The piece, delicate and sheer, felt closer to lingerie than a traditional top. Styled with low-rise bottoms and minimal accessories, the look was equal parts effortless and intentional. Within hours, it was everywhere—across social feeds, trend reports, and moodboards shaping what summer 2026 will look like.

The Look That Everyone’s Talking About

Kylie’s outfit tapped into multiple trends at once: sheer dressing, lingerie as outerwear, Y2K silhouettes, and archival fashion. But what made it stand out wasn’t just trend alignment—it was restraint.

There was no overstyling, no heavy layering. Just one strong, well-chosen piece worn with confidence.

That balance is what made the look feel current. It wasn’t trying too hard, and that’s exactly why it worked.

Why Vintage Chanel Still Hits

There’s a reason vintage Chanel continues to dominate moments like this. It carries cultural weight—recognizable, but never predictable.

Wearing archival fashion signals more than just style. It reflects a shift in how fashion is consumed and understood:

Curation over consumption
Longevity over trends
Personal taste over mass appeal

In Kylie’s case, the look didn’t feel like nostalgia. It felt like a reintroduction—bringing classic, ultra-feminine pieces into a more stripped-back, modern context.

Beauty: Keeping It Soft

Instead of competing with the outfit, the beauty look stayed understated. Glowy skin, soft lips, and barely-there eye makeup kept the focus exactly where it needed to be.

Hair followed the same direction—natural, slightly undone, and effortless.

It’s a styling shift that’s becoming more visible: letting the outfit lead, while beauty enhances rather than dominates.

Kylie Jenner didn’t just wear a viral outfit—she highlighted where fashion is heading.

Coachella 2026 is confirming a broader shift:

Statement pieces over full looks
Vintage as a new form of luxury
Subtle sensuality over obvious glamour

“Barely-there” fashion isn’t just about showing skin. It’s about intention—choosing pieces that feel personal, directional, and considered.

And if Coachella is any indication, this moment won’t stay in the desert for long.

The post Kylie Jenner Just Rewrote Coachella Style in Vintage Chanel appeared first on Voir Fashion.

Fronted by Margot Robbie and directed by Michel Gondry, the campaign is built on repetition. Set
against a stylised Parisian street recreated on a soundstage, Robbie moves through the same
sequence again and again. With each loop, she multiplies—versions of herself appearing,
overlapping, occupying the same space in slightly altered rhythms.
It is a direct reference to Gondry’s Come Into My World video for Kylie Minogue, but here the
mechanics are stripped back, controlled, and redirected toward a singular focus: the bag.
The Chanel 25 remains constant throughout. While Robbie’s movement repeats and her presence
duplicates, the bag anchors the frame. It appears in different iterations—variations in texture, scale,
and finish—but its role does not change. It is not styled to transform the look. It exists as the one
fixed element within an otherwise shifting environment.

This is where the campaign departs from traditional luxury storytelling. There is no progression, no
climax, no clear beginning or end. Instead, Chanel builds its narrative through accumulation. The
more the image repeats, the more it embeds itself. The viewer is not guided through a story, but
through a rhythm.

Watch Here

The styling reflects this restraint. Robbie is dressed in a mix of casual and coded Chanel—denim,
knits, understated tailoring—grounding the surreal structure of the film in something recognisable.
There is no attempt to overwhelm the frame. The clothes remain secondary, supporting the
movement rather than interrupting it.
Even the setting resists excess. Though constructed, the street feels deliberately contained—almost
too perfect, too controlled. It reinforces the sense that everything within the frame is operating according to a precise system, one that the viewer gradually becomes aware of as the loops
continue.

The campaign’s most self-aware moment arrives quietly, with a cameo from Kylie Minogue herself.
It is brief, almost incidental, but it completes the reference. The original and its reinterpretation
exist side by side, collapsing time into a single visual gesture.
What Chanel achieves here is not reinvention, but recalibration. Rather than introducing a new
narrative, the house leans into something more structural: the power of repetition as a tool of desire.
In a landscape where campaigns often rely on spectacle or conceptual excess, this approach feels
almost counterintuitive. Nothing dramatic happens. Nothing needs to.
The image repeats. The bag remains. And slowly, almost imperceptibly, it becomes the only thing
that matters

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CHANEL 25 bag

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CHANEL 25 Small Handbag

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The post Chanel’s Latest Campaign Turns Repetition Into Desire appeared first on Voir Fashion.

Rather than stage a sombre memorial, Michele approached the moment with the kind of layered
romanticism that has come to define his work. The collection unfolded as a dialogue between
reverence and disruption, heritage and imagination.

Rome as Stage
Palazzo Barberini, with its frescoed ceilings and monumental architecture, provided a setting that
felt almost operatic. Michele has always been a designer fascinated by history, and the location
allowed him to frame the collection within Rome’s visual mythology—where art, cinema and
aristocratic glamour have long intersected.
The palace’s ornate interior echoed the richness of the clothes themselves. Velvet, lace and
jewel-tone fabrics caught the light of the historic rooms, reinforcing the sense that the show was as
much an atmospheric experience as a fashion presentation.

Silhouettes: Between Discipline and Excess
Michele’s signature maximalism was immediately evident. Layers of fabric, elaborate embroidery
and dramatic draping dominated the runway. Yet beneath the decoration there was a surprising
structural clarity.
Coats appeared elongated and precise, their lines controlled despite the weight of embellishment.
Dresses fell into carefully managed pleats, sometimes paired with lace hosiery that introduced a
subtle sensuality.

The silhouettes carried echoes of classical statuary—long vertical lines that allowed the garments
to move with a quiet theatricality.
Where Michele’s earlier work often celebrated visual chaos, this collection suggested a designer
increasingly conscious of Valentino’s historic elegance.

Colour: The Language of Roman Luxury
Colour functioned almost like a narrative device throughout the show. Deep emeralds, sapphires
and burgundy tones appeared repeatedly, creating a palette reminiscent of Renaissance painting.
Velvet gowns in saturated jewel tones moved against darker wool coats and layered silks,
producing contrasts that felt almost painterly.
And then, inevitably, came the moment everyone was waiting for: Rosso Valentino. The house’s
iconic shade of red appeared in the finale gown, a gesture that read unmistakably as homage to the
founder whose name remains synonymous with the colour.

Accessories and Ornament
Accessories amplified the show’s baroque atmosphere. Oversized jewellery, bows and intricate
embellishments appeared throughout the collection, reinforcing Michele’s fascination with
decoration as storytelling.
Yet the styling also included playful touches—layered necklaces, textured tights, and unexpected
pairings that softened the drama of the garments.
The effect hovered somewhere between couture elegance and theatrical costume, a tension
Michele seems particularly drawn to.

The iconic Valentino Rockstud made a striking return on the Valentino Fall/Winter 2026 runway, reminding fashion insiders why the design became one of the house’s most recognisable signatures. First introduced under Pierpaolo Piccioli and Maria Grazia Chiuri, the pyramid studs once again appeared across accessories and footwear, adding an edge of modern glamour. The revival felt both nostalgic and fresh, proving that the Rockstud remains a timeless emblem of Valentino’s bold yet elegant identity.

A House After Valentino
The emotional context surrounding the show inevitably shaped its reception. As the first runway
presentation since Valentino Garavani’s death, the collection carried the weight of history.
For decades, Valentino himself defined the house’s aesthetic—refined glamour, immaculate
tailoring, and the unmistakable presence of Rosso Valentino.
Michele’s approach does not attempt to replicate that legacy directly. Instead, he treats it as a
foundation on which to build something new.
The Fall/Winter 2026 show suggested a house in conversation with its past rather than constrained
by it. The codes remain—romanticism, opulence, the colour red—but they are filtered through
Michele’s own visual imagination.

If the founder’s era was defined by disciplined elegance, Michele’s Valentino appears poised to
explore something more layered: a world where Rome’s history, cinema and art collide with
contemporary fashion.
And in the shadow of Valentino Garavani’s passing, that conversation between past and future
feels more poignant than ever.

The post Valentino Fall/Winter 2026: Meet the New Valentino Woman appeared first on Voir Fashion.

Over the past few years, the once-controversial trouser has quietly become a staple among fashion’s most influential dressers. From off-duty model moments to polished city looks, capris have been embraced by a new generation of style leaders including Bella Hadid, Kendall Jenner, Emily Ratajkowski and Hailey Bieber. Their effortless styling has helped transform the silhouette from early-2000s nostalgia into a modern fashion essential.

What makes capri pants work right now is their versatility. Designers and fashion insiders alike are embracing sleeker, more tailored versions that sit just below the knee or mid-calf, often styled with sharp blazers, oversized shirts, or minimal knitwear. The result feels polished yet relaxed — exactly the balance that defines contemporary spring dressing.

Street style has also played a major role in the trend’s longevity. Fashion girls across New York, Paris and Copenhagen have been pairing capris with ballet flats, kitten heels, and slim sneakers, creating silhouettes that feel both nostalgic and refreshingly modern.

For Spring 2026, the look continues to evolve. Black stretch capris remain the most popular choice, but we’re also seeing tailored versions in suiting fabrics, soft neutrals, and even denim entering the conversation. Styled with structured jackets or simple tanks, the piece easily transitions from day to evening.

In a season where practicality and polish go hand in hand, capri pants offer a perfect middle ground between tailoring and casualwear. And if the fashion crowd — and its favourite It-girls — have anything to say about it, this once-debated silhouette is officially here to stay.

Shop the Look

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CHANEL 25 Small Handbag

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Victoria Beckham Shrunken Fit T-Shirt In White

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Miu Miu Brushed leather sling backs with buckles

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Words By Monica Blanco

The post The Capri Pants Trend Continues: Why They’re Still a Spring 2026 Favourite appeared first on Voir Fashion.

The Mugler Power Suit
One of the most striking looks came in Milan, where Hadid stepped out wearing a sculptural blush
suit from Mugler. The sharply tailored jacket featured a cinched waist and structured shoulders,
paired with a fluid midi skirt that moved dramatically as she walked.
The look carried all the signatures of the house founded by Thierry Mugler: architectural tailoring, a
hyper-feminine silhouette, and subtle sensuality. Bella completed the outfit with pointed ivory
pumps and softly waved hair styled in a vintage supermodel blowout.
The result felt almost cinematic — part 1990s couture, part modern street moment.
Parisian Off-Duty: The Bomber Jacket Formula

Arriving at shows in Paris, Hadid leaned into a uniform she has perfected over the past year:
elevated casualwear.
One standout outfit paired:
• a cropped beige bomber jacket
• a fitted white T-shirt
• high-waisted ivory trousers
• a black leather belt
• square sunglasses

The minimal palette allowed the proportions to do the talking. The oversized bomber contrasted
with the tailored trousers, creating that perfectly relaxed silhouette that has become synonymous
with Hadid’s off-duty wardrobe.
The look was finished with sleek black loafers and understated gold jewelry.

The Leather Slip Dress Moment
For an evening appearance, Hadid turned to a darker palette, stepping out in a fluid black slip dress
layered under a leather jacket.
The dress featured delicate draping and a subtle V-neckline, while the oversized leather jacket gave
the look a slightly rebellious edge. Narrow cat-eye sunglasses, diamond studs and pointed black
heels completed the ensemble.
It was a masterclass in restrained styling — proof that sometimes the most powerful fashion
statement is simply impeccable proportions and impeccable fabric.

Vintage Dior in Paris
One of the most talked-about looks from the week was Hadid’s appearance in a mint-green archival
gown from Dior Spring/Summer 1998.
The dress featured cascading fringe panels that created movement with every step. Styled by
celebrity stylist Mimi Cuttrell, the archival piece perfectly captured the return of late-90s glamour
currently dominating fashion.
Hadid paired the dress with minimal accessories and soft, brushed waves — allowing the archival
piece to take centre stage.

The Y2K Denim Revival
Bella also tapped into one of the biggest trends of the moment: full denim looks.
In one appearance she wore a fitted light-wash denim set — a zip-front jacket and matching jeans
— layered over a white turtleneck. Narrow red-tinted sunglasses added a distinctly early-2000s
touch, reinforcing Hadid’s role in the revival of Y2K aesthetics.
The silhouette echoed the era when supermodels like Kate Moss and Gisele Bündchen dominated
both runway and street style.

The Polka Dot Evening Look
Another standout look featured a halter-neck polka dot top paired with black leather trousers. The
outfit blended vintage femininity with downtown edge — a styling formula Hadid often gravitates
toward.
Rectangular eyeglasses, pointed pumps and glossy straight hair gave the look a slightly intellectual
twist, demonstrating her ability to move between aesthetics without losing coherence.

The Accessories That Defined the Week
Across the week, Hadid relied on a consistent set of accessories that grounded each outfit:
• Slim 90s-inspired sunglasses
• Pointed pumps and sleek loafers
• Structured leather bags, including a glossy black tote from Prada
• Minimal diamond jewellery
These details helped unify wildly different looks — from archival couture to off-duty denim.
Why Bella Hadid Still Defines Street Style

What makes Bella Hadid’s fashion week wardrobe so influential isn’t simply the brands she wears
— it’s the balance between accessibility and high fashion.
She mixes archival runway pieces with everyday staples, structured tailoring with casual basics, and
vintage references with contemporary styling.
In doing so, Hadid continues to shape how fashion week looks beyond the runway.
While designers present the future on the catwalk, Bella Hadid — walking between shows in Milan
and Paris — shows how that future will actually be worn.

Bella Inspired Wardrobe

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ALEXANDER MCQUEEN Cropped leather bomber jacket

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ALESSANDRA RICH Studded leather belt

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The post Bella Hadid’s Milan–Paris Fashion Week Wardrobe Was a Masterclass in Off-Duty Supermodel Style appeared first on Voir Fashion.

Staged against the dramatic backdrop of Paris, the runway delivered a vision of confident elegance. Vaccarello opened the show with a series of oversized power suits—structured silhouettes in deep charcoal, chocolate brown, and inky black that referenced the brand’s historic tailoring legacy. The message was clear from the start: power dressing is back, but this time with a modern, seductive edge.

Watch the Show

A Tribute to an Icon

Central to the collection was the revival of Le Smoking, Yves Saint Laurent’s legendary tuxedo suit introduced in the 1960s that revolutionised womenswear. Vaccarello’s interpretation honoured the heritage of the house while infusing it with contemporary attitude, presenting sleek tuxedo jackets paired with pencil skirts, lace bodysuits, and dramatic outerwear.

The reinterpretation felt both nostalgic and strikingly current. Broad shoulders, sculptural tailoring, and sharply cut silhouettes echoed the glamour of the 1980s, a decade that continues to inspire Vaccarello’s recent collections. Yet the styling remained minimal, allowing the precision of the tailoring to take centre stage.

Sensuality Meets Structure

While the show opened with commanding tailoring, the collection gradually revealed a softer, more provocative dimension. Lace evening jackets worn open over sheer bodysuits, plunging necklines, and delicate fabrics created a dialogue between strength and sensuality. This balance—power and vulnerability—has become a defining signature of Vaccarello’s Saint Laurent.

Accessories played an equally important role. Oversized aviator sunglasses, crystal statement earrings, glossy belts, and antique-inspired brooches added drama without overwhelming the streamlined silhouettes. The brooch, in particular, emerged as a key styling element, fastening lace jackets and hinting at a revival of vintage jewellery trends.

The Celebrity Factor

As expected, the show drew an A-list crowd, reinforcing Saint Laurent’s status as a cultural powerhouse. Figures from fashion, film, and music filled the front row, while models delivered a runway moment that blended glamour with attitude. The presence of celebrities and returning runway stars further amplified the spectacle surrounding the collection.

The Future of Saint Laurent

More than a seasonal collection, the show felt like a statement about the evolution of modern elegance. By revisiting the house’s most iconic pieces while pushing them into contemporary territory, Vaccarello demonstrated how heritage can coexist with innovation.

At a time when fashion is constantly redefining ideas of femininity and power, Saint Laurent’s latest runway offering reminds us that true style lies in confidence, precision, and a touch of daring.

With sharp tailoring, sensual silhouettes, and a renewed focus on the legendary tuxedo suit, Saint Laurent’s Fall/Winter 2026 collection confirms that power dressing isn’t just back—it never really left.

Mariana Blanco

The post Saint Laurent Rewrites Power Dressing at Paris Fashion Week appeared first on Voir Fashion.

The result was a collection that felt less about spectacle and more about construction — a careful
rebuilding of Chanel’s visual language.

The Architecture of Tweed
The show opened with what might be described as the “foundation layer” of the Chanel universe:
tweed. But these were not the nostalgic, prim suits that often define the house’s commercial identity.
Blazy treated tweed almost like a sculptural material.
Jackets were cut with sharper shoulders and longer lines, paired with skirts that dropped slightly
below the knee. The proportions created a subtle shift in silhouette — elongating the body rather
than emphasising the waist.

There was something almost Bauhaus in the discipline of these early looks. The garments felt
reduced to their essential structure: line, texture, proportion. It echoed the Bauhaus principle that
design should reveal the integrity of materials rather than disguise them.
At Chanel, tweed has always been the ultimate material truth.

A Dialogue With the 1920s
As the show progressed, the silhouettes loosened. Drop-waist dresses appeared, and the tailoring
softened into garments that moved more freely around the body.
The effect was unmistakably reminiscent of 1920s Parisian modernism — the moment when artists
like Tamara de Lempicka and Fernand Léger began translating the speed and geometry of modern
life into visual form.
In particular, the way the dresses skimmed the hips before falling into longer lines evoked
Lempicka’s portraits of modern women: sleek, elongated, slightly mechanical yet unmistakably
glamorous.

Blazy seemed less interested in recreating the decade than in referencing its spirit — a period when
fashion, art and architecture were redefining femininity simultaneously.
Surface and Texture
If the silhouettes spoke to modernism, the textiles spoke to experimentation. Alongside traditional
tweeds were fabrics that appeared almost synthetic in their finish: metallic mesh, silicone-woven

textures and glossy knits. These materials created a contrast between the heritage of the house and
something far more futuristic.
The effect recalled the material explorations of Anni Albers, the Bauhaus textile artist whose work
treated fabric not merely as decoration but as a structural element. In several looks, the fabrics
seemed engineered rather than woven — as though Chanel were testing the limits of what a couture
material can be.
This tension between craft and technology gave the collection its intellectual core.
Bags: The Language of Objects

The accessories continued this conversation. The classic Chanel flap bag appeared repeatedly, but
its proportions had been subtly adjusted. Straps were lengthened, bodies softened, and the quilting
occasionally appeared slightly flattened, as if the bag had been worn for decades.
It felt like an object that had aged — intentionally. There were also oversized quilted totes that
introduced a more pragmatic note to the collection. Their scale contrasted with the delicacy of the
garments, suggesting the reality of modern life intruding gently into the Chanel universe.
And then there was the Chanel 25 bag, a new silhouette that merges the casual shape of a tote with
the house’s classic diamond quilting. It is less rigid than the traditional flap and reads as a
contemporary evolution rather than a replacement. Evening bags, meanwhile, were treated almost
as sculpture: small top-handle shapes in metallic finishes and jewel tones that resembled decorative
objects more than functional accessories.

Shoes and Ornament
Footwear remained close to the Chanel canon. The house’s signature two-tone shoes appeared
throughout the show, reinterpreted as slingbacks and pumps with slightly elongated toes.But the
ornamentation offered the real intrigue. Pearls appeared not merely as jewellery but as
embellishment woven directly into garments. Camellia motifs surfaced in appliqués along hems and
lapels, while chains — a long-standing Chanel motif — threaded through jackets and skirts.
These details echoed the surrealist tradition that once fascinated Elsa Schiaparelli, a reminder that
Chanel’s visual vocabulary has always existed within the broader artistic conversations of Paris.
Bhavitha Mandava: A New Face of the House

The show also marked an important cultural moment for the brand with the appointment of
Bhavitha Mandava as a new Chanel ambassador. Mandava, who previously made history as the
first Indian model to open a Chanel runway show, represents a shift in how the house is positioning
itself globally. Her presence at the show underscored the brand’s growing engagement with a wider
cultural landscape — one that extends far beyond Paris.In many ways, her appointment mirrors the
ethos of the collection itself: respectful of history, but aware that the future must expand its frame.

The Chanel Question
Every Chanel collection inevitably raises the same question: how far can the house move without
losing itself? Blazy’s answer appears to be measured evolution. The codes remain — tweed, pearls,
quilting, camellias — but they are stretched, reconsidered, and occasionally placed in unfamiliar
contexts. Rather than rewriting the Chanel language, he seems interested in adjusting its grammar.
And in a season where many brands chase immediacy, that kind of patience feels almost radical.
Chanel has always been about continuity. This show suggested that continuity, when treated with
intelligence, can still produce something new.

Watch the show here

Words by Fabiana Gutierrez

The post Everything You Need To Know About Chanel Fall/Winter 2026 Runway appeared first on Voir Fashion.

Rose Byrne in Chanel
Rose Byrne embodied restrained elegance in a soft ivory Chanel gown.
The sleeveless silhouette featured intricate beaded embroidery cascading
into a fluid, pleated skirt — a lesson in quiet couture. Jewellery remained
delicate and refined: diamond drop earrings and understated rings, likely
high jewellery from Chanel Joaillerie, allowing the craftsmanship of the
dress to remain the focal point.

Chase Infiniti in Louis Vuitton
Chase Infiniti delivered sculptural glamour in a custom, crystal-encrusted
Louis Vuitton gown. The high-neck, long-sleeved silhouette — complete
with a coordinating embellished headpiece — felt both futuristic and Old
Hollywood. She accessorised with diamonds from De Beers, adding
brilliance without competing with the gown’s fully beaded surface. The
synergy between fashion house and jewellery maison was seamless.
Monica Barbaro in a Crystal-Embellished

Yerin Ha in Feathered Drama
Yerin Ha leaned into directional styling with a feather-fringed white
capelet layered over tailored black trousers. The look balanced avant-garde
texture with clean tailoring. Her jewellery remained modern and minimal
— diamond studs and subtle rings — allowing the dramatic movement of
the feathered top to command attention.

Viola Davis in Gucci
Viola Davis wore a deep wine Gucci gown featuring delicate black lace
appliqué over a sheer base and dramatic tulle volume at the hem. Romantic
yet powerful, the look felt quintessentially red carpet. She styled it with
statement diamond earrings and cocktail rings, amplifying the richness of
the burgundy hue.

Gwyneth Paltrow in Givenchy
Gwyneth Paltrow embraced gothic elegance in a custom black lace dropwaist
gown by Givenchy. The plunging neckline and voluminous skirt felt
sensual yet classic — a silhouette that nods to vintage couture.She
completed the look with turquoise drop earrings, offering a striking colour
contrast against the black lace.

Teyana Taylor in Thom Browne
Teyana Taylor arguably shut down the carpet in sculptural Thom Browne.
The corseted bodice featured trompe l’oeil detailing, while the sequined
column skirt flowed into a dramatic train. In a standout moment, her
daughter Rue Rose Taylor accompanied her — adding an emotional layer
to an already powerful fashion statement. Taylor wore bold diamond
jewellery, including a statement necklace and rings that complemented the
silver embellishment of the gown.

Sarah Catherine Hook in Balenciaga
Sarah Catherine Hook opted for contrast dressing in Balenciaga — a
strapless black velvet bodice paired with a voluminous ivory skirt. The
look felt architectural, with sharp proportions that played with classic
ballgown codes. Her jewellery was refined: a diamond choker and subtle
earrings, echoing the monochrome palette.

Ali Larter in Sculpted Crimson
Ali Larter embraced structured glamour in a deep red strapless gown
featuring corseted paneling. The silhouette sculpted the waist and
emphasized clean, elongated lines. She accessorised with a thick metallic
collar necklace and matching bracelet — modern, bold pieces that
contrasted beautifully with the romantic shape of the gown.

Demi Moore in Schiaparelli
Demi Moore wore a striking black column gown with a dramatic white
tulle bustle detail. The look fused sculptural minimalism with couture
fantasy — an unexpected juxtaposition that paid off. Her diamond drop
earrings and sleek updo kept the ensemble sharp and sophisticated.

Irina Shayk in Jean Paul Gaultier
Irina Shayk chose a sheer white lace gown with a plunging neckline and
delicate floral embroidery. The look was sensual yet ethereal, anchored by
soft glam beauty and diamond accents.The jewellery remained understated
— likely fine diamond drops and layered body jewellery enhancing the
delicacy of the lace.

The Menswear Moment
A standout men’s look came courtesy of a sharply tailored double-breasted
black suit, styled with a diamond choker and classic timepiece. The
modern twist on formalwear signaled that the jewellery conversation on
the red carpet is no longer reserved for gowns alone.

The Takeaway
The 2026 SAG Awards red carpet wasn’t about shock value — it was
about intention. Structured corsetry, archival silhouettes, couture-level
embellishment and high jewellery dominated the evening. If this carpet
proves anything, it’s that Hollywood is once again embracing true
craftsmanship, and doing so unapologetically.

Words by Fabiana Gutierrez

The post The 2026 SAG Awards Red Carpet Was a Masterclass in Modern Glamour appeared first on Voir Fashion.

London Fashion Week officially wrapped up this week, closing another season defined by bold casting, emotional storytelling and a renewed focus on craftsmanship. As the final guests departed show venues on Monday evening, the energy across the capital felt clear — AW26 marked a turning point for British fashion.

Over five days, London transformed into a moving runway. Editors rushed between venues, street style photographers crowded entrances, and designers delivered collections that reflected both the realities of modern dressing and fashion’s enduring need for spectacle.

From Burberry’s star-powered finale to Simone Rocha’s redefining of femininity, here’s what stood out from the shows that shaped London Fashion Week AW26.

Burberry Closed the Week

Closing the schedule, Burberry delivered one of the week’s most talked-about moments. Outside the venue, crowds gathered hours before showtime, signalling the anticipation surrounding Daniel Lee’s latest vision for the British house.

This season shifted Burberry firmly into city territory. Oversized trench coats, textured shearling and deep-toned leather outerwear reflected London after dark — practical yet unmistakably polished.

Midway through the show, attention turned as Romeo Beckham appeared on the runway, reinforcing the brand’s connection to contemporary British culture. Later, Rosie Huntington-Whiteley brought cinematic glamour, her walk drawing audible reactions from the audience.

The collection felt confident, grounded and unmistakably London.

Simone Rocha Redefined Modern Femininity

Simone Rocha presented one of the most emotionally resonant shows of the week. Her continued exploration of softness collided with athletic practicality, as delicate tulles and pearl embellishments met sportswear silhouettes.

Layered tutus worn over track trousers captured the mood perfectly — romance adapted for movement and reality. Rocha’s AW26 woman felt protected rather than fragile, signalling a broader shift seen across London’s runways.

Erdem Marked Twenty Years of Design
Celebrating two decades of the brand, Erdem’s collection reflected on past muses while pushing forward. The atmosphere inside the show carried a quiet reverence as layered textiles, floral embroidery and historical silhouettes moved down the runway.

Rather than nostalgia, the collection functioned as evolution — demonstrating how heritage can continuously reshape itself within contemporary fashion.

Richard Quinn Delivered Pure Runway Theatre

Richard Quinn once again embraced spectacle. Voluminous gowns, high-impact florals and sculptural eveningwear transformed the runway into couture fantasy.

In a season dominated by practicality, Quinn’s commitment to glamour felt intentional — reminding audiences that fashion still thrives on drama and escapism.

Conner Ives Brought Intimacy to the Schedule

Presented at Claridge’s, Conner Ives’ show stood in contrast to larger productions. Guests sat close enough to observe reconstructed fabrics and hand-finished details, reinforcing the designer’s commitment to sustainability through storytelling.

Upcycled textiles were elevated into refined eveningwear, proving conscious design continues to shape London’s creative identity.

Patrick McDowell Championing Responsible Luxury

Patrick McDowell’s presentation highlighted craftsmanship and collaboration. Structured tailoring merged with repurposed materials, positioning sustainability not as limitation but innovation.

The atmosphere reflected London’s growing emphasis on community-led fashion practices.

Di Petsa Celebrated the Body

Di Petsa closed her presentation with signature wet-look draping that moved like liquid across the body. The collection explored sensuality through empowerment, celebrating natural form and emotional vulnerability.

After London Fashion Week

Now that London Fashion Week AW26 has wrapped up, the season leaves behind a clear message: British fashion is entering a period of confidence and reflection. Designers balanced heritage with experimentation, proving London remains the industry’s most fearless creative platform.

As the show spaces empty and the city returns to normal pace, the influence of this week’s collections is only just beginning.

Words by Jyoti Matoo

The post London Fashion Week AW26: The Shows That Just Wrapped Up Across the Capital appeared first on Voir Fashion.

A New Kind of Bridal Energy
What makes this campaign feel fresh is the tension between timelessness and rebellion. Pearls —
long associated with purity and romance — appear throughout the collection, yet they feel less
traditional and more sculptural. A standout sandal is covered in nearly two thousand pearl details,
while lace and crystal embellishments bring a romantic softness that still feels fashion-forward.
Instead of positioning bridal as delicate or overly precious, the imagery leans into confidence.
Gabbriette’s presence shifts the narrative from fairytale bride to modern muse, reinforcing the idea
that wedding style today is less about conformity and more about personal identity.

Heritage Pieces Meet New Icons
The campaign doesn’t abandon the house’s legacy. Signature styles return alongside new designs,
creating a dialogue between past and present. Iconic anklet-detail pumps and heavily embellished
sandals sit next to newer silhouettes exploring lace textures and sculptural shapes.
Accessories also play a key role. The satin BON BON bag appears reimagined for bridal,
reinforcing Jimmy Choo’s strategy of turning wedding pieces into keepsakes rather than single-use
fashion moments.
This balance between heritage and novelty reflects a broader shift in luxury bridal: products are
designed to exist beyond the ceremony, blurring the line between occasion wear and everyday
glamour.

The Gabbriette Effect
Casting Gabbriette feels deliberate. Her aesthetic — somewhere between gothic cool and
understated minimalism — challenges the visual clichés often associated with bridal campaigns.
Instead of hyper-romantic poses, the imagery feels editorial, almost cinematic, leaning into attitude
rather than innocence.
It’s a strategic move for Jimmy Choo, positioning bridal as an extension of fashion culture rather
than a separate category. By choosing a figure known for subversive style, the brand signals that
modern brides are not defined by tradition alone.

Bridal as Fashion Narrative
Ultimately, the campaign reinforces Jimmy Choo’s ongoing exploration of modern femininity. The
shoes and accessories are undeniably romantic, but the storytelling feels sharper, more
contemporary and globally relevant.Rather than presenting bridal as a final chapter, The Rules of
Engagement frames it as another form of self-expression — one that blends craftsmanship,
personality and cultural relevance. In a fashion landscape where bridal marketing often feels
predictable, that shift feels quietly radical.

Words by Fabiana Gutierrez

The post Jimmy Choo’s Gabbriette Bridal Campaign Rewrites the Rules of Wedding Glamour appeared first on Voir Fashion.