And naturally, what would a football campaign be without a Beckham?
Leading Burberry’s line-up is Romeo Beckham, joined by an all-star cast featuring Rosie Huntington-Whiteley, Neelam Gill, Declan Rice, Leah Williamson, Son Heung-min, Eberechi Eze and Naomi Girma alongside Jason Sudeikis, Jodie Turner-Smith, Stephen Graham and Lucy Punch. Models including Bright Vachirawit, Mika Hashizume and He Cong complete the campaign, creating a cast that moves effortlessly between fashion, sport, music, film, and global celebrity culture.
The casting itself says everything about where Burberry stands today. Heritage faces sit beside contemporary icons. Models mix with athletes. British glamour collides with football culture in a way that feels instinctive rather than forced.

Visually, the campaign embraces a kind of organised chaos. Rain-soaked energy sits beside polished tailoring. Traditional Burberry outerwear is layered with sportswear references, while stadium culture becomes elevated without losing its authenticity. Even the soundtrack — Bloc Party’s Banquet — adds to the unmistakably British atmosphere running throughout the film.
But what makes A Good Sport particularly compelling is that Burberry does not romanticise football from the outside looking in. It understands that football is not simply a sport in Britain — it is a language. A community. A visual identity of its own.

Burberry has always existed close to that conversation, whether intentionally or not. Long before luxury fashion fully embraced football culture, the Burberry check had already become embedded within British street style and terrace culture for generations. This campaign feels like the house reclaiming that history with confidence — not distancing itself from it, but evolving it into something sharper, more self-aware, and culturally current.
And perhaps that is why A Good Sport feels so successful. It is not trying to imitate British culture.
It already belongs to it.

The result is a campaign that feels both nostalgic and modern at once — cinematic without losing humour, luxurious without feeling distant.
With A Good Sport, Burberry is not simply selling fashion.
It is selling British identity itself.
And in doing so, the house has entered a league of its own.

Watch here

The post Burberry’s A Good Sport Has Entered a League of Its Own appeared first on Voir Fashion.

As anticipation builds for Euphoria Season 3, one thing is already clear: beyond the drama, the chaos, and the glitter-soaked heartbreak, it’s Maddy’s wardrobe that fans are ready to fall back into. And honestly—how could we not miss it?

The Era of Maddy Perez
Played with magnetic intensity by Alexa Demie, Maddy Perez didn’t just wear clothes—she weaponised them. Every look was deliberate, sculpted, and unapologetically bold.

From skin-tight co-ords to barely-there dresses, her style walked the line between hyper-feminine and fiercely dominant. Think bodycon silhouettes, cut-outs, and high-glam makeup—paired with an attitude that made every hallway feel like a runway.

Maddy wasn’t following trends. She was the trend.

Fashion as Power

What made Maddy’s style so unforgettable wasn’t just the clothes—it was the intention behind them. Her wardrobe reflected control, confidence, and contradiction. Soft fabrics, sharp energy. Vulnerability wrapped in gloss.

In a show built on emotional extremes, Maddy used fashion as armour. Each outfit told us exactly who she was in that moment—whether she was reclaiming power or quietly falling apart.

And that’s why it stuck. It felt real.

The Influence Still Lives On

Even between seasons, Maddy’s aesthetic hasn’t gone anywhere. Scroll through TikTok or Instagram and you’ll still see her fingerprints everywhere: slicked-back hair, statement liner, matching sets, and that signature “don’t touch me” energy.

Designers, too, have echoed her impact—leaning into sensual silhouettes, glossy textures, and unapologetic femininity. The “Euphoria effect” may have started as a moment, but Maddy made it a movement.

Season 3: The Return of a Style Icon

With Season 3 on the horizon, the question isn’t whether Maddy will deliver—it’s how hard. Will we see a more refined version of her signature look? Or something entirely unexpected?

Either way, one thing is certain: all eyes will be on her.

Because Maddy Perez doesn’t just enter a scene—she owns it.

Oh Maddy… We Really Did Miss You

In a world of ever-changing aesthetics, Maddy remains timeless. Not because her style stays the same—but because her presence never fades.

And as Euphoria prepares to return, so does one of fashion’s most unforgettable muses.

Welcome back, Maddy.

The Trailer: A Shift in Tone

The Season 3 trailer signals a noticeable evolution. The glitter hasn’t disappeared—but it’s dimmed, replaced with something heavier, more reflective. There’s a sense of distance in the visuals, hinting at time having passed and consequences settling in.

The world of Euphoria looks sharper, more cinematic, and emotionally charged. Relationships feel fractured, identities more defined, and the chaos—more controlled, but no less intense.

Maddy Perez: A New Era of Power

Even in brief moments, Alexa Demie’s Maddy feels different.

Gone is some of the overt maximalism—replaced by a more refined, controlled energy. The styling hints at maturity: sleeker silhouettes, cleaner lines, and a quieter kind of dominance. It’s less about proving something, and more about knowing it.

If previous seasons gave us Maddy the icon, Season 3 might give us Maddy the woman.

When Does Season 3 Start?

While HBO has officially confirmed Euphoria Season 3, the exact release date is still being closely watched. Based on current announcements, the new season is expected to premiere in 2026, with production timelines pointing toward a likely mid-to-late year release.

What’s certain is that anticipation is at an all-time high—and the trailer has only intensified it.

More Than a Comeback

Season 3 isn’t just a continuation—it feels like a transformation. The trailer suggests a story that’s grown with its characters, stepping into a more grounded, complex space.

And at the centre of it all, Maddy Perez remains a cultural force—her style evolving, her presence undeniable.

The post Euphoria Season 3: Oh Maddy, How We’ve Missed Your Style appeared first on Voir Fashion.

Opening at London’s Victoria and Albert Museum, Schiaparelli: Fashion Becomes Art is already being hailed as one of 2026’s most important cultural moments—an exhibition that doesn’t just showcase fashion, but reframes it entirely.

Running from 28 March to November 2026, the show marks the first major UK exhibition dedicated to the house of Schiaparelli, tracing its legacy from the 1920s to its modern revival.

Where Surrealism Meets Couture

Founded by visionary designer Elsa Schiaparelli, the house has always existed in a space between reality and imagination. This exhibition brings that world to life—placing iconic garments alongside works by artists like Salvador Dalí, Jean Cocteau, and Pablo Picasso.

Expect the unexpected:
the legendary Lobster Dress, the haunting Skeleton Dress, and surreal accessories like the infamous Shoe Hat. These are not just garments—they are provocations, challenging the very definition of fashion.

Schiaparelli didn’t follow trends. She created a language.

More Than Fashion—A Cultural Movement

What makes this exhibition so powerful is its scope. Featuring over 200 objects, it moves beyond clothing to include photography, sculpture, perfume, and archival material.

It tells the story of a designer who blurred boundaries long before it became industry standard—merging fashion with performance, art, and identity.

As the V&A itself positions it, this is not just a retrospective—it’s a celebration of one of the most “ingenious and daring designers in fashion history.”

From Elsa to Now: The Roseberry Era
The exhibition doesn’t stop at history—it extends into the now.

Under creative director Daniel Roseberry, Schiaparelli has re-entered the cultural conversation with viral, sculptural couture moments—worn by the likes of Bella Hadid and Kylie Jenner.

From gilded anatomical details to hyper-surreal silhouettes, Roseberry’s work channels Elsa’s original vision while pushing it into a digital-age spectacle.

The message is clear: Schiaparelli isn’t heritage—it’s alive.

Why This Exhibition Matters Now

In an era where fashion is increasingly consumed through screens, Fashion Becomes Art reminds us of its physical, emotional, and artistic power.

Schiaparelli’s work feels more relevant than ever—bold, strange, unapologetic. It speaks to a generation that values individuality over perfection, expression over conformity.

This is fashion at its most fearless.

A Must-See Moment

More than just an exhibition, this is a statement: fashion has always been art—we’re only just catching up.

And in true Schiaparelli spirit, it’s outrageous, surreal, and impossible to ignore.

The post Schiaparelli: Fashion Becomes Art — The Exhibition Redefining Couture appeared first on Voir Fashion.

While the moment itself wasn’t rooted in London, the look draws from one of the city’s most exciting fashion voices—Di Petsa, the London-based womenswear label redefining sensuality through an ecofeminist lens.

Di Petsa: Where Craft Meets Concept

Founded in 2019 by Greek designer Dimitra Petsa, Di Petsa is a London-based brand built on the exploration of the relationship between women and water. The label merges traditional craftsmanship—shaped by Petsa’s upbringing alongside her seamstress grandmother—with her academic training in performance design and womenswear at Central Saint Martins.

The result is a distinctive “contemporary goddess aesthetic”: a balance of draped silhouettes, innovative textile development, and interdisciplinary storytelling that spans fashion, performance, and film.

The Signature “Wetlook”

Central to the brand’s identity is the now-iconic “Wetlook” dress—an instantly recognisable design that appears as though fabric is suspended on the body like water. More than an aesthetic, it represents self-acceptance, fluidity, and the natural evolution of the body.

The design has been embraced by a powerful roster of artists and cultural figures, including Bella Hadid, FKA Twigs, Lizzo, Doja Cat, and SZA.

It has also shaped defining fashion moments, most notably in ethereal pregnancy reveals worn by Bella Hadid and Nicki Minaj—transforming the garment into a symbol of creation and transformation.

AW26: A Study in Fluid Power

Zendaya’s AW26 look captures the essence of Di Petsa’s philosophy—fluid, sculptural, and emotionally charged. The drapery moves with intention, echoing water’s natural rhythm while celebrating the body in all its forms.

Di Petsa’s approach to design remains rooted in intimacy and inclusivity, embracing all sizes, gender expressions, and the ever-changing nature of the body. It is fashion that invites connection rather than perfection.

A Growing Global Presence

The brand’s conceptual strength has earned it international recognition, with features in Vogue US, Vogue Paris, i-D, DAZED, and Harper’s Bazaar Singapore. Its nomination for the DAZED100 NextGen Designer in 2021 further cemented its position as a rising force in contemporary fashion.

More Than a Look

Zendaya’s appearance in Di Petsa AW26 is not just a fashion moment—it’s a continuation of a narrative. One that embraces fluid identity, honours craftsmanship, and challenges traditional ideals of beauty.

With Di Petsa, fashion becomes something deeper: a language of the body, shaped by water, movement, and emotion.

The post Zendaya in Di Petsa AW26: The Rise of the Contemporary Goddess appeared first on Voir Fashion.

Rather than stage a sombre memorial, Michele approached the moment with the kind of layered
romanticism that has come to define his work. The collection unfolded as a dialogue between
reverence and disruption, heritage and imagination.

Rome as Stage
Palazzo Barberini, with its frescoed ceilings and monumental architecture, provided a setting that
felt almost operatic. Michele has always been a designer fascinated by history, and the location
allowed him to frame the collection within Rome’s visual mythology—where art, cinema and
aristocratic glamour have long intersected.
The palace’s ornate interior echoed the richness of the clothes themselves. Velvet, lace and
jewel-tone fabrics caught the light of the historic rooms, reinforcing the sense that the show was as
much an atmospheric experience as a fashion presentation.

Silhouettes: Between Discipline and Excess
Michele’s signature maximalism was immediately evident. Layers of fabric, elaborate embroidery
and dramatic draping dominated the runway. Yet beneath the decoration there was a surprising
structural clarity.
Coats appeared elongated and precise, their lines controlled despite the weight of embellishment.
Dresses fell into carefully managed pleats, sometimes paired with lace hosiery that introduced a
subtle sensuality.

The silhouettes carried echoes of classical statuary—long vertical lines that allowed the garments
to move with a quiet theatricality.
Where Michele’s earlier work often celebrated visual chaos, this collection suggested a designer
increasingly conscious of Valentino’s historic elegance.

Colour: The Language of Roman Luxury
Colour functioned almost like a narrative device throughout the show. Deep emeralds, sapphires
and burgundy tones appeared repeatedly, creating a palette reminiscent of Renaissance painting.
Velvet gowns in saturated jewel tones moved against darker wool coats and layered silks,
producing contrasts that felt almost painterly.
And then, inevitably, came the moment everyone was waiting for: Rosso Valentino. The house’s
iconic shade of red appeared in the finale gown, a gesture that read unmistakably as homage to the
founder whose name remains synonymous with the colour.

Accessories and Ornament
Accessories amplified the show’s baroque atmosphere. Oversized jewellery, bows and intricate
embellishments appeared throughout the collection, reinforcing Michele’s fascination with
decoration as storytelling.
Yet the styling also included playful touches—layered necklaces, textured tights, and unexpected
pairings that softened the drama of the garments.
The effect hovered somewhere between couture elegance and theatrical costume, a tension
Michele seems particularly drawn to.

The iconic Valentino Rockstud made a striking return on the Valentino Fall/Winter 2026 runway, reminding fashion insiders why the design became one of the house’s most recognisable signatures. First introduced under Pierpaolo Piccioli and Maria Grazia Chiuri, the pyramid studs once again appeared across accessories and footwear, adding an edge of modern glamour. The revival felt both nostalgic and fresh, proving that the Rockstud remains a timeless emblem of Valentino’s bold yet elegant identity.

A House After Valentino
The emotional context surrounding the show inevitably shaped its reception. As the first runway
presentation since Valentino Garavani’s death, the collection carried the weight of history.
For decades, Valentino himself defined the house’s aesthetic—refined glamour, immaculate
tailoring, and the unmistakable presence of Rosso Valentino.
Michele’s approach does not attempt to replicate that legacy directly. Instead, he treats it as a
foundation on which to build something new.
The Fall/Winter 2026 show suggested a house in conversation with its past rather than constrained
by it. The codes remain—romanticism, opulence, the colour red—but they are filtered through
Michele’s own visual imagination.

If the founder’s era was defined by disciplined elegance, Michele’s Valentino appears poised to
explore something more layered: a world where Rome’s history, cinema and art collide with
contemporary fashion.
And in the shadow of Valentino Garavani’s passing, that conversation between past and future
feels more poignant than ever.

The post Valentino Fall/Winter 2026: Meet the New Valentino Woman appeared first on Voir Fashion.

The Mugler Power Suit
One of the most striking looks came in Milan, where Hadid stepped out wearing a sculptural blush
suit from Mugler. The sharply tailored jacket featured a cinched waist and structured shoulders,
paired with a fluid midi skirt that moved dramatically as she walked.
The look carried all the signatures of the house founded by Thierry Mugler: architectural tailoring, a
hyper-feminine silhouette, and subtle sensuality. Bella completed the outfit with pointed ivory
pumps and softly waved hair styled in a vintage supermodel blowout.
The result felt almost cinematic — part 1990s couture, part modern street moment.
Parisian Off-Duty: The Bomber Jacket Formula

Arriving at shows in Paris, Hadid leaned into a uniform she has perfected over the past year:
elevated casualwear.
One standout outfit paired:
• a cropped beige bomber jacket
• a fitted white T-shirt
• high-waisted ivory trousers
• a black leather belt
• square sunglasses

The minimal palette allowed the proportions to do the talking. The oversized bomber contrasted
with the tailored trousers, creating that perfectly relaxed silhouette that has become synonymous
with Hadid’s off-duty wardrobe.
The look was finished with sleek black loafers and understated gold jewelry.

The Leather Slip Dress Moment
For an evening appearance, Hadid turned to a darker palette, stepping out in a fluid black slip dress
layered under a leather jacket.
The dress featured delicate draping and a subtle V-neckline, while the oversized leather jacket gave
the look a slightly rebellious edge. Narrow cat-eye sunglasses, diamond studs and pointed black
heels completed the ensemble.
It was a masterclass in restrained styling — proof that sometimes the most powerful fashion
statement is simply impeccable proportions and impeccable fabric.

Vintage Dior in Paris
One of the most talked-about looks from the week was Hadid’s appearance in a mint-green archival
gown from Dior Spring/Summer 1998.
The dress featured cascading fringe panels that created movement with every step. Styled by
celebrity stylist Mimi Cuttrell, the archival piece perfectly captured the return of late-90s glamour
currently dominating fashion.
Hadid paired the dress with minimal accessories and soft, brushed waves — allowing the archival
piece to take centre stage.

The Y2K Denim Revival
Bella also tapped into one of the biggest trends of the moment: full denim looks.
In one appearance she wore a fitted light-wash denim set — a zip-front jacket and matching jeans
— layered over a white turtleneck. Narrow red-tinted sunglasses added a distinctly early-2000s
touch, reinforcing Hadid’s role in the revival of Y2K aesthetics.
The silhouette echoed the era when supermodels like Kate Moss and Gisele Bündchen dominated
both runway and street style.

The Polka Dot Evening Look
Another standout look featured a halter-neck polka dot top paired with black leather trousers. The
outfit blended vintage femininity with downtown edge — a styling formula Hadid often gravitates
toward.
Rectangular eyeglasses, pointed pumps and glossy straight hair gave the look a slightly intellectual
twist, demonstrating her ability to move between aesthetics without losing coherence.

The Accessories That Defined the Week
Across the week, Hadid relied on a consistent set of accessories that grounded each outfit:
• Slim 90s-inspired sunglasses
• Pointed pumps and sleek loafers
• Structured leather bags, including a glossy black tote from Prada
• Minimal diamond jewellery
These details helped unify wildly different looks — from archival couture to off-duty denim.
Why Bella Hadid Still Defines Street Style

What makes Bella Hadid’s fashion week wardrobe so influential isn’t simply the brands she wears
— it’s the balance between accessibility and high fashion.
She mixes archival runway pieces with everyday staples, structured tailoring with casual basics, and
vintage references with contemporary styling.
In doing so, Hadid continues to shape how fashion week looks beyond the runway.
While designers present the future on the catwalk, Bella Hadid — walking between shows in Milan
and Paris — shows how that future will actually be worn.

Bella Inspired Wardrobe

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ALEXANDER MCQUEEN Cropped leather bomber jacket

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The post Bella Hadid’s Milan–Paris Fashion Week Wardrobe Was a Masterclass in Off-Duty Supermodel Style appeared first on Voir Fashion.

Jennifer Lopez in vintage Jean-Louis Scherrer Haute Couture
(2003)
Lopez went full archival bombshell in a sheer, nude-toned mermaid gown from Jean-Louis Scherrer
Haute Couture 2003, built from hundreds of yards of silk tulle and finished with lace and stonenembellishment that read like couture trompe-l’œil under flash photography. Multiple outlets noted the styling leaned luxe and minimal, letting the construction do the talking, with statement jewelry (including reports of Sabyasachi jewels) and classic glam. There was also a very J.Lo twist: she revealed the vintage Scherrer look was from her own closet, a rare “personal archive” flex in an era of loaned couture.

Jenna Ortega in Dilara Fındıkoğlu
Ortega’s look was black, sharp, and performative: a marching-band–inspired Dilara Fındıkoğlu moment with fringe epaulettes, a high neck, and dramatic side cutouts that turned negative space into the main event. Fashion coverage clocked how deliberately the outfit “played character” (structured, slightly militant, very Wednesday-adjacent) while also tapping into the low-waist redcarpet silhouette that’s creeping back into formalwear.

Miley Cyrus in Saint Laurent (Anthony Vaccarello)
Cyrus delivered a masterclass in don’t-overthink-it glamour: a plunging black sequin Saint Laurent gown (Vaccarello doing what he does best: sleek, midnight, razor-clean), then punctured the classicness with unexpected sunglasses for a jolt of rock-star disinterest. The neckline was a major talking point across coverage, and the styling kept the focus on line, shine, and attitude. Undeniable proof that a “simple” black dress is never actually simple when the cut is ruthless.

LISA in Jacquemus (with Bulgari)
LISA’s Globes look doubled as a trend report: naked dressing, but sharpened with Jacquemus Spring/Summer 2026 proportions: sheer elements up top, a more grounded skirt below, plus capelike/tasseled sleeves that moved beautifully on camera. Beauty coverage emphasized the overall “dark and edgy” direction (including her new brunette hair), keeping the vibe moody rather than coquettish. On jewellery multiple sources spotlighted her Bulgari Serpenti-style necklace, a rare red carpet move because it’s a specific icon, not just “diamonds.”

Selena Gomez in custom Chanel (323 hours of work)
If anyone “did” Old Hollywood without costume-y nostalgia, it was Gomez. She wore a custom black velvet Chanel bustier gown, engineered like a classic screen-siren dress. Then elevated with couture-level surface work: over 200 feather/organza/silk-chiffon floral elements (white, textural, and slightly surreal up close). The key PR-style detail that made the rounds: the gown took 323 hours in the atelier. It’s the kind of number brands love to share because it turns beauty into labor you can measure.

Amelia Gray in custom Swarovski (by Giovanna Battaglia
Engelbert)
Amelia Gray’s red-carpet appearance was a crystal-house statement: custom Swarovski, with multiple fashion roundups explicitly attributing the look to Giovanna Battaglia Engelbert. Swarovski has been visibly pushing fashion-facing, high-glam narratives (not just “accessory sparkle”), and this look landed like a brand thesis on a live global broadcast: maximum shine, built for flashbulbs and wide shots.

Teyana Taylor in custom Schiaparelli Haute Couture
Taylor went for couture with a plot twist. In custom Schiaparelli Haute Couture, the gown sculpted the body with strategic draping and cutouts. Then delivered the headline detail: a crystal “whale tail” moment at the back (yes, that kind of whale tail), executed as jewelry-level sparkle rather than pure provocation. Several write-ups framed it as an “expensive” take on the cheeky trend. Schiaparelli doing subversion the way Schiaparelli does: surreal, sharp, and engineered.

Words by Fabianna Gutiterreza

The post Best Dresses: The Golden Globes Looks That Owned the Red Carpet appeared first on Voir Fashion.

For Spring 2026, the supermodel returns as muse, anchoring a revival of the Y2K-cult classic with modern elegance.

Bella Hadid is once again at the epicenter of fashion’s most compelling narratives — this time leading the Saint Laurent Spring/Summer 2026 campaign with a fresh take on one of the house’s most storied accessories: the Mombasa bag.

Originally conceived by Tom Ford for YSL’s early-2000s collections, the Mombasa quickly became an it-bag symbol, coveted for its sculptural form and unmistakable silhouette. For 2026, Saint Laurent’s creative director Anthony Vaccarello resurrects the piece, honoring its heritage while giving it a subtle sartorial refresh.

Reimagined With Contemporary Poise

The reissued Mombasa maintains its effortlessly slouchy profile but now features a sleek leather handle in place of the original horn-detail — a design choice that nods to the past while speaking to modern sensibilities. Available in three everyday-ready sizes (small, medium, and large), the bag is crafted in luxurious materials including Courchevel leather, vintage calfskin, and rich pony hair, offered in deep, earthy palettes like Rouge Cabernet, Dark Oat, Santal, and classic black.

Captured through the lens of Glen Luchford, the campaign imagery leans into an intimate, almost lo-fi aesthetic that foregrounds tactile detail and understated confidence — a visual language that aligns with Saint Laurent’s enduring allure.

Hadid: The Perfect Continuity

Hadid’s casting is less about nostalgia and more about continuity: a modern muse reflecting the label’s storied codes through a forward-thinking lens. Her presence in the campaign doesn’t just evoke the bag’s history — it reframes it, threading past and present into a singular statement on personal style and relevance.

For VOIR readers hungry for fashion that bridges eras, this revival feels like both homage and evolution — proof that certain icons never truly fade, they simply await rediscovery.

The post Bella Hadid Reignites Saint Laurent’s Iconic Mombasa Legacy appeared first on Voir Fashion.

Anita delivered high-octane glamour with the confidence that only a true global star can pull off.
Her gown: fluid, liquid-metal satin with a plunging architectural neckline — captured the
movement of light with every step. The look was sensual without being loud, demonstrating a
mastery of red-carpet elegance rooted in precision and body-conscious tailoring. As she told Voir,
her look was courtesy of H&M.

Alex Consani
Alex Consani proved once again why she is the fashion world’s new obsession. Her look blended a
femme-fatale aesthetic with classic couture codes: a razor-sharp corseted bodice paired with
sculptural draped fabric. Alex was wearing nothing other than McQueen, which felt like the perfect
blend between an old master and the young Gen Z energy.

Ashley Graham
Ashley brought glamorous body architecture to the BFA carpet. Her bright personality matched
perfectly with her yellow gown by Feben. Her styling was clean, hair slicked and parted, letting the
gown’s silhouette do all the talking: her attitude as confident as always.

Paloma Elsesser
MiuMiu is nothing but the perfect choice for Elsser’s gown as it embodies the modern energy she
represents within the industry. Her polka-dot gown is a subtle nod of acknowledgment to internet
culture who has been obsessed with the trend since this past summer. It was sophisticated yet
ground-breaking, and undoubtedly bold.

Colman Domingo
The host of the night, Colman Domingo, delivered the strongest menswear moment of the entire
event. His tailored suit: double-breasted, sharply peaked lapels, and a rich jewel-tone palette,
introduced masculine elegance with a theatrical undertone. Colman understands fashion as
performance, and his presence set the tone for the night. He told Voir that “he wanted to feel sexy,
whatever that means for the night”, and Burberry definitely helped him achieve it. The Boucheron
pieces were certainly a touch of magic that elevated the look.

Anok Yai
A vision, a force, and the undisputed star of the blue carpet. Anok’s custom Dilara Findikoglu gown
was the definition of modern couture: ivory satin, corseted structure, and a mermaid silhouette that
felt both angelic and dangerous. The gown’s lingerie-inspired construction echoed the intimacy and
precision of Dilara’s world. It was the night’s most photographed look, and rightfully so.

Dilara Findikoglu
Designer Dilara Findikoglu arrived embodying her own aesthetic universe. Instead of playing safe,
she wore an ensemble that merged dark romanticism with historical reference. A beautiful reimagined corset embellished with cherry-like pieces that reminded everyone she was the
mastermind behind the label. A designer who dresses herself in her own language is rare, and
Findikoglu did so with conviction.

FKA twigs
FKA twigs was dressed by Welsh designer Paolo Carzana. Her outfit was authentic not only in style
but in historical significance. A true modern ode to Shakespearean, to celebrate British fashion.
Twigs never dresses for approval; she dresses to expand the idea of what red carpet dressing can be.
The look was ethereal, erotic, and intellectually disruptive.

Nina Dobrev
Nina brought high-gloss polish to the evening, choosing a sleek, minimalist white suit by Carolina
Herrera. Dobrev’s styling leaned toward European glamour: understated hair, bold neckline, and
immaculate tailoring.

Amelia Gray
Amelia Gray’s look represented the new wave of model-off-duty glamour. She wore a sheer, bodyskimming dress layered with a fur coat for a texture contrast. Her outfit served as a platform to
launch the new collaboration by Stella McCartney x H&M. Amelia has mastered the art of looking
both effortless and editorial, and this night was no exception.

Ellie Goulding
Ellie stepped out in a subtle yet striking laid-back look by Willy Chavarria. With baggy pants and a
fashionable crop top, she represented effortless elegance. Herr looked fresh, refined, and timeless,
the kind of dress that leaves a lasting impression.
This year’s Fashion Awards were defined not by one trend but by a dialogue between extremes:
structure vs. fluidity, minimalism vs. maximalism, softness vs. rebellion. The celebrities listed
above, every single one of them, contributed to making this year’s carpet one of the most visually
compelling in recent memory and a true homage to British fashion.

Words By Fabiana Gutierrez

The post Best Dressed at the 2025 Fashion Awards: The Night’s Most Defining Looks appeared first on Voir Fashion.

This relaunch signals a new era for Victoria’s Secret. Following a major brand overhaul, the show has been reimagined to reflect today’s evolving vision of femininity and power. Back in August, the brand revealed its fresh direction, promising to deliver “the glamour, runway, fashion, fun, wings, entertainment—all through a powerful, modern lens.” And they did just that.

One of the night’s standout shifts? An all-women musical lineup, featuring powerhouse performances from Tyla, Lisa, and Cher, amplifying the show’s new focus on female-led energy and creativity.

In a nod to the fashion industry’s evolving pace, the runway looks are now available to shop instantly via VictoriasSecret.com, the brand’s app, select stores, and their Amazon Fashion storefront.

From glimmering wings to boundary-pushing silhouettes, this show wasn’t just a comeback—it was a bold statement of reinvention.

The post Victoria’s Secret Returns to the Runway with a Star-Studded Reinvention in NYC appeared first on Voir Fashion.