Love: September brings a renewed sense of confidence in your love life. If you’re single, someone may catch your attention through work or a social connection. Those already in relationships may feel ready to discuss the future and make more definite plans. Don’t rush emotional decisions, let things develop naturally.

Career: Your ambition is strong this month and you’re ready to prove what you’re capable of. A new responsibility or opportunity could put you in the spotlight. Trust your instincts, but remember that teamwork can take you further than trying to do everything alone.

Lucky Colour: Red
Lucky Crystal: Carnelian

Taurus — 20 April–20 May

Love: September encourages you to open your heart while still protecting your emotional boundaries. A relationship could become more secure and meaningful, while single Taureans may attract someone who offers stability rather than fleeting excitement. This is a month for recognising your true worth.

Career: Patience pays off. Something you’ve been working towards may finally begin to show results. Financial matters also deserve careful attention, particularly if you’re considering a career change or investment in your future.

Lucky Colour: Emerald Green
Lucky Crystal: Rose Quartz

Gemini — 21 May–20 June

Love: Communication is the key to happiness this month. A conversation you’ve been avoiding could actually bring you closer to someone. Singles may find themselves drawn to an intelligent and witty person who keeps them guessing. Let curiosity lead the way, but don’t overthink your feelings.

Career: September could bring exciting conversations, interviews, networking opportunities or a chance to showcase your ideas. Your ability to communicate is your greatest asset now. Speak confidently about what you want, you may be surprised who is listening.

Lucky Colour: Yellow
Lucky Crystal: Citrine

Cancer — 21 June–22 July

Love: Your emotions run deep during September, but this can help you understand what you truly want from love. Couples may strengthen their emotional connection, while singles could find themselves revisiting feelings from the past. Make sure you’re moving towards the future rather than living in yesterday.

Career: You’re entering a period where security becomes increasingly important. A change in responsibilities could ultimately work in your favour. Trust your natural intuition when deciding which opportunities deserve your energy.

Lucky Colour: Silver
Lucky Crystal: Moonstone

Leo — 23 July–22 August

Love: Romance has a warm and passionate feel this month. If you’re single, your confidence is attracting attention, and someone may be particularly eager to get closer. Couples can reignite their spark by making time for fun and adventure together.

Career: You are ready to step into a stronger position professionally. Recognition may come for your efforts, particularly if you’ve been working hard behind the scenes. Don’t be afraid to ask for what you deserve.

Lucky Colour: Gold
Lucky Crystal: Sunstone

Virgo — 23 August–22 September

Love: Your birthday season puts you firmly in the spotlight. September encourages you to stop analysing every detail and allow yourself to experience love more freely. A relationship can become more committed, while singles may meet someone who feels refreshingly genuine.

Career: This is your month to organise, plan and put your ambitions into action. A new project or professional direction could develop quickly once you make the first move. Your attention to detail will be noticed.

Lucky Colour: Forest Green
Lucky Crystal: Amazonite

Libra — 23 September–22 October

Love: Your romantic world begins to take centre stage as September progresses. You may find yourself making an important decision about where a relationship is heading. Singles could encounter someone who challenges their usual expectations in a very exciting way.

Career: Balance is essential. You may be juggling several responsibilities, but a new opportunity could encourage you to think bigger. Don’t underestimate your ability to negotiate and bring people together, you have a natural talent for diplomacy.

Lucky Colour: Rose Pink
Lucky Crystal: Lapis Lazuli

Scorpio — 23 October–21 November

Love: September brings emotional intensity and deeper connections. You may finally feel ready to reveal feelings you’ve kept hidden. For couples, honesty can transform the relationship. Singles should pay attention to powerful chemistry, but make sure there is emotional substance behind it.

Career: You’re quietly building towards something significant. Someone in authority may recognise your determination and ability. Keep your plans focused and don’t reveal every move before you’re ready.

Lucky Colour: Burgundy
Lucky Crystal: Obsidian

Sagittarius — 22 November–21 December

Love: Your adventurous spirit is calling, and September could bring a romantic connection through travel, social events or a new experience. Couples may benefit from breaking away from routine. Love feels much better when you allow yourself to have fun.

Career: New horizons are opening. You could be considering a new job, business venture, course or completely different direction. Follow opportunities that expand your world rather than those that simply keep you comfortable.

Lucky Colour: Turquoise
Lucky Crystal: Turquoise

Capricorn — 22 December–19 January

Love: You may be looking for something more meaningful and dependable in your romantic life. September favours commitment and emotional maturity. If you’re single, someone who demonstrates consistency rather than grand promises could capture your heart.

Career: Your determination is paying dividends. A goal that has taken considerable time and effort could move closer to completion. Stay focused and don’t allow temporary setbacks to make you doubt your long-term plans.

Lucky Colour: Charcoal Grey
Lucky Crystal: Garnet

Aquarius — 20 January–18 February

Love: September encourages you to embrace the unexpected. A friendship could develop into something deeper, or an existing relationship may take a surprising new direction. Don’t be afraid to let someone see the softer side of you.

Career: Fresh ideas could open a completely new door. You may find yourself questioning whether your current career still reflects the person you’ve become. If change is calling, explore it rather than dismissing it.

Lucky Colour: Electric Blue
Lucky Crystal: Amethyst

Pisces — 19 February–20 March

Love: Your intuition is particularly strong this September. You’ll know when someone is being genuine and when something doesn’t feel quite right. For couples, emotional closeness grows when you share your dreams and vulnerabilities. Singles may encounter someone who feels strangely familiar.

Career: Creativity is your greatest professional asset. A project involving imagination, communication, healing or helping others could flourish. Trust your ideas and don’t allow self-doubt to hold you back.

Lucky Colour: Sea Green
Lucky Crystal: Aquamarine

The post September Horoscopes with Celebrity Joanne Hope Psychic appeared first on Voir Fashion.

Samantha Cusick and Sephora UK Managing Director Sarah Boyd came together for an intimate live podcast recording celebrating female ambition, career-defining choices and the power of being underestimated.
What happens when one of beauty’s most influential retailers meets a podcast built around turning underestimation into empowerment? On Carnaby Street, the answer was a refreshingly candid conversation about ambition, resilience and what it really takes to build a career in beauty.

To celebrate the opening of Sephora UK’s new Carnaby Street boutique, celebrity hairstylist, entrepreneur and podcast host Samantha Cusick welcomed guests to an intimate live recording of The Silly Little Girls Club, joined by Sarah Boyd, Managing Director of Sephora UK. Against the backdrop of Sephora’s latest chapter in London, the evening moved beyond beauty launches and products to focus instead on the women helping shape the industry behind them. Guests were invited to listen, learn and leave feeling empowered as Cusick and Boyd explored the decisions, challenges and defining moments that have shaped their respective careers For Cusick, it was a natural extension of the mission behind The Silly Little Girls Club. The podcast takes the idea of being dismissed as a “silly little girl” and turns it on its head, creating a platform forconversations with female founders, creatives and change-makers about ambition, setbacks, success and everything that happens in between. The podcast describes itself as a space that amplifies women’s voices and explores stories of overcoming doubt and stereotypes. At Sephora, that conversation found a particularly fitting guest.

The Woman Behind Sephora UK’s Return
Boyd has spent the majority of a career spanning around three decades in beauty. She began on the
brand side, working with L’Oréal and Bourjois Cosmetics, before moving into retail. Having grown up
in Singapore, she later returned there to lead Guardian Health & Beauty before joining Sephora, whereher career included overseeing markets across South East Asia, Korea and Oceania.
Her career eventually brought her back to Britain with an unusually significant assignment: helping
return Sephora to the UK market.

As Managing Director of Sephora UK, Boyd has been instrumental in rebuilding the retailer’s British presence after its long absence from the market. What followed has been an ambitious physical and digital expansion, transforming the return of a much-missed beauty name into a significant force in British prestige retail. Retail Week named Sephora its 2025 Speciality Retailer of the Year, while the retailer has continued opening stores around the country.

During her conversation with Cusick, however, the focus wasn’t simply on the polished milestones. The live recording offered an opportunity to look at the choices behind them: the career moves that 1 required conviction, the challenges that accompanied them and the seminal moments that ultimately helped Boyd reach one of the most prominent leadership positions in UK beauty
It is precisely this space between the achievement and the journey that makes The Silly Little Girls Club compelling. Success rarely arrives as a perfectly plotted upward trajectory, particularly for women building careers in competitive industries. By putting those less visible moments into the conversation, the podcast challenges the temptation to look at a successful woman and see only the finished result.

A New Kind of Sephora Store
The setting was significant, too.
Sephora officially opened its first UK boutique-format store at 5–7 Carnaby Street on 23 July 2026, introducing a smaller concept designed around the changing way consumers shop for beauty.Rather than replicating one of Sephora’s large destination stores, the Carnaby boutique is built around
a more agile experience: quicker visits, curated product edits, personalised services and access expert beauty advice. The concept was developed directly in response to customer feedback, according to the retailer.There is still plenty of Sephora theatre packed into the smaller footprint. The Carnaby location brings together coveted and exclusive names including Rhode, Haus Labs, Makeup by Mario, Merit Beauty and Tower 28, while introducing Beauty Scan technology designed to support more personalised recommendations. For Boyd, experimenting with a different retail format is part of the advantage of operating within a global beauty business. Speaking around the store’s launch, she described the ability to experiment with the concept in Britain as one of the “beauties of being part of Sephora”.Carnaby itself was no accidental choice. Boyd has described the street as a natural home for the concept because of its longstanding associations with “creativity, individuality and self-expression” —qualities that also sit comfortably alongside the message of Cusick’s podcast.
Beauty, Business and Being Underestimated That crossover made the collaboration feel particularly timely. Beauty is increasingly as much about community and conversation as it is commerce. Consumers want to know the personalities behind the brands they buy, understand the values of the businesses they support and encounter beauty in spaces that offer something beyond a transaction.

Sephora’s own UK store strategy reflects that shift. Its stores host experiences ranging from beauty services to founder talks and educational events, positioning physical retail as a place for discovery and participation rather than simply purchasing products. A live Silly Little Girls Club recording takes that thinking one step further. Instead of putting a product at the centre of the room, it puts women’s experiences there.] 2 And there is something satisfyingly subversive about the title Silly Little Girls Club being spoken inside the world of a global beauty powerhouse. The phrase takes the language historically used to diminish female ambition and repurposes it as a badge of belonging. Cusick has built the podcast around exactly that contradiction: women can be underestimated and still become founders; questioned and still become leaders; encounter failure and still build careers that influence entire industries.Boyd’s story gives that premise weight. Hers is not simply a story about reaching the top of Sephora UK It is one about moving between brands and retail, Europe and Asia, taking on leadership positions and ultimately returning to Britain to help rebuild one of beauty’s most recognisable names in a market that had spent years asking for its return.

The result was an evening that felt less like a conventional corporate celebration and more like an exchange between two generations of female beauty leadership — one built around the idea that career success is rarely linear, confidence is often earned through experience, and the moments when
someone underestimates you can sometimes become unexpectedly powerful fuel. Sephora may have brought the beauty. The Silly Little Girls Club brought the conversation. And on Carnaby Street, the two made a compelling match.

The Sarah Boyd: Sephora x Silly Little Girls Club episode will be released on 1 September 2026.

Words by Jyoti Matoo

The post SAMANTHA CUSICK SILLY LITTLE GIRLS CLUB X SEPHORA appeared first on Voir Fashion.

First Bella. Now Kylie. ALO clearly has a type.

Earlier this month, Bella Hadid became the face of ALO’s latest campaign, returning to Los Angeles for a Mert & Marcus-shot celebration of presence, authenticity and feeling at home in your body.

Now, less than two weeks later, another of the world’s most recognisable women is entering the ALO universe.

Kylie Jenner.

But look beyond the celebrity casting and something more interesting is happening.

ALO isn’t simply collecting famous faces. The brand appears to be constructing a particular vision of the modern wellness woman — one who exists at the intersection of fashion, culture and extreme visibility, yet increasingly values the moments when nobody is looking.

And who better to communicate that contradiction than Bella Hadid and Kylie Jenner?

FIRST CAME BELLA

ALO’s campaign with Hadid centred around the idea of coming back to yourself.

Born and raised in Los Angeles, Bella was photographed in the city that also shaped ALO, with the campaign exploring the rituals she uses to feel grounded — movement, meditation, slowing down and creating space for herself.

“As I’ve gotten older, I’ve realised how important it is to create space for myself,” Hadid explained. “Whether that’s slowing down, moving my body, or just taking a moment to reconnect, those little rituals have become such a big part of how I take care of myself.”

It presented a noticeably quieter version of wellness.

Less perfection. Less performance. More presence.

Now Kylie is taking that idea somewhere even more personal.

THEN CAME KYLIE

There is something inherently fascinating about asking Kylie Jenner who she is when nobody is watching.

Few people understand constant visibility quite like she does.

Jenner has spent much of her life in front of cameras, eventually turning that exposure into an enormous beauty and fashion empire and becoming one of the defining figures of social-media-era celebrity.

Her ALO campaign deliberately turns the camera towards the moments supposedly happening beyond all of that.

Shot once again in Los Angeles by Mert & Marcus, the imagery explores what ALO describes as “wellness beyond the spotlight” — capturing Jenner in moments of stillness away from the expectations attached to her public image.

“Some of the most meaningful parts of my life happen when no one’s watching,” Jenner says. “Those moments of stillness are what help me feel grounded and present, and I’ve learned to protect them.”

For someone followed by hundreds of millions of people, the sentiment lands differently.

Privacy becomes a luxury.

ALO WANTS THE WOMAN BEHIND THE IMAGE

Put the two campaigns beside each other and ALO’s direction becomes clearer.

Bella’s story asks what it means to feel at home in your body.

Kylie’s asks what happens when the audience disappears.

Both centre women whose appearances have been scrutinised, copied, photographed and discussed on an extraordinary scale. Yet instead of leaning further into spectacle, ALO is positioning both through a softer language of self-possession.

The campaign isn’t asking them to become different women.

It’s interested in who they are when the noise disappears.

That represents an interesting evolution of the traditional celebrity wellness campaign.

For years, wellness advertising often sold aspiration through transformation: become stronger, become healthier, become more disciplined, become the “best version” of yourself.

ALO’s new universe feels less interested in becoming and more interested in simply being.

AND OF COURSE, KYLIE BROUGHT THE PINK

The quieter philosophy doesn’t mean fashion has disappeared.

Kylie’s campaign introduces ALO’s latest colour drop, Pink Marshmallow, with Jenner wearing the Alosoft Intuition Bra and High-Waist Intuition Capri in Pink Marshmallow Heather.

It’s almost suspiciously perfect casting.

Throughout the campaign she also wears pieces including the Sunset Sneaker, Prismatic Jacket and High-Waist Prismatic Short, Splendor Bra, Aspire Tank and ALO’s signature Airlift styles.

The palette may be soft, but the imagery remains polished.

Mert & Marcus bring the visual language of high fashion to performance wear, balancing intimate portraiture with the kind of elevated campaign imagery more traditionally associated with luxury houses.

And that might be another clue to what ALO is building.

THE WELLNESS BRAND WANTS A FASHION UNIVERSE

Activewear hasn’t really been just activewear for years.

The clothes leave Pilates.

They go to brunch. Airports. Coffee runs. School runs. Fashion Week. Everywhere.

ALO’s celebrity strategy appears to understand that evolution perfectly.

Bella Hadid isn’t simply a wellness figure; she’s one of fashion’s most influential contemporary models.

Kylie Jenner isn’t simply an entrepreneur; she’s a cultural force capable of turning an outfit into an internet conversation within minutes.

Putting them inside the same visual universe positions ALO somewhere beyond the traditional boundaries of a performance brand.

It’s selling clothes, certainly.

But it’s also selling a lifestyle built around the increasingly blurred relationship between fashion, wellness and celebrity.

And perhaps most cleverly, it is doing so through women who seemingly have everything except the thing the campaigns keep returning to:

A little space to themselves.

First Bella.

Now Kylie.

Who enters the ALO universe next?

The post FIRST BELLA, NOW KYLIE: ALO IS BUILDING ITS NEW GIRL UNIVERSE appeared first on Voir Fashion.

It changes your rhythm completely.

Perched high above the Peloponnese, surrounded by olive groves, ancient landscapes, and endless views of the Aegean, Amanzoe feels suspended somewhere between architecture and dream. The property reveals itself slowly through pale stone, towering colonnades, reflective pools, and soft Mediterranean light that shifts beautifully throughout the day. Everything feels intentional. Balanced. Quietly cinematic. And despite its scale, nothing ever feels overwhelming. The longer I spent there, the more I realised Amanzoe is not built around spectacle in the traditional sense. It is built around emotion. Around creating an atmosphere so calm and immersive that the outside world begins to disappear almost immediately.

There is no urgency here.

Mornings unfold slowly beneath the warmth of the Greek sun. Afternoons dissolve between private terraces, endless sea views, and complete silence interrupted only by cicadas moving through the hills. Even time itself feels softer at Amanzoe.

From above, the property looks almost unreal. The aerial perspective reveals pavilions scattered quietly across the landscape like private sanctuaries hidden within nature itself. Long pools disappear into the horizon while stone pathways weave through wild greenery toward the sea below. It is the kind of beauty that feels impossible to exaggerate because it already borders on fantasy.

My pavilion became less like a suite and more like a private world entirely. Indoors and outdoors flowed seamlessly together — stone, water, air, and light existing in complete harmony. Even the simplest moments felt elevated there: the sound of the breeze moving through linen curtains, the changing shadows across marble floors, evenings arriving slowly beneath the warmth of the night sky.

Nothing asked for attention, yet everything held it.

The private beach club offered another dimension of the Amanzoe experience entirely. Unlike the high-energy atmosphere often associated with Mediterranean summer destinations, the mood here remained understated and deeply refined.

Elegant rather than performative. Social without ever becoming loud.

There is a distinct sense of discretion woven into Amanzoe the kind of luxury that feels timeless rather than trend-driven. Guests disappear into long lunches, quiet conversations, slow afternoons by the sea, and sunset evenings gathered around soft firelight beneath the Greek sky. It feels less like a scene and more like a way of living.

There is also a wider cultural energy unfolding across Greece right now one that extends beyond hospitality and into fashion, design, and contemporary creativity. Increasingly, the country is redefining itself as a destination not only for luxury travel, but for modern cultural influence.

As Dr. Marinos Giannopoulos, CEO of Enterprise Greece, explains, “Greek fashion is a dynamic sector of the economy, combining creativity, innovation, and a strong cultural identity while steadily strengthening its international footprint.”

This growing international momentum can be felt throughout Athens and beyond, particularly through the continued rise of Athens Fashion Week and the increasing global visibility of Greek designers, brands, and creative industries. Enterprise Greece continues to actively support this international expansion, helping position contemporary Greek creativity on a global stage.

A DESTINATION BEYOND LUXURY

In many ways, Amanzoe feels connected to this same evolution — where heritage, aesthetics, craftsmanship, and modern luxury converge to create an experience that feels distinctly Greek, yet internationally resonant.

And perhaps that is why Aman inspires such devotion. It is not simply a hotel brand. It is an entire philosophy of luxury. That philosophy extends far beyond the resort itself. Even Aman’s boutique feels thoughtfully integrated into the world surrounding it offering curated collections of resort wear, silk scarves, fragrances, skincare, tennis apparel, leather goods, elevated beach essentials, and beautifully designed homeware created with the same refined sensibility that defines the property itself.

The branding is unmistakably Aman, yet executed with complete sophistication luxurious without ever feeling excessive. Every piece feels intentional, from soft neutral linens and handcrafted accessories to signature fragrances and timeless travel essentials designed to move effortlessly between resort living and everyday life. Private shopping appointments transform the boutique experience into something intimate and personal, allowing guests to move through the space slowly, discovering pieces that feel less like souvenirs and more like an extension of the Aman lifestyle itself.

Like everything at Amanzoe, it feels immersive rather than transactional.

One evening, during a sound bath held beneath the stillness of the hills, time itself seemed to disappear completely. The experience felt almost surreal not performative wellness, but something far quieter and more meaningful. At Amanzoe, even silence feels carefully designed.

In an era where luxury often feels increasingly visible and performative, Amanzoe moves in the opposite direction. There are no loud signatures. No need to prove itself. Instead, it offers something increasingly rare: privacy, emotional calm, space, and the ability to fully disconnect while remaining surrounded by extraordinary beauty.

What stayed with me most was not a single moment, but a feeling.

Amanzoe does not simply change the way you travel.

It feels, in every sense, like heaven on earth.

The post AMANZOE: Heaven on Earth appeared first on Voir Fashion.

Some artists discover the dancefloor. Ellie Goulding grew up on it.

After more than a decade of lending that unmistakable, ethereal voice to some of electronic music’s biggest moments, Goulding is returning to the sound that first made her feel free. Her new single, “Ravers,” is euphoric, sweaty and deliberately nostalgic — but there’s one rather surprising detail.

It is Ellie Goulding’s first-ever solo electronic single.

Yes, really.

For an artist whose musical history includes Calvin Harris, Four Tet and Skrillex, it feels almost impossible. Yet “Ravers” marks the first time Goulding has stepped into the electronic spotlight entirely alone.

And it sounds like freedom.

MEET ELLIE GOULDING, THE RAVER

Taken from her forthcoming sixth studio album, I Know Too Much, arriving 4 September via Polydor Records, “Ravers” follows the razor-edged “Black Prada Dress” and intimate “4 Seasons.”

Where those tracks revealed different corners of Goulding’s new chapter, “Ravers” takes us somewhere much less complicated.

The club.

Primal production pulses beneath one of Goulding’s most commanding vocal performances as she creates an ode to the strange liberation that can only really happen somewhere between a speaker stack, a crowded room and a very late night.

For Goulding, however, electronic music represents something deeper than escapism.

“It took me back to a very safe and beautiful place when I was a kid,” she told Zane Lowe following the track’s premiere on Apple Music. “I grew up listening to electronic music, and it did give me this sense of freedom back.”

She describes “Ravers” simply as her “happy place.”

Sometimes, going forward requires returning to where you started.

SWEAT, STROBES AND BROOKLYN NIGHTS

Naturally, a song called “Ravers” was never going to get a polite music video.

Directed by cinematographer and filmmaker Sean Price Williams — whose credits include Addison Rae and Sabrina Carpenter — the visual drops Goulding into Brooklyn’s Bushwick neighbourhood for a sweat-soaked night on the dancefloor.

There’s no pristine pop-star fantasy here. The atmosphere is physical and immediate: bodies packed together, movement, heat and the particular electricity of losing yourself in a room full of strangers.

It captures precisely what makes dance music seductive in the first place.

For a few minutes, nothing outside the room matters.

And seeing Goulding at the centre of that world feels remarkably full-circle.

Electronic music has followed her throughout her career. Her collaborations helped soundtrack an era when EDM escaped the club and became an undeniable force in mainstream pop, but “Ravers” flips that relationship around.

This isn’t Ellie Goulding appearing on somebody else’s dance record.

This is her dance record.

MAYBE WE KNOW TOO MUCH

Behind the euphoria, however, Goulding is entering a considerably more reflective era.

I Know Too Much emerged from what she describes as a crossroads in her life — a period caught somewhere between the freedom of uncertainty and the power that can come from finally understanding yourself.

“The album came from the idea that maybe we can know too much,” Goulding explains. “There is a certain kind of freedom in the ease of not knowing.”

During that period of change, she retreated to the place that has remained constant throughout her career: the studio.

“Through the chaos of this great change, I went to my comfort zone and found my refuge in the studio,” she says. “Writing a song has always been my best form of therapy.”

There’s something beautifully contradictory about it.

Knowing too much. Wanting to know nothing. Growing older while reconnecting with the music you loved when you were young. Searching for answers while disappearing into a dancefloor designed to make you forget the questions.

That tension appears to sit at the heart of I Know Too Much.

Created alongside executive producer Jack Rochon, whom Goulding first connected with through TikTok, the record sees her balancing emotional honesty with a desire to push her sound somewhere new.

“Ravers,” produced by Dave Hamelin alongside Rochon, might be its most immediate manifestation.

17 YEARS LATER, ELLIE IS STILL EVOLVING

There is another reason Goulding can afford to experiment: she has already built the kind of pop career most artists can only imagine.

Across 17 years, she has amassed more than 55 billion global streams and sold over 44 million albums. She sits among the world’s five most-streamed British female artists and holds the UK record for the most No.1 albums by a British female artist, alongside the record for the most UK Singles Chart entries by a British female solo artist.

Yet perhaps the more interesting measure of longevity is what happens when a new generation discovers your music for itself.

Her 2009 breakthrough “Starry Eyed” recently found its way back onto the UK Official Charts after hitting No.1 on TikTok — more than 15 years after first introducing the world to that instantly recognisable voice.

There’s something wonderfully circular about Goulding’s current moment.

The music she made as a young artist is being discovered again, while the artist she is today is rediscovering the music that made her feel young.

And this time around, she knows exactly where she wants to be.

Somewhere dark.

Somewhere loud.

Somewhere sweaty.

On the dancefloor.

Ellie Goulding’s “Ravers” is out now via Polydor Records. Her sixth studio album, I Know Too Much, arrives 4 September.

The post ELLIE GOULDING IS BACK WHERE SHE BELONGS: ON THE DANCEFLOOR appeared first on Voir Fashion.

KAROL G has never been particularly interested in making herself smaller. Now, on her seventh studio album, she’s making a case for feeling bigger, too.

The Colombian superstar returns with NO ME ARREPIENTO DE SENTIR TANTO — translated as I Don’t Regret Feeling So Much — a 14-track exploration of what happens when you stop apologising for the intensity of your emotions.

Love. Heartbreak. Anger. Nostalgia. Desire. Hope. Healing.

KAROL G wants all of it.

And for an artist whose ascent has taken her from Medellín to GRAMMY wins and sold-out stadiums around the world, there is something unexpectedly intimate about making vulnerability the centrepiece of her next era.

Rather than constructing a neat heartbreak-to-healing narrative, NO ME ARREPIENTO DE SENTIR TANTO embraces the messier reality: emotions rarely arrive in the right order.

The album moves through them as interconnected experiences, each track forming another chapter in a project designed to be heard from beginning to end. It’s less about getting over something and more about allowing yourself to exist completely inside it.

KAROL G, UNCENSORED

That emotional freedom comes with an equally ambitious sonic evolution.

Alternative pop collides with Latin influences, atmospheric production and organic instrumentation as KAROL expands the musical universe surrounding her without abandoning the emotional directness that made millions connect with her in the first place.

And she has assembled quite the cast to enter that universe.

Drake appears on “Ahí,” while Spanish experimental talents Judeline and Rusowsky join her on “bbY WOW.” Cigarettes After Sex frontman Greg Gonzalez is also among the album’s collaborators.

Then there’s Bruno Mars.

“Still,” featuring Mars, marks KAROL G’s first recording performed entirely in English — a significant first for an artist who has helped prove that global pop stardom never required abandoning Spanish in the first place.

Behind the scenes, the credits read like a snapshot of contemporary pop’s most interesting corners. Cashmere Cat, Edgar Barrera, Oklou, Omar Fedi, Ovy On The Drums, Sky Rompiendo, Taiko and Tainy are among the producers shaping the record.

Yet despite its formidable guest list, NO ME ARREPIENTO DE SENTIR TANTO never positions collaboration as the main event.

KAROL G remains firmly at its centre.

FROM PRIVATE FEELINGS TO 60,000 VOICES

The contradiction at the heart of this era might also be its most compelling one.

KAROL G has made an album about deeply personal emotions at precisely the moment her career has become almost impossibly enormous.

The release arrives as her VIAJANDO POR EL MUNDO TROPITOUR moves through stadiums across the globe, transforming songs conceived through individual experiences into something communal.

Las Vegas. Los Angeles. New York. Miami. Bogotá. Buenos Aires. Barcelona. Paris.

And then, London.

On 6 July 2027, KAROL G will take over Tottenham Hotspur Stadium, bringing the tour — and this new emotional universe — to the capital for what promises to be one of next summer’s major pop spectacles.

There’s something powerful about imagining songs born from heartbreak, anger and loneliness eventually being screamed back at their creator by an entire stadium.

Perhaps that is precisely the point.

NO ME ARREPIENTO DE SENTIR TANTO was partly inspired not only by KAROL’s own experiences, but by the stories fans have shared with her over the years. Different lives, different relationships, different heartbreaks — yet often the same feelings underneath.

The private becomes collective.

THE POWER OF FEELING TOO MUCH

For women in pop, emotion has always been complicated territory.

Feel too little and you’re cold. Feel too much and you’re dramatic. Be vulnerable and you’re fragile; be confident and suddenly you’re difficult.

KAROL G’s answer is refreshingly uncomplicated: feel it anyway.

At this point in her career, she has little left to prove about scale. The awards are there. The streams are there. The stadiums are quite literally there.

What feels more interesting is watching an artist with that level of cultural power choose not to armour herself against vulnerability, but turn it into the aesthetic and emotional language of an entire era.

Even the album rollout has unfolded like chapters from a diary writ large: cryptic visual clues, “MATADORA,” a cinematic trailer, the gradual reveal of its artwork and tracklist, each piece opening the door slightly wider.

Now the full picture is here.

Fourteen tracks. Five high-profile collaborators. One enormous world tour.

And absolutely no regrets about feeling any of it.

NO ME ARREPIENTO DE SENTIR TANTO — TRACKLIST
Te Llevas To
Maybe
Bebiendo Lágrimas
Ahí (feat. Drake)
Final Feliz
Still (feat. Bruno Mars)
Alguien Que Te Amaba
Matadora
For U My Lova
Si Lo Ven
bbY WOW (feat. Judeline, Rusowsky)
Con Quién Andará?
Eclipse
Después de Ti

KAROL G’s NO ME ARREPIENTO DE SENTIR TANTO is out now. The VIAJANDO POR EL MUNDO TROPITOUR arrives at London’s Tottenham Hotspur Stadium on 6 July 2027.

The post KAROL G FEELS EVERYTHING — AND REGRETS NOTHING appeared first on Voir Fashion.

There’s something deliciously fitting about Naisha casting herself as the contraband.

The rising vocalist, producer and songwriter has released her debut EP, 911, via Interscope Records/Desi Trill — marking a new chapter for an artist who has spent the past few years giving listeners tantalising glimpses into her world.

Arriving alongside the EP is the music video for “CONTRABAND,” shot on location in India and brought to life through Naisha’s own creative direction and vision. Directed by Ruby and Colin Tilley — whose credits include Kendrick Lamar, Justin Bieber and Post Malone — the visual throws Naisha into the exhilarating chaos of Mumbai, moving through streets, crowds and dance sequences as the titular contraband.

But “CONTRABAND” is more than a visual accompaniment to the music. It captures something essential about Naisha herself: an artist increasingly uninterested in being contained by a single genre, language, culture or creative role.

Executive produced by Naisha alongside Skrillex and Dilip Venkatesh, 911 pulls seemingly disparate sounds and influences into one fluid sonic language. Collaborations with BEAM and Ty Dolla $ign sit within a project that moves effortlessly between English, Hindi and Caribbean patois, the latter paying homage to Naisha’s Trinidadian heritage on her mother’s side.

At the centre of it all is Naisha’s own production.

“For the last few years, people have heard me through collaborations and features, but those songs were only a glimpse into my world,” she says. “With 911, I finally get to share a project that feels completely mine. My melodies, my influences, my perspective start to finish.”

That sense of ownership extends far beyond the recording studio. Naisha isn’t simply the face or voice of 911; she is actively constructing the world around it.

“Visual storytelling is such a big part of how I express myself,” she explains. “It’s my way of translating who I am and the beautiful chaos I exist in. The same chaos lives in my music too.”

It’s a fitting description for an artist whose identity has always existed at the intersection of different worlds.

Born and raised in India and now based between Los Angeles and Mumbai, Naisha grew up absorbing music from across cultures and eras — from Aaliyah and D’Angelo to Bob Marley and classic Bollywood soundtracks. Her Trinidadian heritage adds another layer to that musical vocabulary, creating a cultural collision that feels instinctive rather than calculated.

Before fully immersing herself in music, Naisha explored modelling and trained as an actor. Then came the kind of meeting that sounds almost too perfectly chaotic for her story: she met Skrillex at a rave at 4 a.m. and found herself recording in the studio the following day.

That encounter developed into an ongoing creative relationship.

Naisha has since emerged through a string of collaborations with Skrillex, including “Diwali” from SOMA, as well as “Talk To Me,” his 2024 collaboration with Four Tet and Champion. Tracks including “Diwali” and “so then,” featuring Naisha singing in her native Hindi, have already demonstrated her ability to bring clashing melodies, unexpected rhythms and far-reaching influences together without sanding down their edges.

Meanwhile, she has been building another side of her universe behind the decks, DJing internationally, appearing on festival stages and introducing her Naish To Meet Ya party series.

With 911, however, the supporting role disappears.

This is Naisha on her own terms: vocalist, songwriter, producer, performer and visual storyteller. Rather than separating those identities, she lets them collide.

“911 is authentically me. Every part of it,” Naisha says. “I am excited to be at a stage where I can make things imperfectly perfect and trust myself enough to put them out into the world.”

That idea of the “imperfectly perfect” might be the key to 911. The project isn’t interested in making Naisha easier to categorise. Instead, it embraces contradiction: India and Trinidad, Mumbai and Los Angeles, electronic experimentation and pop instinct, chaos and control.

“911 is emotional, chaotic, playful, honest and completely my world.”

Consider the emergency officially declared.

So call 911. Naisha is here.

The post NAISHA CAN’T BE CONTAINED appeared first on Voir Fashion.

Glastonbury might be taking the year off, but summer certainly isn’t.

Festival season is officially in motion, and suddenly the group chat has become a war room of flight screenshots, questionable accommodation options and increasingly ambitious plans to spend three days dancing somewhere none of you have ever been before.

Because the festival holiday has evolved.

We’re no longer necessarily chasing one enormous weekend in a muddy field. The 2026 circuit stretches from London parks to Danish fields, Tuscan escapes, Belgian mega-raves and late-night adventures in Reykjavík.

And the line-ups?

JENNIE. Lorde. Addison Rae. Doja Cat. Tems. Little Simz. Peggy Gou. PinkPantheress. Shygirl.

Your annual leave never stood a chance.

So charge the portable battery, find the outfit and locate the friend who can actually be trusted to book the flights.

These are the festivals on VOIR’s radar.

ALL POINTS EAST — FOR THE LONDON GIRL WHO DOESN’T WANT TO CAMP

Where: Victoria Park, London
When: 21–30 August
On our radar: Lorde, PinkPantheress, Zara Larsson, Nia Archives, Tyler, The Creator

Camping?

Absolutely not.

One of the great pleasures of All Points East is experiencing full festival energy before eventually returning to civilisation — otherwise known as your own shower and bed.

Taking over Victoria Park across August, the London favourite brings together a seriously good cross-section of contemporary music.

Lorde and PinkPantheress alone make a compelling argument, while Zara Larsson, Nia Archives and Tyler, The Creator turn this into one of the capital’s essential summer dates.

Come for the music. Stay because you can get the Tube home.

LOST VILLAGE — FOR DISAPPEARING COMPLETELY

Where: Lincolnshire, UK
When: 27–30 August
On our radar: Peggy Gou, Ben UFO, Ezra Collective, Fcukers, Overmono

If your ideal festival involves temporarily forgetting that emails, deadlines and normal society exist, enter Lost Village.

Hidden away in the Lincolnshire countryside, the festival has built its identity around something more immersive than simply moving between stages.

And with Peggy Gou, Ben UFO, Ezra Collective, Fcukers and Overmono on the radar, disappearing into the woods suddenly sounds like an extremely sensible life decision.

See you Monday.

Maybe.

WE OUT HERE — FOR THE MUSIC HEADS

Where: Dorset, UK
When: 20–23 August
On our radar: Thundercat, Joy Crookes, John Glacier, Kofi Stone

We Out Here is for the friend who actually knows who produced the track everyone else has just added to Spotify.

The Dorset festival offers an eclectic collision of jazz, soul, hip-hop, electronic music and everything interesting happening between those categories.

With Thundercat, Joy Crookes, John Glacier and Kofi Stone among the names to know, this one is less about chasing whichever artist currently owns TikTok and more about discovering who you’ll be listening to next.

FORWARDS — FOR A BRISTOL WEEKEND

Where: Bristol, UK
When: 29–30 August
On our radar: Tems, Little Simz, Joy Crookes, Maribou State, Wet Leg

Tems and Little Simz in the same weekend?

We’re listening.

FORWARDS gives you the energy of a major festival without demanding an entire week of your life, with Joy Crookes, Maribou State and Wet Leg adding to a line-up made for anyone wanting to squeeze one final adventure out of August.

Book the train before everybody else has the same idea.

TOMORROWLAND — FOR MAXIMUM EVERYTHING

Where: Boom, Belgium
When: 17–19 & 24–26 July
On our radar: David Guetta, Martin Garrix, Fisher

Subtlety has never really been Tomorrowland’s thing.

Thank God.

The Belgian electronic institution returns across two weekends with David Guetta, Martin Garrix and Fisher among the artists providing the soundtrack.

Tomorrowland isn’t where you go for a tasteful little boogie before an early night.

You go for spectacle. Bass. Lasers. Thousands of strangers becoming your best friends for approximately seven minutes.

Sometimes more really is more.

PRIMAVERA SOUND — FOR THE POP GIRL PILGRIMAGE

Where: Barcelona, Spain
When: 3–7 June
On our radar: Doja Cat, Addison Rae, Bad Gyal, Role Model

Festival or Barcelona holiday?

Correct answer: both.

Primavera Sound has long occupied that particularly seductive space where genuinely exciting music meets one of Europe’s best city-break destinations.

For 2026, Doja Cat and Addison Rae bring serious pop-girl energy, joined by Bad Gyal and Role Model.

The strategy writes itself.

Festival. Beach. Tapas. Repeat.

ROSKILDE — FOR JENNIE, OBVIOUSLY

Where: Roskilde, Denmark
When: 27 June–4 July
On our radar: JENNIE, Zara Larsson, Addison Rae, Bad Gyal, Lily Allen

Denmark might require a little more commitment from the group chat, but look at that line-up.

JENNIE.

Zara Larsson.

Addison Rae.

Bad Gyal.

Lily Allen.

Roskilde has been doing this for decades, and its 2026 edition offers the sort of gloriously genre-fluid bill that makes spending a week in Denmark suddenly feel less like a suggestion and more like an instruction.

Copenhagen wardrobe beforehand optional.

Although encouraged.

BENICÀSSIM — FOR THE INDIE NOSTALGIA

Where: Benicàssim, Spain
When: 16–18 July
On our radar: The Prodigy, The Kooks, Sophie Ellis-Bextor

If hearing The Kooks somewhere under the Spanish sun immediately awakens a very specific part of your brain, we understand.

Benicàssim’s 2026 line-up brings together The Prodigy, The Kooks and eternal dancefloor commander Sophie Ellis-Bextor.

It’s nostalgic without being stuck in the past — and happens to provide a very convincing excuse for a Spanish summer escape.

ICELAND AIRWAVES — FOR THE ONE WHO REFUSES TO LET FESTIVAL SEASON END

Where: Reykjavík, Iceland
When: 4–7 November
On our radar: Shygirl

Summer technically ends.

Festival season? Debatable.

By November, when your tan has disappeared and your summer photo dump feels like evidence from another lifetime, Iceland Airwaves arrives in Reykjavík.

With Shygirl on the radar, consider it the stylish epilogue to your 2026 festival calendar.

Cold outside.

Very much not cold inside.

THE REAL HEADLINER? YOUR SUMMER

There was a time when festival season felt dominated by a handful of enormous cultural events.

2026 feels different.

With Glastonbury taking a fallow year, the absence of Britain’s biggest festival has created space to look elsewhere — towards city festivals, electronic escapes, smaller communities and destinations that turn seeing your favourite artist into an actual holiday.

Maybe that’s the appeal now.

We’re not simply buying a ticket to see a line-up.

We’re choosing where we want to disappear for a few days.

Barcelona with Addison Rae?

Denmark with JENNIE?

London with Lorde?

Belgium with several thousand ravers and absolutely no concept of bedtime?

We’ll meet you at departures.

Festival season 2026 is officially open.

The post NO GLASTONBURY? NO PROBLEM. THESE ARE THE FESTIVALS WORTH LEAVING THE GROUP CHAT FOR appeared first on Voir Fashion.

The exclusive celebration marked a defining moment for both brands, bringing together influential figures from the worlds of fashion, media, luxury, and entertainment to honour creativity, excellence, and the future of the global fashion industry.

A highlight of the evening was the official appointment of VOIR Fashion Magazine Founder and Editor-in-Chief, Jyoti Matoo, as the UK Representative for FashionTV—an exciting new chapter that signals ambitious plans for the growth and expansion of FashionTV across the United Kingdom.

The evening also celebrated the exclusive launch of a special collector’s edition of VOIR Fashion Magazine featuring three iconic covers. The highly anticipated issue spotlighted fashion legend Professor Jimmy Choo, activist and model Munroe Bergdorf, and FashionTV CEO Maria Lisowska. The triple-cover edition reflects the vision, influence, and achievements of three remarkable figures shaping the future of fashion, culture, and global media.

The event featured the presentation of two prestigious FashionTV Awards by Maria Lisowska, recognising outstanding contributions to fashion and culture:

Professor Jimmy Choo received the FashionTV Diamond Legacy Award, celebrating his extraordinary impact on the global luxury fashion industry and his enduring influence on generations of designers and entrepreneurs.

Munroe Bergdorf was honoured with the FashionTV Icon Award, recognising her powerful contribution to fashion, advocacy, representation, and cultural change.

Guests enjoyed an exceptional evening of luxury experiences, networking, and celebration, surrounded by some of the industry’s most respected creatives, innovators, and leaders. The atmosphere reflected the energy and vision behind this exciting collaboration, setting the stage for a dynamic future for FashionTV in the UK.

The official highlights film captures the elegance, excitement, and unforgettable moments from what has already become one of London’s most talked-about fashion gatherings of the year.

A very special thank you to Upstairs at Langan’s for hosting this remarkable evening, Le Grand Caviar for the exquisite caviar experience, Grey Goose for sponsoring the drinks reception, Mozart Concierge for the stunning floral installations, and Ian Taylor, founder of ESTAGE, for his invaluable production support.

We would also like to extend our sincere gratitude to all guests, partners, creatives, collaborators, and supporters whose presence helped make the evening truly unforgettable.

As FashionTV and VOIR Fashion Magazine embark on this exciting partnership, this event represents only the beginning. Alongside the launch of the special three-cover edition, a series of innovative projects, exclusive collaborations, international initiatives, and industry-defining experiences are already underway. Together, FashionTV and VOIR are committed to creating new opportunities, celebrating exceptional talent, and shaping the future of fashion media on a global scale.

Watch this space—the next chapter is only just beginning.

Produced by VOIR Fashion Magazine in collaboration with FashionTV.

Photography Younce Lopes

The post Inside Fashion TV x VOIR London Launch Event appeared first on Voir Fashion.

The new partnership between J. Sheekey and Vivienne Westwood belongs firmly to the latter — a meeting of two unmistakably British institutions, both defined by individuality, cultural legacy, and a refusal to lose their character with time.

Launching as part of J. Sheekey’s 130th anniversary celebrations, the collaboration transforms the restaurant’s iconic terrace into one of London’s most visually striking summer destinations. But beyond the aesthetics, the partnership feels like something larger: a celebration of British identity itself — theatrical, rebellious, creative, and constantly evolving.

For more than a century, J. Sheekey has occupied a singular place within London culture. Hidden within the rhythm of the West End since 1896, the legendary seafood restaurant has long been woven into theatreland’s DNA — a place where actors, artists, writers, and creatives have gathered for generations beneath portrait-lined walls and candlelit interiors.

Vivienne Westwood, of course, represents another side of Britain’s cultural identity entirely: punk, rebellion, fashion, and provocation. Yet somehow, the pairing works perfectly.

At the centre of the takeover is Westwood’s archival Evolution of Man print, originally shown in the Autumn-Winter 1996/97 MAN collection. Covering the terrace across linens, menus, ceramics, glassware, and window installations, the print becomes more than decoration — it becomes symbolism. A visual representation of London itself: constantly changing, slightly chaotic, endlessly creative.

And perhaps that is what makes the collaboration feel so compelling. Both brands understand that heritage is not about standing still.

For Vivienne Westwood, evolution has always existed through tension — tradition colliding with rebellion, tailoring disrupted by subversion. For J. Sheekey, evolution is found in the ever-changing rhythm of Soho and the West End itself, shaped by decades of theatre, culture, and London nightlife.

The terrace captures that duality beautifully.

There is wit to it. Glamour too. But also something distinctly playful — a reminder that British luxury has always been strongest when it refuses to take itself too seriously.

The experience extends beyond design into the menu itself. Limited-edition cocktails created alongside Guinness and Tanqueray No. TEN bring a sense of old London glamour to the collaboration, including the Black Velvet — a mix of Guinness and Champagne — alongside oysters, martinis, and seasonal serves designed for long summer evenings in the city.

And naturally, no Vivienne Westwood collaboration would feel complete without a touch of theatre. The bespoke dessert — a mascarpone panna cotta with jasmine-compressed English strawberries, basil sorbet, and a white chocolate Vivienne Westwood orb — feels almost too beautiful to disturb. Almost.

But what truly makes the partnership resonate is not the fashion, nor the food, nor even the spectacle of the terrace itself.

It is the feeling that both brands still understand London.

Not the polished version. The real one.

Creative. Eccentric. Intellectual. Slightly rebellious.

The kind of London built inside theatres, restaurants, fashion studios, and late-night conversations.

After 130 years, J. Sheekey remains part of that story.

And with Vivienne Westwood beside it, the next chapter feels more alive than ever.

Words by Jyoti Matoo

The post J. Sheekey and Vivienne Westwood Celebrate British Culture in the Most London Way Possible appeared first on Voir Fashion.