The exclusive celebration marked a defining moment for both brands, bringing together influential figures from the worlds of fashion, media, luxury, and entertainment to honour creativity, excellence, and the future of the global fashion industry.

A highlight of the evening was the official appointment of VOIR Fashion Magazine Founder and Editor-in-Chief, Jyoti Matoo, as the UK Representative for FashionTV—an exciting new chapter that signals ambitious plans for the growth and expansion of FashionTV across the United Kingdom.

The evening also celebrated the exclusive launch of a special collector’s edition of VOIR Fashion Magazine featuring three iconic covers. The highly anticipated issue spotlighted fashion legend Professor Jimmy Choo, activist and model Munroe Bergdorf, and FashionTV CEO Maria Lisowska. The triple-cover edition reflects the vision, influence, and achievements of three remarkable figures shaping the future of fashion, culture, and global media.

The event featured the presentation of two prestigious FashionTV Awards by Maria Lisowska, recognising outstanding contributions to fashion and culture:

Professor Jimmy Choo received the FashionTV Diamond Legacy Award, celebrating his extraordinary impact on the global luxury fashion industry and his enduring influence on generations of designers and entrepreneurs.

Munroe Bergdorf was honoured with the FashionTV Icon Award, recognising her powerful contribution to fashion, advocacy, representation, and cultural change.

Guests enjoyed an exceptional evening of luxury experiences, networking, and celebration, surrounded by some of the industry’s most respected creatives, innovators, and leaders. The atmosphere reflected the energy and vision behind this exciting collaboration, setting the stage for a dynamic future for FashionTV in the UK.

The official highlights film captures the elegance, excitement, and unforgettable moments from what has already become one of London’s most talked-about fashion gatherings of the year.

A very special thank you to Upstairs at Langan’s for hosting this remarkable evening, Le Grand Caviar for the exquisite caviar experience, Grey Goose for sponsoring the drinks reception, Mozart Concierge for the stunning floral installations, and Ian Taylor, founder of ESTAGE, for his invaluable production support.

We would also like to extend our sincere gratitude to all guests, partners, creatives, collaborators, and supporters whose presence helped make the evening truly unforgettable.

As FashionTV and VOIR Fashion Magazine embark on this exciting partnership, this event represents only the beginning. Alongside the launch of the special three-cover edition, a series of innovative projects, exclusive collaborations, international initiatives, and industry-defining experiences are already underway. Together, FashionTV and VOIR are committed to creating new opportunities, celebrating exceptional talent, and shaping the future of fashion media on a global scale.

Watch this space—the next chapter is only just beginning.

Produced by VOIR Fashion Magazine in collaboration with FashionTV.

Photography Younce Lopes

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View the Magazine here

View the magazine here

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Professor Jimmy Choo is more than a world-renowned designer—he is a global icon whose journey has inspired generations of creatives and entrepreneurs. In this exclusive feature for Voir Magazine, Professor Jimmy Choo reflects on his remarkable career, the evolution of luxury fashion, the importance of craftsmanship, and his vision for nurturing the next generation of talent. A story of passion, perseverance, and timeless elegance, this interview offers rare insights into the man behind one of fashion’s most influential names.

Photography Matt Moor House

View the magazine here

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And naturally, what would a football campaign be without a Beckham?
Leading Burberry’s line-up is Romeo Beckham, joined by an all-star cast featuring Rosie Huntington-Whiteley, Neelam Gill, Declan Rice, Leah Williamson, Son Heung-min, Eberechi Eze and Naomi Girma alongside Jason Sudeikis, Jodie Turner-Smith, Stephen Graham and Lucy Punch. Models including Bright Vachirawit, Mika Hashizume and He Cong complete the campaign, creating a cast that moves effortlessly between fashion, sport, music, film, and global celebrity culture.
The casting itself says everything about where Burberry stands today. Heritage faces sit beside contemporary icons. Models mix with athletes. British glamour collides with football culture in a way that feels instinctive rather than forced.

Visually, the campaign embraces a kind of organised chaos. Rain-soaked energy sits beside polished tailoring. Traditional Burberry outerwear is layered with sportswear references, while stadium culture becomes elevated without losing its authenticity. Even the soundtrack — Bloc Party’s Banquet — adds to the unmistakably British atmosphere running throughout the film.
But what makes A Good Sport particularly compelling is that Burberry does not romanticise football from the outside looking in. It understands that football is not simply a sport in Britain — it is a language. A community. A visual identity of its own.

Burberry has always existed close to that conversation, whether intentionally or not. Long before luxury fashion fully embraced football culture, the Burberry check had already become embedded within British street style and terrace culture for generations. This campaign feels like the house reclaiming that history with confidence — not distancing itself from it, but evolving it into something sharper, more self-aware, and culturally current.
And perhaps that is why A Good Sport feels so successful. It is not trying to imitate British culture.
It already belongs to it.

The result is a campaign that feels both nostalgic and modern at once — cinematic without losing humour, luxurious without feeling distant.
With A Good Sport, Burberry is not simply selling fashion.
It is selling British identity itself.
And in doing so, the house has entered a league of its own.

Watch here

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This season, Saint Laurent under the creative eye of Anthony Vaccarello steps into a new chapter of sunlit elegance and cinematic allure with its Summer 2026 campaign, shot with striking warmth and precision by acclaimed British photographer Glen Luchford.

Where many fashion campaigns chase spectacle, this latest suite of images embraces mood over moment — capturing a sensibility that feels both timeless and intimately present. Luchford’s lens — celebrated for its cinematic lighting and textured depth — gives Vaccarello’s latest vision an almost filmic pulse, where every photograph feels like a whisper from the set of an unwritten summer classic.

Casting a New Mood

Fronting the campaign are standout faces like Agel Akol, Awar Odhiang, and Sarah Isaksen, each embodying a cool, unstudied ease. There’s no frantic posing here — instead, the models move with a relaxed assurance, letting the clothes and the camera co-author their stories. Through Luchford’s frames, each gaze, gesture, and shadow becomes part of a language of effortless confidence.

Clothes That Speak Louder Than Words

Vaccarello’s Summer 2026 collection, while rooted in Saint Laurent’s iconic codes — sleek tailoring, refined silhouettes, and a subdued palette — feels refreshed under the warmth of summer light. Here, Saint Laurent’s signature attitude isn’t shouted but felt: an unforced blend of modern cool and Parisian nonchalance.

Whether it’s the fine cut of a linen blazer or the fluid line of a bias skirt, the garments resonate within Luchford’s cinematic compositions, where light and texture entwine to elevate the everyday into the extraordinary. The result? Clothing that doesn’t just look good — it feels alive.

A Visual Narrative That Breathes

More than a catalogue of trends, this campaign feels like a lived story. In Luchford’s frames, sunlight becomes a co-conspirator — weaving highlights and shadows that lend a soft narrative tension to every shot. It’s cinematic photography at its most evocative: a world you want to step into, with a soundtrack you almost hear in your head.

And that’s precisely where Saint Laurent under Vaccarello thrives — at the intersection of fashion and feeling. It’s less about the statement pieces and more about the state of being they invite — cool, composed, and unmistakably chic.

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As anticipation builds for Euphoria Season 3, one thing is already clear: beyond the drama, the chaos, and the glitter-soaked heartbreak, it’s Maddy’s wardrobe that fans are ready to fall back into. And honestly—how could we not miss it?

The Era of Maddy Perez
Played with magnetic intensity by Alexa Demie, Maddy Perez didn’t just wear clothes—she weaponised them. Every look was deliberate, sculpted, and unapologetically bold.

From skin-tight co-ords to barely-there dresses, her style walked the line between hyper-feminine and fiercely dominant. Think bodycon silhouettes, cut-outs, and high-glam makeup—paired with an attitude that made every hallway feel like a runway.

Maddy wasn’t following trends. She was the trend.

Fashion as Power

What made Maddy’s style so unforgettable wasn’t just the clothes—it was the intention behind them. Her wardrobe reflected control, confidence, and contradiction. Soft fabrics, sharp energy. Vulnerability wrapped in gloss.

In a show built on emotional extremes, Maddy used fashion as armour. Each outfit told us exactly who she was in that moment—whether she was reclaiming power or quietly falling apart.

And that’s why it stuck. It felt real.

The Influence Still Lives On

Even between seasons, Maddy’s aesthetic hasn’t gone anywhere. Scroll through TikTok or Instagram and you’ll still see her fingerprints everywhere: slicked-back hair, statement liner, matching sets, and that signature “don’t touch me” energy.

Designers, too, have echoed her impact—leaning into sensual silhouettes, glossy textures, and unapologetic femininity. The “Euphoria effect” may have started as a moment, but Maddy made it a movement.

Season 3: The Return of a Style Icon

With Season 3 on the horizon, the question isn’t whether Maddy will deliver—it’s how hard. Will we see a more refined version of her signature look? Or something entirely unexpected?

Either way, one thing is certain: all eyes will be on her.

Because Maddy Perez doesn’t just enter a scene—she owns it.

Oh Maddy… We Really Did Miss You

In a world of ever-changing aesthetics, Maddy remains timeless. Not because her style stays the same—but because her presence never fades.

And as Euphoria prepares to return, so does one of fashion’s most unforgettable muses.

Welcome back, Maddy.

The Trailer: A Shift in Tone

The Season 3 trailer signals a noticeable evolution. The glitter hasn’t disappeared—but it’s dimmed, replaced with something heavier, more reflective. There’s a sense of distance in the visuals, hinting at time having passed and consequences settling in.

The world of Euphoria looks sharper, more cinematic, and emotionally charged. Relationships feel fractured, identities more defined, and the chaos—more controlled, but no less intense.

Maddy Perez: A New Era of Power

Even in brief moments, Alexa Demie’s Maddy feels different.

Gone is some of the overt maximalism—replaced by a more refined, controlled energy. The styling hints at maturity: sleeker silhouettes, cleaner lines, and a quieter kind of dominance. It’s less about proving something, and more about knowing it.

If previous seasons gave us Maddy the icon, Season 3 might give us Maddy the woman.

When Does Season 3 Start?

While HBO has officially confirmed Euphoria Season 3, the exact release date is still being closely watched. Based on current announcements, the new season is expected to premiere in 2026, with production timelines pointing toward a likely mid-to-late year release.

What’s certain is that anticipation is at an all-time high—and the trailer has only intensified it.

More Than a Comeback

Season 3 isn’t just a continuation—it feels like a transformation. The trailer suggests a story that’s grown with its characters, stepping into a more grounded, complex space.

And at the centre of it all, Maddy Perez remains a cultural force—her style evolving, her presence undeniable.

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The piece, delicate and sheer, felt closer to lingerie than a traditional top. Styled with low-rise bottoms and minimal accessories, the look was equal parts effortless and intentional. Within hours, it was everywhere—across social feeds, trend reports, and moodboards shaping what summer 2026 will look like.

The Look That Everyone’s Talking About

Kylie’s outfit tapped into multiple trends at once: sheer dressing, lingerie as outerwear, Y2K silhouettes, and archival fashion. But what made it stand out wasn’t just trend alignment—it was restraint.

There was no overstyling, no heavy layering. Just one strong, well-chosen piece worn with confidence.

That balance is what made the look feel current. It wasn’t trying too hard, and that’s exactly why it worked.

Why Vintage Chanel Still Hits

There’s a reason vintage Chanel continues to dominate moments like this. It carries cultural weight—recognizable, but never predictable.

Wearing archival fashion signals more than just style. It reflects a shift in how fashion is consumed and understood:

Curation over consumption
Longevity over trends
Personal taste over mass appeal

In Kylie’s case, the look didn’t feel like nostalgia. It felt like a reintroduction—bringing classic, ultra-feminine pieces into a more stripped-back, modern context.

Beauty: Keeping It Soft

Instead of competing with the outfit, the beauty look stayed understated. Glowy skin, soft lips, and barely-there eye makeup kept the focus exactly where it needed to be.

Hair followed the same direction—natural, slightly undone, and effortless.

It’s a styling shift that’s becoming more visible: letting the outfit lead, while beauty enhances rather than dominates.

Kylie Jenner didn’t just wear a viral outfit—she highlighted where fashion is heading.

Coachella 2026 is confirming a broader shift:

Statement pieces over full looks
Vintage as a new form of luxury
Subtle sensuality over obvious glamour

“Barely-there” fashion isn’t just about showing skin. It’s about intention—choosing pieces that feel personal, directional, and considered.

And if Coachella is any indication, this moment won’t stay in the desert for long.

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Opening at London’s Victoria and Albert Museum, Schiaparelli: Fashion Becomes Art is already being hailed as one of 2026’s most important cultural moments—an exhibition that doesn’t just showcase fashion, but reframes it entirely.

Running from 28 March to November 2026, the show marks the first major UK exhibition dedicated to the house of Schiaparelli, tracing its legacy from the 1920s to its modern revival.

Where Surrealism Meets Couture

Founded by visionary designer Elsa Schiaparelli, the house has always existed in a space between reality and imagination. This exhibition brings that world to life—placing iconic garments alongside works by artists like Salvador Dalí, Jean Cocteau, and Pablo Picasso.

Expect the unexpected:
the legendary Lobster Dress, the haunting Skeleton Dress, and surreal accessories like the infamous Shoe Hat. These are not just garments—they are provocations, challenging the very definition of fashion.

Schiaparelli didn’t follow trends. She created a language.

More Than Fashion—A Cultural Movement

What makes this exhibition so powerful is its scope. Featuring over 200 objects, it moves beyond clothing to include photography, sculpture, perfume, and archival material.

It tells the story of a designer who blurred boundaries long before it became industry standard—merging fashion with performance, art, and identity.

As the V&A itself positions it, this is not just a retrospective—it’s a celebration of one of the most “ingenious and daring designers in fashion history.”

From Elsa to Now: The Roseberry Era
The exhibition doesn’t stop at history—it extends into the now.

Under creative director Daniel Roseberry, Schiaparelli has re-entered the cultural conversation with viral, sculptural couture moments—worn by the likes of Bella Hadid and Kylie Jenner.

From gilded anatomical details to hyper-surreal silhouettes, Roseberry’s work channels Elsa’s original vision while pushing it into a digital-age spectacle.

The message is clear: Schiaparelli isn’t heritage—it’s alive.

Why This Exhibition Matters Now

In an era where fashion is increasingly consumed through screens, Fashion Becomes Art reminds us of its physical, emotional, and artistic power.

Schiaparelli’s work feels more relevant than ever—bold, strange, unapologetic. It speaks to a generation that values individuality over perfection, expression over conformity.

This is fashion at its most fearless.

A Must-See Moment

More than just an exhibition, this is a statement: fashion has always been art—we’re only just catching up.

And in true Schiaparelli spirit, it’s outrageous, surreal, and impossible to ignore.

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While the moment itself wasn’t rooted in London, the look draws from one of the city’s most exciting fashion voices—Di Petsa, the London-based womenswear label redefining sensuality through an ecofeminist lens.

Di Petsa: Where Craft Meets Concept

Founded in 2019 by Greek designer Dimitra Petsa, Di Petsa is a London-based brand built on the exploration of the relationship between women and water. The label merges traditional craftsmanship—shaped by Petsa’s upbringing alongside her seamstress grandmother—with her academic training in performance design and womenswear at Central Saint Martins.

The result is a distinctive “contemporary goddess aesthetic”: a balance of draped silhouettes, innovative textile development, and interdisciplinary storytelling that spans fashion, performance, and film.

The Signature “Wetlook”

Central to the brand’s identity is the now-iconic “Wetlook” dress—an instantly recognisable design that appears as though fabric is suspended on the body like water. More than an aesthetic, it represents self-acceptance, fluidity, and the natural evolution of the body.

The design has been embraced by a powerful roster of artists and cultural figures, including Bella Hadid, FKA Twigs, Lizzo, Doja Cat, and SZA.

It has also shaped defining fashion moments, most notably in ethereal pregnancy reveals worn by Bella Hadid and Nicki Minaj—transforming the garment into a symbol of creation and transformation.

AW26: A Study in Fluid Power

Zendaya’s AW26 look captures the essence of Di Petsa’s philosophy—fluid, sculptural, and emotionally charged. The drapery moves with intention, echoing water’s natural rhythm while celebrating the body in all its forms.

Di Petsa’s approach to design remains rooted in intimacy and inclusivity, embracing all sizes, gender expressions, and the ever-changing nature of the body. It is fashion that invites connection rather than perfection.

A Growing Global Presence

The brand’s conceptual strength has earned it international recognition, with features in Vogue US, Vogue Paris, i-D, DAZED, and Harper’s Bazaar Singapore. Its nomination for the DAZED100 NextGen Designer in 2021 further cemented its position as a rising force in contemporary fashion.

More Than a Look

Zendaya’s appearance in Di Petsa AW26 is not just a fashion moment—it’s a continuation of a narrative. One that embraces fluid identity, honours craftsmanship, and challenges traditional ideals of beauty.

With Di Petsa, fashion becomes something deeper: a language of the body, shaped by water, movement, and emotion.

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This is not a dealership. It is not merchandise. It is something closer to a curated environment—one
that translates speed, precision, and engineering into material, space, and atmosphere.

The Architecture of Desire
The first thing that defines the store is not product, but colour.
Ferrari red—hyper-saturated, immersive, almost oppressive—envelops entire corridors, creating a
sensory experience that feels closer to installation art than retail. The space does not simply
reference the brand’s racing heritage; it embodies it. Light panels stretch across ceilings like
aerodynamic lines, while mirrored perspectives extend the architecture into infinity, evoking motion
even in stillness.

Then, abruptly, the palette shifts.
Soft metallic neutrals—champagne, brushed aluminium, warm beige—take over the main retail
floor. Here, the intensity of red is replaced with restraint. Garments are displayed with almost
surgical precision: a single rail, a curated edit, nothing excessive. The contrast is deliberate. Where
the corridor is emotion, the retail floor is control.
This duality—heat and discipline, instinct and engineering—mirrors Ferrari itself.

Product as Object, Not Merchandise
The clothing offering sits at the core of this new identity.
Rather than traditional logo-heavy merchandising, Ferrari presents a sharply edited ready-to-wear
collection: sculptural leather coats, engineered tailoring, and sharply cut dresses in tonal reds and
deep oxbloods. The silhouettes feel closer to fashion houses than automotive branding—precise,
architectural, and quietly assertive.Accessories follow the same philosophy. Bags—structured, minimal, often stripped of overt branding—reference the language of performance through material rather than logo. Even footwear feels engineered rather than styled.
This is not about selling Ferrari to fans.
It is about positioning Ferrari within luxury fashion.

The Museum Within the Store
Perhaps the most unexpected element is what appears, at first glance, to be entirely out of place:
mechanical components displayed like artefacts.
Crankshafts, engine parts, fragments of machinery—each encased in glass, lit like sculpture.
This is where the store becomes something more than retail. Ferrari inserts its origin—engineering,
speed, mechanics—directly into the space, not as nostalgia, but as context. It reminds the viewer
that beneath the refinement, beneath the clothing, there is still a machine.
And that machine is the brand.

A Strategic Shift
This London opening is part of a broader move. Ferrari is expanding its “lifestyle division”
globally, with flagship stores designed not just to sell products, but to create immersive brand environments.
The intention is clear: Ferrari is no longer positioning itself solely as a car manufacturer, but as a
cultural and luxury entity that exists beyond the road.
London—specifically Mayfair—is the perfect stage. Surrounded by heritage maisons and
contemporary luxury players, Ferrari inserts itself not as an outsider, but as an equal.

Beyond the Car
What this store ultimately represents is a question: what happens when a brand built on movement
chooses to stand still?
The answer, in this case, is surprisingly powerful.
By translating speed into space, engineering into clothing, and legacy into atmosphere, Ferrari
proves that its identity is not limited to the car. It is a language—one that can be worn, inhabited,
and experienced.
And in London, that language has finally found a new form.

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