DSQUARED2 celebrated their 30^th anniversary last night by turning the runway into a New York club scene, even including a gathered crowd outside, for the ultimate birthday bash. 

The runway was graced by famous faces in leu of their 30^th anniversary. The stars that featured were Alex Consani, Irina Shayk, Isabeli Fontana, Tyson Beckford, and of course iconic supermodel Naomi Campbell closing the show, and not forgetting a special performance from JT at the end.

Doechii kicked off the show as she pulled up in a military-style vehicle exiting with dollar bills and in an army inspired look; wearing denim booty shorts, an oversized chunky brown belt, and a green corseted jacket, she stormed the runway along with a makeshift cigarette packet fixed to her sleeve which she pulled a cigarette out of.

Born in Canada, Made in Italy, is the founding brothers, Dean & Dan Caten’s slogan but it’s clear their inspiration was drawn from America as we saw Western cowboy tropes, biker leather and an abundance of New York City references including the classic yellow taxis and NYPD cars. 

Dean and Dan unveiled heavy duty denim, studded leather jackets, fur trims, a whole lot of army green, plus the return of DSQUARED2’s iconic Skate Boot. Cowboy references ran deep as the audience saw a heavy nod towards the trend that’s been so prominent over the past year and clearly on its way to making a return this autumn. Brought to life by the models strutting in cowboy boots with silver accents, leather chaps and jackets, flannel shirts and neckties, and not forgetting the most important accessory – the cowboy hat (and a belt here and there) to bring the looks together.

Renderings of leather and denim played a significant role in DSQUARED2’s show, seen as both gilets, bottoms, and everything in between, and most importantly Naomi Campbell’s whole ensemble including thigh high leather boots for the finale. This along with a few baker boy caps dotted throughout gave a nod to a sort of 1930s American pluck.

DSQUARED2 didn’t forget about America’s punk-rock era with nods towards the band KISS in both the makeup and the clothing which included their logo as the show started to draw to a close. We also got a bit of 70s disco thrown into the mix with neon catsuits, jewelled disco ball dresses, a multi-colour sequin tank, and a roller skater in a fishnet vest with a bedazzled denim jacket performing jaw dropping tricks on the runway.

To finish the show off, the DSQUARED2 brothers pulled up in an NYPD cop car and were walked down the runway in handcuffs by a police officer. Arrested for that bombshell of a show? We should hope so.

Words by Zlata Gavula

The post DSQUARED2 really said icons for their 30 anniversary collection appeared first on Voir Fashion.

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The Dsquared2 Spring/Summer 2025 collection featured a vibrant colour palette that played with contrasts and harmonies. Bright neon shades of pink, green, and orange were juxtaposed with more subdued tones of beige, white, and black. The use of innovative fabrics was a standout feature, with materials ranging from sheer organza to metallic leather, creating a dynamic interplay of textures and finishes.

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The collection was a testament to Dsquared2’s ability to fuse disparate styles into a cohesive whole. The runway saw an eclectic mix of oversized streetwear, tailored suits, and glamorous evening wear. Baggy cargo trousers were paired with tailored blazers, and elegant dresses were accessorized with chunky trainers.

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This year, the Caten twins placed a strong emphasis on sustainability, showcasing pieces made from recycled and eco-friendly materials. The collection also highlighted the impeccable craftsmanship that Dsquared2 is known for, with intricate embroidery, hand-painted designs, and meticulously crafted accessories.

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Several standout pieces captured the audience’s attention, such as a thigh-length metallic trench coat that shimmered under the runway lights and a series of sheer dresses with bold floral appliqués. The theme of transformation and duality was prevalent throughout the collection, with garments that could be worn in multiple ways, reflecting the versatility and adaptability of modern fashion.

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The front row was graced by an array of celebrities and fashion icons, including Mia Khalifa, sporting a daring custom Dsquared2 outfit including a faux fur shawl and black, satin slip skirt and tiny, heart-shaped nipple covers. Singer Bad Gyal also attended, wearing a short, sheer, lace, and sequin encrusted mini dress and clear, acrylic heels. Other stars in attendance also include singer and actor Aron Piper, and fashion stylist Anna Dello Russo – both wearing Dsquared2. 

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The Dsquared2 Spring/Summer 2025 show at Milan Fashion Week was a spectacular celebration of innovation, sustainability, and style. Dean and Dan Caten once again proved their ability to push the boundaries of fashion while staying true to their brand’s identity. The collection not only captivated the audience with its bold designs and vibrant colours but also set a new standard for future fashion shows in terms of creativity and sustainability. As the fashion world looks ahead, Dsquared2’s latest collection will undoubtedly be remembered as one of the highlights of Milan Fashion Week 2025.

_{Written By Bethan Gwynne}

The post Dsquared2 Spring/Summer 2025: A Spectacular Showcase at Milan Fashion Week appeared first on Voir Fashion.

Antonio Marras

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Antonio Marras invited us to his fairy tale, as the show began with a theatrical performance of an Italian romantic story, starring Filippo Timi and Anna Della Rosa, who wore impressive, patterned garments themselves. With an ivy-covered bower as the central scenery prop, the show included sensual, mesh, flowery dresses and breathtaking, theatrical, fuzzy jackets, mantles, and accessories. The governing idea behind many full-length dresses and mantles was to combine heavily patterned fabrics to create an original, mesmerising whole. 

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Marco Rambaldi

Flowery patterns on mesh dresses, varied combinations of textures, and playing with forms and fabrics were also the main ideas of Marco Rambaldi’s new collection “Memento Amori FW24.” Have a look at this playful pistachio dress with bikini-shaped ornaments, a set composed of a mesh top, vegan leather pencil skirt, and velvet patterned jacket, or a half-transparent, turquoise, crochet dress with a silver, silk tie, long black socks, and a comfy zip hoodie. In this mixture of wool, leather, mesh, and velvet, Rambaldi maintained a romantic vibe of his comfy, yet elegant and sensual looks. 

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Sarawong

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Ethereal, magnetic, nymph-like – these words best describe the collection “Blossoms Sand,” presented in Milan by SARAWONG. From full-length flowery dresses to a vegan leather jacket paired with a sequined skirt, SARAWONG combined sensuality and elegance with a magical touch. Look at the hypnotising facial expressions and vivid makeup of the models wearing delicate ecru velvet dresses or transparent white lace skirts – not forgetting about the massive, fuzzy hats, following the trend of fluffy fabrics and oversized, almost theatrical garments that we get to see in multiple shows.

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Diesel

Diesel offered a more industrial, alien, and cosmic vibe than the other shows – but remained very sensual at the same time. There the patchwork got even more intense, and the fabrics even fluffier and heavier. The show was surely one to be remembered, with models wearing (fake) fur jackets, ripped flowery full-length dresses, patchwork jeans, and lion-like headscarves, walking with 1000 online viewers’ faces in the background. Diesel’s Creative Director, Glenn Martens, arranged this unusual show scenery, “creating a live mega-voyeur experience for everyone”. What added even more to the originality of the show was the avant-garde makeup and coloured contact lenses, creating an alien-like atmosphere. And maybe this time the show wasn’t about romantic fairy tales and nymphs, but it was still otherworldly and sensual – just a little bit edgier, and with a dose of industrial, cosmic vibes. 

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February 22nd proved that the 20th century still has much to offer to contemporary designers, inspiring them to rework the old forms. Day 2 of Milan Fashion Week brought 70s-like, oversized suits and jackets with padded shoulders, classy trenches, forever young turtlenecks and vests, all in basic colour palettes – black, white, grey, beige, and navy. However, the shows weren’t a mere tribute to the old days – the traditional forms of garments were experimented with, and bright and neon colours also found their way onto the runway. 

Calcaterra

Basing the collection “Materia” on considerably oversized, grey and brown suits and classic looks, Calcaterra experimented with the outfits, going for unconventional necklines, asymmetry, and artistic, flowery embellishments put on shoes and trenches, which gave them a fresh, avant-garde look. The traditional suits you’d normally wear to the office got a haute couture touch, thanks to the layers of silky fabrics, slit skirts and blouses. Trenches got gigantic pockets, and two-part, folded bags completed the outfits. 

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MM6 Maison Marigela

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MM6 Maison Margiela also opted for 70s-inspired sets of big trenches, smart turtlenecks and avant-garde bags (see the triangular red one!). Vests got prolonged, padded-shoulders jackets got a black, silk edging trim, paired with ripped green jeans, and the classic 70s suits looked like coming straight from a colourfest. Elegant, long black coats were turned into vests, completed by black, massive leather boots. 

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Moschino

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Moschino’s debuting creative director Adrian Appiolaza offered a deconstruction of classic, old-school office looks, with models wearing shirts made into dresses, cotton boxer shorts, and carelessly worn ties in the show “Collezione 0.” Next to smart, black coats, there were paper boat hats and lingerie-inspired skirts. Good, old baggy jeans and comfy sweaters got a fresh look thanks to maxi ruffle skirts in red and pink. 

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Tom Ford

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Tom Ford’s show, directed by Peter Hawkings, was a celebration of the 70s iconic style at its fullest, with models looking like Hollywood divas from the era, wearing beige furs, golden sequined dresses, belted trousers, and brown square sunglasses. Ford experimented with classy maxi dresses, making them purple and transparent or glittering from top to bottom. The elegant, tailored suits were presented in velvet and satin, while the reinvented all-leather looks included skinny jumpsuits and crocodile-like, beige sets. Turtlenecks were both in modern, transparent mesh jumpsuits and as part of classic outfits with navy, gold-buttoned pea coats. 

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GCDS

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The show by GCDS was the most extravagant composition of the old and the new, titled “Toys For Adults.” The Creative Director, Giuliano Calza, prepared classy leather sets and elegant white suits on the one side, and red fuzzy dresses, Hello Kitty bras, Polly Pocket, and Chucky accessories on the other, which were to help us rediscover our inner children: “beautiful kids, broken inside, tormented by expectations, suddenly forgot how to play. Gcds is a dream, is creation, but we all live with current demons in burgundy times,” explains Calza. And so, smart, padded-shoulders jackets were ornamented with huge roses, velvet evening dresses were accompanied by edgy Hello Kitty bras, and white suits followed sensual lingerie mesh sets. 

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_{Written By Julia Sulkowska}

_{Header Image By Mia Washbrook}

The post Our Favourite Shows From Milan Fashion Week FW24 appeared first on Voir Fashion.

Set to the rhythm of ‘Girls Just Wanna Have Fun,’ models confidently strutted down the runway, reminiscent of an 80’s disco club. The collection featured a mix of eccentric colors that complemented the dazzling spectacle and playful designs. A diverse range of garments, showcasing Philipp Plein’s commitment to pushing boundaries, made their way down the runway, creating an eccentric fashion showcase.

In this show, women exuded femininity, and men embraced masculinity, all while the vibrant colors and prints fostered a playful and charming atmosphere. Dramatic mini dresses and miniskirts dominated the runway, while graffiti prints and Swarovski-plastered platforms captured everyone’s attention. The roller disco dancers infused the event with a lively, electric, and fun atmosphere.

Cropped tailored jackets, tracksuits, sporty underwear, and biker pants in various colors added a touch of sobriety to the already dynamic and eye-catching collection. The lineup also included rainbow paillette dresses and bedazzled denim pieces, contributingto the disco theme and blending sensuality, playfulness, and boldness.

This collection embodies Philipp Plein’s philosophy and commitment to delivering well-crafted pieces while creating an eccentric universe around his brand. The colours, lighting, and glitter not only created a visually striking show but also conveyed Philipp’s vibrant artistic vision and created an eclectic display of joy.

To top of this high fashion spectacle, Plein Land was graced by Quavo to kick off the night, and Saweetie who performed her hit ‘Best Friend’ to close the show. And we think Saweetie was the perfect choice to celebrate this collection with.

_{Written By Carolina Benjumea}

^{Header Image: Phillip Plein}

The post Phillip Plein Between 80’s Disco And Feminine Allure appeared first on Voir Fashion.

Prada

Every year, the Prada show is shrouded in secrecy as we await one of the most anticipated shows of the season. And this season, the Italian giant welcomed us into their effortlessly cool and chic home.

Greeting us in the front row of their Fondazione Prada base were the A-list guests in full: Rosalia, Kylie Jenner, Hunter Schafer, and Emma Watson, amongst many others. Co-creative directors Miuccia Prada and Raf Simmons worked hard on their womenswear SS24 collection– and in it, they gave us the minimalist and elegant uniform we need to hustle as hard as they do.

But this time, their workwear attire and signature ugly chic aesthetic had an element of fun. Layered fringes, distressed floral patterns, and golden foil joined the otherwise monochrome colour palette. A master atjuxtaposition, Prada contrasted its signature boxy silhouettes with delicate pastel-toned organzapieces.

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For their Menswear SS24 follow-up show, you didn’t know what to gawk at first; the front row, the chic clothes, or the slime leaking from the ceiling.

Diesel

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Expectations are sky-high when you’re on top, but somehow Glenn Martens met them once again. The ‘Only For The Brave’ collection lived up to its name as guests braved the rain to watch Diesel’s latest show. But that didn’t stir them from cheering and hollering as models walked through the Scalo Farini rail yard space (where Gucci used to show).

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The 7,000 people rager got especially loud when they thought Bella Hadid finally made her big runway reemergence, only to discover it was a lookalike model. But the triumphant return that really did happen was last year’s viral belt skirt– only this time it was half transparent. The naked look was a common theme too, with tight silhouettes in nude colours and underwear-gracing hemlines.

Although Martens did adopt trends like the ‘sheer dress’ and micro skirts, brand signatures also made an appearance. Denim-on-denim-on-denim was the name of the show, as trousers were triple-layered and the material distressed to the point of destruction. Some of the garments also had parodied movie posters (i.e. Batman) stamped on them. So much was going on, and yet the whole collection was somehow cohesive. Through an acid-washed and muddied colour palette, shredded jersey, and thrashed tuxedos, Martens created the ultimate stylish wardrobe for the apocalypse. Although the weather predictions proved awry, the forecast for today’s coolest brand is still positive: it is the moment.

Blumarine

If Diesel styled us for the apocalypse, Blumarine dressed us for heaven. Purity and romance shone a light on the usually Y2K-focused brand, with angel hues like violet, gold, and pristine white.

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Early aught stapes including tube tops, ultra-low waists, and wrap dresses still sneaked in an appearance though. And just in case you missed the theme, Nicola Brognano sent models down the runway with feathered wings on their backs. But those weren’t the wings stealing the show; Blumarine’s signature butterflies were everywhere from brooches, corsages, knitted patterns, and even as a devilish underwear bottom.

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This pop of mischief was sprinkled even more with the black skin-tight silhouettes, plastic dresses with metallic studs, and sheer material. With exquisite tailoring, tulle materials, and whimsy floor-sweeping gowns, Blumarine gave us an unexpected sophistication to their usual nostalgia, with an ethereal collection that beckons us to the light side.

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If the fashion world is praying to angels above, this season they’re bound to be dressed in Blumarine.

GCDS

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For their SS24 show, Giuliano and Giordano Calza replaced their usually bright and cheeky clothes with softer colours and more sophisticated designs. But they didn’t ditch their signature salaciousness altogether, showing barely-there shorts, tiny bras, exposed thongs, and plenty of sheer tank tops.

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Mia Khalifa and Alessandra Ambrosio watched from the front row as Calza turned up the notch on the Canadian tuxedo, presenting denim trench coats, mini dresses, and even knee-high boots. Inspired by the Calzas’ hometown of Naples, designs were also filled with Italian motifs and sailor stripes that had us dreaming of summering on the coast.

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The brand didn’t shy away from that European luxe either, delightfully surprising us all by closing the show with very off-brand sequinned, voluminous evening gowns. This refinement was also obvious in the monochrome suits, structured sweaters, and silk trousers. A preppy element was injected into the show too, with shirts that read ‘TI AMO GCDS” and oversized varsity jackets that have us wanting to enrol in college to justify buying them.

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Although this was an unexpected collection for the label, it still didn’t disappoint. When in doubt, choose GCDS.

Tom Ford

How do you replace Tom Ford at Tom Ford? Just ask Peter Hawkings. After working in close-knit with the designer himself for over 25 years, Hawkings presented his debut collection for the eponymous brand. And even if the name behind the brand is retired, the collection was Ford to its very core.

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‘Glamour, sexiness, elegances, and beauty’, in Hawkings’ own words. It was nothing disruptive but that wasn’t the point. It was a consistent reinforcement of the high-quality staples the brand is famous for, from the reinvention of Ford’s iconic 1996 belt buckle to the shirts unbuttoned past their navel. The colour palette was just as consistent, full of brown, cream, and black, with a brief interlude of pastel pink and blue hues.

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The show even homogenised men and womenswear, sending both genders down the runway in velvet suits and shiny mock croc. Before the British designer took the reigns the brand was in a ‘Parent Trap’ style situation, with Hawkings leading menswear from London and Ford womenswear from LA. Although the tiny shorts that were stars of the show were worn exclusively by the female models, it’s clear that the Tom Ford woman is approximating the man and vice versa. After establishing so strongly the brand’s codes into his SS24 collection, we can’t wait to see how Hawkings adds his own flair in the future.

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But for now, we’re glad to say that Ford-the man, the legend, the legacy lives on.

^{Words by Alexia De Las Heras}

^{_{Header Image: @Prada Instagram}}

The post The Catch Up: The Biggest Fashion Shows At MFW appeared first on Voir Fashion.

Gigi Hadid’s Bridal Look for SS19

One of the most iconic moments of Jeremy Scott’s career at Moschino has to be the SS19 show. The show began with a phone call from the one and only Gigi Hadid who warned Scott that he was late for the SS19 runway, Jeremy then declared that all he had for this collection were some sketches, a designer’s worst nightmare. Despite the implied chaos, Gigi Hadid closed the show in an impeccable bridal look with a train of butterflies following her down the catwalk. This was a moment that stopped everybody in their tracks, it was all anyone was talking about, and looking back on it now, we remember why.

He Predicted Midsommar for SS18

Jeremy Scott’s SS18 collection for Moschino was ahead of its time. You might be wondering how this collection was predicting the future, but if you look at the last few looks from the show some of the looks may remind you of a certain dress worn by Florence Pugh in 2019’s Midsommar. The moment that Dani is crowned the May Queen and is veiled in a gown of flowers has been recognised within pop-culture as one of the most iconic fashion moments in film (and that it was). Celebrities such as Ariana Grande and Halsey even entered into a bidding war over the gown. And while the Moschino looks were not the same as Pugh’s elaborate gown, the they definitely shared Midsommar’s floral influences. Spekaing of Moschino and the film industry, this collection was also home to Zendaya’s iconic butterfly dress that she wore to the premiere for The Greatest Showman. 

_{^{Photo Credits: Vogue Runway}} 

Moschino or McDonalds for Fall 2014

For their Fall 2014 collection, Moschino shocked us all. Never in a million years would we have guessed that McDonalds would work its way onto the runway, but Jeremy Scott made that happen. Inspired by Franco Moschino’s own satirical outlook on the high-fashion industry Scott incorporated ‘junk’ into this collection, this time through junk food. The red and yellow combination was universally recognisable and the infamous ‘golden arches’ were bent into a heart-shape as a subtle nod to ‘Love Moschino’. 

_{^{Photo Credits: Vogue Runway}}

Puppetry for SS21

SS21 saw many shows go digital due to the Covid-19 pandemic, a development within the industry that required a lot of creativity. No-one seemed to jump at this opportunity as much as Jeremy Scott though, who recruited none other than Jim Henson’s Creature Shop to create 30-inch puppets to model his collection. Yes, you read that correctly, 30-inches. This meant that for every look there was a miniature, puppet-sized version ready to be modelled. This moment brought excitement and whimsy in a time of uncertainty and fear as Jeremy Scott did what he does best, made fashion playful again. There was even a puppet version of Scott himself who came out to close the show.

_{^{Photo Credit: Vogue Runway}}

‘Let them eat cake’ for Fall 2020

Inspired by Marie Antoinette, Moschino’s Fall 2020 collection was dramatic, extravagant and over-the-top, but what else would you expect from the 1800s? The Queen of France was the perfect muse for Jeremy Scott who always favours the elaborate in his work, but it also came as an exciting change from Moschino’s former investment in bringing ‘trash’ to the runway, as this time they favoured decadence. The collection was not all bustles and petticoats though, with looks inspired by Marie Antoinette’s most famous quote ‘Let them eat cake’ closing the show. 

_{^{Photo Credits: Vogue Runway}}

Moschino Barbie for SS15

 As we previously mentioned, Moschino likes to be ahead of the latest blockbusters, and while Barbie has been consistently famous since 1959, Jeremy Scott was re-imagining Barbie’s look long before Greta Gerwig. In 2014, Moschino based their entire Spring Summer 2015 collection off the character designing a fun campaign that brought dress-up into the world of adults.

_{^{Photo Credits: Vogue Runway}}

_{Words by Amelia Gregory}

^{Header Image: Jeremy Scott}

The post Jeremy Scott May be Leaving Moschino, But His Most Iconic Moments Will Never be Forgotten! appeared first on Voir Fashion.

Amina Muaddi

Leave it to Amina to give us a deliciously styled look as she attended the Prada show earlier this week. Her look consisted of a silk two piece with contrasting colours of grey and burnt orange separating the top and bottom half of the garment. She styled this beautiful look with an oversized black blazer and platform open-toe heels alongside some golden earrings.  

This look can be dressed up or dressed down depending on the occasion, her oversized blazer gives it a streetwear aesthetic but alternately the wedged heels make it more of an evening look. The options are endless with a look like this one and that’s why it is always worth having some of the staple pieces that Amina is styling in your closet.   

£ 1650

Prada Printed Satin Top

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£ 1700

Prada Printed Satin Midi Skirt

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£ 2900

Prada Spectrum Nappa Bag

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£ 670

Amina Muaddi Dalida Plateau Slipper

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Carolina Daur

Carolina Daur looked incredible at Paris fashion week with Dior in her yellow and black printed puffer dress and her lace up below the knee booties. The look is boujee and gives off, the character, Serena Vanderwoodsen energy with the short skirt and the effortlessly beautiful aesthetic. Her adorable mini yellow bag to match is the cherry on top of this fabulous look.  

She styled this look with silver jewellery which complements the colour scheme beautifully as this look includes three main colours, silver, yellow and black. As a rule of thumb, it is a good hack to use three dominant colours in any fashion look to help allow the colour scheme to shine and not be too overpowering to each other. She has carried this look beautifully and we are totally obsessed.  

£ 34

Rouge Dior Matte Lipstick

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£ 1,150

Dior CD Navy Necklace

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Jessica Wang

Love a glitter moment? This dress is everything you could wish for, Jessica has styled an off the shoulder black glitter dress that looks divine on. She has paired it with patterned tights and high platform heels alongside a gold mini bag to tie it all together.  

This look oozes glamour as you could imagine it being worn at awards ceremonies, fancy nights out and premiers. She looks like an old Hollywood actress and we are totally in love with it.  

£ 8

Boux Avenue Micro Spot Tights

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£ 1040

Amina Muaddi Angelica Plateau Pump

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£ 1309

Alexandre Vauthier V-Neck Sequin Dress

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£ 2272

Alexandre Vauthier Mini BBag Mirror Bucket Bag

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Leonie Hanne

Bonjour Paris, Leonie is pictured sitting elegantly on a terrace with the scenic city of love as her back drop as she styles an extravagant fully pink dress that quite literally could be pictured on a runway. She styled this exotic fluffy pink garment with a sophisticated baby pink purse and platform pink heels, tre magnifique!  

Leonie looks like a real life barbie doll here and she is rocking it incredibly. We love how her shoes, purse and dress are all colour coordinated and look irresistibly fabulous.  

£ 24,950

Hermes Mini Kelly || Rose Confetti

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£ 1090

Cult Gaia Shannon Dress

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£ 1040

Amina Muaddi Angelica Satin Pumps

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Yendry

Yendry is giving us sass and confidence as she rocks a look curated by Balmain. Looking feisty and sexy in this fit, that has characteristics that are similar to the beautiful cheongsam dresses, the black velvet material combined with the bold gold buckles are a match made in heaven, they compliment each other beautifully and look stunning when paired with a matching purse.  

The slit on the side of the garment is very flattering on Yendry and allows her shoes to get some of the spotlight too. This outfit is irresistible and one that like Yendry said herself, needs no caption.  

£ 914

Balmain Detailed Maxi Dress

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£ 1250

Balmain Black Leather B-Buzz Bag

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£ 975

Balmain Ava Satin Platform Sandals

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Kim Kardashian

Kim was giving us a sexy outfit that looked utterly incredible. This sassy look included a two piece that has fuchsia snake print embellished on it, alongside matching pink books that also included the snake print detailing on. The look is super glam and is very Hollywood energy. She styled this look with a double cross combo that had a pink glass stained centre alongside a matching snake print choker to tie the look together.  

Kim really turned heads with this look and it’s a great party piece to take inspiration from for your next big night out.  

£ 65

Orelia 1980S Vintage Swarovski Ruby Necklace

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£ 20

Urban Outfitters Silence + Noise Cross Pearl Multi-Layered Necklace

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£ 65

NA-KD Croc Print Stiletto Knee High Boots

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£ 525

Rick Owens Strapless Bustier Top

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£ 516

Rick Owens Fitted Maxi Skirt

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Alexandra Pereira

Alexandra styles a glittering look as she attended the Paco Robanne show that paid a special homage to the visionary founder of the house, whom recently passed. She has a glittery vision and styles a full length dress that has stars spaced out all along the garment. She styled this look with feline sunglasses and a stylish mini green bag.  

The green and the black dress is a lovely combination as the green adds that little bit of colour and fun to the look. Wearing a black outfit allows you to go to town with your accessories as you can match every and any colour with a black outfit and change the vibe of the look easily at any moment.  

£ 389

Paco Rabanne Black Long Dress

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£ 485

Paco Rabanne Micro 1969 Shoulder Bag

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£ 189

New Rock Tower Unisex Metallic Black Natural Leather Biker Gothic Boots

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Gabrielle Caunesil

Who remembers tie dye? Gabriella is bringing it back to the main stage in a subtle but noticeable way with her outfit that is a cross between the tie dye and holographic era mixed with mesh vests.  Her look is pretty and includes a beautiful selection of pastel dainty colours with embroidered sequins as well as a bandeau that has swirls on that resemble the tie dye look.  

This look is very elegant and perfect for a dinner or a show where you want to be fashionable as well as not too over the top. The embroidered sequins on her skirt and vest are a lovely finishing detail that levels up this look and gives it that little sparkle. She had accessories for this look with block sunglasses and minimal silver jewellery. 

£ 99.99

Emporio Armani Sunglasses

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£ 24

Club Exx Cosmic Ace Metallic Bra Top

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£ 1281

Santa Brands Diamonds Maxi Dress

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Chiara Ferragni

Chiara was looking unreal in her outfit styled by Dior that consisted of a sheer see through black vest, a long wrap around skirt that has a slit along the side, triangle tights and just below the knee boots. This look was very eye-catching and very bold, something we love here at Voir.  

She styled minimal silver accessories with this look which allowed the fashion to do all the talking. We especially loved the combination of the triangle cut out tights with the black boots and this combo can be worn everyday as well as for special occasions, it’s a must have combo to have in your wardrobes.  

£ 380

Dior Fishnet Tights

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£ 1790

DIOR Empreinte Boot

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£ 6200

Dior Flared Mid-Length Skirt

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£ 630

Dior Tank Top

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Kicki Yangz

Kicki has gone for a very industrial street wear look that includes an oversized shirt, small crop top and distressed black jeans. Her shoes have studded details on the top of the toe to add that extra element of punk rock to this look. This is the sort of look we imagine Berlin fashion scene styling with a heavy emphasis on the moody punk aesthetic.  

She accessories this look with big black sunglasses that she wears on her head as an accessory to the look more than a functional element. This is a very cool and edgy look and one that you could style anywhere.  

£ 39

Topshop Ruth Leather Mule Clog In Black

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£ 722

1017 ALYX 9SM Blackmeans Distressed Straight-Leg Jeans

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£ 400

Heliot Emil Alike LS Top

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£ 1200

Heliot Emil Corset Blazer

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Charlotte Lawrence

Charlotte was looking very sexy and almost feline like in this mesh bodysuit that hugged her figure beautifully. This outfit consisted of a lace bodysuit, black underwear, under the knee black boots and a long oversized black coat. Curated by YSL, this look is undeniably alluring and gives off an almost lingerie aspect to the fit.  

We love the fact that the mesh material goes all the way down to Charlotte’s hands and doubles up as a pair of gloves for her. The detailing on the body suit is beautiful and is sure to cause a stir when styled.  

£ 1535

SAINT LAURENT Blade 110 Patent Leather Knee-High Boots

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£ 25

Jaded London Venice Lace Pedal Pushers

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£ 31

Dolls Kill World Of Wonder Lace Bodysuit

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£ 3425

SAINT LAURENT Oversized Coat In Wool

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^{Words By Sophia-fai Roche}

_{Graphics: Veronica Wong Diffa}

The post Killing It On The Streets Of Milan & Paris FW Are… appeared first on Voir Fashion.

With over 50 shows from some of the leading fashion houses in the world, there was definitely a lot to take in but don’t worry, we secured the main designers here. Milan Fashion Week was a moment to remember. 

Diesel

Milan Fashion Week gave us the collaboration that none of us expected: Diesel x Durex. The catwalk took place in front of a mountain of red Durex wrappers and was soundtracked by an intimate playlist in a show that championed sex positivity. 

The collection featured Diesel’s usual edgy denim pieces, but the most impressive by far was the way that the brand put a spin on distressed denim. Rather than the usual rips and tears that form frayed edges and loose strings; Diesel incorporated delicate mesh in a sort-of sheer darning detail. This intricate detail not only elevated the look of ripped jeans, but it also played into the ever-popular push and pull of masculinity and femininity as the aggressive rips created a jarring contrast to the delicate lace mesh. 

Roberto Cavalli

Denim was also a huge part of the Roberto Cavalli show. Cavalli’s history is rooted in denim, the designer began his career by creating Frankenstein-esque creations out of scraps of denim; this history was a central source of inspiration for Fausto Puglisi’s collection.

Alongside denim, the collection featured various looks that were constructed by a collage of leather, adding an edgier element to the otherwise bohemian inspired designs. The brown-looks felt very inspired by a 1970s rocker-chic aesthetic, highlighting the retro influences that were weaved throughout the collection.

The collection also featured a heavy segment dedicated to black lace. This section featured a variety of looks that utilised black lace; everything from feathered catsuits to miniskirts took to the runway. This collection was not only an archival-inspired homage to fashion history, but it also served to prove the sheer versatility of materials and the way that they can be used to produce a vast selection of looks.

_{^{Photo Credits: Roberto Cavalli}}

Blumarine

Set against the backdrop of a blazing ‘B’ and stony outcrop, Blumarine took us on the journey of Joan of Arc. The metallic tones put a modern spin on the iconography of Joan of Arc’s silver armour and the shearling knee-high boots featured buckles that played with designs of combat boots. Chainmail tops and dresses served to show the versatility of the collection’s muse as the looks transitioned from martyr to party girl. 

This collection took Blumarine’s usual Y2K aesthetic, which often manifested itself in hyper-feminine looks of bubble-gum pink and floral frills, down a much darker route. The grungy collection was fuelled by danger and while still feminine, the looks explored the dynamic between violence, threat, martyrdom, and womanhood. 

_{^{Photo Credits: Blumarine}}

MM6 Maison Margiela

MM6 pioneered trendy tailoring this Milan Fashion Week. The collection was made up of a variety of tailored pieces, whether they were worn in sets or as individual pieces; layered or minimally styled; deconstructed or classically built; the looks demonstrated the versatility of tailoring. In a collection that emphasised the coolness in wearability, all of the looks were elevated yet rooted in simplicity. 

We have seen many designers stray away from show-stopping, viral designs that the internet devours recently as they favour more wearable designs that can maximise sales. While this may sound like a boring development, MM6 proved that it does not need to be. This collection emphasised the possibilities that exist in our day-to-day wardrobes, an important aspect of the fashion industry that must not be ignored.

_{^{Photo Credits: MM6 Maison Margiela}}

Moschino

The Moschino Autumn/Winter 2023 collection was inspired by Salvador Dali’s ‘The Persistence of Memory’. The famous melting clocks inspired the drip-like hems of the skirts that graced the catwalk. The fluid looks were paired with distorted patterns that both mimicked Dali’s painting and added to the ‘melted’ look of the clothes.

However, halfway through the show the collection took a punkier turn. The hedgehog-spiked headpieces were worn throughout the show, highlighting the influence of punk styles on the collection, but the clothes truly reflected this theme in the second portion of the catwalk. The elaborate ballgowns and extravagant silhouettes were Westwood-esque, in what many have seen as a tribute to the late designer. 

_{^{Photo Credits: Moschino}}

GCDS

GCDS’ latest collection was inspired by the domestic, the looks took a more conservative and grown-up look to past collections by the designer, but that does not mean that the collection was plain or boring in any way. The collection featured a bag inspired by Giuliano Calza’s cat, a piece that highlighted the importance of domestic life within this collection. 

However, the domestic also came out in other forms, particularly the use of safety pins throughout the collection. This highlights not only the process of designing and creating clothes but also how clothes exist within the home. The use of such a mundane yet integral object within the collection perfectly bridged the gap between the high fashion industry and the domestic lives that inspired the looks. 

Cormio

Cormio have successfully jumped on the football bandwagon and used their show to emphasise the feminist roots behind this trend. The venue for the show was a football hall on the outskirts of Milan but, unlike the hyper-masculine world of football, women were allowed to take centre stage in this environment. 

Women in football have been marginalised and underappreciated for years and now femininity is fighting back. Instead of opting for more ‘masculine’ looks to fit in with this atmosphere, Cormio instead forced femininity into this environment, proving that there is a place for ‘girliness’ within football. The Y2K ‘punk princess’ inspired looks highlighted another traditionally masculine environment that has been successfully dominated by women for years. The pieces reclaimed sexist phrases and slurs, injecting an ironic sense of humour into the collection. 

However, our personal highlight from the collection was the hyper-feminisation of the literal football. Cormio turned the instrument of the sport, the thing that the entire game is dependent on, into a handbag in a camp reclamation of the sport. 

Sunnei

Never before have we seen a horizontal catwalk. But that is exactly what Sunnei gave us. Models gracefully traversed the traditional catwalk before partaking in an elaborate trust exercise at the end of the runway. After falling into the arms of onlookers the models crowd-surfed to the end of their runway. 

The collection itself prioritised eye-grabbing looks, from patchwork denim to fringed knits, the looks were perfect for the it-girl who wants to stand out. Much like the runway show, the collection was non-traditional but not unwearable, the looks perfected the more out-there elements of contemporary streetstyle. 

Dolce & Gabbana 

After days of online speculation, Kim Kardashian sat front row at the Dolce & Gabbana show this Milan Fashion Week in an archival red two-piece that was a modernised look from the designer’s 1990 collection. Although onlookers were yet to realise it, Kim’s look set the stage for the collection that they were about to see as the Autumn/Winter 2023 ‘Sensuale’ collection was deeply inspired by archival work.

While lingerie-inspired looks are not uncommon on the runway anymore, Dolce & Gabbana were designing these sorts of collections back in the 90s. With this context the lace-heavy underwear-as-outerwear looks that graced the catwalk this season were more historic than you might think. The collection even featured a corset from 1991 and a coat from 1997 as the designer works to bring back some of their iconic pieces. 

_{^{Photo Credits: Dolce & Gabbana}}

^{Words by: Amelia Gregory}

^{Header Image: Diesel}

The post Durex Wrappers, Catsuits and Ballgowns? Here Are Our Favourite Shows From Milan Fashion Week. appeared first on Voir Fashion.

The Wednesday Addams Effect

Ever since the hit Netflix show Wednesday graced our screens at the end of 2022, pop culture has gone wild for anything Wednesday related. At the fashion weeks, we saw a resemblance in the make-up looks that were styled on the catwalk to the aesthetics seen on the Netflix show. 

In New York, Rodarte styled bold blocked eyeliner, like the eyeliner that celebs such as Julia Fox have been pictured rocking in recent months. The gothic glam look is one that is clearly sticking around as it continues to gain popularity. Rodarte paired their eyeliner art with black lipstick to finish off this goth glam look. They used Nars products to create these killer looks; so we recommend using the Nars Lipstick in shade Heroine Red. This lipstick has a matte finish so we also recommend adding gloss on top to create that wet look that the model styled. To top it off, we think that the Nars High-Pigment Longwear Eyeliner would be perfect for creating those daring eyes. 

In London, it was Bora Aksu, Chet Lo and Simone Rocha that were honouring the gothic glam on their catwalk debuts. Bora Aksu’s looks looked like they had just stepped off the set of Wednesday, with their black lips and minimal eye makeup. Simone Roger had a unique twist to her looks that simulated the gothic glam aesthetic by having bows on the cheeks of her models as part of an accessory. Chet Lo incorporated the gothic glam by styling black bows and bow-like hairstyles, alongside black creative eyeliner and dark lips. These looks from London are all abbreviations of the gothic glam make-up trend that we’re all so obsessed with right now. 

The beauty of the gothic glam trend is that the base makeup is very minimal; it honours natural-looking skin and therefore you do not need full coverage products on your face to create this look. Using a good moisturiser and primer with minimal concealer and maybe some highlighter would be enough makeup needed to create the dewy skin look. 

When it comes down to styling some of the gothic glam looks, black lips and bold black eyeliner are our go-to. The Elf Cosmetics Expert Liquid Eyeliner or the Mac Brushstroke Liner would be the perfect products to use if you were thinking about going for the bold eyeliner aesthetic. The Lottie London Glitter Fix Bomb Face and Body Adhesive is an ideal product to use if you fancy copying Simone Rocha’s Face bows and need some glue to attach them.

In Milan, Etro and GCDS emphasised a softer take on the gothic glam look. They focused more on styling subtle smokey eyes or simply rocking basic black eyeliner. Out of all the looks, these ones are the most wearable for day-to-day looks. The Simpsons mini eyeshadow palette by Revolution has a lovely selection of shimmery black eyeshadows that would look perfect for a black smokey eye. The Dior Mono Couleur Couture eyeshadow in shade Black Bow is a matte black eyeshadow that will give your eyes intense colour and be perfect for a dramatic and well pigmented smokey eye look.

£ 23

NARS Lipstick, Heroine Red

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£ 19

NARS High-Pigment Longwear Eyeliner

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£ 3

e.l.f. Liquid Liner Jet Black

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£ 28.50

DIOR Mono Couleur Couture eyeshadow

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£ 10

Revolution X The Simpsons Mini Shadow Palette Raven Bart

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Shades of Shimmer 

The next theme that we noticed in New York and London Fashion Week was the shimmery starlike aesthetic that included sparkles across the eyes in a range of different styles.

In New York, Thom Browne created a masterpiece of the planets in his design which continued within the make-up and hairstyle that were created for his models. One of his models styled an updo that resembled a planet-like shape and was dyed white to look translucent by nature. 

He continued the theme of translucent white across the eyes by creating a white block shape that resembled a sort of eye mask on the model’s face. On top of the white base, the model-styled glittery Silver Stars dotted around the cheekbones and by the eyebrows. This portrayed the stars in the sky and is one of the most creative looks that we saw on the runway. Thom also dressed the model in long curly white nails to finish off this incredible look. For this look, we recommend using a combination of white eye shadow, white concealer or white face paint to help build up a pigmented base that the model. 

Using either white concealer or white face paint as a base and adding in eye shadow on top means that you will have higher coverage and a smoother look to the make-up look and won’t have to use as much eye shadow to help build up pigment. The Cosmetics Camo Concealer in a white shade is a full coverage concealer that would be perfect as a base for this look. The Depixym Cosmetic Emulsion in shade Bright White is another alternative product that you can use to help build up a pigmented white base. This product is a multi-use cream that is suitable for your eyes, lips, and cheeks. It has a lovely matte finish and is super blendable, so it is perfect for this look. Once you have a pigmented base, you can then go in with a powdery eye shadow for that finishing touch to create that smokey, dusty finish. 

The Mac eyeshadow or the Creator Revolution SFX White Base Matte Powder are two eyeshadow options that would suit this look well. For the glittering stars, we recommend using glitter eyeliner to create the stars on your face. The OPV Beauty Metal and Glitter Liner is a super pigmented glitter eyeliner that has a water base so it won’t smudge. 

Altuzarra was also present at NYC Fashion Week and styled a goddess-like vision on the runway with gold eyeliner designs across the model’s eyes. This makeup look is a different sort of shimmer compared to the other look that we saw in NYC fashion week. The one by Altuzarra is enchanting and mystical as it resembles a sort of Aphrodite aesthetic. The Kiko gold liquid eyeliner or the Dior eyeliner in shade Gold and Pearly Bronze would be perfect for this enchanting look. 

At London fashion week Conner Rives had a shimmery blue eyeshadow look that also resembled a mystical siren gaze, that was extremely flattering on the model and one that we are obsessed with. The shimmery blue levels up this look, making it dressy and seductive. Victoria Beckham’s Lid Lustre eyeshadow matches the one that Conner Rives’ model styles closely and therefore would be perfect to use.  A liquid eyeshadow would also be a good option for this look to create the pigmented and shiny aesthetic that Conner has gone for. The Sephora Collection of Colourful Special Effect Liquid eye shadow it’s a perfect product to use if you want a wet glossy look to this glittery eyeshadow style. 

£ 6

e.l.f Liquid Camo Concealer

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£ 18

DEPIXYM Cosmetic Emulsion – Deep White

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£ 6

OPV Beauty Metal & Glitter Liner

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£ 9.99

Sephora Collection Colorful Liquid Eyeshadow

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Old Hollywood Glamour 

One thing about beauty and fashion is that classic looks will always be relevant. One of the most staple pieces that the beauty industry has ever come across is the iconic red lip. This look is timeless and over the years we have seen many alterations. 

In New York, Christian Siriano created one of the sexiest and most sophisticated looks that we have seen on the runways this year. His model styled a-line coat and an elegant hat that covered her upper face revealing only her pouty red lips. She looked just like old Hollywood, glamourous, sexy and alluring. She had next to nothing underneath her coat as the only pop of colour being seen were her sultry red lips. The Dior Rouge Refillable lipstick is a lovely velvety lipstick that has good pigment and is irresistibly alluring. Alternatively, the Nars Audacious lipstick is a lovely cherry red and looks fun as well as sexy. 

To achieve that perfect pout a trusted lip liner will be an asset. The NYX Professional Makeup Suede Matte Liner in the shade Spicy it’s a lovely, coloured lip liner that would accentuate your lips beautifully and be a perfect base colour for a variety of red lipsticks that you can place on top. 

In London, Roksanda Ilincic created an adaptation to the timeless red lipstick look. The lips on her model had a more burgundy base to them creating a modern spin on this timeless classic. Her lips were moodier and mature, perfect for a variety of settings that you may need to pop out a dramatic lip look. For this look, they used products from Isamaya Beauty so we recommend using the suede lip liner in shade outlaw to line your lips for this look alongside the NYX Professional Makeup Shout Loud Hydrating Satin in shade Opinionated. 

£ 26

NARS Audacious Lipstick Rita

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£ 4

NYX Suede Matte Liner Spicy

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£ 8

NYX Shout Loud Hydrating Satin Lipstick – Opinionated

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Natural and Dewy

One theme that we saw across all three shows was the natural, dewy makeup look that sees minimal-to-no base makeup and a simple lip tint which allows natural features to shine through effortlessly. The key to this look is having a good skincare routine pattern down so that your skin looks hydrated and flawless.

In New York, Michael Kors and Proenza Schouler rocked very natural makeup looks with very minimal makeup on the models. When recreating natural makeup looks, we recommend using a trusted moisturiser, hyaluronic acid as a serum, a vitamin c serum and either a lip tint or lip balm on the lips. You’re going to want a very hydrating skincare routine so that your skin looks healthy and plump. We recommend using the Glow Recipe Plum Plump Hyaluronic Cream as this two-in-one formula will give moisture to your face as well as have the same activities that a serum would encourage. Therefore, using this product will allow you to add vitamin C to your routine which will help brighten your skin’s complexion. Paula’s Choice C15 Super Booster Vitamin C serum contains 15% of vitamin C which will give your skin a brighter and younger complexion. 

Swapping your lipstick or lip gloss for a skin tint or lip balm will keep your lips looking natural but the dash of colour will make your face look alive. The Benefit Benetint Rose-Tinted Lip and Cheeks Lip Tint is that a beautiful lip tint would be ideal if you’re wanting to keep a natural chic makeup look that appears effortless.

In London and Milan, similar looks were followed with designers such as Nensi Dojka, Ahluwalia and Blumarine all rocking very natural makeup looks. Their model’s skin was well moisturised and therefore appeared shiny and, in some places, highlighted thanks to the well-equipped skincare routine. To achieve that super glossy finish that we saw in London and Milan we recommend using the Glossier Futuredew Serum Hybrid or the Bobbi Brown Extra Illuminating Balm, which is a mix of a rich moisturiser and primer.

£ 19

Glow Recipe Plum Plum Hyaluronic Cream

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£ 52

PAULA’S CHOICE C15 SUPER BOOSTER

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£ 15.50

Benefit Bene Tint Rose Tinted Lip & Cheek Stain

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£ 21

Glossier Futuredew

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Alternative Pops of Colour

The final set of beauty looks that we fell in love with at the various fashion weeks was a group of looks that had alternative takes on adding colour to their model’s faces. These are some of the more creative styles that we saw on the runways and ones that would be ideal for party events or festivals in the spring and summer. 

In London, Chet Lo had a pop of colour on her model faces in the middle of their eyebrows and on the sides of their eyes that resembled an explosion of colour. Pink, green and purple were spotted, and it helped make the looks appear fun and quirky on the runway. The Beauty Bay Bright Matte 42 colour palette is an amazing palette that has extremely pigmented colours in a variety of shades and would be perfect for an explosion of colour on your face like the one seen on the Chet Lo runway.

In Milan, Prada blew us away with the alternative-coloured lashes they styled in a variety of shades, which brought an added spice to the model’s makeup looks which were very natural apart from their lashes. 

When recreating this look, using coloured mascara is your best bet. Barry M does a lovely purple mascara, Revolution does a volumized blue mascara and Dior does a captivating red. Colourful lashes are a fun and unique way to dress up any makeup look and make it seem super creative. If you are not sold on the coloured mascara, but you’re still after a product that can give you the looks seen on the Prada runway, why not try coloured false lashes instead? You can get individual lashes or sets of lashes to wear with a variety of colours. You can also use individual-coloured lashes mixed in with the black lash set for that dash of colour that you desire.

£ 25

Beauty Bay Bright Matte 42 Colour Palette

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£ 5

Barry M Rebel Lash Coloured Mascara – Purple

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£ 31

DIORSHOW Iconic Overcurl – Brique

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£ 7.99

Eylure 117 Pride Inspired Lash

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^{Words by: Sophia-fai Roche}

^{Header Image: Thom Browne}

The post From New York, London to Milan; The major beauty moments caught on the runway are a must-see! appeared first on Voir Fashion.

First a heel snapped, then a bag strap, sunglasses came crashing to the ground and pearls rolled down the runway; before we knew it clothes were bursting off the models and the whole set collapsed. What originally seemed to be a runway disaster was quickly revealed to be a purposeful critique of the superficial and serious nature of fashion; Beate Karlsson took to Instagram to share her vision behind the ‘Fake it til you break it’ show:

“I’ve been asking myself; why is luxury so serious? The last collection was all about keeping up a fake projection of wealth and the personal failure of losing face when this illusion crashes. I’m still on that theme, there’s something very interesting with shame and what happens when we are vulnerable. What is the most embarrassing thing that can happen to a fashion house? I figured garments breaking might be it. Right now, I feel the coolest attitude is exposing your vulnerability, carrying it as an accessory.”

But you might be wondering what this all has to do with fast fashion? Well, it is this superficial projection of wealth that fuels the fast fashion industry. People become so obsessed with having every trendy item, excessive fast fashion hauls online promote an attitude of quantity over quality, all in an attempt to keep up appearances. Influencers promote an unrealistic level of consumerism, that has now become normalised. Viewers are growing up thinking that buying a new outfit for every night out and only wearing it once is completely normal and sustainable. People would rather never wear an item again than allow Instagram to see it on them twice. This has created a generational attitude that clothing does not need to last longer than one night. 

The show also explored the themes of shame and vulnerability, and this is an interesting concept when it comes to clothes. Yes, if you are out in public and you have a wardrobe malfunction you feel vulnerable and exposed, but I’m not sure that you as the customer necessarily feel ashamed? Embarrassed maybe, but not shame. The notion of shame in this collection, therefore, comes from the designer and manufacturer; an admirable response to creating low-quality goods in a world that has completely normalised the lack of durability in the fashion industry. 

The attitude towards fast fashion items breaking has become alarmingly normalised, the attitude of “oh well, it only cost £5” or “you get what you pay for” is seen as totally reasonable. However, you compare this attitude to this idea of clothes breaking being “the most embarrassing thing that can happen to a fashion house” and it cements the idea that clothes are meant to last. They are not supposed to rip or tear after a couple of wears, this attitude to clothing needs to be dismantled. And yes, we are aware that there is an astronomical price difference between high-street fast fashion brands and the collections that we see during Fashion Week, but you don’t need to spend that much to have clothes that last. In fact, buying higher quality items that don’t need to be replaced as often is actually better both environmentally and economically. In 2019, the House of Commons Environmental Audit Committee found that “around 300,000 tonnes of textile waste ends up in household black bins every year, sent to landfill or incinerators”, a statistic that is both scary and completely unnecessary. Similarly, The Waste and Resources Action Programme (WRAP) found that “Extending clothing life has been identified as the single largest opportunity to reduce the carbon, water and waste footprints of clothing in the UK”.

Ultimately, this show served as a reality check, reminding viewers that clothes are supposed to be well-crafted and durable items, not the things that are filling landfill sites across the globe. If we were shocked to our core at seeing items breaking on the runway, why are we not similarly shocked when it happens in our own wardrobes? Hopefully, the feeling of shame surrounding clothing waste will spread, and people will begin to make more conscientious decisions with their wardrobes causing fast fashion companies to confront their contributions to the climate crisis. 

^{Words by: Amelia Gregory}

^{Header Image: AVAVAV}

The post Can AVAVAV’s Milan Show Be Seen as a Critique of Fast Fashion? appeared first on Voir Fashion.