Rather than stage a sombre memorial, Michele approached the moment with the kind of layered
romanticism that has come to define his work. The collection unfolded as a dialogue between
reverence and disruption, heritage and imagination.

Rome as Stage
Palazzo Barberini, with its frescoed ceilings and monumental architecture, provided a setting that
felt almost operatic. Michele has always been a designer fascinated by history, and the location
allowed him to frame the collection within Rome’s visual mythology—where art, cinema and
aristocratic glamour have long intersected.
The palace’s ornate interior echoed the richness of the clothes themselves. Velvet, lace and
jewel-tone fabrics caught the light of the historic rooms, reinforcing the sense that the show was as
much an atmospheric experience as a fashion presentation.

Silhouettes: Between Discipline and Excess
Michele’s signature maximalism was immediately evident. Layers of fabric, elaborate embroidery
and dramatic draping dominated the runway. Yet beneath the decoration there was a surprising
structural clarity.
Coats appeared elongated and precise, their lines controlled despite the weight of embellishment.
Dresses fell into carefully managed pleats, sometimes paired with lace hosiery that introduced a
subtle sensuality.

The silhouettes carried echoes of classical statuary—long vertical lines that allowed the garments
to move with a quiet theatricality.
Where Michele’s earlier work often celebrated visual chaos, this collection suggested a designer
increasingly conscious of Valentino’s historic elegance.

Colour: The Language of Roman Luxury
Colour functioned almost like a narrative device throughout the show. Deep emeralds, sapphires
and burgundy tones appeared repeatedly, creating a palette reminiscent of Renaissance painting.
Velvet gowns in saturated jewel tones moved against darker wool coats and layered silks,
producing contrasts that felt almost painterly.
And then, inevitably, came the moment everyone was waiting for: Rosso Valentino. The house’s
iconic shade of red appeared in the finale gown, a gesture that read unmistakably as homage to the
founder whose name remains synonymous with the colour.

Accessories and Ornament
Accessories amplified the show’s baroque atmosphere. Oversized jewellery, bows and intricate
embellishments appeared throughout the collection, reinforcing Michele’s fascination with
decoration as storytelling.
Yet the styling also included playful touches—layered necklaces, textured tights, and unexpected
pairings that softened the drama of the garments.
The effect hovered somewhere between couture elegance and theatrical costume, a tension
Michele seems particularly drawn to.

The iconic Valentino Rockstud made a striking return on the Valentino Fall/Winter 2026 runway, reminding fashion insiders why the design became one of the house’s most recognisable signatures. First introduced under Pierpaolo Piccioli and Maria Grazia Chiuri, the pyramid studs once again appeared across accessories and footwear, adding an edge of modern glamour. The revival felt both nostalgic and fresh, proving that the Rockstud remains a timeless emblem of Valentino’s bold yet elegant identity.

A House After Valentino
The emotional context surrounding the show inevitably shaped its reception. As the first runway
presentation since Valentino Garavani’s death, the collection carried the weight of history.
For decades, Valentino himself defined the house’s aesthetic—refined glamour, immaculate
tailoring, and the unmistakable presence of Rosso Valentino.
Michele’s approach does not attempt to replicate that legacy directly. Instead, he treats it as a
foundation on which to build something new.
The Fall/Winter 2026 show suggested a house in conversation with its past rather than constrained
by it. The codes remain—romanticism, opulence, the colour red—but they are filtered through
Michele’s own visual imagination.

If the founder’s era was defined by disciplined elegance, Michele’s Valentino appears poised to
explore something more layered: a world where Rome’s history, cinema and art collide with
contemporary fashion.
And in the shadow of Valentino Garavani’s passing, that conversation between past and future
feels more poignant than ever.

The post Valentino Fall/Winter 2026: Meet the New Valentino Woman appeared first on Voir Fashion.

£ 32

Gucci Mascara Le Magnétisme, black

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The eyes were the epicentre. Not the sculpted, Instagram-friendly smoky eye we have come to
expect, but something softer — more intimate. Charcoal and matte black were pressed tightly into
the lash line, then diffused outward until the edges dissolved into skin. The effect felt lived-in rather
than drawn on, like eyeliner that had settled into the rhythm of the wearer’s day — except every
smudge was deliberate.

There was no metallic shimmer to glamorise it. No sharp wing to editorialise it. The pigment held
weight without hardness. It framed the gaze instead of lifting it. It created a sense of interiority —
as though the models were thinking something we weren’t privy to.Visser understands contrast in a
way that feels almost painterly. He builds darkness not as decoration, but as dimension. By avoiding
sparkle, he allowed the matte texture to absorb light rather than reflect it, giving the eyes a depth
that felt architectural. And then there was the skin. In another era, this runway might have been accompanied by high-gloss highlight and hyper perfected coverage. Instead, the complexion was startlingly honest. Freckles remained visible. Pores remained visible. The finish hovered between matte and sati. Foundation, if present at all, was featherlight. Concealer appeared only where necessary. The cheekbones were not aggressively sculpted. The face looked real, but elevated . A battle between correction and enhancement. In an industry that has spent the better part of a decade erasing texture, this choice felt intentional. Almost defiant.

Gucci’s current aesthetic thrives on tension: archival references meeting contemporary cool,
romantic silhouettes offset by subcultural undertones. Visser’s makeup mirrored that exact duality.
The smoky eye nodded to heritage glamour – the kind of kohl that once defined fashion’s more
decadent eras. The lips played their role with quiet discipline. Softly hydrated, tinted in barely-there nude or muted rose, they anchored the face without competing. There was sheen, but not lacquer. Presence, but not proclamation. When the eyes carry narrative, the mouth listens.
What emerged was a face that felt cinematic rather than cosmetic. There were hints of ’70s
underground portraiture in the smudging. A whisper of early ’90s minimalism in the untouched
skin. A trace of gothic romanticism stripped of theatrics. It was glamour without gloss, intensity
without aggression.

Sam Visser belongs to a new generation of makeup artists redefining what luxury beauty looks like.
Still remarkably young within the industry’s hierarchy, he has built a reputation on atmosphere
rather than ornamentation. Where others lean into highlight and contour as spectacle, Visser leans
into shadow as emotion. He prioritises texture over shine, mood over symmetry, depth over
decoration. The result is makeup that feels less like an accessory and more like character
development. At Gucci Milan, that philosophy reached full clarity.

The models did not look hyper-polished. They looked composed. Introspective. Present. The smoky
eye did not scream drama; it suggested history. The bare skin did not feel unfinished; it felt
confident. This was not trend-driven beauty, but narrative-driven beauty.
In an era increasingly defined by instant impact and digital overexposure, Visser’s choice to
embrace restraint reads as radical. The darkness around the eyes wasn’t about seduction or
spectacle. It was about interiority. About creating faces that felt inhabited rather than staged.
Gucci has long understood the power of contradiction: romance paired with severity, nostalgia
layered with rebellion. Visser translated that tension onto the face with remarkable precision. The
makeup did not compete with the clothes. It completed the mood.If this show marks a direction, it is
this: perfection is losing its hold. Texture is returning. Darkness is reclaiming its place.
Sam Visser didn’t just give us a viral beauty moment in Milan. He gave us something a reminder
that makeup, at its highest level, is not about correction. It is an atmosphere enhancer. And this
season, at Gucci, atmosphere was everything.

£ 35

Gucci 503 Teresina Ruby, Rouge à Lèvres Satin Lipstick

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£ £37

Gucci 123, Auroral Amber, Rouge à Lèvres Mat Lipstick

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GUCCI Beauty Red Matte Lipstick

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The post Shadow Theory: Sam Visser’s Emotional Minimalism Takes Over Gucci Milan appeared first on Voir Fashion.

Staged against the dramatic backdrop of Paris, the runway delivered a vision of confident elegance. Vaccarello opened the show with a series of oversized power suits—structured silhouettes in deep charcoal, chocolate brown, and inky black that referenced the brand’s historic tailoring legacy. The message was clear from the start: power dressing is back, but this time with a modern, seductive edge.

Watch the Show

A Tribute to an Icon

Central to the collection was the revival of Le Smoking, Yves Saint Laurent’s legendary tuxedo suit introduced in the 1960s that revolutionised womenswear. Vaccarello’s interpretation honoured the heritage of the house while infusing it with contemporary attitude, presenting sleek tuxedo jackets paired with pencil skirts, lace bodysuits, and dramatic outerwear.

The reinterpretation felt both nostalgic and strikingly current. Broad shoulders, sculptural tailoring, and sharply cut silhouettes echoed the glamour of the 1980s, a decade that continues to inspire Vaccarello’s recent collections. Yet the styling remained minimal, allowing the precision of the tailoring to take centre stage.

Sensuality Meets Structure

While the show opened with commanding tailoring, the collection gradually revealed a softer, more provocative dimension. Lace evening jackets worn open over sheer bodysuits, plunging necklines, and delicate fabrics created a dialogue between strength and sensuality. This balance—power and vulnerability—has become a defining signature of Vaccarello’s Saint Laurent.

Accessories played an equally important role. Oversized aviator sunglasses, crystal statement earrings, glossy belts, and antique-inspired brooches added drama without overwhelming the streamlined silhouettes. The brooch, in particular, emerged as a key styling element, fastening lace jackets and hinting at a revival of vintage jewellery trends.

The Celebrity Factor

As expected, the show drew an A-list crowd, reinforcing Saint Laurent’s status as a cultural powerhouse. Figures from fashion, film, and music filled the front row, while models delivered a runway moment that blended glamour with attitude. The presence of celebrities and returning runway stars further amplified the spectacle surrounding the collection.

The Future of Saint Laurent

More than a seasonal collection, the show felt like a statement about the evolution of modern elegance. By revisiting the house’s most iconic pieces while pushing them into contemporary territory, Vaccarello demonstrated how heritage can coexist with innovation.

At a time when fashion is constantly redefining ideas of femininity and power, Saint Laurent’s latest runway offering reminds us that true style lies in confidence, precision, and a touch of daring.

With sharp tailoring, sensual silhouettes, and a renewed focus on the legendary tuxedo suit, Saint Laurent’s Fall/Winter 2026 collection confirms that power dressing isn’t just back—it never really left.

Mariana Blanco

The post Saint Laurent Rewrites Power Dressing at Paris Fashion Week appeared first on Voir Fashion.

In a fashion ecosystem increasingly driven by algorithmic spectacle, virality, and accelerated trend
cycles, Pharrell Williams’ Louis Vuitton Fall–Winter 2026 menswear collection arrives with an
almost disarming calm. Presented during Paris Fashion Week, the show unfolded around
DROPHAUS. A prefabricated modernist home that functioned as both architectural installation and
conceptual frame. A foreshadowing that this was a collection concerned not with theatrical
disruption, but with how clothes inhabit life.Since assuming creative direction at Louis Vuitton menswear, Williams has operated within one of the most commercially powerful fashion systems in the world. A house where visibility, branding, and cultural scale are inseparable from design. FW26 marks a shift away from overt symbolism and headline-driven moments toward something quieter, more composed, and arguably more conservative. The question becomes not whether the collection is elegant (it is), but what such elegance signifies in an industry that increasingly rewards provocation over permanence. It seems the LV might be jumping in the bandwagon in a parade that is all about honouring creativity and craftsmanship.

Architecture as Concept, Not Spectacle
The show’s setting – DROPHAUS – borrowed heavily from mid-century modernist ideals:
transparency, modularity, functional beauty. Architecture here was not ornamental but ideological,
echoing the logic of designers such as Donald Judd or Mies van der Rohe, where form follows lived
use rather than symbolic excess. The house staged fashion not as fantasy, but as extension of
domestic and social life. This spatial framing positioned the garments as part of an ecosystem rather than as isolated statements. It also subtly distanced the collection from the hyper-theatrical runway spectacles that dominate luxury marketing today. Williams seems to be recalibrating Louis Vuitton’s visual language away from Instagram immediacy toward something slower, more materially grounded. However, one could argue that the very act of staging minimalism at Vuitton’s scale inevitably neutralises its radical potential. What once functioned as critique in modernist art becomes
aestheticised comfort when absorbed into global luxury machinery.

Silhouette: Soft Authority and the Post-Streetwear Body
The silhouettes in FW26 favours tailoring that is relaxed but controlled. Jackets draped instead of
sculpted, trousers move fluidly rather than assert rigidity. The masculine body here is neither hyper athletic nor aggressively coded. It is composed, mobile, and emotionally neutral. A real
interpretation of masculinity with all of its nuances. This marks a departure from the oversized streetwear vocabulary that defined luxury menswear throughout the late 2010s and early 2020s. Instead, Williams gestures toward a post-streetwear masculinity aligned more closely with contemporary lifestyle luxury than youth subculture. The shift reflects broader market movements: consumers increasingly seek longevity, versatility, and material value over logo-centric novelty.
This recalibration also raises questions of creative risk. The collection’s silhouettes, while refined,
rarely challenge the conventions of tailoring or proportion in ways that push the discipline forward.
Compared to designers like Rei Kawakubo, Raf Simons, or even contemporary innovators working
with structural experimentation, FW26 remains safely within the boundaries of recognisable luxury.
Pattern Cutting as Invisible Discipline Where the collection finds intellectual credibility is in its pattern logic. Construction priortises mobility and bodily accommodation rather than visual aggression. Sleeves are articulated for movement, shoulders softened to allow natural posture, and volumes positioned strategically rather than theatrically.

This approach aligns with a growing industry conversation around wearability as ethics. Garments
designed merely for image production are out. In a market saturated with disposable fashion cycles,
such restraint carries authority. Nevertheless, invisibility can also dilute authorship. The refinement
is evident to trained eyes, but its subtlety risks being lost within Vuitton’s mass-scale consumption
context, where craftsmanship often becomes secondary to brand recognition.
Materiality and the Aesthetics of Ageing Material choices reinforce the collection’s commitment to longevity. Leathers are supple rather than lacquered; wools and suedes invite touch and wear rather than display perfection. The emphasis on patina suggests a philosophy closer to Japanese wabi-sabi than European luxury gloss. There is an appreciation for ageing as aesthetic evolution rather than degradation.

Branding remains discreet. The Louis Vuitton monogram appears embedded within textures or
structures rather than declared graphically, signaling a shift toward quieter luxury codes
increasingly visible across high-end fashion. Still, within a brand whose commercial success
depends heavily on recognisable iconography, this restraint may function more as symbolic
positioning than genuine operational transformation. Colour as Emotional Temperature
The palette – anchored in browns, greys, and muted neutrals – establishes a calm atmospheric
continuity. Strategic injections of saturated colour operate as emotional punctuation rather than
spectacle. This chromatic discipline reinforces the collection’s architectural logic and emotional
neutrality.

Luxury in the Age of Stability
LV’26 menswear reflects a broader industry moment: luxury fashion recalibrating toward stability
after years of cultural volatility. As markets mature and consumers seek durability over disruption,
brands increasingly champion timelessness, lifestyle integration, and material value. Pharrell
Williams’ Louis Vuitton aligns seamlessly with this shift. It is coherent, refined, and commercially
intelligent. But it also raises a critical question: can luxury still function as a cultural engine if it
prioritises comfort over confrontation? The collection succeeds as a proposition for contemporary
living. Whether it advances fashion as a critical discipline remains open to debate.

Words by Fabianna Gutierrez

The post Pharrell Williams Proves Louis Vuitton Is a Lifestyle at Paris Fashion Week appeared first on Voir Fashion.

This season, her fashion was as genre-defying as her music fluid, fearless, and utterly unforgettable. She didn’t just attend Fashion Week; she owned it. Doechii’s Paris debut was packed with standout looks that felt both fresh and referential, blending high fashion with cultural nostalgia. Doechii is proving she’s not just a rapper, she’s a movement.

Paris Fashion Week 2025: A Debut Like No Other

For her first-ever Paris Fashion Week, Doechii and her stylist Sam Woolf curated an eclectic mix of looks, each one a statement in itself. From bohemian Chloé vibes to 80s Tom Ford glam, she transformed with every show.

Doechii x Louis Vuitton Look | March 8, 2025

Ahead of the Louis Vuitton FW25 show, Doechii channels Pharrell Williams’ logomania legacy in a checkered LV jacket, high rise short sand, an oversized beret. 

Doechii x Schiaparelli FW25 | March 6, 2025

Doechii wows in a sculptural two-tone dress at Schiaparelli, featuring a cinched denim corset and a flowy white skirt.

Doechii x Chloé FW25 | March 6, 2025

Doechii embraces boho luxury at Chloé, arriving barefoot in a tiered blush dress and a giant fur stole.

Doechii x Tom Ford FW25 | March 5, 2025

Doechii channels ’80s high glam at Tom Ford in an all-black bodysuit, fringe fur coat, and a choppy mullet hairstyle.

Doechii x Acne Studios FW25 | March 5, 2025

Doechii embraces avant-garde fashion at Acne Studios, wearing a multi-patterned, checkered dress with an unconventional silhouette.

Doechii x Le Grand Dîner du Louvre | March 4, 2025

Doechii wears Valentino Haute Couture at the Louvre’s exclusive fashion dinner, shimmering in a golden gown from Alessandro Michele’s first Valentino collection.

A Career-Defining Performance with Lauryn Hill | March 8, 2025

Doechii joins Lauryn Hill on stage in Miami for a surprise duet of “Doo Wop (That Thing).”

This was more than just a performance; it was a full-circle moment. Weeks earlier, Doechii had made history at the Grammys, becoming only the third woman ever to win Best Rap Album. Doechii commented on the whole ordeal saying “Thank you Miss Lauryn Hill. My heart is so full. She is my hero. This is the greatest honour hip hop could give me.”

Doechii x Nike The After Dark Tour

Doechii is announced as the headliner for Nike’s After Dark Tour, a women’s race series in Los Angeles on June 7, 2025.

Doechii x DSquared2 Runway | February 25, 2025

Doechii makes her runway debut at DSquared2, stepping out of an armored truck and strutting in true Y2K fashion.

Before Paris, Doechii took Milan by storm, walking the DSquared2 runway in true early 2000s style. Stepping out of an armored truck (opened by Tyson Beckford, no less), she ran down the catwalk in five-inch heels, performed “Nissan Altima,” and later closed the show with JT from City Girls for their track “Alter Ego.”

Her outfit? A backpack-corset hybrid, paracord laces, belted denim microshorts, and a high-low graphic top a gritty, rebellious homage to Y2K streetwear.

The Evolution of Doechii: From Struggle to Stardom

Doechii’s rise hasn’t been easy. In a recent interview, she opened up about her struggles with bullying and suicidal thoughts, revealing how she created “Doechii” as a way to survive.

She stated “Jaylah might’ve been getting bullied, but I decided Doechii wouldn’t stand for that. My whole attitude was different. It stuck.”

Now, she’s not just surviving, she’s thriving. From making Grammy history to dominating Fashion Week, Doechii is proving she’s here to stay, evolve, and redefine culture on her own terms.

With a Nike performance, a festival season lineup, and more fashion moments to come, Doechii’s 2025 is just getting started.

Which of Doechii’s looks was your favorite this season? Let us know!

Words by Claire Gaura 

The post Doechii Reign Supremacy: Dominating Paris Fashion Week & More appeared first on Voir Fashion.

Schiaparelli’s Spring/Summer 2025 Haute Couture collection, titled Icarus, opened Paris Couture Week with a magnificent display of innovation and craftsmanship that left the fashion world in awe. Inspired by the Greek myth of Icarus, whose tragic flight towards the sun symbolises the dangers of ambition, creative director Daniel Roseberry’s latest offering embraces both risk and reward. Far from a cautionary tale, Icarus embodies Roseberry’s own “quest for perfection” in haute couture, challenging modern ideas of simplicity by leaning into opulence, extravagance, and dramatic silhouette construction.

Roseberry’s collection asks a provocative question: Can modern fashion be baroque, extravagant, and layered, or is minimalism the only way forward? With this, he set out to reshape the idea of modernity by fusing the past with the future. His vision was clear: to create couture that feels new, despite drawing on the lessons of legendary designers such as Yves Saint Laurent, Charles Frederick Worth, and Azzedine Alaïa. The result was a stunning mix of antique influences and futuristic forms, with exaggerated hourglass shapes and structures that seemed to defy the laws of fashion.

The collection’s focus on sculptural, almost architectural silhouettes was undeniable. Corseted dresses, voluminous hips, and exaggerated peplums were framed by crinoline-like structures that flared dramatically as the models moved. This sense of grandeur and high fashion was further amplified by the use of metallic fabrics, antique-inspired ribbons, and intricate pleating that evoked the craftsmanship of fashion’s golden ages.

At the heart of Icarus was a celebration of complex construction and embellishment. Models strutted down the runway in couture creations that embodied Roseberry’s vision of maximalism—rich fabrics of tulle, silk, and lace glimmered under the lights in a colour palette of muted nudes, dusty greens, and saffron browns. This was a world of sculptural garments where the exaggerated waistlines and dramatic trains seemed to reach for the heavens themselves, perfectly capturing the ambition of Icarus.

Signature pieces, such as Kendall Jenner’s heavily boned corset dress in pearl grey satin, made an unforgettable impact. The dress, with its sculpted train, perfectly balanced elegance with the boldness of couture’s tradition. Meanwhile, Mona Tougaard’s look seemed to transcend the runway entirely, with a look described as art-like and mesmerising. The main topic of conversation was Tougaard’s look, with many questioning where her waist had gone, and some even going so far as to suggest that it should be Zendaya’s next red-carpet look. Also notable was Alex Consani’s opera coat, a sensual creation adorned with feathers and designed to be worn off the shoulder, creating an elegant yet seductive silhouette.

Throughout the show, Schiaparelli’s hallmark craftsmanship was evident, from the intricate corsetry to the visible and invisible padding that created “impossible” silhouettes. The attention to detail was extraordinary, with pearls, beads, jacquard, and velvet forming a rich tapestry of textures that adorned each piece.

Models like Kendall Jenner and Mona Tougaard stood out not only for their physical presence but for how they embodied the spirit of Schiaparelli with grace and strength. Their runway moments were a testament to the power of couture and the remarkable vision behind it.

The Icarus show attracted a dazzling array of celebrity guests, seen in full Schiaparelli, adding an extra layer of excitement to the event. Carla Bruni, Kelly Rutherford, Philippine Leroy-Beaulieu, Gabrielle Union, Anna Wintour and Regina King were just a few of the notable figures in attendance. Their presence underscored the collection’s significance, and their reactions spoke volumes about the impact of Roseberry’s work.

As luxury fashion faces a downturn, many designers are embracing minimalism to appeal to more practical and understated tastes. However, Daniel Roseberry’s Icarus is a bold rejection of this trend. Instead of toning down the glamour, he embraced maximalism, creating garments that feel like an escape from the ordinary. His commitment to intricate details, opulent textures, and dramatic shapes proves that haute couture is not merely about fashion—it’s about fantasy, escapism, and pushing boundaries.

For Roseberry, haute couture is not just about creating beautiful clothes; it’s about challenging expectations and reaching new heights. “How high can we couturiers go?” he asks. “As high as the sun—and the Gods—allow us.” With Icarus, he has done just that, proving that risk, when executed with skill and imagination, can yield extraordinary results.

Since taking the helm at Schiaparelli in 2019, Daniel Roseberry has redefined what it means to design for the modern woman. With Icarus, he continues to elevate the legacy of the house, balancing its rich heritage with a forward-thinking vision. His dedication to haute couture as an art form, rich in history, beauty, and innovation, cements his position at the forefront of contemporary fashion. Icarus is not just a collection; it’s a statement of what can be achieved when ambition and creativity reach for the sky.

Words by Claire Gaura 

The post Sculpting Fashion: Schiaparelli’s Spring Summer 2025 Haute Couture Show appeared first on Voir Fashion.

Vêtements: Urban Chic Meets Nostalgic References

Vêtements lived up to its reputation for embracing chaos and culture with its “Time to Clean Up the Mess” collection. The star-studded runway opened with Travis Scott, who strode down the runway in a striking black lacquered moto suit that set the tone for the rest of the show. Anok Yai, in a mini black dress, followed closely behind, radiating confidence as she embodied the brand’s raw edge.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Gigi Hadid turned heads on the runway in a striking outfit reminiscent of Kim Kardashian’s iconic Balenciaga look. The collection, featuring a playful interpretation of urban style, included elements like packing-tape yellow ensembles adorned with DHL logos.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Marcia Cross, best known from Desperate Housewives, made a surprise appearance in a head- to-toe black ensemble, commanding the runway with poise.

The show almost ended in dramatic fashion as Anok Yai returned to close the show in a fluffy wedding dress, contrasting with the predominantly dark palette that preceded it.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Rick Owens: A Hollywood Fantasy

Rick Owens brought a cinematic flair to his SS25 collection, transforming the Palais de Tokyo into a stage for high drama. As the rain poured outside, the sun miraculously broke through, creating a fitting backdrop for Owens’ exploration of old Hollywood glamour.

This season, he invited students from Paris design schools to model, promoting inclusivity and diversity on the runway.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Owens’ collection showcased flowing silhouettes, combining ethereal elements with avant- garde designs. The models walked gracefully, despite the slippery conditions, embodying the freedom that Owens champions. From denim cutoffs to inflatable boots, the collection balanced high fashion with a spirit of rebellion, capturing the essence of Owens’ artistic vision, seen with black lentils.

Image Credits: Vogue Runway

Mugler: A Dark Floral Fantasy

Casey Cadwallader’s Mugler collection offered a striking contrast to the pastoral themes of previous seasons. Drawing inspiration from his gardening experiences, Cadwallader infused the collection with a sense of menace and complexity.

Cadwallader’s designs featured sharp tailoring, with sculptural details around the hips and shoulders, mimicking the bloom of a flower in a distinctly Mugler fashion.

A standout piece was a black dress that burst into a vibrant turquoise flower made from layers of organza. This season marked a return to Mugler’s roots, balancing drama with sleek, futuristic tailoring while maintaining a darkly romantic edge.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

The collection was a visual feast, emphasizing the importance of silhouette and structure while remaining true to Mugler’s roots. With a blend of elegance and edge, Cadwallader proved his ability to recontextualize the house’s legacy while paving the way for the future.

Valentino: The Return of Maximalism

Alessandro Michele‘s return to Valentino after a two-year hiatus was met with excitement and enthusiasm. The show, held at the Dojo de Paris, featured an extravagant array of looks that celebrated the designer’s flair for maximalism. The collection was a vibrant display of colors, textures, and embellishments, reminiscent of Valentino’s iconic style.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Michele drew inspiration from the house’s archives, blending references from the 60s and 80s while adding his unique twist. With an emphasis on ruffles, bows, and luxurious fabrics, the collection exuded a sense of joy and extravagance. The finale featured models adorned with statement accessories, showcasing Valentino’s commitment to a glamorous and whimsical aesthetic.

Image Credits: Vogue Runway

Balmain: Embracing Individuality

Olivier Rousteing’s Balmain SS25 show was a love letter to the brand’s legacy, with a focus on beauty, craftsmanship, and inclusivity. Rousteing, who has been at the helm of Balmain for over a decade, showcased his commitment to broadening fashion’s spectrum with a cast that included women of all generations. Something that definitely retentisse inside us, at Voir Magazine.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

The highlight of the show was the introduction of Balmain Beauty, with dresses and jackets adorned with hand-embroidered pearls and textures that mirrored the brand’s new fragrance bottles. This celebration of beauty was a defining moment for the brand, signaling its expansion into a broader luxury category.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Cecilie Bahnsen: Blending Nature and Whimsy

Cecilie Bahnsen‘s latest collection embraced the outdoors, featuring elements inspired by her love of nature. Collaborating with Japanese artist Takashi Homma, The North Face and Asics, Bahnsen infused her designs with a sense of whimsy and functionality while upping w-cultural references. The collection included garments that seamlessly merged fashion with practicality, showcasing a playful yet elegant aesthetic.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

The collection also featured drawstrings, technical buckles, and 3D floral motifs, adding a sense of practicality to her otherwise romantic designs. Bahnsen’s use of recycled nylon and organza showed her commitment to sustainable fashion, making this collection both beautiful and responsible.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

Saint Laurent: A Tribute to Classic Elegance
Anthony Vaccarello’s Saint Laurent SS25 collection paid homage to Yves Saint Laurent

himself, drawing inspiration from the designer’s personal style.

Bella Hadid made her much-anticipated return to the runway in a sharp, double-breasted black suit, complete with a tie and thick-rimmed glasses—a clear nod to the late designer’s own style.

Image Credits: Vogue Runway

Impeccable tailoring, oversized aviator jackets, and bold accessories dominated the runway, with each look exuding power and precision.

Vaccarello’s ability to blend masculine tailoring with feminine details created a collection that felt strong yet elegant. The use of vibrant colors like fuchsia, kingfisher blue, and daffodil yellow added a playful touch to the otherwise structured silhouettes.

Image Credits: Vogue Runway

Image Credits: Vogue Runway

As Paris Fashion Week SS25 comes to a close, these collections showcase the incredible diversity and creativity of today’s top designers. From Mugler’s dark romance to Valentino’s joyful maximalism, the runways were alive with innovation and individuality. Each collection left its mark, reminding us that fashion is not just about clothing—it’s about storytelling, identity, and self-expression.

Words By

The post Paris Fashion Week: Highlights from the Most Captivating Runways appeared first on Voir Fashion.

Cardi B

Make your lips the centre of attention in a look that is bold and bossy. A flawless, natural base gives way to the dramatic lip line in a deep, striking black completed with natural lip colour is the perfect way to marry the weird and wonderful. If you’re looking for an accessible but professional looking style that is sure to turn heads this autumn, this is the look for you.

£ £23.20

Bobbi Brown Crushed Lip Color

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https://www.bobbibrown.co.uk/product/2342/49493/makeup/lips/lipsticks/crushed-lip- color#/shade/Sweet_Coral

£ £20

M.A.C lip pencil

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https://www.maccosmetics.co.uk/product/13852/340/products/makeup/lips/lip-pencil/lip- pencil?shade=Caviar

£ £33

Dior Addict Lip Glow Oil

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https://www.dior.com/en_gb/beauty/products/dior-addict- lip-glow-oil-Y0124000.html#pink-lilac

Kylie Jenner

Queen of makeup, Kylie, was seen embracing classic and sophisticated Parisian style in her makeup look for the Schiaparelli show. Seen with flawless matte base matched with a cool toned, natural eye and perfectly rosy cheeks, but what we’re loving is her million-dollar lips, coated in a glossy, glass like pink shade to contrast the matte look. Another take-away from this look is the deeper lipliner which seems to be the trend of the season!

£ £31.60

Yves Saint Laurent All Hours Luminous Matte Foundation with SPF 39 25ml

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https://www.debenhams.com/product/yves-saint-laurent-all-hours- luminous-matte-foundation-with-spf-39-25ml_ydd08578?colour=ln6

£ £20

Kylie Cosmetics Lip Shine Lacquer

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https://kyliejennercosmetics.co.uk/products/lip-shine- lacquer?variant=44067991781563

£ £31

Benefit Shellie Warm seashell-pink blush

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https://www.benefitcosmetics.com/en-gb/product/shellie-warm- seashell-pink-blush-SHELLIE.html

Mae Tan

The gorgeous Mae showed her sophisticated side
in Paris this week, bringing a cat eye to the
catwalk done with expert precision using a pencil
to achieve a slightly softer, blurred effect.
Drawing the eye outward with a parallel waterline
flick created an elongated effect and with
prominent eyelashes, a Tim Burton-esque vibe is
achieved, the perfect deep look for autumn.
Natural, fluffy eyebrows in a cool, lighter shade
complement the look by playing a submissive role, not drawing attention from the dramatic eye. A deep brown lip is making us swoon and the blurred lip line, having the appearance of just being kissed, is a soft but daring touch.

£ £35

Chanel STYLO SOURCILS HAUTE PRÉCISION

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https://www.chanel.com/gb/makeup/p/191160/stylo-sourcils-haute-precision- microfine-defining-eyebrow-pencil/

£ £22

Charlotte Tilbury THE CLASSIC CLASSIC BROWN Previously “Audrey”

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£ £37

Gucci 123, Auroral Amber, Rouge à Lèvres Mat Lipstick

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https://www.gucci.com/uk/en_gb/pr/beauty/makeup/lipstick/matte- lipsticks/123-auroral-amber-rouge-a-levres-mat-lipstick-p-

6112349PL129123

Normani

Receiving the Alexander Echeverri treatment in Paris this week, the gorgeous Normani is bringing smoky back in expert cool toned, matte eye look. In a new highlight technique for autumn, precision takes new meaning in the simple yet jaw dropping highlight along her nose which isn’t seen on the cheekbones, a usual highlight staple, with the rest of the complexion being matte and natural. The lip look of the season is seen tying the face together with deep brown liner encasing natural pink lips.

£ £20

Morphe 18CT Matte Essentials Artistry Palette

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https://uk.morphe.com/products/18ct-matte-essentials- artistry-palette

£ £42

Hourglass Ambient Lighting Finishing Powder

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https://www.hourglasscosmetics.com/products/ambient- lighting-finishing-powder?variant=29474685550710

£ £30

Trish Mcevoy Brush

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Gabbriette

Grunge queen Gabbriette has been channelling Y2K in this subtle yet nostalgic look. Her thin brows are the centre of attention, minimally filled and accentuated with a pop of slightly shimmery highlighter around the brow bone. With little bronzer and blush in the look, the complexion is heavily dependent on a good quality, skin like foundation and concealer to emulate the natural skin while giving a sheer, luminous coverage. The perfect nude pink has also been used to enhance her natural pigment, but not overwhelm the look.

£ 34

Charlotte Tilbury Hollywood Flawless Filter

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https://www.charlottetilbury.com/uk/product/hollywood- flawless-filter-shade-1-fair

£ £27

Clarins lip oil balm

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£ £31

Touche Éclat Illuminating Pen

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Gabbriette’s dark look

In a more dramatic variant of Gabbriette’s
flawless base, she explores how a bold smoky eye
is the perfect homage to Parisian fashion,
producing an air of sophistication around an
edgy, grunge look. The charcoal lid shade
features some prominent blue undertones and is
bluntly dragged across the lid and town to the tear
duct. Softening the look and producing the
smoky, blurred effect is a complementary brown
shade, seen lifting the colour into a slight cat-eye,
and lining the waterline, surrounding the eye. Matched with a cool toned pink lip gloss, we’re loving the Y2K vibe.

£ £44

Urban Decay The Original Naked Eyeshadow Palette (LIMITED EDITION)

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https://www.urbandecay.com/original- naked-eyeshadow-palette/ud1285.html

Brenda

For the Dior show at Paris this week, the iconic
Brenda was seen in a natural ‘woke up like this’
complexion with a gorgeous berry lip. The low-
coverage foundation gave her an airbrushed look
while remaining light and almost transparent on the
skin, acting as a subtle colour corrector on her
porcelain skin. The slightly pink shade around the
eyes, particularly on the water line, ties in with the
berry lip to give the look a sense of ‘completeness’
as the berry shade appears at the top and bottom of
the face creating a sense of unity. Complete with her full, fluff brows, we’re loving how she’s embracing her freckles and showing the world you don’t need layers of high coverage, removing uniqueness, to be beautiful.

£ £40

Chanel Rouge coco flash

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https://www.chanel.com/gb/makeup/p/174096/rouge- coco-flash-colour-shine-intensity-in-a-flash/

£ £28

Laura Mercier RoseGlow Caviar Stick Eye Shadow

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https://www.lauramercier.co.uk/products/roseglow- caviar-stick-eye-shadow?variant=48674286633256

£ 20

Glossier – Perfecting Skin Tint

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https://uk.glossier.com/products/perfecting-skin- tint?variant=41611457167407

Jordan Grant

Spotted in Paris embracing a blue eye shadow with a modern twist is Jordan at the Balmain show. The sheer blue with slight shimmer on the eye brings a pop of colour to her deep brown eyes, and a perfectly sculpted brow sits strongly above to combine the neat and playful. The look further embraces a dewy, lustrous glow in the cheeks, using pink highlight, and lips, using a natural pink gloss, to encapsulate a Y2K shine, contrasting a contemporary strong brow which we’re loving for autumn.

£ £50

SUQQU

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https://www.selfridges.com/GB/en/product/suqqu- signature-colour-eyes-eyeshadow-palette-

62g_R04385649/#colour=143%20Niwakayuki

£ £44

HOURGLASS Ambient Lighting Blush 4.2g

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https://www.selfridges.com/GB/en/product/hourglass- ambient-lighting-blush-42g_1112-3005965-

CBLM254/#colour=ETHEREAL%20GLOW

£ £32

VICTORIA BECKHAM BEAUTY BabyBlade eyebrow pencil 5.3g

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https://www.selfridges.com/GB/en/product/victoria- beckham-beauty-babyblade-eyebrow-pencil-

53g_R04225653/

Jourdan Dunn

Undergoing a gorgeous Sophia Sinot makeover is
model Jourdan Dun for the Balmain show at Paris
Fashion Week. In completely flawless beat, we’re
stunned by the creaseless blending of the base which
seamlessly blends into eyeshadow. The lighter toned
concealer adds a natural highlight to the face, namely
undereye, chin, and nose, without an overpowering
shimmer. The sharp eyeliner has been buffed with
eyeshadow into a smoky effect towards the outer crease to create a blurred cat eye, and the tight liquid line defines the eye with expert precision, and an extremely steady hand! The lip, as we’ve seen a lot this season, utilises a dark liner around a natural shade and that glass-like gloss gives the perfect shine.

https://www.dior.com/en_gb/beauty/products/dior-backstage-face-body-flash- perfector-concealer-Y0262001.html

£ £28

Dior Backstage Face & Body Flash Perfector Concealer

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https://www.yslbeauty.co.uk/makeup/eyes/eyeliner/couture-liquid- eyeliner/WW-22304YSL.html?dwvar_WW-22304YSL_color=N°1

£ £28.58

YSL Beauty Couture Eyeliner 13g

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lacquer/15212889.html?affil=thggpsad&switchcurrency=GBP&shippingcountry=GB&variation=152 12860&gad_source=1&gbraid=0AAAAA9UeUNIE9ojX5hn2JwRWcRiaMmFuo&gclid=Cj0KCQjwr 9m3BhDHARIsANut04agx2N7pqIx6BZuNqTiGxemjJ0jBTilISNqKWblDDXP0F2C8YUlal4aAmD MEALw_wcB

£ £28

Glazé Lip lacquer – Gala

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Words By Isobel O’Connor

The post Chic & Bold: 9 Beauty looks from Paris Fashion Week appeared first on Voir Fashion.

Side Partings At Courreges

Side partings are back in a big way (sorry Gen Z) and we’re just glad we’re here to witness it. Models at Courreges strutted down the runway in the controversial style and looked effortlessly cool and glam, could this be the biggest hair shift of the year?

Sweating Glitter at Anne Isabella

Glitter has made quite a name for itself over the past two years, and that shows absolutely no sign of stopping as we enter the new season. Models at Anna Isabella walked the runway with shifting highlights generously placed around their eyes and nose – that’s certainly one way to stand out this fall!

Androgenous Cuts At The Row

We knew suits regardless of gender is officially in, but from the scenes at The Row, so are androgynous cuts! Models walked Mary Kate and Ashley’s runway in jaw-enhancing cuts, and proved that a masculine haircut can still be extremely glam and effeminate with the right styling.

Dark Glitter Eyes At Dries Van Noten

As we’ve mentioned, glitter is back, but you don’t need to douse yourself in it to accomplish the look. The models at Dries Van Noten walked the SS23 catwalk with oily, sparkly eyeshadows in blues and yellows and had a far grungier look than what we are used to.

Raw Beauty At Cecilie Bahnsen

It wouldn’t be Paris fashion week without models with perfect skin absolutely glowing down a runway with what seems like only a little bit of chapstick on. The natural glam look has been making waves recently, and the youthful look was spotted most notably at Cecile Bahsen.

Waves at Acne Studios

Beach ready waves were seen across Acne Studios SS23 show, from long beachy waves to short, bleached waves. The style was genderless, and definitely gave off a devil-may-care vibe. After all, you never want to seem like you’re trying too hard in Paris.

Oil Slick Hair

Gold Features at Balmain

Balmains hair and beauty were understated this season, in favour of gold features which set them apart from the other shows. Gold piercings were seen from start to finish, with models glowing slightly as they caught the light. This is definitely an edgier alternative to the gold trend we’ve been seeing pop up recently, and you don’t even need to have your nose pierced to accomplish it.

Big Hair At Rocha

Big hair is back (was it ever really gone). 80’s crimped hair pinned to the side or worn loosely was quite the spectacle at Rochas Paris fashion week show, and contrasted beautifully against the elegant gowns. Bold, berry lips were also on trend – as they were at Milan Fashion week – so make sure to find your old MAC lip from your Tumblr days.

Words by Giuliana Zamudio-Lopez

_{Header image: Cecilie Bahnsen}

The post Here’s Your PFW 2022 Mid-Week Beauty Rundown appeared first on Voir Fashion.