The choice of merino wool as the only material in all of the pieces was a notable feature. Pierre Mueller chose to weave his magic with a single piece of yarn across the collection, demonstrating the designer’s passion for unity and cohesiveness. The ultimate result was a harmonic blend of simplicity and sharpness, a connecting thread that ran through each piece, demonstrating merino wool’s adaptability as a medium for high fashion. 

Cat Couture

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 Interestingly, the runway witnessed a lot of cat couture moments, with leopard patterns making a lasting impression. These pieces within the collection could potentially be an indicator of future trends in 2024. Maison Alaïa’s aesthetic was reflected in the balance of simple patterns and elegant leopard prints. Pierre Mueller’s objective for the entire collection was to capture a thread of feeling that was both fragile and strong. Each piece spoke to the complexity of human experience, mirroring the delicate balance between vulnerability and resilience. As a result, the collection went beyond the physicality of clothing and explored emotion and storytelling. 

‘Quiet Luxury’ Aesthetic

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What truly defined the Pierre Mueller collection was the presentation of an expensive ‘quiet luxury’ aesthetic. The subtle whispers of luxury were woven into the fabric of each outfit, producing a sophisticated air that captivated the audience. A really interesting and beautiful piece was the one-piece bandeau dress presented in the third picture, a 3D-printed spiralling belt that clicks into place around the body to create a luxurious modern dress, the spiralling pattern providing a visually striking impression. 

The combination of technology and fashion was apparent in this futuristic piece, which showcased the exciting possibilities of 3D printing in the world of haute couture. Not only this, but the garment also showcased a forward-thinking approach to fashion design. The precision and delicacy of the 3D-printed belt gave the outfit a futuristic feel, transforming it into a wearable work of art. Beyond its visual appeal, the spiralling belt clicking into place provided a unique and secure technique to build the dress. This blend of form and function showcased the designer’s forward-thinking perspective, challenging traditional fashion norms. 

In essence, the Maison Alaïa’s SF24 runway show from Pierre Mueller’s collection highlighted textiles, texture, and craftsmanship. Each garment, precisely created from a single thread of merino wool, showcased the designer’s technical ability. The incorporation of cat couture moments and leopard patterns hinted about trends to come in 2024, while the overall idea of ‘silent luxury’ left an indelible impression on the audience. Pierre Mueller was successful in designing a collection that was more than just apparel, but also a full experience in the world of fashion. 

_{Written By Gabriella Neocleous}

The post Unveiling The Elegance: Maison Alaïa SF24 Runway Moments From The Pierre Mueller Collection appeared first on Voir Fashion.

The entire vibe of the collection was almost alienlike. It was so futuristic and featured beautiful intricate beading and detail – making it appear as far more wearable art than clothing. One of the more shocking parts of the show that had us all on the edge of our seat was the bedazzled robot baby being carried down the catwalk by one of the models. The brand teased this prior to the show by posting what appeared to be a bedazzled inside of a computer on their Instagram reels which translated to not only the robot, but multiple of the other looks throughout the show, the use of green, key like features, calculators and retro phones and CD’s gives this futuristic look that is just so Schiaparelli.

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In an interview with Vogue, creative director Daniel Roseberry discussed how the backlash the brand received from the media on some of their recent celebrity stylings has affected how he went about this collection. For example, Kylie Jenner with the life-sized lion head on her shoulder being slated for how much it looked like something that would be sported in the Hunger Games “capital” as well as upsetting some animal rights activists. He stated, “It’s just made me dig deeper into the parts of myself that feel like the most tender, the most childlike,” and continued to say “I think of this as in music—like in an album where you have all these different references being mixed together. And then the composite is something that feels really original, a handwriting that feels unique to the house.” 

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Some other pieces we adored were the structured jacket made of belts. The almost feather like keyhole dress that went all the way over the models head – not without adding lashes onto the front of it which gives us real déjà vu to Doja Cats shocking look at the Schiaparelli show last year in which she was covered head to toe in 30,000 red Swarovski crystals. At the time everyone was saying she could have killed that look if only she’d worn eyelashes – it appears Schiaparelli took note. 

_{Image Credits: Vogue Runway, Image Right: Jacopo Raule/Getty Images}

Some of the materials used are almost impossible to even place because they look so unique like the bubble looking sleeves and feature looking fabrics. The structured silk cream suit was another of our favourites. It was the perfect juxtaposition between strong and delicate, masculine and feminine. Some of the looks also had a western look to them like the fringed blouse paired with a burgundy belted skirt and matching boot. The fringe made a feature on a lot of the looks throughout the show, we specifically loved the fringe on the exaggerated shoulders. 

_{Image Credits: Vogue Runway}

Two of our favourite IT girls Zendaya and Hunter Schafer were sat together front row. Zendaya stepped out to drop jaws with her debut of some cutting-edge baby bangs that fit perfectly with the other worldly aspects of the Schiaparelli show. The bangs being pointed in the middle gave Zendaya a pixie like and almost villain look that we are obsessed with. She sported these micro bangs with an all-black ensemble and some iconic red bottoms to compete the look.  Hunter Schafer also smashed it out the park with a beautiful statement gold flower necklace that we can see becoming a 2024 jewellery staple. Paired with a sleek black sweet heart necked gown and a slicked back bun.

_{Image Credits: CHRISTOPHE ENA, AP}

_{Written By Lauren Dickson}

The post Everything You Need To Know About Haute Couture Schiaparelli SS24 Show appeared first on Voir Fashion.

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Here are our favourite looks:

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Living up to her Queen Bee reputation, Beyoncé wore this custom Mugler yellow and black metallic bodysuit, paired with black vinyl gloves and thigh-high boots, and a helmet equipped with antennae and yellow-tinted sunglasses. The outfit references the Mugler spring 1997 couture collection, inspired by insects.

Fans went crazy for this magical UV-colour-changing dress by Anrealage. The white bell-sleeved cloak transformed into a multi-coloured display when the light shone on it. The technology behind the coat was the work of Tokyo designer Kunihiko Morinaga, who showed colour-changing clothes at Paris Fashion Week FW23.

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Beyoncé was giving ‘Formation’ with this wide-brimmed hat and a custom diamanté leotard from Balmain FW23. The bodysuit featured an intricate pearl web, matching her pearl-rimmed cat eye sunglasses, and was styled with black vinyl thigh-high boots.

£ 5795

Balmain Silver Embroidered Dress

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£ 27

Ego Diamanté Droplet Detail Western Hat

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£ 15

Pieces Diamanté Cat Eye Sunglasses

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£ 654

Le Silla Eva Thigh-Length Leather Boots

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Out of all her bodysuits of the evening, this bejewelled Loewe number stole the show. Adorned with manicured hands, with which Bey wore matching latex gloves, the suit was custom made by Jonathan Anderson and was reminiscent of the hand-dress from Loewe’s FW22 collection at Paris Fashion Week.

£ 895

Loewe Gloves Graphic Print Velvet Maxi Dress

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£ 22.50

Jaded London Kiss Me Quick Raw Hem Tank Top

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£ 36

Jaded London Kiss Me Quick Raw Hem Maxi Skirt

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Another custom Balmain look, Beyoncé transformed into a mirror ball in this asymmetric mirrored mini dress. She paired it with silver thigh-high boots and metallic sunglasses.

£ 220

rotate Birger Christensen Hemly Strapless Croc Effect Dress

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£ 26

Weekday Trek Oversized Sunglasses

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£ 42.49

Raid London Amberr Long Block Heeled Boot

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^{Image Credit: Kevin Mazur}

Beyoncé wore another bodysuit, this time a futuristic-silhouette number from Alexander McQueen. It was hand embroidered, mixing different textures like rhinestones, intricate beading and metallic threads, and featured padded shoulders and hips.

£ 606

Zhivago Message To Love Jumpsuit

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£ 52.50

Jaded Rose V Neck Embellished Jumpsuit

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David Koma, who also designed Bey’s Oscars performance look last year, created this custom ensemble inspired by his SS23 collection. The look consisted of a turtleneck bodycon dress with a ruched, high-low skirt, a long iridescent metallic coat, chunky silver earrings, and holographic asymmetric cowboy boots.

£ 1160

David Koma Mother Of Pearl Print Mesh Dress

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£ 493

Alexandre Vauthier Holographic Knee High Boots

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£ 55

Club Exx Solar Beam Iridescent Jacket

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£ 189

Kenneth Jay Lane Silver Tone Crystal Earrings

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Beyoncé heads to England next week and covers 40 cities in Europe, the UK, Canada, and the US, concluding in New Orleans in late September. Let’s hope we get to see even more looks as the tour goes on!

^{Words by Lucy Walshe}

^{Header Image by Kevin Mazur}

The post Beyoncé Kicks Off Renaissance Tour In Custom Couture Looks appeared first on Voir Fashion.

Anne Hathaway 2015 

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Anne Hathaway’s golden lamé dress caused a stir at the 2015 Met Gala, with many fans calling her best-dressed of the event, while others slammed her for wearing a ‘hoodie’. We think the Oscar-winning actress’ custom Ralph Lauren gown looks amazing, and she pulls off a look very few could for the theme ‘China: Through the Looking Glass’. 

Halle Berry 2017

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Her first time ever attending the gala, Halle Berry made her presence known in this elaborate sheer Versace catsuit. The theme for 2017 was devoted to the Japanese label Comme des Garçons and its founder, designer Rei Kawakubo— in short: avant-garde. We love the gold detailing on the dramatic train and that she kept her hair and makeup simple to show off the outfit.

Michèle Lamy 2017

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Michelle Lamy was joined by her husband, Rick Owens, at the 2017 MET Gala. Both big fans of Comme des Garçons, she wore this abstract red dress from the FW16 collection, described to AnOther Magazine by Kawakubo as “18th-century punk”.

Zendaya 2018

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Dressed up as Joan of Arc, Zendaya took bling to the next level in this chainmail suit of armour for the theme ‘Heavenly Bodies: Fashion and the Catholic Imagination”. She complemented the silver with multiple chunky rings, silver heels, and a silver pendant.

Billy Porter 2019

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Dressed up as an Egyptian sun god, Porter was carried in on a daybed by six shirtless men wearing gold masks and necklaces. As he walked the pink carpet, he revealed a dramatic pair of gold wings. The theme was undoubtedly ‘camp’, and when asked by Variety to describe his look in 3 words, he said “Diana Ross, ‘Mahogany’”.

Rihanna, 2018

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Rihanna broke the internet with this iconic bishop’s hat for the heavenly bodies theme, with many dubbing her the new pope. Her look, designed by Margiela, consisted of a long jewel-encrusted robe over a minidress, Cartier jewellery, and glitzy Louboutins.

JLo 2021

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Jennifer Lopez always comes to win at the MET Gala. Wearing Ralph Lauren at the 2021 MET Gala, celebrating all things American fashion.

Katy Perry 2019

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Katy Perry set the bar high for the ‘camp’ theme, dressing as a fully-functioning chandelier. Designed by Moschino’s Jeremy Scott, the ensemble required six weeks just to place the thousands of Swarovski crystals on the dress.

Beyoncé 2015

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Beyoncé’s barely-there look for the ‘China: Through the Looking Glass’ theme was designed by Givenchy, featuring glittering pink and green rhinestones embellished to cover all the right places. She also made reference to Coming to America with her high ponytail and the design of the dress.

Bella Hadid 2018

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For 2018’s iconic heavenly bodies theme, Bella opted for a unique take compared to other attendees’ angelic and religious-inspired looks. Her black patent top, lace train, cross-detailed maxi skirt, and leather gloves gave off a more gothic vibe— perfect considering it was designed by Chrome Hearts, her BFF Jesse Jo Stark’s father’s brand.

Rihanna 2015

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Once again, Rihanna broke the internet with this dress, designed by Guo Pei, being compared to an omelette, a pizza, the yellow brick road, and more by fans on Twitter. She reportedly said she felt like a clown wearing this, but we think the regal look is perfect for ‘China: Through the Looking Glass’.

Cardi B 2018

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We can all agree that ‘Heavenly Bodies’ was the year for insane regal looks. While pregnant with her first child, the rapper attended her first MET Gala in this extremely detailed look by Jeremy Scott for Moschino, who wore a matching embellished biker jacket and trousers.

Iman 2021

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The supermodel owned the cream carpet in this out-of-thisworld costume for the 2021 theme of celebrating American fashion. The look, created in a collaboration between Dolce & Gabbana and Harris Reed, was inspired by the golden age of America and its ballroom culture. 

_{Words by Lucy Walshe}

^{Header Graphics by Magdalen Manning}

The post The Most Iconic Met Gala Looks From The Past Decade appeared first on Voir Fashion.

Rousteing told French Vogue that the idea to collaborate came about when he was sketching while listening to the new album on repeat after its July 2022 release, and was inspired by the lyrics and music. He contacted Beyonce and her stylist, Marni Senofonte, and said he would like to create a couture collection together as co-designers. He had many sketches inspired by the album but managed to whittle it down to just one per song, two of which Beyonce already wore to the Grammys and BRIT awards before the collaboration was officially released. The looks incorporate historic elements of Balmain and celebrate Beyoncé’s heritage, bringing to life the powerful emotions encapsulated in her music.

Rousteing and Beyoncé have worked together many times over the years, from perfecting outfits for her 2018 Coachella headline to opening his 10-year anniversary show for Balmain in 2021.

She says he is a “dream collaborator and a constantly innovating and evolving creative”, with whom she knew she “would want to work on a collection from their very first meeting”.

Renaissance is Beyoncé’s 7th studio album, created during the COVID-19 pandemic with the intention of inspiring happiness and an escape from isolation to listeners, and to celebrate the liberation of marginalised people through dance. It won a Grammy for best dance and electronic album and was nominated for album of the year.

Now, let’s look at some of the 16 outfits it inspired:

Cozy; comfortable in my skin (cozy, cozy)

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A ‘feu d’artifice’ firework-inspired dress made of black velvet and pink feathers with a matching black velvet turban. The look represents self-love and visualises being surrounded by explosions of fireworks.

Break My Soul; I’m buildin’ my own foundation, yeah

^{Image Credit: “Church Girl” from Renaissance Couture – BeyoncéxBalmain. Photography by Louie Banks, courtesy of Balmain}

Draping shiny black velvet to create a hooded dress, cinched with a black chrome electroplated bustier. Designed to project power and confidence onto the wearer, creating the illusion of a naked torso by 3D printing the bustier.

Thique; Baby, that’s that thique

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Hammered brass bustier adorned in crystal pendants over a black velvet bodysuit, with matching crystal earrings and velvet turban. Inspired by Parisian chandeliers and traditional ballroom design.

Church Girl; nobody can judge me but me, I was born free

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Black velvet cape with red interior, metallic belt, and silver chrome bustier. The hat is inspired by records. The outfit represents success, self-confidence, and not apologising for enjoying yourself.

Pure/Honey; It should cost a billion to look this good

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Mixing sequins, metals, and feathers with harlequin, zebra, and psychedelic patterns to create this bodysuit. As seen on Beyoncé at the BRITs, it aims to pay homage to and channel the energy and joy of the ballroom community.

Virgo’s Groove; I want it right here, right now

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Pink velvet gown and ‘second skin’ with metallic décolleté by sculptor Elie Hirsch and a reinterpreted vintage Balmain hat. Beyonce and Olivier are both virgos, and the look represents disco, funk, and intensity.

Energy (01); Oh, la, la, la
That’s the way them boys sound when I walk through the block-block-block

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Black-dyed pheasant feathers grab your attention, embroidered onto a macramé gown. Crafted from black silk, velvet, rayon, and patent-leather threads, this was one of the most complicated designs in the collection, designed with the intention of creating something sensual and alluring that commanded power.

Energy (02); You know that I’m gon’ be extra when that camera go pop-pop-pop-pop-pop-pop

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Gown, hat, and earrings created with a pattern inspired by traditional African hair-braiding. Taking over a month to complete its creation; the gown began as a series of sketches of African motifs before transforming into this powerful silhouette.

America Has a Problem; Boy, you can’t get no higher than this No, ‘cause love don’t get no higher than this no, no

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Jumpsuit with draped red velvet and gold chrome bustier. It reflects the song’s confidence and attracts attention through its similarity to the red carpet.

Summer Renaissance; It’s so good, it’s so good, it’s so good, it’s so good, it’s so good

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Wig, cape, and dress embroidered with fringes, crystals, and rhinestones.The final track on the album inspires outright extravagance and maximalism. Beginning her world tour in May 2023, we can only hope to see more of these looks on Queen B, perhaps she will wear one to the upcoming Met Gala…

_{Words by Lucy Walshe}

^{Header Image by Mia Washbrook}

The post Balmain And Beyoncé Produce First Wearable Album appeared first on Voir Fashion.

Moments

Expected fashion icons such as Anna Wintour are of course in attendance at the shows, as well as special celebrity guests. So far we have seen Doja Cat embroidered head-to-toe in crystals and Kylie Jenner in a fierce faux fur. Doja was glistening at every angle as she showed her allegiance with Schiaparelli. A moment constructed of 30,000 Swarovski crystals and red body paint, the surrealist beauty of the look was undeniably iconic.

Kylie Jenner also gave us all a moment to discuss in her Haute Couture Schiaparelli. The lion head which was sculpted from foam, silk faux fur and wool, will definitely be going down in fashion history.

Schiaparelli

A fierce show was put on by the legendary French house, Schiaparelli. No surprise, Schiaparelli’s show has given us the biggest moment of the Haute Couture Week… so far. In the early days of the brand’s legacy, controversial and surrealist designs pushed fashion attitudes to develop and modernise. Daniel Roseberry, creative director of the Haute Couture house took this in his stride and got the crowds wild with his fake taxidermy pieces.

Shining a light on the controversial use of fur in the fashion industry, he certainly made a talking piece in the media with his ensemble of wild animals going down the runway. Not only did spectators see the incredibly high fashion lion dress on model Irina Shayk, but also on front row attendee, Kylie Jenner. A moment which has already gone viral on various platforms, the spectacle got everyone talking about Schiaparelli. However, not in the ways they intended. Controversy arose as animal lovers labelled the brand as ‘promoting poaching and animal cruelty’. As Roseberry defended his faux fashion pieces as ‘celebrations of nature’, PETA stepped in to support the fashion looks and their symbolism.

_{Images Courtesy of Schiaparelli}

The collection, of course, consisted of more than the iconic trio- the lion, the leopard and the wolf. Hyper-feminine silhouettes which were adapted from traditional menswear was a strong theme running throughout the collection. The extremely low v-cut tuxedo and glamorous black gowns were signature Schiaparelli style. Roseberry has managed to effortlessly capture the brand’s elegant and luxurious origins even in the 21st Century.

_{Images Courtesy of Schiaparelli}

Iris Van Herpen

Designer, Iris Van Herpen, envisioned a sensationally touching and proactive display, which was executed magnificently. The SS23 Haute Couture collection, Carte Blanche, was divinely inspired and came to life in collaboration with French creative Julie Gautier. The film was a feminist masterpiece, which tried to shed light on the global strength of women, especially the ongoing resilience of Iranian women. Choosing to show the clothing submerged in deep water was a powerful creative choice which symbolized the external struggles women face in their existence. Water also takes away the voice and ability to hear those consumed under the surface, which is another reference to women’s protest and suffering. The performance was beautifully breath-taking on the surface, however, understanding the meaning behind, transformed the film into a stunningly poignant and touching piece of work.

Known for fluidly constructed designs the Haute Couture collection evolved beautifully from the previous, Meta Morphism, collection. The slow movements of the models brought the clothing to life as it swirled and danced in the motions of the water. The fantastical and SCI-FY nature of the clothing was emphasized in the foreign and unnatural landscape of the film. The beautiful and hyper-feminine styles were captivating as they moved through the water like they belonged, like a mythical and majestic sea creature. The gorgeous organic silk fabrics entangled the dancers, which embraced the restraints and confinements imposed on women. The red corset design worn by Julie Gautier featured red synthetic and real human hair as an emblem of freedom.

_{Images Courtesy of Iris Van Herpen}

Chanel

A Parisian favourite managing to keep on top of the game, ahead of the trends and in the forefronts of our minds. As relevant as they were when they started their sensational journey in the 20th century, Chanel returns every year to showcase their Haute Couture in their home city. The atmosphere of a Chanel show is exclusive and chic. This year for their SS23 Haute Couture, expectations slowly built as soft music began to play. In a circus styled layout, large wooden animal statues were wheeled out. The curiosity blossomed as Camels, elephants and mice all appeared in the form of the overbearing sculptures.

Not was all it seemed for spectators. Grand entrances erupted as one by one, runway models emerged from the wooden sculptures, in true Troy essence. However, these gifts gave us attacks of fashion as opposed to the attack of soldiers. Adhering to the subtle circus themes underlying the collection, the first look to step foot on the runway was suggestive of a ringleader. Kitted in a top-hat and white military parade jacket, the look set the scene for what was to come. Styles incorporated the charming playfulness of circus bowties and majorette silhouettes. This being said, the collection was distinctively Chanel. Classic Chanel styles, black-tipped shoes and tweeds, featured within the SS23 set of looks, importantly reinforcing the roots and heritage of the house. Other classic Chanel distinctions were transformed for the collection to embody the sign of the times. A-line bodices were enriched with tulle ruffles, suit jackets were paired with miniature skirts and styled with bowties and top hats. Embroidered pieces and pearls made their way on to the runway as well, which we were glad to see as they are a symbol of the late designer.

_{Images Courtesy of Chanel}

_{Words By Erin Wilson}

_{Graphic Header Image By Mia Washbrook}

The post Blazing Haute: Feminism, Faux Furs and French Fashion are The Major Moments of Haute Couture Week So Far appeared first on Voir Fashion.

From hair and makeup, to skincare, accessories, and nail extensions, when it comes to the notions, trimmings and hand-made embellishments that make up the intricacies of haute couture, attention to detail is irrefutably, vital. When these little elements of beauty are taken advantage of, it’s clear that there’s no better way to elevate when it comes to sophistication. After all, isn’t that what haute couture is defined by? 

This month, a series of beauty trends inevitably made an appearance on the runway. Fendi, Dior and Elie Saab glazed their models’ skin in gloss and glitter, an ethereal take on the glassy skin trend that proves perfect for the summertime. Swiftly followed by the prominence of the classic red lip at Schiaparelli, as well as slick space-buns at Iris Van Herpen and pigmented eyeshadow at Viktor & Rolf, this year’s beauty moments most certainly didn’t disappoint. 

Below, you’ll find all the best beauty moments that are worthy of your attention – whether that be on the catwalk, or the front row. 

Jean Paul Gaultier 

As the latest guest designer for Jean Paul Gaultier, Olivier Rousteing, Creative Director of Balmain, honoured the brand’s roots through a series of nostalgic references. When it came to accessories, there were dramatic beaded necklaces, chains, cone-bras, and platforms, making the perfect partner for glass garments and tin-can inspired skirts. 

Models’ wrists were adorned in chunky silver bangles and large pearls, whilst fingertips were topped with extensions reminiscent of silver graters that drew industrial parallels with the classic acrylic manicure. Paired with ears that were laced with piercings, whether they be hanging bucket earrings or industrial bars, Jean Paul Gaultier’s show didn’t shy away from extravagance and exceptional attention to detail. 

Luckily, the show got even more exciting when the attention was shifted from the runway to the side-lines. Attendees such as Kim Kardashian stirred a media frenzy when arriving on the front row, accompanied by daughter North West, in a pinstriped beret, black shades, metallic cuff bracelets and a silver nose ring that connected to the ears before draping across the chest like a necklace. Wearing large chokers and a subtle nude lip, the duo’s all black outfits were brought to life by their accessories. 

Vetements 

Whilst last season, faces were obscured with masks, this season, in Gvasalia’s first physical show for Vetements, there were an array of diverse characters that graced the runway. Whilst of every age, gender, ethnicity and background, their hair most certainly took centre stage, drawing our attention (albeit momentarily) away from fashion and onto the importance of beauty when making a statement. 

Hairstylists Pablo Kuemin and Jody Taylor met with each of the models individually in the lead up to the show to discuss what their hair look would be, making clever references to famous movie stars, distinct street styles and the British punk scene. From neon buzz cuts to liberty spikes, the show told stories of Gvasalia’s earliest experiences with fashion, alluding to distinct childhood memories that, by extension, couldn’t help but make you burst with nostalgia. 

Iris Van Herpen 

Iris Van Herpen’s 15th-anniversary collection at this year’s Paris Haute Couture Week celebrated beauty in all its ethereal glory, centring around the metaverse and the ultimate impact that virtual fashion will have on the way we dress. As a designer whose niche is characterised by the analysis of modern technologies and how they will alter our approach to our attire, there’s no one quite like Iris Van Herpen to carve out a collection where each beauty look is just as transformative and hyperreal as the clothes themselves. 

Created by nail artist Tomoya Nakagawa, the multidimensional collection was complimented by 3D, translucent nails that twisted and turned upon each fingertip, and when it came to makeup, MUA Chiao Li Hsu’s work was just as exciting. The models’ eyes were surrounded with eyeshadow that was reminiscent of gold and silver leaves, whilst bleached eyebrows, the trend that has undoubtedly infiltrated the beauty industry as of late, stood in stark contrast to a natural, dewy base. 

Space buns have been a favourite for years, but stylists Olivier Schawalder and Björn Axén took them to the next level at Iris Van Herpen’s show. With slick, tail-like braids that crept along the scalp and over the models’ faces, each hairstyle was sure to impress, channelling that of a mythological creature that had been elegantly swept across the ocean floor. 

Schiaparelli 

At Schiaparelli’s show, British makeup artist Pat Mcgrath orchestrated beauty looks that struck the perfect balance between drama and sophistication, with contoured cheekbones, red-lips, and winged smoky eyes heightening the effect of Roseberry’s timeless designs. In terms of hair, stylist Guido Palau similarly yet subtly revealed his artistry through simplistic up-dos, often masked by large hats to allow the geometric nature of Roseberry’s collection to bask under the limelight. 

Attendees such as Rina Sawayama wore a black mini dress featuring a gilded brass jewellery harness in the shape of a mouth, whilst Hunter Schafer wore a black mini dress with a corset effect bustier and horn neckline. Rina’s eyes were coated in glitter whilst Hunter’s golden eyeshadow matched her golden surrealist earrings perfectly. 

Viktor & Rolf 

Viktor and Rolf’s show had a distinct 80’s feel that could be seen consistently, whether that be through the clothes, or the makeup. With exaggerated blazers and graphic stripes to captivate your attention, a multicoloured palette of pink, blue, red and even aubergine was gently painted across the models’ eyes, lips, and cheeks to take our admiration that one step further. 

Lashes were either coated in a fluorescent orange or navy, suggesting that coloured mascara is the next trend set to re-emerge. For those who aren’t so into eye makeup, mirrored aviators appeared an ideal alternative. 

Whilst ahead of the curve in terms of makeup, Viktor and Rolf kept it simple when it came to hair. Sleek and glossy, the models’ hair was often brushed back into a coif so that the eye makeup could do the talking. 

Words by Gracie Eastwood

^{Header image: @tomonyan55}

The post The Best Beauty Looks at Paris Haute Couture Week appeared first on Voir Fashion.

Alexandra Pereira

Haute Couture Week ambassador Alexandra Pereira brought an innocent and easy look to the Alexander Vauthier show. Pereira’s monochromatic v- neck white suit allowed her miniature baby blue purse to steal the show. Posting on her Instagram, the entrepreneur named the look her ‘power suit for a power show’.

Yacine Harr, Snehal and Jyoti Babani

The trio of fashion specialists brought eclectic and modern energy to Chanel’s audience. Sisters Snehal and Jyoti Babani matched contemporary graffiti style tees with elegant ballroom style skirts, accessorising with classic Chanel pearls which cascaded their waist and torso.
Yacine donned a smart and simple woollen cardigan over a white shirt. He styled the look with a leather Chanel body bag.

Gabrielle Caunesil

The classic all-black fits didn’t stop at Wang’s look. Also on her way to Vauthier’s magical show was the model and activist Gabrielle Caunesil sporting loose-fit black trousers with a belted cropped blazer. The true charm in Caunesil’s look was in the details; she paired the look with polka-dot lace gloves and an immense feathery tote, finishing her look with a traditional Parisian sultry red lip.

Chiara Ferragni

Sporting a structured green jacket and skirt combo, Chiara Ferragni was a vision of grace. The classy mother of two paired her look with a daring green eye, reminiscent of the fearless make-up which features HBO’s hit show Euphoria.

Margot Robbie

Margot Robbie sat in the front row to witness Chanel’s spectacular equestrian-themed show in a classic Chanel-style oversized bright white blazer. Adding to the look, the actress paired white ankle boots and a miniature Chanel purse to create a clean cut appearance.

Leia Sfez

Creative consultant Leia Sfez added a fun twist to the classic Chanel tweed blazer. As she entered the Grand Palais Ephemere to watch Chanel’s enchanting show, her white blazer oozed in golden broaches in an array of fun shapes. Speaking of her fit’ on Instagram, Sfez deemed it the prettiest and heaviest jacket she had ever worn.

Words By Olivia Booth

_{Photo Credit : Gerasim Kutsarov}

The post The Most Chic Street Styles From Haute Couture Day 2 appeared first on Voir Fashion.

Stephane Rolland

Classical music sang in the air, raising the audience’s already willing anticipation created by the dimly-lit runway of Stephane Rolland’s 2022 Haute Couture show. The music was slowly exchanged for timeless ballads by Barbara Streisand as the lighting moulded into a clinical white light. Models like Nieves Alvarez drifted into the scene, covered from head to toe in silk garments. Dramatic silhouette dresses in sage and silver were enveloped by flowing capes, representing the heroic and divine feminine energy of Rolland’s collection. The collection’s luxury and dramatic spirit were bolstered by the oversized gemstones nestled on the chest and forearms of models.

Allowing women to feel flair and ease while wearing timeless gowns was the clear inspiration behind Rolland’s Haute Couture SS22 collection- marvellously representing the brand DNA of “combining luxury with modern lifestyle.”

Chanel

Chanel’s Haute SS22 Couture Collection, featuring 20s style relaxed fits, sequin and feather embellished dresses brought Chanel back to its roots as a pioneer of the 1920s fashion revolution.

Chanel’s status as a leader of runway trends remains a century on, as the Parisian fashion house made the daring decision to open their show with a horse for the first time in fashion history. Grace Kelly’s granddaughter, Charlotte Casiraghi, was a vision of elegance as she strode the runway on horseback, sporting an all-black equestrian ensemble to impress eager audience members like Anders Christian Madsen and Margot Robbie.

While the fashion house mixed things up this season, Chanel’s Creative Director Virginie Viard ensured the classic Chanel vision was not lost as the world-renown Chanel tweed skirt-suit featured multiple times in the collection. The suit was displayed in fresh hues of pastel peach and lime, perfect for the summer season.

Alexis Mabille

Peaceful tones of beige and taupe gave model’s on French designer Alexis Mabille’s runway an air of serenity. Gliding along the off-white runway to the sounds of soft french songs was lengthy, flowing dresses and maxi- skirts which added to the relaxing atmosphere of Mabillie’s Couture Collection, named ‘desire’ by the fashion house.

While the collection may appear minimal upon first look, the fine details of lace and silk bows added a touch of intricacy to the collection. An all-black suit with a lace headpiece provided a sombre finish in contrast to the tranquillity of the show before a gleaming Mabille entered the runway to receive his deserved praise from the audience.

Ronald van der Kemp

A work of art is the only way to describe Ronald van der Kemp’s SS22 Haute Couture Collection. The 8-year-old label opened and closed its virtual show with 71-year-old model Pat Cleveland; one of the first African American models to ever break into the fashion industry. Her flair and perky energy was a perfect match for the flamboyant artistic collection created by Dutch designer Van Der Kemp.

Picasso style skirts gave the illusion of stained glass, and flamingo-pink dresses invited a magical fairytale aura to the masterpiece collection. Each piece showcased was impressively handcrafted from recycled material or eco- felt, sticking to the label’s sustainable ethos as they pioneer the change to earth-friendly high fashion.

Alexandre Vauthier

The roaring 20s met the roar of the jungle in Alexandre Vauthier’s SS22 Couture Collection. Sequined gowns with fur trims, leopard print on leopard print, and two-toned fur coats graced the runway adding a modern twist to the current 1920s evening wear trend. The garments were worn by the industry’s top models from Africa Garcia to Effie Steinburg.

The show was set in an open, ballroom-style Parisian location; the perfect surroundings for a collection as luxurious and exuberant as Vauthiers.

Words By Olivia Booth

_{Photo Credit : Alessandro Lucioni}

The post From Chanel To Alexandre Vauthier: Haute Couture Day 2 appeared first on Voir Fashion.

Schiaparelli

A chapel-style setting complete with flaunting figures of angels dancing along the ceiling was the perfect precursor to Schiaparelli’s surrealist Spring 2022 Couture Collection. Sticking to the outlandish style that Schiaparelli has been praised for since its establishment in the 1930s, Daniel Rosebury- the designer of the collection- said he looked to galaxies far away for inspiration, even deeming the collection ‘Planet Schiaparelli’. The gold metal heads for handbags and the futuristic spaceship-style earrings were reminiscent of recent Sci-Fi cinema, such as Denis Villeneuve’s Dune.

While the entire show was equally exuberant and eccentric, there was one medusa-style attire that had everyone talking. The outfit looked as though it came straight from a Sci-Fi movie, as it created the illusion that the model was growing luxurious gold tree branches, encrusted in colourful gemstones, from her body.

The futuristic allure of the show wasn’t exclusive to the runway, however. As the show’s front row guest, Kanye West, understood Schiaparelli’s memo of mystery as he hid behind an all-black mask hiding his face entirely.

Dior

Maria Grazia Chiuri, Dior’s current creative director, made the beauty of human creation and connection the message behind her Haute Couture SS22 collection. The hand-embroidered sequined tights, waistcoats and gowns worn by models from Chloe Oh to Rachel Marx were made to represent the teamwork behind the carefully detailed garments.

Dior’s eveningwear collection saw glamorous black ball gowns perfect for a modern princess. But, not only was Dior’s collection fit for royalty, it was witnessed by royalty, as Lady Amelia Windsor and Beatrice Borromeo sat along the front row of Dior’s Haute Couture show beside fashion royalty Cara Delevinge.

Chiuri’s ode to human creation and togetherness didn’t stop at her garments. The models who walked the show were illuminated by the colourful artwork surrounding them in the show’s setting of a reinvented gallery, showcasing works by Madhvi and Manu Parekh. Demonstrating the amazement of human ability and creation in all of its forms.

Azzaro

Opening Azzaro’s live stream show, both male and female models such as America Gonzalez and Jules Baco emerged from a curious outdoor setting where trees were replaced with white bollards and a paved runway slithered between uncut grass.

The mysterious setting complimented designer Olivier Theysken’s mystifying collection, which saw evening wear like suits and gowns reimagined in liquid silver silk and dripping in sequins. The designer admitted his love for all things shiny and his Haute Couture SS22 show was the epitome of this love.

Ulyana Sergeenko

It may be the 2020s, but the 1920s have made a return in Russian designer Ulyana Sergeenko’s Spring 2022 Couture Collection. With flapper dresses dazzling in sequined art-deco and feather embellishments. The collection was copied and pasted from Fitzgerald’s Great Gatsby.

The digital show setting saw models illuminated by a single spotlight against a cherry red catwalk, as the show began with a model blowing a whistle to signify the show’s commencement. Sergeenko ensured a fun and playful start to the year with models peering behind the curtain showcasing sequined headpieces, encapsulating the playful energy of the 1920s.

Words By Olivia Booth

_{Photo Credit : Schiaparelli & Fillipo Fior}

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