural diversity, as well as frequently questioning gender and identity. As part of his new position Kamara will be heavily focused on continuing and nurturing the brand’s distinct image and legacy whilst also now injecting his own creative spin into campaigns and collections. With Off-White having such a distinct visual identity in the fashion world it’s definitely going to be interesting to see what kind of direction the brand now begins to take.

Words By Andrew Coyle

_{Photo Credit: Off White Instagram}

The post Ib Kamara Is Off-White’s New Art And Image Director appeared first on Voir Fashion.

The line was one of the last projects worked on by previous creative director Virgil Abloh before his unfortunate passing late last year and is inspired by the late designer’s love for working off of a blank canvas. Designed to inspire endless creativity and encourage human potential, Paperwork aims to encourage the absolute form of self-expression for anyone who wears it by tapping into smell, sight and touch. The genderless line includes a collection of fragrances, face and body solid pigments, and nail polishes in an array of different scents and colours.

The fragrance collection, titled SOLUTION, currently features four scents all of which are available to buy now and takes inspiration from 90s nostalgia and natural earth elements. IMPRINT and COLOR MATTER, the face and body and nail polish lines respectively, will be released soon. The brand says that these two beauty lines will “offer an entirely customizable experience that replaces conventional instructions for use with the freedom to express individuality and creativity.”

The campaign imagery for the collection takes a unique approach compared to a lot of other beauty campaigns, opting for an industrial theme set inside a laboratory showing the new products being crafted, a far cry from the usual colourful and floral centered campaigns synonymous with fragrance and beauty campaigns.

The SOLUTION line of fragrances from Off-White Beauty are available to buy now whilst IMPRINT and COLOR MATTER will be released at a later date. We can’t wait to see what they have in store!

£ 135

Off White Solution No. 1

Read article Shop

£ 135

Off White Solution No. 2

Read article Shop

£ 135

Off White Solution No. 3

Read article Shop

£ 135

Off White Solution No. 4

Read article Shop

Words By Andrew Coyle

_{Featured Image Off White Instagram}

The post Off-White’s New Beauty Line is a Genderless Paradise appeared first on Voir Fashion.

Coming in two colour combinations: black/green and white/red, the shoe was inspired by basketball, skateboarding and running sneakers and features an exposed foam tongue, vibrant laces fitted in a unique pattern and punched out holes, with both brand’s names and the name of the sneaker itself emblazoned on the side.

The sneaker is being released in accordance with Abloh’s wishes, with a Nike statement reading: “Prior to his passing, Abloh was characteristically prolific. In his planning with Nike, Abloh and his creative trust had developed fully realised product collaborations and uniquely Abloh marketing and storytelling vehicles for seasons to come.” Virgil’s wife Shannon Abloh has also been involved with the release of the collaboration.

The Nike x Off-White Low Blazer will be releasing on April 8 and will be available to buy at both Nike and Off-White stores.

Words By Andrew Coyle

_{Photo Credit: Laylai Chi}

The post A Piece Of Virgil Abloh: The Nike x Off-White Release The Blazer Low Sneaker appeared first on Voir Fashion.

Off-White

The Off-White show this week served as a celebration of the life of former creative director and founder Virgil Abloh, who passed away last year. Abloh was one of the pioneers and great modern innovators of the fashion industry, and this collection followed suit, offering a glimpse into the space age and allowing everyone to dream of a bright future. A huge amount of variety was on show from minimalist streetwear inspired looks of oversized jumpers, puffer jackets and hoodies that are staples of the brand to high end couture, a pool in which Off-White has never really dipped its toe into.

It needn’t matter though, as the multitude of layered, oversized dresses, gloriously gigantic hats and bombastic prints and colours all felt completely effortless, as if the brand had always been a high-end couture behemoth. As one of Virgil’s final works before his passing this is one beautiful legacy to leave behind.

Vaquera

Themes of punk and rebellion ran through the DNA of this show and onto the catwalk too. Pretty much everything on show was oversized, creating a casual yet edgy feel that was a perfect blend of 80s and Y2K styles. Stone washed denim was paired with sleek leather for an ultimate grunge inspired look, and loud prints from leopard print to skulls to comic inspired art added an artistic edge to proceedings.

Nanushka

There was a quiet vulnerability and intimacy in Nanushka’s show. Foregoing the traditional catwalk of models walking up and down for mere seconds, the models of Nanushka’s show stepped onto spinning platforms and stood perfectly still for what felt like an age, inviting viewers to stare and really take in the atmosphere of the show and the craftsmanship of the clothes. This intimacy translated through into the clothes with a gentle sense of femininity running through the collection with pristinely cut suits with deep necks and flared trousers in light browns and baby blues being standout looks from the show.

Di Petsa

The theme of femininity continued with Di Petsa, whose show and collection centred around the themes of motherhood. With the runway thematically set with moody lighting, water on the floor and remnants of foliage making it appear the show was set in a Garden of Eden of sorts, clothes which embraced the raw nature of being a mother graced the runway. Gentle fabrics comprising of ruffles made up a bulk of the collection, putting an emphasis on comfort first and foremost. The raw nature of the show became even more apparent with models carrying babies down the runway as well as clips of mothers feeding their children spliced in between. The collection showcased the power and beauty of motherhood in a wonderfully real nature.

Christian Dior

The future is now. That was the message Christian Dior was sending this week. Set in an enormous room with the walls lined with classical portraits, you’d be forgiven for thinking the show would kick off with some classically designed haute couture. Instead, a glow in the dark bodysuit was the first piece on the runway and what followed were a barrage of futuristic looking pieces meshed with clothes from older ages. Slick high vis jackets were paired with flowing lace skirts, arm gloves that wouldn’t look out of place on the outfit of a racing driver accompanied sophisticated body-hugging dresses, and huge Matrix style glasses made models look as if they were wearing high-tech visors.

As the show carried on though, the looks gradually began to regress through time and the futuristic elements gradually faded away. The precise cuts of tailoring that have been so prevalent throughout the 20^th and 21^st Centuries took up the middle portion of the show, with elegant printed overcoats, velvet two-piece suits and shining maxi skirts bringing the room back to the present. Soon after, time regressed again with dramatic sweeping dresses made of lace, swaying elegantly around the models as they walked, transporting everyone back to the age of the ballroom, an age more befitting of the setting the show was housed in.

Christian Dior managed to combine the past, present and future in sublime fashion and in doing so celebrated the history of the craft whilst also looking forward to its future.

Ottolinger

Models made their way around a twisting padded maze for Ottolinger in a show that felt futuristic in a distinctively Y2K manner. Lashings of smooth velvet slinked around the maze along with puffer jackets and coats that didn’t look too dissimilar to the maze walls and a fantastically slick set of suits. Huge shoes finished off many of the outfits on display and enhanced the vintage otherworldly feel of the show, with the collection as a whole echoing the fashion of The Matrix. The only thing missing was an appearance from Keanu.

Saint Laurent

If there’s one thing that can always be guaranteed from a Saint Laurent show, it is extremely high glamour and extremely high sophistication and this show was no different. With a beautiful backdrop of an illuminated Eiffel Tower in the background, the glamour was only heightened even more. That unmistakable Saint Laurent style was present from the start with uniquely chic touches on blazers, giving them hugely oversized dropped shoulders, decadent fur coats and shimmering thigh high boots to add subtle levels of sensuality to proceedings.

It was a fantastically elegant high end display, the kind that has always come to be expected from Saint Laurent.

Didu

Rather than stage a traditional catwalk show Didu instead produced a short film showcasing their looks for the season and it’s safe to say it had a dystopian feel of sorts. With elements of neo noir with a futuristic biker riding down a moonlit highway, a fantastical overgrown forest and a rather unnerving last supper of sorts, the film was a journey through varying scenarios which showcased the diverse and rich nature of the brand.

Rochas

As smoke poured into the studio and a foreboding dance track began to play there was a somewhat sinister edge to the Rochas show. Not that that’s a bad thing though as the clothes on display also matched this eerie atmosphere by appearing quite dark and almost villain-like themselves. Dark, leather coats, dresses and hats were combined with dramatic make up and oversized nails creating looks that weren’t too far removed from the queen of evil herself: Maleficent.

Tailoring laden with jewels shimmered through the clouds of smoke and, combined with unique shoulder cuts which bloomed outwards like a blossoming flower, added a gentle touch amongst the smoke and dramatic music.

Dries Van Noten

Dries Van Noten presented a dreamlike paradise to the fashion world this week. There was an astonishing array of fantastically vibrant prints spread across coats, tops, skirts and blazers, ranging from classic zebra and cow prints to much more psychedelic patterns meshing colours and swirling around the garments in hypnotically mesmerizing manners.

The insane levels of detail extended to accessories to with hand-stitched brooches in the shapes of crests being made up of vibrant colours swirling around each other like a kaleidoscope. Uniquely, the clothes themselves were also primarily displayed on mannequins rather than models and, taking things even further, the mannequins themselves were often patterned with the same prints as the clothes they were displaying. This created a blurring of lines of sorts between the clothes and the wearer.

Acne Studios

In a pristine white studio guests at this weeks Acne Studios show were sat in pits in the floor itself and watched as the models of the show slinked around them from above.

A particular highlight of the collection was its use of nightwear and loungewear inserted amongst the usual high-end pieces and looks. Massively oversized dressing gowns which drowned the models were paired up with equally oversized slippers creating an undoubtedly comfy look which stood at odds with the rest of the show. Who says extreme comfort can’t be extremely fashionable?

Balmain

Kicking the show off with a beautifully intimate dance routine before the models graced the runway, there was a tender atmosphere to Balmain’s presentation. Of course, this tenderness didn’t distract from the effortlessly cool styles that the fashion world has come to expect from Olivier Rousteing, whose love for distinct silhouettes, monochromatic palettes and sleek, modern theatricality was as present as ever.

A collection of the most pristine and purest whites led the show comprising of the unique tailoring structures that Rousteing has become known for, paired with flowing trousers, miniature bags and enormous boots that could have had their own gravitational pull.

These outfits had an almost angelic feel to them which wonderfully matched the gentle nature of the show’s opening performance. A bit of darker energy soon followed though with equally slick and futuristic black outfits fitted with metallic plates taking the audience from the skies to space and enormous coats of fur and that unique Olivier block colouring adding plenty of elegance and sophistication.

Coperni

Set in a spacious locker room with a soundtrack made to an emulate a radio broadcast there was a quiet sense of sexiness present in Coperni’s collection. There was plenty of flesh on display as thigh high boots and miniskirts exposed thighs, tops and dresses revealed shoulders and some uniquely cut blazers highlighted parts of the body. All of this was handled tastefully though and with a sense of sophistication showcasing a strong level of maturity.

Gauchere

Gauchere presented a mature and sophisticated collection this week. The French brand showcased traditionally cut tailoring in a variety of cool neutrals from brown to black to beige, giving the collection a fresh neutrality. Blazers and coats oozed sophistication whilst skirts flowed to mesmerizing degrees.

Paul Smith

One of the icons of British fashion, Paul Smith is still creating collections that are full of charm, whimsy and wonder. Continuing to showcase the signature prints and patterns that have become so synonymous with the brand and designer, with this collection having a particular affinity for zigzags and psychedelics, the clothes all have a distinctly British feel to them that only Paul Smith is capable of achieving. A lush array of colours please the eyes as well with deep, brooding purples, fresh greens and passionate, vibrant reds leading the way and adding bursts of personality to the collection. Paul Smith is, as always, timeless, elegant and infectiously fun.

Lecavalier

Taking place in a dramatically lit studio there was a tense atmosphere to the Lecavalier show. At times the presentation almost felt like a western standoff of sorts with models passing by each other trading tense stares and gazing into the cameras in a similar way at the audience. The drama was equally present in the clothes too with dramatic colour combinations, oversized jumpers consisting of patterns that, again, wouldn’t be too far removed from a western, and a stunning coat made up of incredibly intricate twists and knots.

Rick Owens

The king of gothic theatricality, Rick Owens, returned to Paris this week with undoubtedly one of the most breathtakingly stunning shows of the season, if not the year, so far. Atmosphere, as always with Rick Owens, was immersive from the start with smoke machines billowing smoke onto the runway and even models carrying their own miniature versions with them, creating a swirling cloud of mysterious wonder. A sweeping orchestral score only added to the spectacle, making the presentation feel more like a huge Broadway performance than a runway show.

Of course, the clothes were spectacular as well. The silhouettes of pointed shoulders, dragging capes, huge hairdos and swirling dresses matched the atmosphere of the stage perfectly with the collection looking like it had come straight from a beautiful yet slightly twisted fairytale. It could be easy for a collection rooted in such drama to lack a certain sense of reality and soul but that was absolutely not the case here. Despite the high dreamlike state there was a warmth and soul to the collection that brought the entire presentation back to reality.

Isabel Marant

With a packed audience in attendance and a live performance accommodating the show there was a very playful and uplifting vibe to Isabel Marant’s presentation. Models strutted with vigor and fierce attitude to the dreamy soundtrack of the show and presented a collection of clothes that was equally playful to the setting they were in. Fluffy jumpers with striking patterns looked comfy and inviting whilst a whole host of colourful garments added to that feeling of wonder and whimsy that was already present. A highly uplifting presentation indeed.

Alexandre Vauthier

There was a rough elegance on display from Alexandre Vauthier this week. The video presented by the brand had a DIY energy to it that also emitted a rebellious punk energy which translated through to the collection itself. Each piece exuded a confident amount of attitude, evoking feelings not too far removed from the British punk movement of the 80s. Coats were decked out in various animal prints and would feel right at home amongst the stylings of last years Cruella, whilst glamourous dresses had dramatic fur necklines that, again, wouldn’t feel out of place worn by the monochromatic menace herself.

Loewe

With the runway space painted floor to ceiling in a chocolate brown and with multiple huge pumpkins scattered across the room there was an immediately surrealist nature to Loewe’s presentation. This surreal vibe extended massively to the clothes as well, with the entire collection having an Alice in Wonderland feel due to the sheer amount of whimsical and straight up head-turning pieces on display. Dresses that started off in a typically standard manner at the neck extended downwards into the shapes of cars at the waist, whilst others were shaped into giant, puckering lips at the chest before flowing down into an elegant and flowing trail. There were heels accessorized with humongous bows at the ankle and, speaking of heels, some were even put into dresses themselves with the heels nearly piercing out of the fabrics.

Amongst all of this surrealist content there was also a wide array of shapes and cuts that would seemingly be thought to be impossible when it comes to making clothing. But Loewe managed it all and created a compellingly trippy show that pushed the boundaries both of what fashion is and what it is truly capable of.

Issey Miyake

Japanese brand issey Miyake also presented a fairly surreal take on its collection this week, though to a more minimalized degree. As ever with Miyake subtlety was a strong point and the collection had a refreshingly down to earth vibe whilst also still being creative and pushing forward some unique prints and designs. Jumpers looked uber soft and comfy to the touch coming in a nice variety of cool neutrals and brighter colours such as purple, whilst coats were adorned with artistic prints looking as though they had been brushed on with a giant paintbrush.

Nina Ricci

In a playful and energetic presentation Nina Ricci asked its participants what it is that they feel makes them their most authentic selves. The celebration of embracing one’s authentic self and not being hindered by other’s opinions or doubts was an uplifting message and felt empowering too. The clothes on display complimented this message being bright in colour, with cool pastel pinks and blues, and by featuring some playful prints which added some extra dimension to outfits.

Jitrois

There was a definite space-age vibe emitting from Jitrois’ presentation this week. In a glitchy and distorted video presentation models were seen sporting shining silver dresses and tailoring that looked fit for a grand space adventure. A red leather getup consisting of jacket and trousers, whilst being distinctly contemporary, also had an air of futurism about it and looked effortlessly cool to boot. Space-age styled futuristic clothing is always interesting to see and Jitrois delivered a slick and cool take on the aesthetic.

Lutz Huelle

Traditional glamour was at the forefront of the collection from Lutz Huelle. Glamorous sophisticated dresses in a rainbow of primary colours lit up the presentation, with some darker, checkered tailoring serving as a nice contrast to the array of colours. Patchwork denim tops and jeans added a touch of casual everyday wear to proceedings, whilst still feeling distinctly elegant in its own way. Outfits were also accessorized with some stunning crystal jewels in the forms of lavish necklaces and dangling earrings, hammering home that traditional glamour in a suitably stylish way.

Yohji Yamamoto

With the runway framed by multiple luxurious crystal chandeliers there was an immediate sense of gothic drama to Yohji Yamamoto’s presentation. Of course, gothic theatricality is a known staple of Yamamoto’s work so it should be no surprise that the collection presented this week leaned heavily into the theming in a beautiful, almost sorrowful manner.

Yamamoto’s signature use of black was ever present, casting a gloriously gothic glow over the room. Layered, billowing dresses that swayed beautifully as the models walked down the runway emitted a wonderful sense of drama, and the expert tailoring of blazer jackets and coats that are staples of Yohji’s work added a dark sense of sophistication to the show, as should be expected from Yamamoto’s work. Many of the outfits presented felt fairytale-like in nature which gave the collection a wonderful sense of whimsy that worked wonderfully with the gothic stylings. Yohji Yamamoto has proved once again why he is one of Japan’s most acclaimed and beloved designers.

Marine Serre

If there were an award for most sheer variety in a runway show this week then Marine Serre would be a very serious contender for the crown. Everything from abstract geometric prints, to Scottish inspired check, to satanic body suits, to skin-tight head to toe velvet extravaganzas was present. Yet, despite this insane amount of variety, the show never at any point felt inconsistent or had any tonal issues.

There was a definite surrealism surrounding the collection and many open interpretations ready to be taken. One absolute though is that this was one of the most unique shows of the season so far and did a wonderful job of balancing both the functionality of fashion with the spectacle and performance. A true work of art.

Words By Andrew Coyle

_{Photo Credit; Off White, Filippo Fior}

The post Paris Fashion Week Saw Much Anticipated Tributes and, Traditional Catwalks Traded for Modern Live Performances – Here’s Your Mid Week Rundown. appeared first on Voir Fashion.

Rise to success 

After graduating from university in 2009, Abloh started making serious moves on his fashion journey when he interned at Fendi in Rome with Kanye West. Later that year, in a now well-circulated photo, Kanye and Virgil appeared at Paris Fashion Week. They caught the attention of many, creating excitement on what was next to come.

By 2010, Abloh was appointed creative director of ‘Donda’ (Kanye’s creative agency). Keeping relationships tight, Abloh also went on to art direct for Jay-Z and Kanye’s album ‘Watch The Throne’ in 2011, which earned him a Grammy nomination. 

Pyrex Vision 

Abloh’s first brand titled ‘Pyrex Vision’ was launched in 2012 as an artistic experiment centred around the importance of youth culture. The endeavour saw Virgil purchase deadstock Ralph Lauren flannel shirts for around $40, and screen print designs consisting of ‘Pyrex’ and the number ‘23’ to pay homage to his childhood hero Michael Jordan. The newly-designed shirts were sold from prices of $550 upwards. 

Off-White

After shutting Pyrex Vision, Abloh founded Off-White. The brand was based in Milan, Italy and saw Abloh combine luxury with streetwear to devise a company that acts as “the grey area between black and white as the colour Off-White” in Abloh’s own words. By 2014, the company’s womenswear line was launched, with collections showcased on the runways of Paris Fashion Week. The brand’s popularity continued to grow, equating to Off-White surpassing Gucci as the hottest brand in the world in 2018. 

Louis Vuitton 

On March 25th 2018, Virgil was appointed artistic director of Louis Vuitton’s menswear line. This made him the first person of African descent to lead the brand’s menswear line, and he was one of the first black designers in the integral french fashion designer brands.  

Speaking on his position at Louis Vuitton, Abloh said;

“It is an honour for me to accept this position. I find the heritage and creative integrity of the house are key inspirations and will look to reference them both while drawing parallels to modern times.”

Abloh’s first Louis Vuitton show saw him merge his love for music with high fashion, as artists such as Kid Cudi and Playboi Carti walked the runway for the Spring 2019 menswear collection. 

Abloh’s position at Louis Vuitton marked a new chapter for fashion, as his artistic vision took the brand in a new exciting direction, subsequently inspiring other brands to be more diverse and take the same route. 

This year, Abloh presented LVHM’s Fall/Winter 2021 Menswear Collection entitled ‘Tourist vs Purist’ that took the internet by storm. A true reflection of his visions, Abloh’s collection mirrored craftsmanship synchronised with functionality, centred around performance and spoken word evoking Black consciousness.

Ikea Collaboration

Virgil put his architecture skills to use when he collaborated with IKEA in 2019 to create the ‘MARKERAD’ limited collection. The collaboration resulted in everyday items being rejuvenated into striking new styles, adding art to anonymous objects. 

Met Gala 2021

The Designer even caught everyone’s attention at the Met Gala 2021 with his otherworldly head accessory along with an asymmetric warp around his Off-White flared trouser. His suit with ‘Modernism’ written on it stole the moment encapsulating his beliefs.

Virgil Abloh believed in accelerating change by disputing the fashion industry through unconventional approaches. His long enduring battle with cancer echoed in privacy but the dedication to his craft went unwavered. He sent waves across the industry as he spread his creativity and passion across both the labels, collaborations, and runways.

Tributes 

It feels only right to end this article with some touching tributes to Virgil, honouring his everlasting legacy. 

Rest in Power and Peace, Virgil!

Words By Nadia Clasper

_{Photo Credit: Kendall Jenner Instagram}

The post Voir Honours The Legacy Of Virgil Abloh appeared first on Voir Fashion.

Coming back from the year ‘off’ that was 2020, Abloh declared he had turned around his visualization of what Off-White must grow into. Detaching himself from the fateful year, Abloh felt an urge to switch direction for the brand, changing path and what the brand should evolve into: “You know, I take 2020 to heart. When we were sitting at home watching the world get turned upside down, there were very, very clear guidelines on what the fashion industry was like, and what (people were) hoping it would sort of evolve to. So this is like a big deal: Essentially when fashion shows do start, how do we come back and behave? You can’t just glide over that.”

The show was evidently an exuberant reunion, an unexpected twist that was much needed to repurpose the traditional ritual of the catwalk, coupled with a show-stopping performance by MIA. What the show entailed was a considerably minimalist, luxurious yet deconstructed collection, that reimagined the foundations of a catwalk and offered an alternative perspective on how to find cohesion beyond the aesthetic values of the pieces displayed, which could almost act as a metaphor for how to find joy again after such an impetuous and turbulent time for all.

“If I were to look at my body of work, I think I’ve grown up the most in the shortest amount of time. I think it’s rebelling against the younger version of myself. And that’s the first time I’ve actually said that.”

Virgil Abloh

The decision to open couture week was spot on. Though the brand hasn’t detached itself from ready-to-wear, the evolution of the brand can be seen through the sophisticated take on the tailored skirt suits, the elegant slimline coats and two evening dresses with foam-padded hips that combined the world of menswear and womenswear without any distinction. Gendering clothes is something Abloh detests: “I’ve always believed in diversity on all ends of the spectrum. Age, gender, orientation—when it comes to representing that, you know we’re across that as best we can.”

Off-white takes a completely new approach to delivering the brand’s identity through graphics rather than solely relying on its unmistakable logo. This decision seems to elevate the brand and make it truly become competition for any other Parisian fashion house. A particular favourite of ours is the cream skirt-suit; along with the ice-blue and lavender coats, which are simply divine. The show concluded with models and Abloh applauding and dancing with MIA and her troupe of dancers. The room was filled with an uplifting sense of encouragement that radiated positivity in all directions and ended up in a chaotic explosion of joy.

Throughout the show, Abloh broadcasted talks and music from his “Imaginary FM” radio station, opened by a discussion led by Trinice McNally and Jaimee Swift. “It started over the pandemic, where I made a content stream of supporting creatives giving creatives voice, fashion, art and culture. That seemed more contemporary than just, like, models walking in a straight line, as if they’re hangers for garments to sell them, you know? I was trying to figure out how to capture my world, and put that with when people look at my clothes. To me, this content is why I exist. That’s why the brand exists. And that’s a specific point: If we said that’s what we wanted in the industry, I need to see it—not just a show that starts and ends. It can’t be vague. I think vagueness got us to where we were before. I’m older and wiser now. And that’s a magical thing.”

The vision that Virgil Abloh offers us is certainly more mature than his previous shows, defining a contemporary elegance that not many can capture. But we can’t help but wonder how well couture dresses for and outfits hovering between streetwear and workwear can be presented in a single collection. The male line wasn’t quite as loud but felt more cohesive, whereas the female proposal is undoubtedly more conceptually successful, even though the study of cuts and the choice of materials does not seem inspired by his origins as an architect, which was according to Abloh what he was trying to convey.

Words By Tommaso Donati, Graphic By Emily Chapillon

The post Off-White Fall Winter 2021: The Laboratory Of Fun appeared first on Voir Fashion.

TylerJoe image via Elle.com, Claudio Lavenia, Daniel Zuchnik

The most important thing to take into consideration when exploring metallics is balance. As the season’s change, a statement piece such as a gold thigh-high boot or silver trouser can easily transform your autumn look. As seen in Isabel Marant’s SS21 collection, metallics dominated the runway and have proven to us that no matter the occasion, metallics can both be toned up or toned down for the cooler season. For your daily dose of autumn outfit inspiration, we have compiled our favourite cool metallic looks for this season.

Look 1

Coat: P.A.R.O.S.H. waist-tied fitted coat (£506)

Boots: Saint Laurent Kiki over the knee boots (£703)

Belt: Rejina Pyo chain-link belt (£518)

Dress: Off-White Flock Arrow Coulisse Dress Black Green (£445)

Tights: Wolford Velvet de luxe 50 nylon-blend tights (£27)

Bag: Vivienne Westwood envelope clutch bag (£186)

Sunglasses: Balenciaga Black Oversized Flat Top Sunglasses (£525)

Earrings: Alison Lou Amour 14-karat gold and enamel hoop earrings (£1,570)

Rings: Alighieri two-piece Unreal City ring set (£210)

Look 2

Trousers: Philosophy Di Lorenzo Serafini metallic straight-leg trousers £270)

Corset: Pretty Little Thing Yellow Baroque Print Satin Bandeau Bow Cropped Corset (£7)

T-Shirt: Totême Espera T-shirt (£85)

Boots: Alexander McQueen sculpted heel boot (£840)

Coat: Saint Laurent Shearling-trimmed leather trench coat (£4,840)

Sunglasses: Valentino Eyewear VLOGO oval-frame sunglasses (£250)

Earrings: Sarah & Sebastian 10kt yellow gold Bold Liberty hoops (£570)

Rings: Joanna Laura Constantine set of four gold-plated rings (£150)

Look 3

Skirt: Versace spliced midi skirt (£440)

Blazer: LOEWE tuxedo blaze (£1,350)

Shoes: Casadei Croco-effect pumps (£615)

Bag: Valentino Garavani quilted Rockstud shoulder bag (£1,230)

Sunglasses: Saint Laurent Black SL 329 Sunglasses (£175)

Earrings: Laura Lombardi Spira gold-tone hoop earrings (£125)

Bracelet: Rasa X Anna Beck Gold-plated cuff (£540)

Tights: Wolford Velvet de luxe 50 nylon-blend tights (£27)

Edits by Lucy Gifford, Emilia Roman

Graphics by Frances Scott

The post GET THE LOOK: How to Add Shine to Your Autumn Wardrobe for Your Best Metallic Moments appeared first on Voir Fashion.

2020 fashion has been full of surprises from the emerging new to the re-emerging old. The collections showcased have been completely contemporary and nowhere is this more apparent than in 2020’s net obsession. From Off-white to Burberry, netting was everywhere on the 2020 runway in a series of designs that are startlingly different showcasing both the versatility of the fabric and the innovation of the designer’s collections. The look has embodied different iterations, from net draperies undercoats, fishnet gloves, nettops, and dresses that are straight out of a 90s thrift store. The range of the looks is profound, going from elegant to sensual.

Arguably one of the best versions of the trend was by Off-white whose fall 2020 ready to wear collection saw Virgil Abloh back after taking time out the previous season. The collection was comprehensive chic with a clear familiarity in the collections grungier pieces. The collection included a stunning fishnet dress that was worn over a bare chest and white trousers. The ends of the fishnet drapery were coated in bright pink and the look was accompanied by an ankle-length trench coat that had one sleeve in bright pink. The look Off-white showed was equal parts illustrious, edgy and creative, the kind that streetwear fanatics would die for.

Louis Vuitton, Off White Fall 2020, Maison Margiela images via Elle, What to Wear

Louis Vuitton and Maison Margiela also took on the look in designs that embody a new age of grunge. The Louis Vuitton look gives the impression of one having tumbled out of a 90s thrift store pairing fishnet with a bright red triangle bra and blue top with black vinyl trousers. Maison Margiela reflects edge, pairing a gothic net dress with a tartan scarf. Each look would go perfectly with cheap beer and a Nirvana concert.

Burberry also showcased embellished fishnet gloves, which were long length and black and embellished with crystals. Gloves have seen a resurgence on the 2020 runway, and Burberry’s take on the look screams modernity. Ports also took on the trend, pairing pantsuits with fishnet underpinnings.

While netting may be associated with grunge and edgy streetwear, Gabriela Hearst and Valentino showed that there is a range in this fabric in designs that are as ballroom as they are gothic. Gabriela Hearst also showcased fishnets but in a highly different way, the look reimagined evening wear with a jumpsuit with a bustier top accompanied by a draped black fishnet detail. The detailing hung off the shoulder and then ran down the forearm, with the netting draping around the rest of the clothing. Hearst took a classic look and intertwined it with a gothic and punk edge. Valentino took a similar approach reflecting that fishnet is not just for the nineties, reimagining it with an elegant spin. 2020’s net obsession is a re-imagination of elegance with a nod to nostalgia in a collection of looks that are as far-reaching in their style as they are incredibly cool. It would be insane not to.

Words by Marni McFall

Graphics by Latisha Fleckenstein

The post 2020’s Net Obsession: Where Punk Met the Ballroom appeared first on Voir Fashion.

Charlotte Lawrence is one of our favourite artists of the moment, and probably yours too. The 19 years old singer who was born and raised in L.A is carving her path with catchy pop melodies and relatable lyrics. Her music is the perfect getaway from reality, with a laid-back style and her enchanting voice she creates songs that make a difference.

It isn’t uncommon to see artists using their music to share a message, but Charlotte redefined the use of art as a form of social expression and is shifting the music landscape. She believes that an artist has to create content that represents the times that we live in and respects this with every single one of her creations while combining it with sounds that stand out from the usual pop melody.

When looking into her biggest inspirations it’s interesting to see how much they can vary, from fashion ones being Shia Lebouf and Jonah Hill to her music ones including Prince and Damien Rice. This diversity is reflected in both her music and her persona. She is a modern pop star who’s not afraid of trying things out, and this kind of inspires us to do the same. Her style can vary from innocent and romantic to transgressive and rebellious, challenging the idea of a single and monotone genre, but the amazing part is that it remains genuine, always matching her character and feelings.

Charlotte Lawrence- Why Do You Love Me via Charlotte Lawrence Youtube

Reasonably so, her music has gone viral worldwide, charting everywhere from the United States to France and being featured in blockbuster movies like ‘Birds of Prey’ and Netflix series ‘ 13 Reasons Why’. But everything started with her EP ‘Young’ released in 2018 with songs like ‘Sleep Talking’ that made us all fall in love with the artist but even more with her creative process. You would expect that an artist with such incredible work goes through the most complicated and nerve-wracking creative process but Charlotte describes it otherwise, she finds inspiration from the simplest things and gathers up her ideas in the most traditional of ways. “A guitar, a pencil, a paper, and Facetime call” is all that she needs to come up with her hit songs, as recently explained in an interview with V Magazine.

Charlotte is one of those artists that’s not afraid of opening up in her music. Whether it’s about her experience with love as in “Why Do You Love Me” or regarding the current state of our world and the contribution of our decisions as in “God Must Be Doing Cocaine” she always has something to say and the best part is that we can easily identify with it. That’s a vital element for her, something that she has recurrently made clear is that what she looks for in every song and most of her favourite artists, no matter the genre, is meaning, every song needs lyrics that matter and express something. They’re songs that help you stop and think and represent the right change from superficial and commercial music.

Her collaborations perfectly prove this, having worked with YUNGBLUD, Kaskade, JP Saxe, and many others. We can assure you that even if you’re not a fan of pop music you might fall in love with at least one of her songs, her vision, or with her as an artist overall. So we suggest you check out her latest single “Slow Motion” and its cinematic music video, that tease her upcoming album and prove that even under quarantine and a global crisis there’s always a way to create, and nothing will distance her from creating music that matters.

Look 1: Sunset City

Top: Danielle Cathari, Black & White Krul Emblazoned Racer Tank Top, (£23.00, sale price)

Skirt: Jonathan Simkhai, Satin midi skirt, (£142.50, sale price)

Heels: Gianvito Rossi, Pink Angelica Heeled Sandals, (£313.00, sale price)

Bag: Versace, Pink Round Buckle Bag, (£190)

Necklace: Comme Des Garcons Girl, Gold Logo Necklace, (£33.oo, sale price)

Palette: Viseart, Warm Edit Eyeshadow Palette, (£30.00)

Look 2: Electric Grunge

Dress: Saint Laurent, Gold Leopard Metallic Pleated Short Dress, (£926.00, sale price)

Boots: Alexander McQueen, Black Studded Boots, (£690.00)

Tights: Wolford, Black Forties Tights, (£35.00)

Ring: MM6 Maison Margiela, Silver Missing Stone Ring, (£170.00)

Bag: Marc Jacobs, Purple ‘The Soirée’ Pouch, (£505.00)

Palette: Charlotte Tilbury, Starry Eyes to Hypnotise, (£60.00)

Look 3: Elegance with an Edge

Dress: Fleur Du Mal, Short slip dress, (£644.oo)

Boots: Dolce and Gabbana, Leopard over-the-knee boots, (£525, sale price)

Bag: Off-White, Blue Merino Jitney 1.4 Bag, (£1235.oo)

Necklace: Martine Ali, Silver Myles Boxer Wrap Chain Necklace, (£320)

Earring: Faris, Silver Cursive Gem Single Earring, (£160.00)

Words by: Chiara Ferrari

Graphics by: Latisha Fleckenstien

The post GET THE LOOK: Charlotte Lawrence, The Modern Pop-Star with an Edgy Touch appeared first on Voir Fashion.