Beyoncé

In Custom Schiaparelli.

Beyoncé arrived in custom Schiaparelli, a look that embodied elegance and innovation. The shimmering gown featured architectural details and intricate embellishments, styled to perfection to complement her radiant presence. Queen Bey’s ensemble set the tone for the night, combining timeless glamour with a bold, modern edge. 

Taylor Swift 

In Vivienne Westwood. 

Taylor Swift turned heads on the red carpet in a custom Vivienne Westwood creation that blended boldness with elegance. The striking red mini dress featured a corset bodice, a one-shoulder strap, and an asymmetric skirt, pulled up to reveal a beaded garter chain adorned with a delicate “T” charm, a subtle nod to either her name or her beau, Travis Kelce. Complementing the ensemble were glittery strappy sandals, chandelier earrings, and a signature red lip, exuding a monochromatic red look that was equal parts romantic and sophisticated.

Lady Gaga 

In Vivienne Westwood and Tiffany & Co. 

 Lady Gaga turned heads in a dramatic Vivienne Westwood black leather gown, paired with an archival Tiffany & Co. necklace from the 1930s. With her sleek styling and avant-garde take on goth-glam, Gaga solidified her place as the queen of high-fashion statements.

Chappell Roan 

 In Jean Paul Gaultier Couture and John Fluevog.

Chappell Roan captivated the red carpet with her theatrical flair, donning an archival Jean Paul Gaultier haute couture design from the Spring 2003 collection, styled by Genesis Webb. The ballerina-inspired look, paired with John Fluevog boots, was elevated by a whimsical feathered headpiece and bold make-up, solidifying her status as a red-carpet standout.

Sabrina Carpenter 

 In JW Anderson.

Sabrina Carpenter stunned in a pale blue silk gown by JW Anderson, paired with sparkling Chopard diamonds. The whimsical, dream-like look of her dress made it one of the most memorable looks of the evening.

Billie Eilish 

 In Prada. 

Billie Eilish opted for a tailored Prada ensemble that redefined red-carpet minimalism. The structured silhouette and muted tones reflected her signature understated style while exuding sophistication.

Cardi B 

In Roberto Cavalli. 

Cardi B made a bold statement in a Roberto Cavalli gown, styled by Kollin Carter. The look featured striking details and an undeniable sense of drama, ensuring Cardi stood out among the night’s best-dressed stars.

Willow Smith 

In Alexander McQueen.

Willow Smith embraced an edgy, futuristic aesthetic in Alexander McQueen. Her look combined sharp tailoring with avant-garde detailing, capturing her bold, innovative spirit. 

Miley Cyrus 

In Saint Laurent.

Miley Cyrus channelled sleek, understated elegance in a Saint Laurent by Anthony Vaccarello design. The streamlined silhouette and minimalistic approach proved that less is often more.

Charli XCX 

In Jean Paul Gaultier.

Charli XCX lit up the red carpet in Jean Paul Gaultier, styled by Chris Horan. The look fused playful sensuality with couture-level craftsmanship, a perfect fit for the pop provocateur.

Doechii

In Thom Browne, Messika, and David Yurman.

Doechii embraced structured tailoring in a Thom Browne suit, accessorised with Messika and David Yurman jewellery. Her look balanced femininity and boldness, cementing her as a red-carpet trailblazer.

Madison Bear 

In Miss Sohee.

Madison Beer dazzled in Miss Sohee, with a gown that radiated glamour and sophistication. The intricate detailing and luxurious fabric made this look unforgettable.

Jaden Smith 

In Louis Vuitton.

Jaden Smith turned heads in a Louis Vuitton suit, complete with a castle-shaped helmet. The statement piece added an abstract touch to an otherwise sleek and tailored ensemble.

Kehlani 

In Robert Wun and Jimmy Choo.

Kehlani stunned in Robert Wun, paired with Jimmy Choo heels. The structured design and bold accents made her look a standout look on the red carpet.

Raye

In Giorgio Armani Privé.

Raye sparkled in a custom Giorgio Armani Privé gown, paired with Nikos Koulis earrings. The shimmering fabric and timeless silhouette exuded old-Hollywood glamour with a modern twist.

Paris Hilton 

In Chrome of Hearts.

Paris Hilton stunned in a plunging caped gown by Chrome Hearts, adorned with intricate gold embroidery. She completed the look with matching opera gloves, aviator sunglasses, and crystallised pumps, showcasing her timeless red-carpet elegance.

Olivia Rodrigo 

In Vintage Versace.

Olivia Rodrigo channelled vintage elegance in a slinky black Versace gown. The minimalist design highlighted her natural beauty while nodding to iconic fashion moments of the past.

The 2025 Grammy Awards gave us unforgettable performances and even more unforgettable fashion moments. From archival masterpieces to daringly modern creations, the red carpet was alive with creativity and individuality. Each look, meticulously crafted and styled, reminded us that music and fashion share a common thread: self-expression. Whether it was Beyoncé’s regal elegance, Lady Gaga’s goth-glam opulence, or Olivia Rodrigo’s vintage sophistication, the night proved that the Grammys are as much about style as they are about sound. Which look was your favourite? Let us know as we eagerly await what next year’s red carpet will bring.

Words By Claire Gaura 

The post The Best Looks From The 2025 Grammys Red Carpet appeared first on Voir Fashion.

Structured blazers and pointed brogue heels, Thom Browne just spruced up your business attire. Okay, we’ll admit we wouldn’t take a trip to the supermarket in some of Browne’s more avant-garde garments, the skirt that’s seemingly made of grey breasts for example, but he’s made us rethink how much grey we actually need in our wardrobe; turns out, a lot more.

With inspiration behind this collection being a painted vision of what Vigée Le Brun wanted to be in the 21st century, the female power connotations of this show are enough to get us excited. The show, set up like an art studio with female artists strategically lined up at easels along the runway, set the scene for what was to come.

For those needing a quick brush up on art history, Élisabeth Louise Vigée Le Brun was an 18th century artist, famed for being Marie Antoinette’s official portraitist in a setting of extreme male control. These garments both as outfits and as individual pieces speak as showstoppers that provide the elegance to make a woman feel liberated and powerful.

The silhouettes on the runway were everything, ranging from the sleek and almost form fitting shape of a re-imagined party dress to the large puffed out shapes deriving from sizeable voluminous jackets.

The fabrics in this collection are sufficient to make anyone go haberdashery mad, so many textures, prints, patterns and handwork. In fact, the handwork alone needs a special shout out, it truly takes the words couture craftsmanship to the next level. Throughout the garments there was a mix of beading, pearl studding and appliqué. The list of handwork could go on, each technique adding a new interest to each piece.

As well as breathtaking handwork, a plethora of texture and incredible silhouettes, this collection offers us some spectacular shoe options. It seems that as ankle boots circulate the fashion industry this autumn, Thom Browne is going in a different direction. Platformed and pointed, the shoes give us edgy yet classic vibes- especially the classic brogue pattern. Who wouldn’t want a pair of them to wear in the office? They’d turn heads for sure.

Flowers reminiscent of roses are a prominent visual in this collection, not least for their connotations of femininity, but also Browne’s appreciative nod to the flowers in the famous 1783 Vigée Le Brun painting ‘Portrait de Marie-Antoinette’,

Overall Thom Browne has awaken us to the elegance of the colour grey, whilst delivered a masterclass on how to reinvent formal wear. Through an offering of decorative pieces that exude texture and detail, garments that would simply make a room stare in awe at the craftsmanship, Thom Browne Autumn/Winter 18 is a couturiers eye in a ready-to-wear world, and a day at the office may never be the same again.

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Louis Vuitton

“We are the world.” Virgil Abloh

Alexander McQueen

“Tailoring forms the backbone to this collection.”

“it’s about a beauty, an elegance, a rawness: a dark and a light. It’s not about street. So we don’t have a trainer” Sarah Burton

Dior Homme

“I’d call it romantic, rather than feminine,” Kim Jones

Thom Browne

“Please see the world through my eyes . . . please . . .” Thom Browne

Rick Owens

“it feels a little bit like a riot or Burning Man. It adds a sense of play and recklessness.” Rick Owens

Ami

“this season I wanted to escape, just for the weekend. I think slow is the new fast, because everything is so crazy now, you know, in the fashion industry. I feel I want to bring back something calm, tender, romantic, and soft.” Alexandre Mattiussi

Heron Preston

“I’m introducing ‘Style’ in different languages” Heron Preston

Dries Van Noten

“I wanted a collection which was really fresh, and about color.” Dries Van Noten

Yohji Yamamoto

“I wanted to explain that fashion became so boring.” Yohji Yamamoto

Junya Watanabe

“International Rescue,”

“the innocent childhood sensibility of obsessing over heroes and hobbies.” Junya Watanabe

Maison Margiela

“It’s the highest form of dressmaking, but for men . . . I hope it’s going to define a new sensuality, a new sexuality.” John Galliano

Lanvin

“I always like this space between: not formal and not casual. Not boring and not a caricature. It’s in between, a space where things blend. Lucas Ossendrijver

Photo credits: Vogue

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It is important that we communicate a unique brand of fashion, beauty, trends and lifestyle to you on a regular basis, all we ask is that you share our content, and subscribe to receive even more exciting updates and competitions directly to your inbox.​

The post The Shape of Man to Come: Paris Fashion Week Spring ’19 appeared first on Voir Fashion.