He never gets out of his creative spirit. “The next day [after the show at Athens FW in April], I started the new collection, and we’ve already done half of the pieces.” And I gasp. Rarely do you meet a person who breathes with fashion so intensely, and to whom it is a source exclusively of endless joy and inspiration. The positive aura stays with us through the whole interview – Dimitris’ laughter is truly contagious – as we get on our call on a sunny September afternoon, to chat about Hounds of Love, Dimitris’ latest and upcoming collections, and why neither of us would order McDonald’s on a trip abroad.

Dimitris Strepkos was born in 1973 in Germany. Having started working as a styling assistant at the age of fifteen, he chose Costume Design at the University of the Arts London as his major. He followed this path after graduation, devoting himself to scenography and designing costumes for the theatre. But much as he adores it, that wouldn’t cover all the vibrating energy and creative spirit that are within him. No wonder then that he got involved in a variety of additional projects, from editing and preparing catalogues to creating video clips and commercials. In 2009 came high time for high fashion and the launch of his brand, Celebrity Skin. The debut collection, “Tim Burton’s Impossible Nightmare,” got him Best Designer and Best Catwalk awards at Athens Xclusive Designers Week, and started his already 15-year- long journey into the world which he’ll probably never get enough of.

His collections are not to be mistaken for any other designer’s; Strepkos is known for combining seemingly basic forms and colour palettes (blacks, nudes, and whites dominate) with imaginative twists and rich ornaments: “everything is done by hand; there’s no single machine at my atelier. Even if you see a simple bodysuit – there’s so much work in it.” Though calling his signature bodysuits “simple” would be an understatement. Suffice it to say that lovers of sequins, diamonds, and fringe will surely find something yummy there. Strepkos’ latest collection: “Daydreaming. A Poem for Katia,” caught my eye during the last Athens Fashion Week, as it definitely stood out, thanks to the more surrealist approach than the other designers presented (Voir’s report on the show can be found here: https://www.voirfashion.co.uk/post/greek-goddesses-come-to-life-highlights-from- athens-fashion-week/). I ask Dimitris if it wasn’t actually richer than any of his former collections. “After 15 years, people know my brand and my aesthetics, and I can do more expensive and luxurious stuff. That’s why it was so over the top [laughs], extra glamorous, extra extravagant.” And as Strepkos says, the inspiration behind his crystal masks, embroidered bodysuits, and layers and layers of tulle are the sensations of everyday life: “I don’t follow trends, I do rather avant-garde items. … I’m a huge art lover – so art is the first inspiration. I love … to see museums, exhibitions, … to read books, go to the theatre, see movies. Secondly, when I travel, I see things, hear music, taste different foods of every country I travel to. All of this gets inside me – and then I create.”

What is central to Strepkos’ shows is the emotional: “it’s not just about the clothes … Doing a fashion show just for 30 amazingly looking models? I don’t really aim for that. I want you to think when you see my shows. I want you to cry, laugh, I want you to remember. I want to create memories for you.” And he does so by bringing his memories onto the catwalk: “[my latest] collection was dedicated to my best friend Katia, who died from cancer … [The show] started with a clip with my personal moments with her, and then the music you were hearing was her favourite song; we used to dance to it a lot,” recalls Strepkos. “Many people didn’t know, but I opened this show with the clothes she was wearing during her last days. And when the show finished, you saw a short clip, saying ‘kisses from heaven.’ She was part of it,” he believes.

Dimitris didn’t only dedicate his anniversary show to his late friend, but actually to all his closest friends, as his take on fashion is about teamwork: “the best things are created in teams, collaboration. Friends are family.” The atmosphere in Celebrity Skin atelier seems to be very inspiring and welcoming to all the family members that are together in this great creative process: “my team works every day for hours, nights, and creates new things. In my atelier, we say ‘you can do anything.’ Anything. With this motto, we create more and more difficult stuff. We don’t go the easy way.” And as Strepkos adds, in Celebrity Skin it’s all about extravagance, constant development and experimentation, aiming higher and higher: “all the money I make, I invest in my work, shows, better materials, more and more expensive collaborations, photographers, better deals. It’s an ongoing process.”

From the talk with Dimitris one can immediately see that he is always hungry for more, and his mind never leaves the fashion mode, even in the simplest everyday situations: “fashion is a way of living. … I love it from the age 5 – I’m 51 now, and I can’t stop it. [laughs] It’s me. … I love catwalks, going to the shows of other designers, backstage, photoshoots, editing – the whole process. Being in the fashion industry is a blessing. It gives me light. … Even when I go to the supermarket and I see a new mustard, I’m like ‘let’s take a photo of this yellow here’ [laughs].” Strepkos sees fashion not commercially, but in a human way – as inborn part of one’s personality and lifestyle: “it’s in the way you think and breathe. You can’t say you do fashion by just wearing Louis Vuitton and going to posh restaurants.” Well, how do you do it then? “Fashion is in that you simply walk, listening to music on your Airpods, and you dream. You need to be a fashion dreamer.” Amen.

But in this deeper approach to the beauty and clothing industry, Strepkos stresses how crucial it is to remain humble, always aiming for a better performance: “you can’t ever say you’ve made it. You’re about to make it. The minute you say ‘I’ve made it,’ you stop being creative.” Hence, apparently when people approach Dimitris, asking which of his clothes he finds the best, he shortly answers: “the ones I haven’t created yet,” with his broad signature smile.

What impresses me the most is probably the creative freedom that is in him and his brand. But the question is whether this freedom has always been there. And even before I finish phrasing it, Strepkos responds with a definitive “yes” and another dose of laughter. He claims to be immensely lucky and grateful for his rich career path, which also made him a self-aware and mature designer: “I [used to be] a fashion show director, also one of the directors at the Fashion Week in Greece, including the last one. … [Setting] up Celebrity Skin 15 years ago, I knew what I was going to deal with. And I knew I wanted to create a brand with identity – to create clothes that didn’t exist yet.” Having observed the industry from various perspectives over the years, Strepkos saw “there [was] a gap,” and as a result, he came up with Celebrity Skin as “a place for people to express themselves.” And it worked. “I have client lists; my sponsors trust me. The brand has grown year by year, and I’m in a good place now.”

The gap Dimitris spotted was filled with clothes which go with the brand’s mottos “Dare to wear” and “Luxury you can afford.” I ask about the elaboration on the former one. “The most important thing is to be yourself. When I say ‘dare to wear,’ I mean, for instance: you have an old pair of jeans – and you combine it with one of my jackets, hats, or bags,” doing some experimentation. “You don’t have to wear a total Celebrity Skin look,” explains Strepkos. “I want [you] to feel free to dig into your closet, find things that you love, maybe something old, from your grandmother – and combine it with my clothes, being yourself. … You are the celebrity, and you create your own skin. This is what I give to the clients.”

The motto’s explanation introduces the bigger idea behind Celebrity Skin, including the brand’s name itself. After all, Strepkos could’ve opted for his own name when launching the brand, couldn’t he. Why did he go for Celebrity Skin? “For me, celebrity is not a famous person. Celebrity is every person who has identity. [In the shows, the models are of] different body shapes, older, younger, different variety of bodies because I think every person is a celebrity in their own way. And your skin is your clothes. This is what Celebrity Skin actually means – being yourself, [feeling] that your clothes are part of your personality.”

There’s also another, more pragmatic reason for the name choice: “my name is difficult to pronounce in Greece. People would always make mistakes at the beginning [Dimitris imitating the various mispronunciations, laughing] … Celebrity Skin is a more global name, something people can relate to more. … It’s different to say ‘I wear Strepkos Couture’ than ‘I wear Celebrity Skin’ – [at this point it becomes] a movement,” precisely at which Strepkos aimed.

It’s all conceptual. And it brings us back to the last collection, as Dimitris’ take on fashion, additionally influenced by his theatre background, could be felt from the beginning of the show. It was what made me feel that the show differed from the other ones at Athens FW – that it was a performance. “I’m heavily influenced by theatre,” admits Dimitris. “I don’t do fashion just for beauty – I want to create characters and tell a story when I do a catwalk,” he explains, claiming that his collections would be totally different, had it not been for his experience in theatre.

How are, then, the two kinds of the creative process different, when we compare high fashion with theatre costume design? “In theatre, everything that’s on stage is … part of a character – … a character that already exists. There are some boundaries, if you know what I mean. … On the other hand, in fashion you create your own work and the standards. There’s greater liberty. And you can’t do extremely radical things in theatre; it has its limits. Fashion doesn’t.”

That’s possibly the gist of Strepkos fashion – that fashion is liberation. Hence his attitude that, both in the industry and everyday life, one should engage in constant experimentation, non-conformist self-representation, and limitless exploration – primarily to get inspired, and to share the inspiration further: “I go out of my comfort zone every day. [For example, when] I go to another country, and even though I might get food poisoning [laughs, saying “I don’t care, whatever”], I’m like – I’m here, I’m in Morocco, let’s try it. Even if I spit it out afterwards, I’ll still try it,” he assures ironically.” [When] I go to another country, I want to know what they eat and how they cook, see what they have. You’ll never see me order McDonald’s,” he says with a smile.

The open-mindedness, with exposing oneself to new aesthetic and sensual experiences naturally also applies to the collection-creating process: “the first thing I do when I go into my atelier is put music on. I like to listen to operas, musicals, soundtracks. I can’t do anything without music. And I love different kinds of it, also finding some old, forgotten pieces,” says the anti-fan of listening to the same playlist 24/7. Just so you know, if you spot Dimitris out there in the city, don’t be surprised by him holding his phone high in the air – it’s probably him again begging Shazam to give him the title of the song he overheard while crossing the street.

What was on the speakers when working on “Daydreaming. A Poem for Katia”? “I was into the ‘80s during this collection. I was listening to the classics from Sinéad O’Connor because she also died from cancer. … And a lot of Kate Bush, who is my favourite artist. I adore her; I would die for her. [laughs] … When I heard “Cloudbusting” and “Running Up That Hill”, I decided to be a designer. She made me a designer” – believe me, you couldn’t say it more emphatically and emotionally than Dimitris. “Hounds of Love is a milestone for me – it’s like before and after Christ! [laughs],” says member of Kate Bush social media fandom. And honestly, I could perfectly imagine Kate from “Running Up That Hill” or “Wuthering Heights” dancing among Strepkos’ models, all dressed in elegant and feminine, yet somewhat surreal outfits.

That shows how what you surround yourself with actually impacts your creative work. I go on with the topic, knowing that Strepkos is also a cinema devotee. After all, his first collection was inspired by Tim Burton. What did he watch during the months preceding Athens FW? Apparently Pedro Almodóvar movies, which – with their special depiction of human emotional experience – complemented the ‘80s music in making the mood board, says Strepkos. How do films affect him? “Movies inspire me not because of costumes and what [the actors] are wearing – that’d be superficial – but through the acting. Like, when I see a movie, and it makes me cry or laugh, or think – this is the inspiration; not the aesthetics, but what it makes me feel, what it brings into my life.”

He is always in search. In search for inspo and developing himself as an emotional, creative human being. And an alternative one. That’s why you’ll find him at shows presented by some niche designers, or those that, although already established, still don’t match the level of popularity Prada or Chanel have. “I was at Romanian FW, and there was a designer, an old lady – like, 70 years old. And then I saw her clothes. It was as if she was 19, … her energy was that of a teenager,” recalls Dimitris.

We also discuss Berlin Fashion Week, which surely differs from, for instance, Milan FW, not just in prestige, but also the aesthetics: “I’ve seen amazing works [there]. They have shown passion, and I like that the designers have identity there, which I respect heavily. American stars should also look at Berlin FW to find new clothes; they’d die when seeing the texture, the pattern making, the ideas they have. You see new, radical things – this is fashion. In the more established market, they do it less and less experimental. … But in other fashion weeks, you see new fashion – and you’re like, wow, who’s this, I want to buy this, even though I can’t even pronounce the name,” says Strepkos, smiling, when remembering his visits to Serbian, Romanian, or Dubai FWs.

It only remains to ask when we’re going to get another dose of Celebrity Skin energy. “[My new show is] going to be in March. But I’m doing the campaign in October [already started; follow @celebrityskinstrepkos for more]. … And bits of my new collection will be ready in November.” What can we expect from it? “It’s going to be darker. … I’m coming back to my black black black era. [laughs] I started out as a designer of dark outfits, then I got more colourful, and now I’m coming back to my roots. It’s also more extravagant; I like this vibe now: stones, embellishments, everything!” We’ll definitely keep our eyes open at Voir.

Meanwhile, here’s a little sneak peek of what’s to come!

Images courtesy of : Michalis Lavdiotis, Dimitris Margaritis, Fenia Labropoulou, art code productions, Penny K

Written by Julia Sułkowska

The post “You need to be a fashion dreamer” – Celebrity Skin’s founder, Dimitris Strepkos, on how love for fashion (and Kate Bush) has led him through life appeared first on Voir Fashion.

ASMR On Your Feet

The sun has set on practical footwear, and we’re embracing loud, fun shoes this autumn. Hitting runways, collections, and bustling cities alike, bold shoes are hitting the streets to remind you that September is the best time to get creative. Feathers and frills are not the typical textile for footwear, given some impracticalities, but when has that ever stopped innovation?! 

_{Image Credits: Vogue Runway. Brands featured: Ferragamo, Simone Rocha, Jil Sander.}

Adding furs and feathers to shoes is a bold way to instantly elevate a look that might be lacking in interest or dimension, instead adding intrigue and a focal point that isn’t usually explored in an outfit. By drawing the eyes down to the shoes, one must take in and explore all elements of the look in harmony as the eyes travel downwards. Rather than the eyes fixating on a bold jacket which would encompass the gaze, the designer is prompting you to dig a little deeper and take in the outfit as a whole.

_{Image Credits: Vogue Runway. Brands featured: Ermanno Scervino, MSGM, Carven.}

So, while impractical, this fun and daring trend is a unique way to explore creative styling and demand attention. All while keeping your legs warm of course.

Extra-Long, Extra Cosy, Fuzzy Scarves

Gone are the childhood days of lying to your mother that you wore your winter scarf because it’s “not cool” and instead we’re exploring what this versatile, and practical, accessory can really do. Aside from the obvious weather -bound relevance, scarves can be an easy gateway to elevating your accessories to encompass a little more style, and this season: the bigger the better!

_{Image Credits: Vogue Runway. Brands featured: GCDS, Dries Van Noten, Eckhaus Latta.}

This autumn, prepare to combat the cold with an extra-long, extra cosy scarf that’ll ensure both warmth and showstopping style.

_{Image Credits: Vogue Runway. Brands featured: Puppets and Puppets, Marni, Alexander McQueen, Erdem, Luar, Michael Kors.}

Ranging from feathered to fuzzy; oversized is the autumn style of 2024 and scarves joining this trend is an accessible way to either dress up a classic look or compliment a bolder style. Seen most often on runways in traditional autumn earth tones to keep in tone with the season, we’re loving that beauty doesn’t always equal pain, and that mother really does know best.

A Bracelet Bag

In this next autumn trend of 2024, make way for the classy older sister of the bum bag: the bracelet bag. Going hands-free on the catwalk and red carpet is just as practical as it is on the high street, and we’re all learning how we can ditch the clutch for something a little more cosmopolitan. Posing as more than an accessory, you can really make this trend your own by finding a bag that suits both your fashion and jewellery sense in a design that accentuates how many city-girls already carry their bags. 

_{Image Credits: Vogue Runway. Brands featured: Chloé, Valentino, Prada, Chanel, Sacai, Carolina Herrera.}

With styles ranging from long chains between bag and bracelet, letting the bag hang below the hand, to designs that allow the bag to neatly fit into the shape of a relaxed palm as bag and bracelet form one streamlined unit. Either way, you can’t deny the genius of the trend which marries style and functionality in a design Jane Birkin would be proud of. 

Birds Of a Feather

From Vivetta to Alexander McQueen, runways have seen models shake their tail feathers this autumn with A/W24 collections branching out into a fluffy, feathered fabric with texture reigning loud and clear. The autumn season has always been the time to experiment with layering, textures, colours, and designs, and 2024 is sticking to that tradition with the next modern twist on a classic style.

_{Image Credits: Vogue Runway. Brands featured: Alexander McQueen, Erdem, Michael Kors.}

Reminiscent of old Hollywood, the mesmerising sway of the feathers as the wearer struts creates an airy, poetic look that softens even the boldest of colours and designs, oozing femininity and fearlessness.  

_{Image Credits: Vogue Runway. Brands featured: Richard Quinn, David Koma, Dion Lee.}

From Ginger Rogers to Chappell Roan, feathers are the epitome of versatile and instantly adapt to and portray the style you’re going for. So, whether you’re dancing on the ballroom floor, or in a Las Vegas bar, you can be sure of the fact that all eyes are on you.

Dom Dressing

Darker colours have always been seen in autumn wardrobes. But this kinky spin on the timeless classic brings a whole new vibe to a winter palette. Expertly clad in leather, chains, and attitude, wearers can find themselves dominating more than the runway this autumn in a look that is sure to send your confidence through the roof. 

_{Image Credits: Vogue Runway. Brands featured: Di Petsa, Dilara Findikoglu, Alexander McQueen.}

Specialising in black leathers, cut in obscure and un-traditional ways, the sexy, biker style is perfect for all body types to ensure that you feel you most bold and most importantly seen. 

_{Image Credits: Vogue Runway. Brands featured: Di Petsa, Fashion East, Marques’Almeida.}

Showcasing the arms and shoulders is a classic in this genre and as the sturdiest part of us, we can see why highlighting board shoulders is the perfect accompaniment to this look, presenting a firm, calm, and controlled essence. So, will you dare to be different in this up-and-coming trend of autumn 2024 that’s not for the faint of heart? Now’s your chance.

Written By Isobel O’Connor

The post 5 Autumn Trends we will be copying and pasting from the Runway into our wardrobes appeared first on Voir Fashion.

(DI)Vision

Founded by siblings Nanna & Simon Wick in late 2018, (Di)vision’s bold, playful, and divisive designs scream of innovation.

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With sustainability at the heart, (Di)vision’s brand ethos is creating from what already is. Creative sourcing of material from upcycling, reconstructing, and redesigning forms the pillars of the brand and adequately sets them apart from the crowd.

After their debut in 2018 with their custom workwear jackets, Wick stays true to the fairy grunge allure, frequently incorporating creative zippers into their pieces to produce an urban maximalist feel. These fun, edgy looks are very denim and cargo heavy staying true to their ‘downtown’ style, but Wick has also chosen to explore lighter tones and lace detailing, leaning into a subtly demure undertone to their edgy streetwear. 

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OpéraSPORT

Founded in 2019 by long-time friends Stephanie Gundelach and Awa Malina Stelter, OpéraSPORT forms the perfect bridge between Paris and Copenhagen to expertly marry timeless elegance and sleek activewear. 

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Working to fight over-production and waste, OpéraSPORT’s production only covers recycled or organic fabrics to yield a production volume that expertly reflects the demand.

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At Copenhagen 2024, OpéraSPORT have achieved a beautiful blend of two iconic cities, encompassing Paris’ sophisticated and feminine demeanour with Copenhagen’s athletic and practical style, giving each look that perfect je ne sais quoi. OpéraSPORT’s use of silk in particular expertly utilises the material’s natural shine to blend an association between high-class fabrics and Lycra active wear.

Sinéad O’Dwyer

Winner of the 2024 Zalando Visionary Award, Sinéad O’Dwyer is a forerunner in the integration of the feminine and the tough to expertly curate an elegant yet almost industrial design. 

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However, its O’Dwyer’s unique take on the human body itself that sets her apart from the crowd. “Diverse bodies are at the core of their design process, from research and development to the final product. This passion and care for the human body in all its iterations and their radical approach to design, sampling and production is what makes them unique” reads the brochure for SS25 at Copenhagen Fashion Week. O’Dwyer manages to almost make the clothes secondary to the model, instead showcasing the beauty of the human form first and foremost in a celebration of natural curves and beauty Aphrodite would be proud of. 

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To do this, the pieces are subtle and carefully designed to not overwhelm the model, but instead accentuate form and colour by focussing on earth tones with highlights of a deep blue denim in a gorgeous homage to the Earth.  

Berner Kühl

Frederik Berner Kühl is a fantastic up-and-coming talent diving into a traditional Scandi aesthetic with an elevated, modern approach that reads as sophisticated and cultured. Striving to convey his vision in ultimate materiality, Kühl focuses on grey-scale tones to allow his explorational textures and fabrics to speak for themselves, driving the pieces.

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Creating menswear with a signature Danish sensibility, his SS25 runway showcased practical coats and jackets for next spring and summer, among expert layering to elude style and functionality.

Han Kjøbenhavn

Founded in 2008, style veteran Han Kjøbenhavn are still making waves through their innovative designs and daring shape work.

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Focusing on shape in their work, the vision of Han Kjøbenhavn is bold and captivating silhouettes that captivate the audience and demand attention. Utilising dark and subdued colours not only provides an overarching grunge-feel to the collection, but really allows the avant-garde materials and structure to sing. However, these cutting-edge looks still remain reminiscent of the iconic Copenhagen, birthplace of Han Kjøbenhavn, with uncompromising craftmanship and attention to subtle details that the Danish do so well. 

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The exaggeration of the human form through the pieces, most notably around the neck and shoulders, promote a regal, powerful undertone to their runway and creates a natural yet untouchable feel. 

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Baum Und Pferdgarten

Leading Danish fashion house Baum Und Pferdgarten have been perfecting their practice since 1999. Where runway meets downtown, Baum Und Pferdgarten have mastered the art of inclusivity by designing captivating pieces that can be worn by anyone in an innovating streetwear collective. 

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An athletic undertone runs through their SS25 collection through the incorporation of stripes, jerseys, football accessories, and baseball caps in an effortless nod to a vintage style while remaining rooted in the contemporary. Through structures tailoring and bold colours, Baum Und Pferdgarten’s SS25 runway is reminiscent of American country club aesthetics, combining timeless style with luxury sportwear to elude a high-class yet effortless and relaxed beauty.

_{https://www.instagram.com/p/C-nGsyEzrT_/?img_index=1}

_{Written By Isobel O’Connor} 

The post Showcasing Scandi Design: Meet Some of the Leading Names at Copenhagen Fashion Week SS25 appeared first on Voir Fashion.

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LFW40 aims to highlight London’s unique creative communities, independent businesses, and its status as a leading cultural capital. This year’s schedule introduces exciting new talents and established names, promising a vibrant and diverse array of fashion presentations.

New designers on the schedule include:

• Harris Reed
• Patrick McDowell
• Standing Ground

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These newcomers will be presenting alongside Completedworks and EDELINE LEE, both of whom have been awarded coveted Catwalk slots. Additionally, Mithridate will join the schedule with a special Presentation format.

Returning Designers:

• Kent & Curwen
• Nensi Dojaka
• TOGA

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This season’s schedule is packed with noteworthy shows and presentations from renowned designers, including:

• 16Arlington
• Ahluwalia
• Burberry
• Chopova Lowena
• DAVID KOMA
• Dilara Findikoglu
• Emilia Wickstead
• ERDEM
• FASHION EAST
• KNWLS
• Richard Quinn
• ROKSANDA
• Simone Rocha
• TOVE

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A major highlight this season is the return of the BFC NEWGEN Show Space at the iconic 180 The Strand. This platform will feature both physical and digital activations from emerging designers.

Physically Presenting BFC NEWGEN Designers are:

• AARON ESH
• ANCUȚA SARCA
• Charlie Constantinou
• Chet Lo
• DI PETSA
• DERRICK
• HARRI
• Johanna Parv
• Karoline Vitto
• LUEDER
• MASHA POPOVA
• Paolo Carzana
• Pauline Dujancourt
• Sinéad O’Dwyer
• The Winter House
• TOLU COKER
• YAKU

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Digitally Presenting BFC NEWGEN Designers:

• Kazna Asker
• Leo Carlton
• Steve O Smith

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The final schedule, including specific timings and formats for each activation, will be released in August 2024. This comprehensive schedule will provide further details to ensure attendees can make the most of this landmark event.

The hybrid approach adopted by LFW September 2024 seeks to combine the best of both worlds. By offering both physical and digital presentations, the event maximizes accessibility and engagement while maintaining the irreplaceable experience of live fashion shows. This approach allows designers to reach wider audiences without sacrificing the intimate, impactful moments that define traditional runway shows.

As the fashion industry continues to adapt and innovate, the balance between physical and digital presentations will likely evolve, reflecting changes in technology, audience preferences, and global circumstances. For now, the hybrid model offers a dynamic and inclusive way to celebrate fashion, ensuring that creativity and innovation remain at the forefront.

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Accreditation for LFW September 2024 is now open. It is available to fashion industry professionals such as press, buyers, influencers, stylists, photographers, broadcasters, and sales agents. Interested parties can apply for accreditation here. 

Additionally, the LFW City Wide Celebration returns this season, offering a range of events and activations open to the public. This initiative aims to engage the broader community, making fashion accessible to everyone. As LFW40 approaches, the anticipation builds for a week filled with creativity, innovation, and celebration of London’s pivotal role in the fashion world. Stay tuned for more updates and prepare to witness fashion history in the making.

_{Written By Bethan Gwynne}

The post London Fashion Week September 2024: Celebrating 40 Years of Fashion Excellence appeared first on Voir Fashion.

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BFC Chief Executive, Caroline Rush, shares her thoughts on LFW40: “As we continue our celebrations of LFW40, we are thrilled to share a new concept for LFW June which will amplify our designers and promote the diverse menswear businesses, from streetwear to Savile Row, as well as retail in the city. We will celebrate and pay homage to some of the cultures which contribute so much to the UK fashion industry, the aim is to build on this with different cultures each year.“

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She goes on to say “The new format is a direct result of the conversations we are continuously having with the BFC community (designers, media, UK, and international retailers). We want to ensure we are recognising the business needs of our designers and providing them with a global showcasing platform which is both relevant and beneficial. This iteration of LFW is a really exciting opportunity to future proof and innovate the UK’s fashion showcasing capabilities and highlight the city’s point of difference during Men’s fashion month.” 

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On the first day, 7^th June, the BFC will take over the Institute of Contemporary Arts (ICA) with a triple-threat of guest curators aimed to create a cultural programme of events that will celebrate three of the cultures that have made a rich and significant contribution to the British fashion industry. LFW40 will be centred around and informed by three cultures this year: Black culture concentrating on self-love; South Asian culture focusing on pattern, textile, and craftsmanship; and queer culture spotlighting young creative voices from the trans community. British brands and designers will aim to tell the stories of the communities within these cultures, with LFW40 providing a platform for the members of those communities to tell personal stories and give perspectives on what their culture means to them.

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The programme of curated cultural events will consist of a myriad of activities including three events by special guest curators:

• Afternoon “T” – “You make this place beautiful” hosted by poet, model, consultant, and visibility activist Kai-Isaiah Jamal
• Conversations: A dinner celebrating South Asian impact on British fashion hosted by writer and creative, Simran Randhawa
• Sound & Harmony: Spotlighting Black artists hosted by award winning radio and television broadcaster, Clara Amfo. 
• All photographed and exhibited by photographers Dani D’Ingeo, Stephen Akinyemi, and Tami Aftab 

As well as a celebration of culture, the weekend also marks the 40^th anniversary of LFW June. The BFC will celebrate the breadth of British menswear with a ’40 for 40’ programme in honour of LFW40. This programme will include a bill of 40 activations hosted by British brands and designers across London. From Savile Row to sportswear, the event will consist of catwalk shows, presentations, and events that will provide designers and their brands with a powerful activation space allowing them to showcase their talents in menswear creation. 

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The ’40 for 40’ programme will include:

• Designers scheduled include LOVERBOY, denzilpatrick, Charles Jeffrey, HARRI, and QASIMI.
• The announcement of the winner of the BFC/GQ Designer Fashion Fund 
• Intro to Savile Row with clothsurgeon, Gieves & Hawkes, Richard James, The Deck and more
• Run Clubs with LABRUM Run Club Powered by Adidas and 247 by Represent
• Designer showcase at the Groucho Club with CARLOTA BARRERA, denzilpatrick, DERRICK, HARRI, KYLE HO, LUEDER, Paolo Carzana, and ROKER

On Saturday 8^th June, the BFC will open up to give us ‘Consumer Day.’ This will open LFW to a consumer audience, inviting guests to observe the cultural programmes at the ICA. In addition, 1664 Blanc will host an activation titled ‘Explorations in Blue’ which entails four exclusive panels discussing key issues that face the industry with experts including Charles Jeffrey, Munroe Bergdorf, and Rejina Pyo. Tickets can be found here.

_{Written By Bethan Gwynne}

The post London Fashion Week’s 40th Anniversary Celebrates Culture appeared first on Voir Fashion.

LUAR: The Infusion Of Leather And Fur

 The LUAR fashion show for New York Fashion Week 2024, under the creative direction of Raul Lopez, clearly presented a bold narrative with its collection, showcasing a unique interplay of texture, silhouette, and a distinct flare for drama. The clothes combined leather with soft fur, producing a visually and texturally appealing contrast. One of the more eye-catching pieces is a voluminous leather coat with exaggerated shoulders. The coat’s soft fur lapels and cuffs lend a touch of luxury and extravagance. 

 Raul Lopez’s artistry is evident in the meticulous attention to detail and precision with which each piece is constructed. The use of zippers and the tailored fit of the leather garments demonstrate a high level of skill and craftsmanship, implying that each piece is both a fashion statement and a work of art. 

Raul Lopez’s LUAR collection for NYFW 2024 might be interpreted as a celebration of strength and softness past and future, tradition, and rebellion, all woven together into a seamless story that speaks to the adventurous spirit of contemporary fashion. This interplay of contrasts, both in materials and aesthetics, establishes a tone that is likely to be felt throughout the fashion industry, marking LUAR as a brand unafraid to defy traditions and redefine luxury. 

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AREA Collection: Exploring The Interplay Of Eyes, Cut-Outs And Embellishments

At the recent AREA fashion show, designers Beckett Fogg and Piotrek Panszczyk redefined contemporary glamour with their bold silhouettes and innovative use of embellishments. 

Their collection showcased an unconventional approach to fashion, with each piece telling its own unique narrative through the intricate detailing. One outstanding piece was a dress with a variety of oversized, circular cut-outs, each framed by a shimmering outline that played with the concepts of reveal and conceal. This garment blurred the distinction between clothing and art, creating a compelling visual narrative that was both avant-garde and wearable. 

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Another astonishing piece had a classic white dress that served as a canvas for black and white ‘eye’ embellishments, resulting in a three-dimensional look similar to optical art. The meticulous positioning of each embellishment revealed Fogg and Panszczyk’s attention to detail and commitment to pushing the limits of textile manipulation. The show also featured a suit that defied traditional tailoring with its bold cut-outs and rich, crystalline embellishments. This sculpture demonstrated AREA’s ability to convert traditional forms into modern masterpieces through the use of detail and embellishment. 

Each look in the collection exemplified AREA’s unique blend of high fashion and haute couture techniques, cementing Fogg and Panszczyk’s reputation as fashion industry innovators. The designers’ talent for spectacular presentations and dedication to craftsmanship were visible in every stitch and sequin, making the AREA fashion show a highlight of New York Fashion Week and a glimpse into the future of fashion. 

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Jason Wu: Crinkle Dresses

At the Jason Wu fashion show for New York Fashion Week 2024, a notable highlight was the designer’s innovative take on crinkle dresses, which brought texture and movement to the forefront of his collection. These dresses are a testament to Wu’s attention to detail and his ability to transform fabric into a statement of elegance and sophistication. 

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The first dress in icy mint green featured a delicate crinkled texture that flowed gracefully down the length of the body, creating an ethereal silhouette. The high neckline and cap sleeves added a touch of structure, while the overall shimmer of the fabric captured the light with each step the model took down the runway. 

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A standout moment was the unveiling of a crinkled gold dress, which seemed to pour down the model’s form like liquid metal. The asymmetric shoulder added a modern twist to this otherwise sleek silhouette, resulting in a show-stopping piece that combined glamour with contemporary edge. 

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The collection also included a vibrant yellow crinkled dress, which juxtaposed the crumpled texture of the fabric with a sleek, fitted silhouette. The sheer panel at the neckline added a subtle hint of allure, contrasting with the vibrant, texturized body of the dress. 

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Gabriela Hearst: Infusion Of Gold And Black

During New York Fashion Week, Gabriela Hearst’s fashion show included a striking black and gold motif that flowed throughout the collection, creating a visual narrative of elegance and power. The first image shows a model wearing a sculptural gold satin top with a dramatic, single puff sleeve, paired with elegant black trousers. The contrast between the shiny gold fabric and the matte black produces an intriguing interplay of textures and colours. The top, with its architectural lines and luxurious material, stands out against the fitted simplicity of the trousers, demonstrating Hearst’s ability to strike a balance between grandeur and wearability. 

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A highlight of the show was a full-length golden gown that shimmered down the runway, reflecting light with each movement. The column dress, with its straight strapless neckline and crinkled texture, radiated timeless glamour, yet felt thoroughly modern in its execution. This piece, in particular, encapsulated the show’s theme, with gold serving as a symbol of luxury and celebration. 

Gabriela Hearst’s infusion of black and gold in her collection alluded to a notion of duality, placing the depth of black against the radiant opulence of gold. This combination was more than just a colour story; it was a story of contrasts: the ordinary blended with the extraordinary. 

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Coach: Motif Of Bows

At the recent Coach fashion show, the motif of bows emerged as a charming and consistent theme, woven throughout the collection with a sense of playfulness and nostalgia. 

The bow, a symbol often associated with femininity and whimsy, was woven into the designs in a manner that balanced sweetness with sophistication. The use of bows varied in execution from subtle to pronounced, ensuring each piece maintained a sense of individuality while contributing to the cohesive narrative of the collection. 

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One look featured a delicate black velvet camisole, where the bow served as a focal point, exaggerated in size, and draped across the torso to create a dramatic contrast against the streamlined silhouette of the garment. This design choice highlighted the bow as not just an adornment but as a structural component, redefining the garment’s shape and adding a sculptural quality to the look. 

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Another look showcased the bow in a more understated manner, with a bow-tied waistband on a pair of casual jeans. Here, the bow was a playful nod to traditional denim styling, offering a juxtaposition between the casual, everyday fabric and the traditionally more formal or decorative bow. 

Throughout the Coach show, the bows, whether as a bold statement or a subtle detail, added a touch of the romantic and the vintage to contemporary silhouettes, infusing the collection with a sense of joy and a nod to the past. 

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Carolina Herrera: Flower Power

At the Carolina Herrera fashion show, flowers took centre stage, telling a story of timeless elegance and vibrant femininity. Each garment, adorned with floral patterns, bloomed on the runway, reflecting the brand’s romantic and sophisticated style. 

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One of the dresses featured was a magnificent bloom of pastel peonies on a blush pink canvas. The gown’s voluminous skirt and fitted bodice allowed the floral print to take centre stage. The delicate balance between the grand silhouette and the softness of the floral print encapsulated Carolina Herrera’s signature style, infusing grandeur with grace. 

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Another gown, in deep purple colour, covered with layers of ruffles adorned with lighter floral prints, created a sense of movement and lightness. The choice of a strapless bodice highlighted the neck and shoulders, providing a clean line that contrasted beautifully with the gown’s playful ruffles. 

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The collection also included a yellow dress that draped gently around the body, it possessed a delicate floral pattern that brought a burst of sunshine, demonstrating how a powerful print can elevate a simple silhouette. Throughout the collection, the floral theme celebrated the beauty of nature and embodied the joy and femininity of wearing Carolina Herrera. Each flower-laden piece captured the essence of a life in full bloom. 

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Ludovic de Saint Sernin: Metal Mesh And Crystal Mesh Materiels Grace The Runway

Metal mesh and crystal mesh dominated the Ludovic de Saint Sernin fashion show, demonstrating the designer’s innovative power and exceptional ability of merging textures and shapes. These materials, both flexible and fluid, hugged the body to reveal and conceal.

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One standout piece was a dark red metal mesh dress, which draped over the body. The crystal incrustations added a layer of opulence to the outfit, catching the light and ensuring that the garment was as much a piece of jewellery as it was a piece of clothing. The deep cleavage cut introduced a daring element, perfectly balanced by the intricate detailing and craftsmanship. 

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Another striking item was a halter top made of dark red and black metal mesh. The piece embraces a more raw and edgy approach while retaining the beauty associated with Ludovic de Saint Sernin’s work. The halter neck’s asymmetry and colour contrast resulted in a visually striking piece that challenged typical evening wear concepts. The use of these metallic textiles makes a bold statement in the world of high fashion, displaying Ludovic de Saint Sernin’s ability to produce clothing that is both aesthetically beautiful and also forward-thinking. The metal mesh serves as both a garment and an accessory, sculpting the body in fluid lines and giving a futuristic touch to the collection. 

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Altuzarra Ready To Wear FW Collection – Mix And Match Prints

Altuzarra’s Ready-to-Wear FW Collection made a bold statement on the runway with its masterful mix-and-match print moments, embracing a vibrant narrative of patterns. The juxtaposition of fiery reds and yellows with more subdued earthy tones creates visual tension, showcasing Altuzarra’s print mixing ability. 

One of the looks is a dress consisting of stripes against a flowery explosion, playing with the concepts of order and chaos. The fluidity of the skirt’s print softens the top’s dramatic stripes, resulting in an ensemble that is both a piece of art and a fashion statement. 

Another look is a jumpsuit with a coherent blend of organic and geometric elements. The pattern change does not disrupt the flow of the garment, demonstrating how clashing prints may work together to produce a single, flowing piece that is both dynamic and elegant. 

Although Altuzarra’s collection was generally more casual ready to wear looks, these garments were the highlight of the show. the vibrant exploration of print on print demonstrates the combination of unexpected patterns to create outfits that are both unique and unforgettable. 

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_{Written By Gabriella Neocleous}

The post Highlights From New York Fashion Week appeared first on Voir Fashion.

A Journey Rooted In Authenticity

Hailing from Ho Chi Minh City, the vibrant heart of Vietnam, Duy Tran’s path to fashion stardom was unconventional. Tran dropped out of university, driven by an unquenchable thirst for creativity and self-expression. His journey began as a Depop upcycler and second-hand clothing seller, far from the traditional path of fashion designers.

Fancì’s designs are a testament to the uniqueness of Duy Tran’s vision. His collections are vibrant blend of sensuality and empowerment, where women are dressed to feel both sexy and powerful. These form-fitting silhouettes are not only visually stunning but also comfortable to wear, challenging the stereotype that beauty must be painful.

“In previous collections, we imagined a woman who looks at life through rose-coloured glasses and dreams of love,” Mr. Tran explained. “However, there are moments in life where she will encounter the darkness of jealousy or betrayal, and bloom dazzlingly.”

This idea is reflected in Day Trans latest collection which is available to see on

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An International Sensation

Fancì Club has already garnered international acclaim, with custom-made creations gracing the likes of renowned pop culture figures such as Dua Lipa, Olivia Rodrigo, Bella Hadid, Doja Cat, and Hailey Bieber. The allure of Fancì has a magnetic pull, captivating both celebrities and fashion enthusiasts alike. The brand’s distinctively playful and seductive silhouettes, meticulously crafted from sensuous fabrics, and an enchanting palette like something pulled from a candy coated dreamscape, make for a visual feast.

Duy Tran’s journey, from a humble Depop seller to the visionary founder of a distinguished women’s fashion label, is nothing short of extraordinary. Rooted in Ho Chi Minh City and influenced by iconic designers like Gaultier and Westwood, who championed provocative interpretations of femininity, Tran continues to stay culturally resonant through the medium of Fancì clothing.

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^{Written By Carmen Irvona}

The post Fanci Club; A Beacon Of Hope For Vietnam’s Fashion Industry appeared first on Voir Fashion.

The Collection

Set to launch on the 1st of November, Kylie’s fashion line is to include not only her design but will be collaborating with guest designers throughout the year working to serve dynamic concepts at an affordable price point. It seamlessly blends elegance with streetwear, offering figure-hugging silhouettes and lots of leather. Each piece boasts quality materials and meticulous design, ensuring both style, comfort, accessibility.

The Inspiration

Kylie’s fashion journey is the primary muse for her line. Her unique aesthetic marries sophistication with personal flair, a style many aspire to emulate. Her first line will feature Namilla the Berlin brand who’s playful eroticism is well known amongst fashion forward figures such as, Julia Fox, Paris Hilton and Christina Aguilera. Already this brand has made a name for itself in the world of shocking, well thought out and provocative fashion. Now is in collaboration with power house King Kylie.

Kylie Jenner’s fashion line is a triumph. It epitomises her signature style, making high fashion accessible, and inspiring the fashion choices of her younger fan base. It cements her role as a style icon and entrepreneurial influencer, reshaping the fashion landscape. An already glittering jewel of the Kardashian-Jenner household prepares to make yet another stunning debut. The true embodiment of a girl boss.

_{Written By Carmen Irvona}

^{Header Image: @Khy Instagram}

The post The King Kylie Effect: A Fashion Line Worth Watching appeared first on Voir Fashion.

Today, in memoriam of the great Issey Miyake, we look back at his life and legacy; the beauty and joy he bought to so many around him.

Issey Miyake 1994

In 1993, Issey Miyake released his iconic line ‘Pleats Please’. One of his most innovative moments, this line was created with a patented process by the name of ‘garment pleating’ wherein the clothes were pleated instead of the textiles. This allowed for fun, origami-like designs that allowed and even encouraged movement. The above photo shot by Irving Penn for Miyake’s 1994 spring/summer collection shows this vivacious and fluid spirit.

Grace Jones

Sometime in the 70s, when Japanese fashion designers were having a heyday, Club kid Grace jones and Issey Miyake met and thus was born a prolific, artistic relationship. She became his muse, regularly sporting his visionary designs and walking in shows for him such as ‘12 Black Women’ in 1976. She credits him with boosting her career and introducing her to kabuki stances, allowing her to exude power with little movement – the quintessential Jones look.

Steve Jobs

Not many people might know this, but the man behind Steve Jobs’ iconic black turtleneck is actually Miyake. Jobs and Miyake were close friends and Miyake created ‘hundreds’ of sets of the top for him, officially retiring them in 2011 when he passed. Here, pictured in Palo Alto in 2005, Steve Job’s wearing his classic mock black turtleneck, Levis and New balance kicks, something he wore almost religiously.

Issey Miyake 1999

The above piece is from the finale of his 1999 spring/summer women’s collection called ‘Le Feu’. APOC, otherwise known as ‘A Piece Of Cloth’, was the simple basis for this piece that went on to be both a complete piece of clothing as well as just fabric. The beauty and boldness behind this look, as well as the level of design that went into it, is archetypal Miyake and shows he goes far beyond the realm of fashion designer and well into the realm of artist and innovator. He himself claimed he was ‘not a fashion designer’.

Mary-Kate Olsen

Miyake’s designs are loved by a wide variety of people and it’s undeniable his designs touched many. Here, we have Mary-Kate Olsen stepping out in a chic Miyake Gown for the 2013 CFDA Awards. This piece really shows the diversity of his capabilities, he could make fun, unorthodox, bright designs and just as well make a classic black gown.

Issey Miyake 2020

Issey Miyake officially retired in 1997, but his designs and brand have continued to be a prolific part of fashion. The above video shows, in classic Miyake style, the beauty and joy he set out to give embodied in free-flowing and geometric pieces. The brain behind the SS20 show was Satoshi Kondo, who embodied Miyake style perfectly, and we look forward to what else the Issey Miyake brand shall henceforth create.

It is certainly a tragic day for fashion; however, Miyake’s legacy has lived on and will continue to do so. In fact, I defy you to find me one east London fashion girly not reeling from the loss in a pleats please skirt today.

Words By Giuliana Zamudio-Lopez

^{Header Image: Issey Miyake}

The post The Life & Legacy Of Issey Miyake appeared first on Voir Fashion.

It was Novruzova’s shoes in particular that went viral on the Internet, after being worn by a host of celebs, for their instantly recognisable square toes and creased front. Available in a range of shades, we can see why they’re every fashionista’s must-have.

The Central Saint Martins graduate was born to Azerbaijani parents and raised in Moldova. Novruzova told Vogue: “This is embarrassing, but my interest in fashion started from Blogspot. I remember being mesmerised by the supermodels of the time, as well – like Natasha Poly, Daria Werbowy and Abbey Lee – and then I just learned more about clothes through absorbing the internet.”

After completing her first year, the designer enrolled in the BA fashion and marketing program, with her final collection winning the L’Oréal Professional Young Talent Awards third runner-up prize. Afterward, she moved back to Moldova and launched her label, debuting her retro-futuristic AW21 collection.

“Anyone with an immigrant mum would agree – Princess Di is always the ultimate style icon, and it would’ve been a dream come true to see her wearing my clothes,” she told Vogue.

Clothing

Novruzova makes more than just shoes. The designer takes inspiration from past decades, such as the ‘20s and ‘80s, and adds sci-fi geometric twists to her clothing collections.

Bella Hadid

Bella looks cow-girl chic as she shows the black Havva boots are made for walking, styled with long-line shorts and a tank top.

£ 692.84

Fidan Novruzova Havva Chunky Heel Trouser Boots in Black

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FKA Twigs

FKA twigs looked fierce in a pair of black Fonda boots styled with a black mini dress for a British GQ cover story.

£ 591.45

Fidan Novruzova Fonda Boots in Black

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The Clermont Twins

The Clermont twins put much on display in matching Jean Paul Gautier dresses paired with the Convertable Mule Heels.

£ 430.91

Fidan Novruzova Convertible Mule Pumps in Black

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Katherine Mateo

Puss in boots? Fashionista Katherine Mateo rocked a pair of the black and pink ombre Square Toe Tall Boots worn with a black Levi’s mini skirt and Dries Van Noten tee.

£ 591.45

Fidan Novruzova Baby Pink Ombré Square Toe Boots

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Kendall Jenner

Here Kendall showed love to the FW21 mini skirt in this chic look.

£ 153.75

Fidan Novruzova Black & White Mina Miniskirt

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Words By Emily Hemsley

^{Header Image: @fidannovruzovastudio}

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