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	<title>#FashionPhotographyExhibition Archives - Voir Fashion</title>
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		<title>Rankin: Unfashionably Fashionable.</title>
		<link>https://www.voirfashion.co.uk/post/2018-11-12-rankin-unfashionably-fashionable/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2018-11-12-rankin-unfashionably-fashionable</link>
		
		<dc:creator><![CDATA[Voir Editorial Team]]></dc:creator>
		<pubDate>Mon, 12 Nov 2018 00:00:00 +0000</pubDate>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[#daringtobedifferent]]></category>
		<category><![CDATA[#Photography]]></category>
		<category><![CDATA[#FashionPhotographyExhibition]]></category>
		<category><![CDATA[#Rankin]]></category>
		<category><![CDATA[#retrospective]]></category>
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		<category><![CDATA[#fashiontome]]></category>
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		<category><![CDATA[#unfashionable]]></category>
		<guid isPermaLink="false">http://www.voirfashion.co.uk/2018-11-12-rankin-unfashionably-fashionable/</guid>

					<description><![CDATA[<p>Unfashionable but never out-dated or passé. Call him ‘on trend’ and you’ll only offend. ‘Rankin: Unfashionable &#8211; 30 Years of Fashion Photography’ shows us why being ‘on fleek’ is for the meek. The retrospective of Rankin’s fashion imagery is edited by the trail-blazing photographer himself, and drawing upon a catalogue of 30-years of work, is [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.voirfashion.co.uk/post/2018-11-12-rankin-unfashionably-fashionable/">Rankin: Unfashionably Fashionable.</a> appeared first on <a rel="nofollow" href="https://www.voirfashion.co.uk">Voir Fashion</a>.</p>
]]></description>
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            <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_199d6a2830004c4383951a7e30c771ddmv2.jpg" srcset="" data-srcset="" sizes="100vw" alt="Less is More Make-Up, 2015">
            
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<p> </p>



<p>Unfashionable but never out-dated or passé. Call him ‘on trend’ and you’ll only offend. <strong>‘Rankin: Unfashionable &#8211; 30 Years of Fashion Photography’</strong> shows us why being ‘on fleek’ is for the meek. </p>



<p> </p>



<p>The retrospective of Rankin’s fashion imagery is edited by the trail-blazing photographer himself, and drawing upon a catalogue of 30-years of work, is a personal trove of his most provocative imagery.</p>



<p> </p>



<p>But why should we strive to be unfashionable? Well to quote Alexander McQueen; &#8220;There comes a time in your life when you focus solely on what you believe is right, regardless of what everybody else is doing.&#8221;</p>



<p> </p>



<p>There is an irreverent spirit that charges Rankin’s work. Never derivative and never concerned with what’s popular, Unfashionable demonstrates how the photographer, director, and founder of Dazed &amp; Confused was able to stay ahead of the curve.</p>



<p> </p>



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            <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_822a51a8de904a3c81027842539a0311mv2_d_1772_1226_s_2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_822a51a8de904a3c81027842539a0311mv2_d_1772_1226_s_2.jpg 1772w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_822a51a8de904a3c81027842539a0311mv2_d_1772_1226_s_2-768x531.jpg 768w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_822a51a8de904a3c81027842539a0311mv2_d_1772_1226_s_2-1080x747.jpg 1080w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_822a51a8de904a3c81027842539a0311mv2_d_1772_1226_s_2-1366x945.jpg 1366w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_822a51a8de904a3c81027842539a0311mv2_d_1772_1226_s_2-1640x1135.jpg 1640w" sizes="100vw" alt="It's A Small World, Hunger, Issue 11, 2016">
            
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<p> </p>



<p>In my opinion, great photography doesn’t just capture a single moment but the essence of its subject. It achieves what painting was once able to do; it grabs they eye with compelling visuals, yet keeps it with a loaded narrative. </p>



<p> </p>



<p>The retrospective gives us a candid look at Rankin’s most iconic portraiture, his ground-breaking fashion editorials and how through his ‘unfashion,’ he dictated fashion. We are given a candid insight to his innovative compositions and allusions. </p>



<p> </p>



	<div class="content-image">

        <figure>

            <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_682bc281bb0b4871820e16b6967e417cmv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_682bc281bb0b4871820e16b6967e417cmv2.jpg 1772w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_682bc281bb0b4871820e16b6967e417cmv2-768x502.jpg 768w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_682bc281bb0b4871820e16b6967e417cmv2-1080x706.jpg 1080w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_682bc281bb0b4871820e16b6967e417cmv2-1366x893.jpg 1366w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_682bc281bb0b4871820e16b6967e417cmv2-1640x1072.jpg 1640w" sizes="100vw" alt="The Real Erin, Hunger Issue 1, 2011">
            
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<p> </p>



<p>Above, in Hunger, Erin O’Connor is compelling as sartorial siren, seducing the sailors of the River Rhine. </p>



<p> </p>



<p>Below, Rankin breaks moulds by taking the figure of an odalisque from the annals of art history, and replaces her with an aged, un-retouched model.</p>



<p> </p>



	<div class="content-image">

        <figure>

            <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_22a3db4255834b57afab5f61f374f81cmv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_22a3db4255834b57afab5f61f374f81cmv2.jpg 800w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_22a3db4255834b57afab5f61f374f81cmv2-768x501.jpg 768w" sizes="100vw" alt="F**k Facetune, The Impression Issue 4, 2018">
            
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<p> </p>



<p> </p>



<p>Into the Mist shows us a Snow Queen with a sharp Vidal Sassoon bob, who dares to challenge the viewer’s gaze with an icicle stare.</p>



<p> </p>



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            <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_8ef4c89ea12d4d7e89a90dfc43c06ec7mv2.jpg" srcset="" data-srcset="" sizes="100vw" alt="Into the Mist, Hunger Issue 3, 2012">
            
        </figure>

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<p> </p>



<p> </p>



<p>Ultimately, Unfashionable is testament to the fact that true creatives don’t follow trends, but create them. I prescribe the retrospective to not only lovers of fashion photography, but to those who understand that the margins are where new ideas thrive. </p>



<p> </p>



<p><strong>Unfashionable: 30 Years of Fashion Photography</strong> by Rankin is published by Rizzoli priced at £50.00 and available from all good book stores.</p>



<p> </p>



<p> </p>



<h3><strong>Thank you for engaging with Voir Fashion Digital.</strong></h3>



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<p>The post <a rel="nofollow" href="https://www.voirfashion.co.uk/post/2018-11-12-rankin-unfashionably-fashionable/">Rankin: Unfashionably Fashionable.</a> appeared first on <a rel="nofollow" href="https://www.voirfashion.co.uk">Voir Fashion</a>.</p>
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		<title>Icons of Style: A Century of Fashion Photography, 1911-2011</title>
		<link>https://www.voirfashion.co.uk/post/2018-10-12-icons-of-style-a-century-of-fashion-photography-1911-2011/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2018-10-12-icons-of-style-a-century-of-fashion-photography-1911-2011</link>
		
		<dc:creator><![CDATA[Voir Editorial Team]]></dc:creator>
		<pubDate>Sat, 13 Oct 2018 00:00:00 +0000</pubDate>
				<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Trends]]></category>
		<category><![CDATA[#Photography]]></category>
		<category><![CDATA[#PaoloRoversi]]></category>
		<category><![CDATA[#FashionPhotography]]></category>
		<category><![CDATA[#FashionPhotographyExhibition]]></category>
		<category><![CDATA[#JPaulGettyMuseum]]></category>
		<category><![CDATA[#ACenturyofFashionPhotography]]></category>
		<category><![CDATA[#CommercialArt]]></category>
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		<category><![CDATA[#GuyBourdin]]></category>
		<category><![CDATA[#HerbRitts]]></category>
		<category><![CDATA[#LouiseDahlWolfe]]></category>
		<category><![CDATA[#HorstPHorst]]></category>
		<category><![CDATA[#HelmutNewton]]></category>
		<category><![CDATA[#BruceWeber]]></category>
		<category><![CDATA[#DavidSims]]></category>
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		<guid isPermaLink="false">http://www.voirfashion.co.uk/post/2018-10-12-icons-of-style-a-century-of-fashion-photography-1911-2011/</guid>

					<description><![CDATA[<p>There are officially eight [8] days left to head over to California and the J. Paul Getty Museum, Getty Center to experience this sensational fashion photography exhibition. From Edward Steichen to Man Ray, Guy Bourdin to Herb Ritts, Louise Dahl-Wolfe to Horst P. Horst, Paolo Roversi to Helmut Newton, Bruce Weber to David Sims and [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://www.voirfashion.co.uk/post/2018-10-12-icons-of-style-a-century-of-fashion-photography-1911-2011/">Icons of Style: A Century of Fashion Photography, 1911-2011</a> appeared first on <a rel="nofollow" href="https://www.voirfashion.co.uk">Voir Fashion</a>.</p>
]]></description>
										<content:encoded><![CDATA[
	<div class="content-image">

        <figure>

            <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_66044650856b4b2e8008ba84256635a6mv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_66044650856b4b2e8008ba84256635a6mv2.jpg 784w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_66044650856b4b2e8008ba84256635a6mv2-768x980.jpg 768w" sizes="100vw" alt="Miss M by Jean-Baptiste Mondino 1988">
            
        </figure>

	</div>




<p> </p>



<p>There are officially eight [8] days left to head over to California and the J. Paul Getty Museum, Getty Center to experience this sensational fashion photography exhibition. From Edward Steichen to Man Ray, Guy Bourdin to Herb Ritts, Louise Dahl-Wolfe to Horst P. Horst, Paolo Roversi to Helmut Newton, Bruce Weber to David Sims and Richard Avedon to Scott Schuman, there&#8217;s something here for every lover of photography.</p>



<p> </p>



<p>For more information:  click <a href="http://www.getty.edu/art/exhibitions/fashion_photography/" target="_top">EXHIBITION</a></p>



<p> </p>



    
        <div class="content-gallery content-gallery-wide">

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_8d007158657643ddbd36905b4c6e838amv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_8d007158657643ddbd36905b4c6e838amv2.jpg 791w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_8d007158657643ddbd36905b4c6e838amv2-768x971.jpg 768w" sizes="800px" alt="Victor Skrebneski
American, born 1929
Givenchy Red, Paris, negative, 1990; print, about 1995
Silver-dye bleach print
51 x 40.4 cm (20 1/16 x 15 7/8 in.)
The J. Paul Getty Museum, Los Angeles, Purchased with funds
provided by the Photographs Council
© Victor Skrebneski
2016.92">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_946fc51423d34658ae56a4e363d619f4mv2.jpg" srcset="" data-srcset="" sizes="800px" alt="Horst P. Horst
American, born Germany, 1906–1999
The Mainbocher Corset, Paris, 1939
Gelatin silver print
55.2 x 40.6 cm (21 3/4 x 16 in.)
Courtesy Fahey/Klein Gallery, Los Angeles
© Condé Nast / Vogue, September 15, 1939
EX.2018.7.128">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_f05372d4be414a8497157022ab2c9342mv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_f05372d4be414a8497157022ab2c9342mv2.jpg 1000w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_f05372d4be414a8497157022ab2c9342mv2-768x529.jpg 768w" sizes="800px" alt="Deborah Turbeville
American, 1932–2013
Bath House, negative, 1975; print, about 1980
Gelatin silver print
40.6 x 60.8 cm (16 x 23 15/16 in.)
The J. Paul Getty Museum, Los Angeles, Gift of the Estate of
Deborah Turbeville
© Deborah Turbeville Foundation
2017.90">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_b9df1f579d2946998affda0499a35325mv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_b9df1f579d2946998affda0499a35325mv2.jpg 798w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_b9df1f579d2946998affda0499a35325mv2-768x962.jpg 768w" sizes="800px" alt="Paolo Roversi
Italian, born 1947
Guinevere in Black Dress by Yohji Yamamoto, Paris, negative, 1996;
printed later
Pigment print
51.8 x 40 cm (20 3/8 x 15 3/4 in.)
The J. Paul Getty Museum, Los Angeles, Purchased with funds
provided by the Photographs Council
© Paolo Roversi
2016.96">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_e33093b1e75046349c8f63bac43a5f82mv2.jpg" srcset="" data-srcset="" sizes="800px" alt="Jamel Shabazz
American, born 1960
Dapper, negative, 1980; printed later
Digital chromogenic print
25.4 x 20.3 cm (10 x 8 in.)
Courtesy of Jamel Shabazz
EX.2018.7.163">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_732b4052849a4248984c64fc37f0efa2mv2.jpg" srcset="" data-srcset="" sizes="800px" alt="Richard Burbridge
British, born 1965
In Silhouette, 2007
Chromogenic print
55.9 x 71.1 cm (22 x 28 in.)
Courtesy of the artist
EX.2018.7.170">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_dc09519b0c5d4884bab7d32c08c6de84mv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_dc09519b0c5d4884bab7d32c08c6de84mv2.jpg 819w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_dc09519b0c5d4884bab7d32c08c6de84mv2-768x938.jpg 768w" sizes="800px" alt="Herb Ritts
American, 1952–2002
Fred with Tires, Hollywood, 1984
From the Body Shop series
Gelatin silver print
47.1 x 38.6 cm (18 9/16 x 15 3/16 in.)
The J. Paul Getty Museum, Los Angeles, Gift of Herb Ritts
Foundation
© Herb Ritts Foundation
2011.18.25">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_98de6afc9ff5425ba710148e54c1e35amv2.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_98de6afc9ff5425ba710148e54c1e35amv2.jpg 1000w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_98de6afc9ff5425ba710148e54c1e35amv2-768x574.jpg 768w" sizes="800px" alt="Glen Luchford
British, born 1968
Kate Moss, Times Square, New York, negative, 1994; print, 2017
Gelatin silver print
50.8 x 61 cm (20 x 24 in.)
The J. Paul Getty Museum, Los Angeles, Gift of Glen and Tanya
Luchford
© Glen Luchford
2017.121.1">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_4844dc41554b4e98a0946a3c781d6ebamv2.jpg" srcset="" data-srcset="" sizes="800px" alt="Scott Schuman
American, born 1968
Style Profile, Ni’ma Ford, December 22, 2011, 2011
Pigment print
30.5 x 21.6 cm (12 x 8 1/2 in.)
© The Sartorialist, Scott Schuman. Courtesy Danziger Gallery
EX.2018.7.63">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_ac37f4ebe65d4a17b78db12286835292mv2.jpg" srcset="" data-srcset="" sizes="800px" alt="George Hoyningen-Huene
American, born Russia, 1900–1968
Bathing Suits by Izod, Paris, 1930
Gelatin silver print
43.2 x 33 cm (17 x 13 in.)
Courtesy of Richard and Allison Roeder
© Horst
EX.2018.7.123">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_66044650856b4b2e8008ba84256635a6mv2-1.jpg" srcset="" data-srcset="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_66044650856b4b2e8008ba84256635a6mv2-1.jpg 784w, https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_66044650856b4b2e8008ba84256635a6mv2-1-768x980.jpg 768w" sizes="800px" alt="Jean-Baptiste Mondino
French, born 1949
Miss M, negative, 1988; print, 2011
Chromogenic print
40.6 x 31.8 cm (16 x 12 1/2 in.)
Courtesy of M+B Gallery and the artist
© Jean-Baptiste Mondino, courtesy of M+B Gallery, Los Angeles
EX.2018.7.140">
                    </span>

                </figure>

            
                <figure>

                    <span>

                        <img class="lazy" src="" data-src="https://www.voirfashion.co.uk/wp-content/uploads/2020/11/d42d94_f79a4fdacaf04b7791e0314f8559964dmv2.jpg" srcset="" data-srcset="" sizes="800px" alt="Guy Bourdin
French, 1928–1991
Untitled, for Charles Jourdan, Spring 1977, negative, 1977; printed
later
Chromogenic print
45.7 x 34.3 cm (18 x 13 1/2 in.)
The Estate of Guy Bourdin, courtesy of Louise Alexander Gallery
Image copyright The Guy Bourdin Estate 2018, courtesy of Louise
Alexander Gallery
EX.2018.7.6">
                    </span>

                </figure>

            
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<p> </p>



<p>                 </p>


<p>The post <a rel="nofollow" href="https://www.voirfashion.co.uk/post/2018-10-12-icons-of-style-a-century-of-fashion-photography-1911-2011/">Icons of Style: A Century of Fashion Photography, 1911-2011</a> appeared first on <a rel="nofollow" href="https://www.voirfashion.co.uk">Voir Fashion</a>.</p>
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