With a week full of fashion shows from big names such as Versace and Chanel debuting their pre-fall collections, Alexander Wang pulled out all – and when we say all we mean ‘ALL’. From the 42 models getting their eyebrows bleached to a robot overshadowing all the stars attending the show, Wang pulled out all the stops.

While Kim K and Blake Lively ensured all eyes were on them as they attended the Versace Pre-Fall runway show on Sunday night, all attention at the Alexander Wang A/W19 show in New York went not to a human, but a robot.

Now, you’re probably picturing a plain old robot, but this is not just any old droid – this is an AI robot with a killer fashion sense.

Sophia, the humanoid robot developed by Hong Kong based company Hanson Robotics was sat in the FROW rocking Alexander Wang’s boxy blazer style paired with metal safety pins forming hearts on both of her sleeves. She was also seen donning a red Collection 2 bandana around her neck, a popular accessory worn by models throughout the show.

The humanoid robot was pictured hanging out with 21 Savage and Teyana Taylor.

(https://www.instagram.com/p/Bq3zS3ml19Y/?utm_source=ig_embed)

If you are thinking that this is the first time she has made a fashion statement or appearance at a runway show, then think again. Previously making an appearance at Shanghai Fashion Week, she was spotted flaunting a Gucci bag in true fashionista style. And if that isn’t enough to convince you that AI is here to stay, Sophia has already bagged her first British fashion magazine cover. Watch this space…

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Unfashionable but never out-dated or passé. Call him ‘on trend’ and you’ll only offend. ‘Rankin: Unfashionable – 30 Years of Fashion Photography’ shows us why being ‘on fleek’ is for the meek.

The retrospective of Rankin’s fashion imagery is edited by the trail-blazing photographer himself, and drawing upon a catalogue of 30-years of work, is a personal trove of his most provocative imagery.

But why should we strive to be unfashionable? Well to quote Alexander McQueen; “There comes a time in your life when you focus solely on what you believe is right, regardless of what everybody else is doing.”

There is an irreverent spirit that charges Rankin’s work. Never derivative and never concerned with what’s popular, Unfashionable demonstrates how the photographer, director, and founder of Dazed & Confused was able to stay ahead of the curve.

In my opinion, great photography doesn’t just capture a single moment but the essence of its subject. It achieves what painting was once able to do; it grabs they eye with compelling visuals, yet keeps it with a loaded narrative.

The retrospective gives us a candid look at Rankin’s most iconic portraiture, his ground-breaking fashion editorials and how through his ‘unfashion,’ he dictated fashion. We are given a candid insight to his innovative compositions and allusions.

Above, in Hunger, Erin O’Connor is compelling as sartorial siren, seducing the sailors of the River Rhine.

Below, Rankin breaks moulds by taking the figure of an odalisque from the annals of art history, and replaces her with an aged, un-retouched model.

Into the Mist shows us a Snow Queen with a sharp Vidal Sassoon bob, who dares to challenge the viewer’s gaze with an icicle stare.

Ultimately, Unfashionable is testament to the fact that true creatives don’t follow trends, but create them. I prescribe the retrospective to not only lovers of fashion photography, but to those who understand that the margins are where new ideas thrive.

Unfashionable: 30 Years of Fashion Photography by Rankin is published by Rizzoli priced at £50.00 and available from all good book stores.

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The post Rankin: Unfashionably Fashionable. appeared first on Voir Fashion.