With another season of fashion weeks drawing to a close, and despite the somewhat sombre mood that swept the fashion capitals from New York to Paris, the Autumn/Winter 2020 catwalks offered plenty of food for thought on how to get dressed come next autumn, with a wealth of trends unfolding fresh off the runway.

Leather

Leather is a winter wardrobe mainstay season after season, but a plethora of AW20 collections explored new styles and silhouettes. Coach offered a lesson is layering leather, with colour-blocked leather culottes, midi-skirts and button-down shirts worn under pastel cardigans, oversized trench coats and shearling jackets. Hermès horse-jumping-inspired show featured supple leather ensembles in buttery shades, while Gabriela Hearst’s foray into leather came in the form of a caramel-coloured puff-sleeve leather dress.

Fringing

Fringing appeared in generous measures on the catwalks at all four fashion weeks but was particularly prevalent in Milan, where pleats were chopped up into fringe at Prada and Salvatore Ferragamo coated black dresses with golden trimmings, while Boss and Jil Sander sent iterations of silk-fringed evening dresses down their respective runways. At Bottega Veneta, Daniel Lee – arguably the most celebrated designer in the industry today – unveiled myriad shredded designs, with dresses finished with acidic lime green tassels and an updated take on the brand’s coveted woven pouch bag featuring exaggerated fringe.

Capes

The outerwear option du jour, billowing capes were ubiquitous across the four cities, with generously-cut shapes bringing a sense of sartorial drama to the catwalks. Michael Kors championed blanket dressing with an abundance of cashgora cape coats served up in cosy fabrics and warming winter colour palettes, while at JW Anderson knitted capes and layers of tinsel-trimming belled out from the shoulders of dresses.

Checks

The collective infatuation among designers for checks was unfading this season, manifesting itself in abundant iterations of tartan, gingham and heritage checks. In New York, Claudia Li’s translucent vinyl pleated-midi and blazer combination came in punchy pink gingham, while Monse dipped into mismatched tartan with skirts secured by safety pins and worn with punkish lace-up boots. Across the Atlantic at London Fashion Week, Burberry returned to its roots with remixed heritage checks in innovative cuts, and Shrimps gave the print a regal touch in a potent orange, pink and green colourway.

Chocolate Brown

Brown is the new black – at least according to the AW20 runways. Chocolatey shades are solidifying their place in the sartorial stratosphere, firmly entrenching their place in the palette of neutrals that have dominated the catwalks and streets for the past few seasons. Chocolate-coloured outerwear seems to be emerging as an autumn/winter wardrobe essential, tackled with aplomb at Victoria Beckham and Emilia Wickstead, while A.W.A.K.E Mode offered a quilted velvet version with an exaggerated collar. At Jil Sander, a bell-sleeved leather shirt with matching pants was rendered head-to-toe in the shade, while Christopher Kane swathed a pleated bra-dress from the chest down in the sweet hue.

Equestrian Trappings

An affluent array of designers paid homage to equestrian style and turning out bourgeois tailoring this season, with Nadège Vanhee-Cybulski’s show for Hermès plunging into the brand’s heritage for a show centred entirely around the sport. Elsewhere, Hedi Slimane continued his three-season-running ode to the ‘70s bourgeois French girl at Celine, in the form of equestrian-style knee-high boots, horse-bit belts and gold-chain accessories, this time injected with a bohemian edge, meanwhile Shrimps’ regal-inspired show was populated with tartan Victorian jackets worn with riding pants and silk foulards.

Gothic Glam

A certain darkness hung over the collections at Valentino – where floods of black replaced last season’s explosions of colour – and Anna Sui – whose horror film-inspired collection gave way to burnout velvet and vampire-esque leather – as if to reflect the sombre shadow over fashion week of the Coronavirus crisis and the ongoing conversation around fashion’s negative impact on the environment. Showgoers at Paco Rabanne witnessed a procession of decadent embellishment, ornate tapestry dresses and a play on dress as armour in the form of chain-mail dresses in a collection that explored medieval dress codes. At Rodarte, gothic glam met romanticism in eerily beautiful silhouettes that married dark energy with delicate details from puff sleeves and tiered ruffles to floral-print silks and embroidery.

Iridescence

The runways were equally awash iridescence and sparkling ensembles to lift the winter mood and see us through the party season. Rejina Pyo gave high-sheen glamour an office-attire twist, pairing a pearly puff-shouldered blouse with a sleek wool midi-skirt and knee-high boots. Others presented an inundation of red carpet-appropriate attire and party-ready bedazzled ball gowns – Julien Dossena reinterpreted Paco Rabanne’s signature chain-mail silhouette with a thread of fantastical glamour; Erdem injected a dose of 1920s glam into a silver dress decorated with tiered embroidery; and Halpern wrapped models in shimmering metallics with statement sleeves.

Words by Ruby McAuliffe

Graphics by Katie Janes

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The lights, music and heels are off as New York Fashion Week has drawn to a close and London Fashion Week is going steady. Smitten from our slice of designer heaven, our eyes definitely locked on a few subtle beauty trends so far that you might be seeing in the colder months ahead.

Here’s the lowdown of the best beauty influences sold fresh off the runway. Grab your non-slip eyeliner and favourite concealer because this autumn/winter is all about a fresh face, radiant base and eyes for those with dramatic taste.

Fresh, clean with a natural sheen skin:

If there is one pointer to take from the scenes at this season’s NYFW, it’s that sometimes a blank canvas is the best canvas. Less is more. Whilst splashes of colour featured in places – check out the use of coral lids from Monse or Self Portrait’s neon sweeps – what appeared to be most consistent was the glass skin, no-makeup-makeup, glowy, dewy base that continues to take the front and centre of current beauty trends. The Carolina Herrera show was nothing this year without its highlight and note the focus on what appeared to be liquid, iridescent highlighting balms rather than a harsh powder finish. There is no such thing as too much when it comes to creating your outer glow, and sweeping product above the brow onto the top of your cheekbones, creeping it into the forehead is the best method to ensure that the light bounces just right.

Lengthened liner:

Is 2020 the year winged eyeliner makes a comeback into the mainstream? Vera Wang gave us our serving of gothic drama and sky really was the limit when it came to stretching black shadow and liner to the very brow bone. Yet Vera Wang wasn’t the only designer to come through with the dark-eye drama. It was all about geometric eyes and lengthened edges at the Rag and Bone show, where exaggerated black liner gave us black swan brilliance.

Deep rose lips:

Red is the colour of love and this valentine’s day at NYFW did not disappoint with brands such as Oscar de la Renta, Marc Jacobs and Rodarte, using deep plums, dull roses and electric reds across their makeup palettes. Whilst usually a dramatic statement look, the red lips were subdued and brought life to the otherwise simplistic and minimalist makeup styles.

Perfected low ponies:

Of course, we cannot forget about hair and the middle-part, the low pony was consistent amongst runway looks. Loose grips and a low front hold covering the ears was the style used across designers, Carolina Herrera to mention one, for a relaxed yet sleek finish. Team this ‘do with dramatic earrings, a light touch of concealer and foundation after an intense skincare routine and you couldn’t be more NYFW if you tried.

Words by Amy Arfi

Graphics by Katie Janes

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This January sees the launch of a brand new Netflix original series, Next In Fashion, a fashion competition reality show hosted by Queer Eye’s Tan France and the internet’s favourite fashion designer, Alexa Chung. From the recently released trailer, the show’s premise is shown to centre upon 18 experienced designers who will compete in various high-stakes challenges based on global trends and styles in order to secure the $250,000 prize money and an opportunity to debut a collection with luxury retailer, Net-a-Porter.

Consisting of 10 episodes, the show functions as Netflix’s first venture into fashion-focused programmes and similar to its predecessor, Project Runway, the contestants are far from being labelled as amateurs, with their wealth of experiences working for major brands, fashion houses and A-list celebrities. The show is thus filled with high-strung competition and promises a head-to-head combat of creative talents who are looking to break free from the shadowed corners of quiet innovation and move instead into the mainstream television limelight. Along with an impressive cast of guest judges, including designers Christopher Kane, Kerby Jean-Raymond and Tommy Hilfiger, as well as Hollywood stylist Elizabeth Stewart and Instagram’s director of fashion partnerships Eva Chen, another thing to look out for is the striking originality of each contestant’s design as they face a different challenge every episode, each one focusing on a particular trend or design style that has impacted the way the world dresses. France and Chung’s signature British humour is also bound to spice up the show with a number of bitingly satirical remarks, making Next In Fashion one exciting and colourfully dramatic show to watch out for.

Next In Fashion airs on Netflix from the 29th of January.

Words by Shir Ariya

Graphics by Katie Janes

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What will we be wearing in Spring/Summer 2020, according to the runways? The mood of the season reflected an influential shift in a fashion industry that has long been based on a one-in, one-out cycle of trends to one that’s beginning to take responsibility for its detrimental environmental impact. In turn, a renewed focus on carefully crafted garments swept the catwalks, where streamlined sartorial messages overpowered the constant need for newness generated each season. In spite of the somewhat sombre mood that swept both the runways and streets as the weight of the global climate crisis fell onto the fashion industry, there was no shortage of uplifting creativity, with plenty of out-there trends, OTT moments and an abundance of colour offering a wearable manifestation of hope for brighter days to come.

Rainbow Leather

An all-time fall favourite, the Autumn/Winter 2019 catwalks saw an abundance of the finest sweet leather in autumnal shades of olive, tan and burgundy. For Spring/Summer 2020, the leather trend has taken a colourful turn, with injections of colour offering a cheerful yet infinitely chic antidote to sombre autumnal hues – from vibrant orange and sugary pastel blue at Bottega Veneta to buttery yellow at Emilia Wickstead and supple lavender at Louis Vuitton.

Head-to-Toe White

The tonal dressing phenomenon, aka drenching yourself HTT in varying hues of a single colour, has been gaining momentum over the past few seasons, but this season there’s a particular monochrome look en vogue: white. All-over white suiting is SS20’s key to effortless chic. Look to Alexander McQueen for luxurious lace ensembles, or Tory Burch for boxy power-suiting. And for the perfect all-white outfit anatomy: white wide-leg trousers, a clean-cut oversized blazer, glossy white ankle boots and a fedora hat.

Short Shorts

Plenty of designers made a case for hot pants this season, with a plethora of leather, satin and denim iterations of the shortest shorts gracing the catwalks. Barely-there shorts were almost ubiquitous at Chanel, featuring short silhouettes in metallics, boucle and black silk partnered with gold chain belts. Isabel Marant unveiled a number of frayed denim shorts in varying washed out shades, while Brandon Maxwell’s tiny, so tiny they were basically underwear, hot pants oozed sex appeal.

60s Psychedelics

AW19 was dominated by a 70s nostalgia, with tweed, equestrian-style boots and gold-chained accessories all seeing a revival. Now we’re heading back a decade further to the swinging 60s, with a renaissance of free-spirited silhouettes, saturated colour palettes and bold, graphic prints. Florals for spring may not be ground-breaking, but this season they’ve taken a psychedelic turn – see Louis Vuitton, Christopher Kane and Fendi. Look to cult brand Rixo, whose care-free, Woodstock-inspired SS20 show offered a collection of paisley prints and vintage-inspired florals.

Tangerine Orange

Taking the crown from AW19’s egg-yolk yellow, tangerine orange is the statement colour for SS20. From decadent ballgowns at Valentino to silky elegant day dresses at Stella McCartney, the abundance of orange on the catwalks symbolises a sartorial manifestation of warmth, with the citrus shade evoking connotations of creativity, joy and success.

Go Green

Designers from Dior and Dolce & Gabanna to Versace and Marni presented a visual reminder of the need to respect nature, in the form of tropical prints inspired by jungles, forests and exotic flowers that paid homage to the transcendent beauty of nature and the wilderness. But beyond the surface-level approach to going green, the best collections sartorially participated in the conversation around climate change and the future of the fashion industry. Alexander McQueen was just one of the brands to upcycle materials for its show, with creative director Sarah Burton upcycling fabric from old collections designed by both herself and Lee McQueen, while as ever sustainability was at the heart of Stella McCartney’s collection.

Crotchet

Plan ahead for your 2020 festival looks, taking inspiration from the runways where crotchet was plentiful in the form of vacation-ready maxi dresses and fringed capes partnered with western- style boots. Salvatore Ferragamo’s forest green mini dress, paired with barely-there sandals, screamed summer beach-day, while Ulla Johnson offered a festival-worthy coral-pink sleeveless blouse.

What Trends?

To claim that the SS20 runways were trendless at the end of a list of trends would quite obviously be entirely contradictory, but there were nonetheless a number of shows for which that can be said, at least to some extent. As brands attempt to juggle the ‘less is more’ mentality as an antidote to excess, designers such as Celine, Prada and Bottega Veneta unveiled more stripped back, streamlined collections, offering a showcase of silhouettes that lend themselves to reinterpretation season after season.

Words by Ruby McAuliffe

Graphics by Katie Janes

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The post SS20 Trend Analysis appeared first on Voir Fashion.

September 16th marked the fifth day of London Fashion Week. Day 5 had us on the edge of our seats as industry hotshots Richard Quinn and J.W. Anderson took us to a new dimension with their Spring/Summer 2020. Here’s Voir’s lowdown on some of the most iconic looks from Monday.

Burberry and Opposites Attract

Burberry’s SS20 collection took on tailoring for womenswear. Their staple trench coats of course made an appearance as did dual-toned leather jackets, classically shaped Italian suits and beige toned blazers. Riccardo Tisci’s collection juxtaposed draped dresses with sharp and sophisticated cigarette pants making his collection diverse not only in model choice, but in overall aesthetic.

Christopher Kane and Really Loving the Earth

Kane’s SS20 celebrates the beauty of nature and being an “eco-sexual”. From blown-up images of wild flowers decorating the venue walls to paisley fabric dresses, the collection truly was an ode to the summer. What particularly stood out were the fabrics used for coats and skirts – the motif screen printed from the designer’s personal photograph taken over the summer at London Fields. Other hyper-realistic prints like the sky transformed Kane’s dresses into an eco-lover’s dream.

Richard Quinn’s Maximalist Style

Quinn SS20 pushed Kane’s wild-flower prints to an extreme. He stayed true to his signature style of floral prints and maximalism both in his employment of colour and silhouettes. What particularly caught our eye was the multi-coloured hand embroidered mini dress (Look 21). The edges were lined with pearls and the tulle fabric making up the bulk of the dress was delicately embellished with sequins forming flowers.

Quinn’s extravagance continues in how he uses boning and structure to create jutting out shapes with fabric. He manipulates the hourglass figure and in a very Richard Quinn bravura, pushes the boundaries of fashion experimentation and design.

Erdem’s Kaleidoscopic Collection

Erdem SS20 continued the trend of bright and colourful florals. Each dress featured on the runway boasted acid tones in highly saturated attention-grabbing shades. It wouldn’t be surprising if the garlands put up to celebrate Mexico’s Day of the Dead were on Erdem’s moodboard this season as the resemblance between his laser-cut dresses and the bunting is uncanny.

J. W. Anderson and Blingy Bras

J.W Anderson placed crystal jewellery at the heart of his Spring/Summer spectacle. Jewelled bras and belts were staple accessories that unapologetically shone down the runway rather than being concealed under garments in traditional fashion. Much like Burberry, tailoring featured heavily in the collection, but it was the elegant fitted dresses and vibrant floral incarnations which truly stole the show and the day.

Words by Hena Sharma

Graphics by Katie Janes and Fiona Campbell

The post London Fashion Week Roundup Part 2 appeared first on Voir Fashion.

Now is the time to channel your inner space queen. Think alien, space age, martian of metallic as seen at Versace Versus, Christopher Kane, Marques’ Almeida when revamping your SS17 wardrobe, and if you’re at a loss for inspiration, Voir Issue 18 is full of style ideas, trend reports and fashion editorials to release your Lady Stardust.

The post Trend Alert: The Silver Lady has Landed appeared first on Voir Fashion.