Antonio Marras

_{https://www.instagram.com/p/C30eqzMMhTr/?hl=en&img_index=1}

Antonio Marras invited us to his fairy tale, as the show began with a theatrical performance of an Italian romantic story, starring Filippo Timi and Anna Della Rosa, who wore impressive, patterned garments themselves. With an ivy-covered bower as the central scenery prop, the show included sensual, mesh, flowery dresses and breathtaking, theatrical, fuzzy jackets, mantles, and accessories. The governing idea behind many full-length dresses and mantles was to combine heavily patterned fabrics to create an original, mesmerising whole. 

_{https://www.instagram.com/antoniomarrasofficial/?hl=en}

Marco Rambaldi

Flowery patterns on mesh dresses, varied combinations of textures, and playing with forms and fabrics were also the main ideas of Marco Rambaldi’s new collection “Memento Amori FW24.” Have a look at this playful pistachio dress with bikini-shaped ornaments, a set composed of a mesh top, vegan leather pencil skirt, and velvet patterned jacket, or a half-transparent, turquoise, crochet dress with a silver, silk tie, long black socks, and a comfy zip hoodie. In this mixture of wool, leather, mesh, and velvet, Rambaldi maintained a romantic vibe of his comfy, yet elegant and sensual looks. 

_{https://www.instagram.com/marcorambaldi_/?hl=en}

Sarawong

_{https://www.instagram.com/p/C30lg4BMtS5/?hl=en}

Ethereal, magnetic, nymph-like – these words best describe the collection “Blossoms Sand,” presented in Milan by SARAWONG. From full-length flowery dresses to a vegan leather jacket paired with a sequined skirt, SARAWONG combined sensuality and elegance with a magical touch. Look at the hypnotising facial expressions and vivid makeup of the models wearing delicate ecru velvet dresses or transparent white lace skirts – not forgetting about the massive, fuzzy hats, following the trend of fluffy fabrics and oversized, almost theatrical garments that we get to see in multiple shows.

_{https://www.instagram.com/p/C3vU_69MQ-Z/?hl=en&img_index=4}

Diesel

Diesel offered a more industrial, alien, and cosmic vibe than the other shows – but remained very sensual at the same time. There the patchwork got even more intense, and the fabrics even fluffier and heavier. The show was surely one to be remembered, with models wearing (fake) fur jackets, ripped flowery full-length dresses, patchwork jeans, and lion-like headscarves, walking with 1000 online viewers’ faces in the background. Diesel’s Creative Director, Glenn Martens, arranged this unusual show scenery, “creating a live mega-voyeur experience for everyone”. What added even more to the originality of the show was the avant-garde makeup and coloured contact lenses, creating an alien-like atmosphere. And maybe this time the show wasn’t about romantic fairy tales and nymphs, but it was still otherworldly and sensual – just a little bit edgier, and with a dose of industrial, cosmic vibes. 

_{https://www.instagram.com/diesel/?hl=en}

February 22nd proved that the 20th century still has much to offer to contemporary designers, inspiring them to rework the old forms. Day 2 of Milan Fashion Week brought 70s-like, oversized suits and jackets with padded shoulders, classy trenches, forever young turtlenecks and vests, all in basic colour palettes – black, white, grey, beige, and navy. However, the shows weren’t a mere tribute to the old days – the traditional forms of garments were experimented with, and bright and neon colours also found their way onto the runway. 

Calcaterra

Basing the collection “Materia” on considerably oversized, grey and brown suits and classic looks, Calcaterra experimented with the outfits, going for unconventional necklines, asymmetry, and artistic, flowery embellishments put on shoes and trenches, which gave them a fresh, avant-garde look. The traditional suits you’d normally wear to the office got a haute couture touch, thanks to the layers of silky fabrics, slit skirts and blouses. Trenches got gigantic pockets, and two-part, folded bags completed the outfits. 

_{https://www.instagram.com/calcaterrad/?hl=en}

MM6 Maison Marigela

_{https://www.instagram.com/mm6maisonmargiela/?hl=en}

MM6 Maison Margiela also opted for 70s-inspired sets of big trenches, smart turtlenecks and avant-garde bags (see the triangular red one!). Vests got prolonged, padded-shoulders jackets got a black, silk edging trim, paired with ripped green jeans, and the classic 70s suits looked like coming straight from a colourfest. Elegant, long black coats were turned into vests, completed by black, massive leather boots. 

_{https://www.instagram.com/mm6maisonmargiela/?hl=en}

Moschino

_{https://www.instagram.com/moschino/?hl=en}

Moschino’s debuting creative director Adrian Appiolaza offered a deconstruction of classic, old-school office looks, with models wearing shirts made into dresses, cotton boxer shorts, and carelessly worn ties in the show “Collezione 0.” Next to smart, black coats, there were paper boat hats and lingerie-inspired skirts. Good, old baggy jeans and comfy sweaters got a fresh look thanks to maxi ruffle skirts in red and pink. 

_{https://www.instagram.com/moschino/?hl=en}

Tom Ford

_{https://www.instagram.com/p/C3x_iT5LJja/?hl=en&img_index=1}

Tom Ford’s show, directed by Peter Hawkings, was a celebration of the 70s iconic style at its fullest, with models looking like Hollywood divas from the era, wearing beige furs, golden sequined dresses, belted trousers, and brown square sunglasses. Ford experimented with classy maxi dresses, making them purple and transparent or glittering from top to bottom. The elegant, tailored suits were presented in velvet and satin, while the reinvented all-leather looks included skinny jumpsuits and crocodile-like, beige sets. Turtlenecks were both in modern, transparent mesh jumpsuits and as part of classic outfits with navy, gold-buttoned pea coats. 

_{https://www.instagram.com/tomford/?hl=en}

GCDS

_{https://www.instagram.com/p/C3qXHtBKb11/?hl=en&img_index=1}

The show by GCDS was the most extravagant composition of the old and the new, titled “Toys For Adults.” The Creative Director, Giuliano Calza, prepared classy leather sets and elegant white suits on the one side, and red fuzzy dresses, Hello Kitty bras, Polly Pocket, and Chucky accessories on the other, which were to help us rediscover our inner children: “beautiful kids, broken inside, tormented by expectations, suddenly forgot how to play. Gcds is a dream, is creation, but we all live with current demons in burgundy times,” explains Calza. And so, smart, padded-shoulders jackets were ornamented with huge roses, velvet evening dresses were accompanied by edgy Hello Kitty bras, and white suits followed sensual lingerie mesh sets. 

_{https://www.instagram.com/gcdswear/?hl=en}

_{Written By Julia Sulkowska}

_{Header Image By Mia Washbrook}

The post Our Favourite Shows From Milan Fashion Week FW24 appeared first on Voir Fashion.

Prada

Every year, the Prada show is shrouded in secrecy as we await one of the most anticipated shows of the season. And this season, the Italian giant welcomed us into their effortlessly cool and chic home.

Greeting us in the front row of their Fondazione Prada base were the A-list guests in full: Rosalia, Kylie Jenner, Hunter Schafer, and Emma Watson, amongst many others. Co-creative directors Miuccia Prada and Raf Simmons worked hard on their womenswear SS24 collection– and in it, they gave us the minimalist and elegant uniform we need to hustle as hard as they do.

But this time, their workwear attire and signature ugly chic aesthetic had an element of fun. Layered fringes, distressed floral patterns, and golden foil joined the otherwise monochrome colour palette. A master atjuxtaposition, Prada contrasted its signature boxy silhouettes with delicate pastel-toned organzapieces.

_{https://www.instagram.com/p/CxisCFqI-7_/?hl=en}

For their Menswear SS24 follow-up show, you didn’t know what to gawk at first; the front row, the chic clothes, or the slime leaking from the ceiling.

Diesel

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Expectations are sky-high when you’re on top, but somehow Glenn Martens met them once again. The ‘Only For The Brave’ collection lived up to its name as guests braved the rain to watch Diesel’s latest show. But that didn’t stir them from cheering and hollering as models walked through the Scalo Farini rail yard space (where Gucci used to show).

_{https://www.instagram.com/p/CxloxuhLmVd/?img_index=9}

The 7,000 people rager got especially loud when they thought Bella Hadid finally made her big runway reemergence, only to discover it was a lookalike model. But the triumphant return that really did happen was last year’s viral belt skirt– only this time it was half transparent. The naked look was a common theme too, with tight silhouettes in nude colours and underwear-gracing hemlines.

Although Martens did adopt trends like the ‘sheer dress’ and micro skirts, brand signatures also made an appearance. Denim-on-denim-on-denim was the name of the show, as trousers were triple-layered and the material distressed to the point of destruction. Some of the garments also had parodied movie posters (i.e. Batman) stamped on them. So much was going on, and yet the whole collection was somehow cohesive. Through an acid-washed and muddied colour palette, shredded jersey, and thrashed tuxedos, Martens created the ultimate stylish wardrobe for the apocalypse. Although the weather predictions proved awry, the forecast for today’s coolest brand is still positive: it is the moment.

Blumarine

If Diesel styled us for the apocalypse, Blumarine dressed us for heaven. Purity and romance shone a light on the usually Y2K-focused brand, with angel hues like violet, gold, and pristine white.

_{https://www.instagram.com/p/CxfK0QcryZh/?img_index=1}

Early aught stapes including tube tops, ultra-low waists, and wrap dresses still sneaked in an appearance though. And just in case you missed the theme, Nicola Brognano sent models down the runway with feathered wings on their backs. But those weren’t the wings stealing the show; Blumarine’s signature butterflies were everywhere from brooches, corsages, knitted patterns, and even as a devilish underwear bottom.

_{https://www.instagram.com/p/CxfazpQLsdk/?img_index=1}

This pop of mischief was sprinkled even more with the black skin-tight silhouettes, plastic dresses with metallic studs, and sheer material. With exquisite tailoring, tulle materials, and whimsy floor-sweeping gowns, Blumarine gave us an unexpected sophistication to their usual nostalgia, with an ethereal collection that beckons us to the light side.

_{https://www.instagram.com/p/CxfXLyUrEi5/?img_index=1}

If the fashion world is praying to angels above, this season they’re bound to be dressed in Blumarine.

GCDS

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For their SS24 show, Giuliano and Giordano Calza replaced their usually bright and cheeky clothes with softer colours and more sophisticated designs. But they didn’t ditch their signature salaciousness altogether, showing barely-there shorts, tiny bras, exposed thongs, and plenty of sheer tank tops.

_{https://www.instagram.com/gcdswear/?hl=en}

Mia Khalifa and Alessandra Ambrosio watched from the front row as Calza turned up the notch on the Canadian tuxedo, presenting denim trench coats, mini dresses, and even knee-high boots. Inspired by the Calzas’ hometown of Naples, designs were also filled with Italian motifs and sailor stripes that had us dreaming of summering on the coast.

_{https://www.instagram.com/p/Cxd1nUNKF9_/?img_index=1}

The brand didn’t shy away from that European luxe either, delightfully surprising us all by closing the show with very off-brand sequinned, voluminous evening gowns. This refinement was also obvious in the monochrome suits, structured sweaters, and silk trousers. A preppy element was injected into the show too, with shirts that read ‘TI AMO GCDS” and oversized varsity jackets that have us wanting to enrol in college to justify buying them.

_{https://www.instagram.com/p/Cxd24Dsq1Qn/?img_index=8}

Although this was an unexpected collection for the label, it still didn’t disappoint. When in doubt, choose GCDS.

Tom Ford

How do you replace Tom Ford at Tom Ford? Just ask Peter Hawkings. After working in close-knit with the designer himself for over 25 years, Hawkings presented his debut collection for the eponymous brand. And even if the name behind the brand is retired, the collection was Ford to its very core.

_{https://www.instagram.com/tomford/?hl=en}

‘Glamour, sexiness, elegances, and beauty’, in Hawkings’ own words. It was nothing disruptive but that wasn’t the point. It was a consistent reinforcement of the high-quality staples the brand is famous for, from the reinvention of Ford’s iconic 1996 belt buckle to the shirts unbuttoned past their navel. The colour palette was just as consistent, full of brown, cream, and black, with a brief interlude of pastel pink and blue hues.

_{https://www.instagram.com/tomford/?hl=en}

The show even homogenised men and womenswear, sending both genders down the runway in velvet suits and shiny mock croc. Before the British designer took the reigns the brand was in a ‘Parent Trap’ style situation, with Hawkings leading menswear from London and Ford womenswear from LA. Although the tiny shorts that were stars of the show were worn exclusively by the female models, it’s clear that the Tom Ford woman is approximating the man and vice versa. After establishing so strongly the brand’s codes into his SS24 collection, we can’t wait to see how Hawkings adds his own flair in the future.

_{https://www.instagram.com/p/CxnAyxaoBS4/?img_index=6}

But for now, we’re glad to say that Ford-the man, the legend, the legacy lives on.

^{Words by Alexia De Las Heras}

^{_{Header Image: @Prada Instagram}}

The post The Catch Up: The Biggest Fashion Shows At MFW appeared first on Voir Fashion.

With over 50 shows from some of the leading fashion houses in the world, there was definitely a lot to take in but don’t worry, we secured the main designers here. Milan Fashion Week was a moment to remember. 

Diesel

Milan Fashion Week gave us the collaboration that none of us expected: Diesel x Durex. The catwalk took place in front of a mountain of red Durex wrappers and was soundtracked by an intimate playlist in a show that championed sex positivity. 

The collection featured Diesel’s usual edgy denim pieces, but the most impressive by far was the way that the brand put a spin on distressed denim. Rather than the usual rips and tears that form frayed edges and loose strings; Diesel incorporated delicate mesh in a sort-of sheer darning detail. This intricate detail not only elevated the look of ripped jeans, but it also played into the ever-popular push and pull of masculinity and femininity as the aggressive rips created a jarring contrast to the delicate lace mesh. 

Roberto Cavalli

Denim was also a huge part of the Roberto Cavalli show. Cavalli’s history is rooted in denim, the designer began his career by creating Frankenstein-esque creations out of scraps of denim; this history was a central source of inspiration for Fausto Puglisi’s collection.

Alongside denim, the collection featured various looks that were constructed by a collage of leather, adding an edgier element to the otherwise bohemian inspired designs. The brown-looks felt very inspired by a 1970s rocker-chic aesthetic, highlighting the retro influences that were weaved throughout the collection.

The collection also featured a heavy segment dedicated to black lace. This section featured a variety of looks that utilised black lace; everything from feathered catsuits to miniskirts took to the runway. This collection was not only an archival-inspired homage to fashion history, but it also served to prove the sheer versatility of materials and the way that they can be used to produce a vast selection of looks.

_{^{Photo Credits: Roberto Cavalli}}

Blumarine

Set against the backdrop of a blazing ‘B’ and stony outcrop, Blumarine took us on the journey of Joan of Arc. The metallic tones put a modern spin on the iconography of Joan of Arc’s silver armour and the shearling knee-high boots featured buckles that played with designs of combat boots. Chainmail tops and dresses served to show the versatility of the collection’s muse as the looks transitioned from martyr to party girl. 

This collection took Blumarine’s usual Y2K aesthetic, which often manifested itself in hyper-feminine looks of bubble-gum pink and floral frills, down a much darker route. The grungy collection was fuelled by danger and while still feminine, the looks explored the dynamic between violence, threat, martyrdom, and womanhood. 

_{^{Photo Credits: Blumarine}}

MM6 Maison Margiela

MM6 pioneered trendy tailoring this Milan Fashion Week. The collection was made up of a variety of tailored pieces, whether they were worn in sets or as individual pieces; layered or minimally styled; deconstructed or classically built; the looks demonstrated the versatility of tailoring. In a collection that emphasised the coolness in wearability, all of the looks were elevated yet rooted in simplicity. 

We have seen many designers stray away from show-stopping, viral designs that the internet devours recently as they favour more wearable designs that can maximise sales. While this may sound like a boring development, MM6 proved that it does not need to be. This collection emphasised the possibilities that exist in our day-to-day wardrobes, an important aspect of the fashion industry that must not be ignored.

_{^{Photo Credits: MM6 Maison Margiela}}

Moschino

The Moschino Autumn/Winter 2023 collection was inspired by Salvador Dali’s ‘The Persistence of Memory’. The famous melting clocks inspired the drip-like hems of the skirts that graced the catwalk. The fluid looks were paired with distorted patterns that both mimicked Dali’s painting and added to the ‘melted’ look of the clothes.

However, halfway through the show the collection took a punkier turn. The hedgehog-spiked headpieces were worn throughout the show, highlighting the influence of punk styles on the collection, but the clothes truly reflected this theme in the second portion of the catwalk. The elaborate ballgowns and extravagant silhouettes were Westwood-esque, in what many have seen as a tribute to the late designer. 

_{^{Photo Credits: Moschino}}

GCDS

GCDS’ latest collection was inspired by the domestic, the looks took a more conservative and grown-up look to past collections by the designer, but that does not mean that the collection was plain or boring in any way. The collection featured a bag inspired by Giuliano Calza’s cat, a piece that highlighted the importance of domestic life within this collection. 

However, the domestic also came out in other forms, particularly the use of safety pins throughout the collection. This highlights not only the process of designing and creating clothes but also how clothes exist within the home. The use of such a mundane yet integral object within the collection perfectly bridged the gap between the high fashion industry and the domestic lives that inspired the looks. 

Cormio

Cormio have successfully jumped on the football bandwagon and used their show to emphasise the feminist roots behind this trend. The venue for the show was a football hall on the outskirts of Milan but, unlike the hyper-masculine world of football, women were allowed to take centre stage in this environment. 

Women in football have been marginalised and underappreciated for years and now femininity is fighting back. Instead of opting for more ‘masculine’ looks to fit in with this atmosphere, Cormio instead forced femininity into this environment, proving that there is a place for ‘girliness’ within football. The Y2K ‘punk princess’ inspired looks highlighted another traditionally masculine environment that has been successfully dominated by women for years. The pieces reclaimed sexist phrases and slurs, injecting an ironic sense of humour into the collection. 

However, our personal highlight from the collection was the hyper-feminisation of the literal football. Cormio turned the instrument of the sport, the thing that the entire game is dependent on, into a handbag in a camp reclamation of the sport. 

Sunnei

Never before have we seen a horizontal catwalk. But that is exactly what Sunnei gave us. Models gracefully traversed the traditional catwalk before partaking in an elaborate trust exercise at the end of the runway. After falling into the arms of onlookers the models crowd-surfed to the end of their runway. 

The collection itself prioritised eye-grabbing looks, from patchwork denim to fringed knits, the looks were perfect for the it-girl who wants to stand out. Much like the runway show, the collection was non-traditional but not unwearable, the looks perfected the more out-there elements of contemporary streetstyle. 

Dolce & Gabbana 

After days of online speculation, Kim Kardashian sat front row at the Dolce & Gabbana show this Milan Fashion Week in an archival red two-piece that was a modernised look from the designer’s 1990 collection. Although onlookers were yet to realise it, Kim’s look set the stage for the collection that they were about to see as the Autumn/Winter 2023 ‘Sensuale’ collection was deeply inspired by archival work.

While lingerie-inspired looks are not uncommon on the runway anymore, Dolce & Gabbana were designing these sorts of collections back in the 90s. With this context the lace-heavy underwear-as-outerwear looks that graced the catwalk this season were more historic than you might think. The collection even featured a corset from 1991 and a coat from 1997 as the designer works to bring back some of their iconic pieces. 

_{^{Photo Credits: Dolce & Gabbana}}

^{Words by: Amelia Gregory}

^{Header Image: Diesel}

The post Durex Wrappers, Catsuits and Ballgowns? Here Are Our Favourite Shows From Milan Fashion Week. appeared first on Voir Fashion.

From Nathy Peluso’s feature in the campaign, we are taking major inspiration from the chunky highlights and simple glam makeup of the rising Latin artist. Closing a flip phone with dramatically long, bright orange nails in the video, the model wears a block-coloured bikini coverup, splitting to reveal knee-length light, blue denim shorts. The shorts have been roughly cut to produce frayed edges, contrasting the elegant accents of dripping jewels. The light denim, slip-on mule heels and flowing cape-like top brings together lavish Y2K sparkles with the loud gold accessories and flowing fabrics of the 1970s. 

The show opens, like the campaign video, with classic, recognizable beachwear. Various shades of blue, patterns of waves, and flying birds are incorporated into the early outfits. Knitwear accessories have fun patterns of seaside scenes which emphasize beach holiday themes. Textured fabrics also make early appearances alongside beach looks. A rough, towel-like fabric is used to create an asymmetrical mini dress, paired with various woven bag accessories.

Photo Credits: GCDS Spring Summer 2022/ gcds.it

Slowly the simplistic beachwear turns into bold eveningwear, influenced by 1970s disco. A matching men’s suit with a black shirt printed with gold chains is paired with platform sandals and oversized sunglasses for a disco-ready look. This look revamps the signature Italian suits associated with Milan Fashion Week into a lighthearted, statement piece made for the dance floor. The matching women’s look consisted of a glittering halter-top and wide-leg trousers with GCDS monogrammed earrings and a round tortoise-shell handbag, looking equally disco-ready.

Continuing the journey through fashionable periods, a series of light blue denim looks appear with 1990s references and Y2K crystal detailing. The blinged-out circular bikini top monogrammed with GCDS instantly recalls the iconic teeny tiny Chanel bikini from Spring 1996. The low-waisted baggy jeans also recall 1990s aesthetics from American streetwear. Moving onto sweetheart necklines and an asymmetrical denim mini dress, the light-washed denim looks transition from the 1990s into crystallised early 2000s with sweet choker necklaces and chunky platform heels.

GCDS takes us on a time-traveling journey through fashionable decades for their Spring/Summer 2022 collection. From natural summer beachwear to 1970s disco, Karl Lagerfeld’s Chanel, the sparkling 2000s, and finally, consideration of what future fashion will look like. GCDS showcases the cyclical nature of the trend cycle, whilst providing chic and timeless pieces that have continued to trend since they were originally established in fashion. 

Words by Caitlin Sahin

_{Photo Credit: GCDS}

The post GCDS Stops Time With These Knock Out Looks appeared first on Voir Fashion.

The home to all things elite when it comes to beaches, architecture and …carbs, has just about said ciao to its fashion week that is home to the elite (shock!) of the fashion world.

So, we think it’s time for some Milan Spam! Enjoy!

GCDS

From the AW20 GCDS Collection

Bright satins, diamantes, PVC, leopard print; the GCDS A/W runway channelled everything garish and over-the-top- but in the most tasteful way. The brand stuck to the fun light-heartedness we are used to seeing from their collections with a vibrant pastel colour pallet and modern watered-down western vibes with corsets, big boots and rah-rah skirts.

Dolce and Gabbana

From the AW20 Dolce and Gabbana Collection

The sexy knit; an impossible feat if you’re not Dolce and Gabbana. Waste synching, figure-skimming corsetry, sheer fabrics revealing the skin underneath and a lot of leg (thanks to the barely-there hot pants) celebrated the female form. Whilst the oversized chunky knits and sharp tailoring brought a less effeminate edge to the collection that contrasted with the otherwise ultra-feminine silhouettes.

Moschino

From the AW20 Moschino Collection

Cakes and Corsets paraded down the catwalk in the 2020 version of Marie Antionette’s wardrobe. The sense of escapism and awe we feel when Jeremy Scott’s imagination meets the latest Moschino collection was, as usual, very much present when we saw his A/W 2020 collection which had the perfect amount of camp-ness and humour as much as it did craftsmanship and inventiveness.

Versace

From the AW20 Versace Collection

From the feminity of the patterned, girly micro-mini-dresses to the more masculine slick, fierce three-piece suits, and everything in-between, Versace’s collection explored the different ways women express being female.

Words and Graphics by Ella Winfield

Cover by Katie Janes

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The post Milan Fashion Week AW20 Wrapped Up appeared first on Voir Fashion.

Issue 24 has recently been released, and here are 5 reasons why you should read it.

Turning Up The Heat!

Owning the rightful position of centre stage in this issue, is none other than Bebe

Rexha, a self-proclaimed sexy, unapologetic and honest woman. Bebe will inspire you to turn up the heat in pursuit of your dreams, if even with a sugar free diet and a slice of chocolate cake.

DISCOVER MORE

Going For Gold

We invite you into the world of British cyclist and Olympic hopeful Amber Joseph as she shares secrets of her hidden talents, career goals and why “If you stop pedalling, you’ll fall over!”

DISCOVER MORE

Cruelty-Free

Streetwear intoxicates you to our next maven, namely Giuliano Calza, better known under

the brand GCDS. Inspiration is this man’s middle name as he carves out collection

after collection and continues to ignite the following of today’s ‘cool kids’ through his

progressiveness in fashion, cruelty-free, gender fluid cosmetics, and hip language of product names.

DISCOVER MORE

Discover Your ‘Rocket Girl’

When you are ready to burn out your fuse, tune in to our sizzling beauty editorial by makeup artist and entrepreneur Anna Priadka of Makeup54 and beauty photographer Jen Wilding. The two have collaborated with Voir to help you truly discover your ‘Rocket Girl’.

DISCOVER MORE

All About The Attitude

Join us as we get up-close-and-personal and ‘In Focus’ with contemporary art’s new enfant terrible: Andreea Robescu. Andreea reinforces the tone of this issue that “It’s all about attitude, it’s about owning your voice and celebrating who you are.”

DISCOVER MORE

And if that does not convince you, take a leaf out of the late Alexander McQueen’s book:

“I don’t think it makes sense to play safe in these times. The world needs fantasy, not reality. We have enough reality today.”

Written by Luke Walwyn

The post 5 Reasons To Read Voir Issue 24 appeared first on Voir Fashion.